Hell

Medieval illustration of Hell in the Hortus deliciarum manuscript of Herrad of Landsberg (about 1180)

A hell, according to many religious beliefs, is a place or a state of suffering where the wicked or unrighteous dead are punished. Hells are almost always depicted as underground. In Christianity and Islam, hell is fiery. Hells from other traditions, however, are sometimes cold and gloomy. Some hells are described in graphic and gruesome detail (for example, Buddhist naraka). Religions with a linear divine history often depict hell as endless (for example, see Hell in Christian beliefs). Religions with a cyclic history often depict hell as an intermediary period between incarnations (for example, see Chinese Di Yu). Modern understandings of hell often depict it abstractly, as a state of loss rather than as fiery torture literally under the ground.

According to many religions, the afterlife accords evildoers to suffer eternally. In some monotheistic doctrines, Hell is often populated by demons who torment the damned. The fallen angel Lucifer in Christian cultures, (sometimes identified as the same individual as Satan) is portrayed in popular culture as the ruler of Hell. Christian theologians portray Hell as the final resting place for the Devil and the fallen angels (demons), prepared as their punishment by God. Hell is also defined as complete and final separation of God's love and mercy from sinners who have rejected his moral standards of goodness and have chosen to live a rebellious life of sin. Purgatory, as believed by Catholicism, is a place of penance for the sinner who has ultimately achieved salvation but has not paid penance for the sins committed in life. Hell on the contrary is commonly believed to be for eternity with no chance of redemption or salvation for those who suffer there. Some branches of the Christian faith teach it is a domain of boundless dimension, scope, and torment. Many monotheistic religions regard Hell as the absolute ultimate worst-case-scenario, per se. For some Gnostics, including the Cathars, hell was none other than this present life on earth. Furthermore, hell is sometimes thought by others to be a permanent state of unconsciousness for all eternity, i.e. permanent death. All ideas of Hell as a physical place existing in some kind of realm are regarded as antiquated myths by most modern scholars.^{[citation needed]} Every account of Hell is usually interpreted as a purely symbolic way of describing states of mind causing pain and suffering, and the actions which supposedly result in one's soul being sent to Hell (i.e. the so called "sins") are precisely those actions that in everyday life cause those states of mind.

In polytheistic religions, the politics of Hell can be as complicated as human politics. Many Hellenistic Neopagans believe in Tartarus, which may also be considered a version of Hell.

Etymology

The English word "hell" comes from the Germanic "hel", which originally meant "to cover". "Hel" later referred to the goddess of the Norse underworld and daughter of Loki, Hel. Compare Anglo-Saxon helan, Greek kalyptein and Latin celare="to hide, to cover" (all from PIE *kel-[1]).

Religious accounts

A vision of hell from Dante’s Divine Comedy. Illustration by Gustave Doré.

Hell appears in several mythologies and religions . It is commonly inhabited by demons and the souls of dead people.

Hell is often depicted in art and literature, perhaps most famously in Dante's Divine Comedy.

Rabbinic Judaism

Gehenna is defined in rabbinic literature. It is sometimes translated as "Hell", but this doesn't effectively convey its meaning. The term Gehenna (also prononuced Gehennom) is originally taken from the name of a valley (Gai' ben-Hinom - the dry valley of the son of Hinom) in Jerusalem. In ancient Israel, this area was a site of human sacrifice.

In Judaism, Gehenna is not hell, but rather a sort of Purgatory where one is judged based on their life's deeds. The Kabbalah describes it as a "waiting room" (commonly translated as an "entry way") for all souls (not just the wicked). The overwhelming majority of rabbinic thought maintains that people are not in Gehenna forever; the longest that one can be there is said to be 12 months, however there has been the occasional noted exception. Some consider it a spiritual forge where the soul is purified for its eventual ascent to Olam Habah (heb. עולם הבא; lit. "The world to come", often viewed as analogous to Heaven). This is also mentioned in the Kabbalah, where the soul is described as breaking, like the flame of a candle lighting another: the part of the soul that ascends being pure and the "unfinished" piece being reborn.

Ancient Greek religion

Another source for the modern idea of 'Hell' is the Greek and Roman Tartarus, a place in which conquered gods, men and other spirits were punished. Tartarus formed part of Hades in Greek mythology and Roman mythology, but Hades also included Elysium, a place for the reward for those who lead virtuous lives, whilst others spent their afterlife in the asphodels fields. Like most ancient (pre-Christian) religions, the underworld was not viewed as negatively as it is in Christianity and Islam.

Christianity

Most Christians see hell as the eternal punishment for unrepentant sinners, as well as for the Devil and his demons. Virtuous unbelievers (such as pagans or members of divergent Christian denominations) are said to deserve hell on account of original sin, and even unbaptized infants are sometimes said to be damned. Exceptions, however, are often made for those who have failed to accept Jesus Christ but have extenuating circumstances (youth, not having heard the Gospel, mental illness, etc.). As opposed to the concept of Purgatory, damnation to hell is considered final and irreversible. Various interpretations of the torment of hell exist, ranging from fiery pits of wailing sinners to lonely isolation from God's presence. Dante's The Divine Comedy is a classic inspiration for modern images of hell. Most Christians believe that damnation occurs immediately upon death (particular judgment), others that it occurs after Judgment Day. Attitudes toward hell and damnation have softened over the centuries (for example, see Limbo), and several Christian denominations reject the traditional concept of hell altogether (see Annihilationism, Seventh-day Adventists, Jehovah's Witnesses, Mormons, Unitarian-Universalists, and Universalists).

Islam

Muslims believe in jahannam (in Arabic: جهنم) (which is similar to Hebrew ge-hinnom and resembles the versions of hell in other Abrahamic religions). In the Qur'an, the holy book of Islam, there are literal descriptions of the condemned in a fiery Hell, as contrasted to the garden-like Paradise enjoyed by righteous believers.

The meaning of jahannam is to do with hotness (whereas in Hebrew Gehenna is said to mean a narrow deep valley). The word for paradise is jannah which means garden.

In addition, Heaven and Hell are split into many levels depending on the actions taken in life, where punishment is given depending on the level of evil done in life, and good is separated into other levels depending on how well one followed God (Arabic: Allah) while alive.

There is an equal number of mentions of both hell and paradise in the Qur'an.

The Qur'an also says that some of those who are damned to hell are not damned forever, but instead for an indefinite period of time. When Judgement Day comes, the formerly damned will be judged as to whether or not they may enter into Paradise. In any case, there is good reason to believe that punishment in Hell is not meant to actually last eternally, but instead serves as a basis for spiritual rectification.

Chinese and Japanese religions

Main article: Di Yu, the Chinese Hell

The structure of Hell is remarkably complex in many Chinese and Japanese religions. The ruler of Hell has to deal with politics, just as human rulers do. Hell is the subject of many folk stories and manga. In many such stories, people in hell are able to die again.

The Chinese depiction of Hell doesn't necessarily mean a long time suffering for those who enter Hell, nor does it mean that person is bad. The Chinese view Hell as similar to a present day passport or immigration control station. In a Chinese funeral, they burn many Hell Bank Notes for the dead. With this Hell money, the dead person can bribe the ruler of Hell, and spend the rest of the money either in Hell or in Heaven.

Taoism

Ancient Taoism had no concept of hell, as morality was seen to be a man-made distinction and there was no concept of an immaterial soul. In its home country China, where Taoism adopted tenets of other religions, popular belief endows Taoist Hell with many deities and spirits who punish sin in a variety of horrible ways.

Hinduism

In Hinduism, there are contradictions as to whether or not there is a hell (referred to as 'Nark' in Hindi). For some it is a metaphor for a conscience. But in Mahabharata there is a mention of the Pandavas and the Kauravas going to hell. Hells are also described in various Puranas and other scriptures. Garuda Purana giives a detailed account on hell, its features and enlists amount of punishment for most of the crimes like modern day penal code.

It is believed that people who commit 'paap' (sin) go to hell and have to go through the punishments in accordance to the sins they committed. The god Yama, who is also the god of death, is the king of hell. The detailed accounts of all the sins committed by an individual are supposed to be kept by Chitragupta who is the record keeper in Yama's court. Chitragupta reads out the sins committed and Yama orders the appropriate punishments to be given to the individuals. These punishments include dipping in boiling oil, burning in fire, torture using various weapons etc. in various hells. Individuals who finish their quota of the punishments are reborn according to their karma. All of the created are imperfect and thus have at least one sin to their record, but if one has led a generally pious life, one ascends to Heaven, or Swarga after a brief period of expiation in hell.

Tour of Vedic universe

Buddhism

As diverse as other religions, there are many beliefs about Hell in Buddhism.

Most of the schools of thought, Theravāda, Mahāyāna, and Vajrayāna would acknowledge several hells^{[citation needed]}, which are places of great suffering for those who commit evil actions, such as cold hells and hot hells. Like all the different realms within cyclic existence, an existence in hell is temporary for its inhabitants. Those with sufficiently negative karma are reborn there, where they stay until their specific negative karma has been used up, at which point they are reborn in another realm, such as that of humans, of hungry ghosts, of animals, of asuras, of devas, or of Naraka (Hell) all according to the individual's karma.

There are a number of modern Buddhists, especially among Western schools, who believe that hell is but a state of mind. In a sense, a bad day at work could be hell, and a great day at work could be heaven. This has been supported by some modern scholars who advocate the interpretation of such metaphysical portions of the Scriptures symbolically rather than literally.

Bahá'í Faith

The Bahá'í Faith regards the conventional description of hell (and heaven) as a specific place as symbolic. Instead the Bahá'í writings describe hell as a "spiritual condition" where remoteness from God is defined as hell; conversely heaven is seen as a state of closeness to God. Bahá'u'lláh, the founder of the Bahá'í Faith, has stated that the nature of the life of the soul in the afterlife is beyond comprehension in the physical plane, but has stated that the soul will retain its consciousness and individuality and remember its physical life; the soul will be able to recognize other souls and communicate with them.

Bahá'u'lláh likened death to the process of birth. He explains: "The world beyond is as different from this world as this world is different from that of the child while still in the womb of its mother." The analogy to the womb in many ways summarizes the Bahá'í view of earthly existence: just as the womb constitutes an important place for a person's initial physical development, the physical world provides for the development of the individual soul. Accordingly, Bahá'ís view life as a preparatory stage, where one can develop and perfect those qualities which will be needed in the next life. The key to spiritual progress is to follow the path outlined by the current Manifestations of God, which Bahá'ís believe is currently Bahá'u'lláh. Bahá'u'lláh wrote, "Know thou, of a truth, that if the soul of man hath walked in the ways of God, it will, assuredly return and be gathered to the glory of the Beloved,"

The Bahá'í teachings state that there exists a hierarchy of souls in the afterlife, where the merits of each soul determines their place in the hierachy, and that souls lower in the hierarchy cannot completely understand the station of those above. Each soul can continue to progress in the afterlife, but the soul's development is not dependent on its own conscious efforts, but instead on the grace of God, the prayers of others, and good deeds performed by others on Earth in the name of the person.

Unification Church

The Unification Church teaches that hell is the condition of being separated from God's love. Hell can be said to exist in this world as well as in the afterlife. Those in the state of hell can repent and change their condition, both before and after death. The Divine Principle, the main textbook of church teachings, says:

It is not God who decides whether a person's spirit enters heaven or hell upon his death; it is decided by the spirit himself. Humans are created so that once they reach perfection they will fully breathe the love of God. Those who committed sinful deeds while on earth become crippled spirits who are incapable of fully breathing in the love of God. They find it agonizing to stand before God, the center of true love. Of their own will, they choose to dwell in hell, far removed from the love of God.[2]

Hell in mystic accounts

The Rose of the World

The account of Christian mystic Daniil Andreev given in his opus magnum Roza Mira significantly departs from the Christian tradition, depicting an entire hierarchy of multiple Sheols different in appearances, purposes and relationships to human cultures and to 'diabolic' worlds co-existing with the visible Universe.

Hell in Literature

Dante And Virgil In Hell - William-Adolphe Bouguereau

Many of the great epics of European literature include episodes that occur in Hell. In the Roman poet Virgil's Latin epic, the Aeneid, Aeneas descends into Dis (the underworld) to visit his father's spirit. The underworld is only vaguely described, with one unexplored path leading to the punishments of Tartarus, while the other leads through Erebus and the Elysian Fields.

In his Divina commedia ('Divine comedy'; set in the year 1300), Dante Alighieri employed the conceit of taking Virgil as his guide through Inferno (and then, in the second cantiche, up the mountain of Purgatorio). Virgil himself is not condemned to Hell in Dante's poem but is rather, as a virtuous pagan, confined to Limbo just at the edge of Hell. The geography of Hell is very elaborately laid out in this work, with nine concentric rings leading deeper into the Earth and deeper into the various punishments of Hell, until, at the center of the world, Dante finds Satan himself trapped in the frozen lake of Cocytus. A small tunnel leads past Satan and out to the other side of the world, at the base of the Mount of Purgatory.

The 1976 novel Inferno by Larry Niven and Jerry Pournelle is set in Dante's Hell with 20th century protagonists.

John Milton's Paradise Lost (1668) opens with the fallen angels, including their leader Satan, waking up in Hell after having been defeated in the war in heaven and the action returns there at several points throughout the poem. The nature of Hell as a place of punishment, as portrayed by Dante, is not explored here; instead, Hell is the abode of the demons, and the passive prison from which they plot their revenge upon Heaven through the corruption of the human race.

C.S. Lewis's The Great Divorce (1945) borrows its title from William Blake's Marriage of Heaven and Hell (1793) and its inspiration from the Divine Comedy as the narrator is likewise guided through Hell and Heaven. Hell is portrayed here as an endless, desolate twilight city upon which night is imperceptibly sinking. The night is actually the Apocalypse, and it heralds the arrival of the demons after their judgement. Before the night comes, anyone can escape Hell if they leave behind their former selves and accept Heaven's offer, and a journey to Heaven reveals that Hell is infinitely small; it is nothing more or less than what happens to a soul that turns away from God and into itself.

In the play "Man and Superman", George Bernard Shaw pictures Hell as a place of idle worship of youth and beauty.

The idea of hell was highly influential to writers such as Jean-Paul Sartre who authored the play "No Exit" about the idea that, "hell is other people". Although not a religious man, Sartre was fascinated by his interpretation of a hellish state of suffering.

19th century French poet Arthur Rimbaud alluded to the concept as well in the title and themes of one of his major works, "A Season In Hell". Rimbaud's poetry portrays his own suffering in a poetic form as well as other themes.

In The War Hound and the World's Pain by Michael Moorcock the central character, Ulrich von Bek is taken on a visit to Hell by Lucifer who charges von Bek with recovering the Holy Grail (the world's pain of the title) in order to attempt a reconciliation between God and Lucifer.

Hell in entertainment and other popular culture

Hell is often depicted as a place underground, with fire and molten rock where the devil lives. The devil is popularly depicted as a being or creature who carries a pitchfork (which in turn is actually a trident), has flaming red skin, horns on his head, a black goatee beard, and a long thin tail with a triangle shaped barb on it.

• The most imaginative and famous depiction of hell can be viewed in several paintings by medieval Dutch painter Hieronymus Bosch.

• What Dreams May Come, a 1998 movie that won an Academy Award for its depiction of heaven and hell as the subjective creations of the individual, was an essentially new age model of heaven, hell and reincarnation. It was based on the eponymous novel by Richard Matheson.

• In the film Big Trouble in Little China, there are continuous references to the Chinese version(s) of Hell. The specific references are interspersed throughout the movie ("Chinese have a lot of hells," "Hell of boiling oil," "Hell of the upside-down sinners," "Hell where people are skinned alive," etc.).

• The BBC Radio 4 comedy series Old Harry's Game is set in Hell. It was written by Andy Hamilton who also stars as Satan.

• In the Family Guy movie Stewie Griffin: The Untold Story, Stewie Griffin is being a bad boy, so when a lifeguard chair collapsed and "killed" him, he wakes up in "Hell" - a bedroom with a headboard sign that said "Welcome to Hell". Steve Allen greets him and takes off his shirt in an apparent sexual advance, scaring Stewie back into life. Allen then puts his shirt back on, wondering why Stewie would be frightened at a request to fix a button on it. Allen then turns on the TV, curious as to what's on TV in Hell; the opening theme from Who's The Boss? begins playing, and when he tries to change the channel, the TV won't respond. In the episode "Holy Crap" Peter Griffin imagines being in Hell when he was depressed after having his father say what a failure he is to him; imagining criminals like Al Capone, Adolf Hitler, John Wilkes Booth and Superman. When Peter asks what he's doing in Hell, Superman responds that he killed a hooker for making a joke about him being "faster than a speeding bullet".

• Matt Groening's comic strip Life in Hell shows a satirical look on our society, based on all the bad things that can happen, thus the title. Groening claimed his move to Los Angeles inspired the title.

• In The Simpsons Hell is depicted numerous times. In Bart Gets Hit by a Car Bart enters Hell due to a car accident. The Hieronymus Bosch painting Garden of Earthly Delights is parodied. Satan seems to have a computer on which he can view details about everyone who enters Hell. Bart's arrival is, however, too early, so the Devil sends him back to Earth, advising him to continue to "lie, cheat, steal and listen to heavy metal." Homer's ended up in Hell numerous times in the Treehouse of Horror Halloween episodes.

• In the television show Futurama, the characters go to Robot Hell on occasion, where the Robot Devil and other evil robots reside. In "Hell is Other Robots" Bender was put in there to be tormented in a series of ironic punishments such as being rolled into a giant cigar for smoking. In "The Devil's Hands Are Idle Playthings" Fry and Bender go to hell to make a deal for Fry to get robot hands so he can play the holophonor. The robot whose hands Fry will get is determined by a large wheel with every robot on it. Fry winds up with the Robot Devil's hands (I just put my name on there as a show of good faith to the other robots). The Robot Devil proceeds to use a "circuitous plan" involving Bender and Leela to convince Fry to trade hands back.

• In many episodes of the television show South Park (Do the Handicapped Go to Hell?/Probably,...), Satan (South Park) appears. On many occasions he is accompanied by his homosexual lover Saddam Hussein, who ironically seems to be even more malicious than Satan himself. Hell in the series is an overpopulated place where several famous people as Frank Sinatra, John F. Kennedy, Walter Matthau, Dean Martin, Lady Diana and Mahatma Gandhi seem to live next to more obvious people as Adolf Hitler. Only Mormons seem to go to Heaven. South Park's version of Hell can also be seen in the film South Park: Bigger, Longer & Uncut

• In a deleted scene from the 1999 theatrical theological comedy Dogma, the ex-Muse Azrael (played by actor Jason Lee) explains that there have been past and current "versions" of Hell. When Hell was first formed it was meant to hold Lucifer and the rebel angels and was merely a place devoid of the presence of God. To those who had previously been in the presence of God, this was punishment enough. Azrael goes on to say that when humanity was created, Hell was infected with a disease of sorts. Believing that God could never forgive their sins, many humans came to Hell and subconsciously demanded to be actively punished, although that was not their due. Slowly but surely (and reminiscent of the doctrine of responsibility assumption), Hell became a "suffering pit" to contain all these gluttons for punishment. According to Azrael, Hell is far more horrifying for the fallen angels residing there than for the Damned themselves, as the angels not only have to endure the absence of God, but also the unending howls of the Damned as they undergo torture essentially at their own hands. This concept of Hell, originally found in DC Comics' Swamp Thing, as written by Alan Moore, also appeared in Neil Gaiman's successful Sandman series of graphic novels.

• The 2004 Insane Clown Posse album The Wraith: Hell's Pit is a concept album about Hell.

• The video game series Devil May Cry features Hell as a location to battle through. The name of the main character Dante is a reference to The Divine Comedy, as is his twin brother Vergil.

• The first Fear Effect game deals extensively with the Chinese concept of hell, replete with its aforementioned political ramifications. Several of the later levels actually take place in the Chinese hell.

• The famous PC game series Doom also involves the concept of Hell, but with a science-fiction twist, as a future teleportation experiment accidentally opens a gate to Hell, releasing demons. Hell is treated in the Christian conception, replete with Satanic symbols and corporeal demons, as a parallel universe of crimson skies, black mountains and oceans of fire. In Doom 3 the player must travel to Hell to obtain a powerful Martian artifact.

• The first game in the Quake computer game series involves an invasion by forces from Hell, more exactly the Great Old Ones. Note however, that the rest of the series has nothing to do with this concept.

• In the comic book series Hellboy by award-winning artist Mike Mignola, Hell is shown in the two page story "Pancakes" (1999 Dark Horse Presents Annual) to be a dark, alternate dimension filled with flames and demons and where the infernal capital city of Pandemonium resides. In issue one "Seed of Destruction" the Nazis with aid of the mad monk Rasputin successfully breach the transdimensional boundary of Hell via magic and call forth the infant Hellboy so that he may bring about the end of the world. They are stopped, however, by the Allied Forces who also rescue Hellboy and raise him.

• The 2005 Warner Bros. film Constantine depicts as graphic a version of the traditional Christian version of Hell as can be found in cinema: it shows a parallel plane with many of the same buildings and structures as the normal world, but twisted, ruined and perpetually seared as if eternally hit by the blast wave of a nuclear bomb. This movie is based on the DC/Vertigo comic series Hellblazer.

• In the first of the Diablo series of games, a "leaked-out" portion hell is featured as a pit deep under the ground largely characterized as a place of suffering, as the bodies of hundreds of apparently tortured people reside there. The game manual refers to this place as actually part of the mortal realm whose barriers with the metaphysical Hell have weakened, causing it to take on hellish attributes combined with more worldly ones. None of the apparently tortured bodies show any signs of life or torment, and as such may simply be the Decor that Diablo, the lord of Terror, has chosen for his home in the mortal world. This fits with the view of the actual Hell as portrayed in Diablo II, which features Hell as a bleak landscape populated by grotesque monsters and souls in active torment.

• Lobo in the DC Universe was banned from hell, as he caused too many problems there, thus achieving immortality, as he was also banned from heaven for much the same reason. Incidentally, God apparently got some mirth from watching Lobo's antics.

• In the game Tony Hawk's Underground 2, there is an unlockable level (within 2 others) that depicts Hell. Little Demons, rural citizens, and a jazz dancing Satan are in the level.

• The 2006 film Silent Hill depicts Hell numerous times throughout the movie. It implies a private hell, where we punish ourselves by denying our guilt and fate, only prolonging our suffering and agony. The overall concept of the film is the lengths a mother will go to for her child, travelling to 'Hell and back'. Hell is also depicted as a modern world, but decayed and rusted, populated by strange and horrific creatures. In a number of respects, this concept is rather far removed from the game setting.

• In Doctor Who, the 10th Doctor comes across a being which identifies itself as 'the Beast', resembles popular interpretations of the Devil, and makes numerous references to Hell. In a later episode, "Hell" is said to be a synonym for the Void, the coordinates of which are all sixes

• In the fourth edition of the game series Elder Scrolls, Elder Scrolls IV: Oblivion, the main quest in the game involves preventing and stopping monsters from coming through gates linking to a place called Oblivion. It is widely believed that this is synonymous with Hell. However, the realm seen in the game is only one of 16 realms of Oblivion, the one belonging to the daedra lord Mehehrunes Dagon. The other 15 realms of Oblivion (one for every other daedra prince) are not the same as Dagon's, and the realms of the more benevolent daedra (such as Azura and Mereida) are probably not hell-like at all. Also, Oblivion is not an afterlife for the sinful.
• In the Dungeons & Dragons role-playing game, Hell is an Outer Plane of existence called Baator and is comprised of nine levels, sometimes called the Nine Hells or the Nine Hells of Baator. In the expansion pack Hordes of the Underdark for the game Neverwinter Nights, the player gets banished to the eighth level of hell, a frozen wasteland called Cania.

• In the 1991 film Bill and Ted's Bogus Journey, the title characters end up in Hell.

• In the popular fighting game series, "Street Fighter", the character Akuma uses a move called "Shun Goku Satsu" which sends the opponent's soul to Hell.

• In film Deconstructing Harry by Woody Allen, the protagonist descends into Hell where he has a chance to learn from the Devil himself (played by Billy Crystal), among other things about the significance of having air conditioning in Hell, and then proceeds to discover his own father. After learning those reasons, Harry grants absolution to his ancestor and suggests that latter is to be taken to Paradise - only to be reminded: I am Jewish and do not believe in Paradise!.

• In the one-panel comic The Far Side (created by Gary Larson in the eighties) Hell is featured among other recurring themes, depicting Satan and his minions as grim-looking figures in robes with horns and pitchforks, running the place in business-like manner: in one instance, the bespectacled secretary behind the typewriter asks her boss seen as a silhouette behind the office door: There is an insurance salesman here. Should I admit him in or tell to go to Paradise?

• In the comic strip Dilbert (created by Scott Adams) "heck" is a lesser version of hell reserved for people who have done misdeeds that are not evil enough to warrant hell. Heck is ruled by Phil, the Prince of Insufficient Light who carries a giant spoon instead of a pitchfork.

• In the popular sci-fi tv series Stargate SG-1, "Hell" is used several times by then Colonel Jack O'Neill to describe the prison planet of the Goa'uld Sokar, an alien who took on a persona reminiscent of the Christian Devil while on Earth enslaving primitive humans.

• Hell is portrayed as a battlefield frozen in time in the video game Painkiller. Everything from bullets to trenches to mushroom clouds are present in stark stasis, allowing the player to move about the vista to get a good look at it. The most notable omission from the stage is that of people; the player is the only living thing in the scene, occasionally accosted by wraiths—presumably ghosts of the dead soldiers. Being the final level in the game it is relatively short and culminates with a showdown with Satan himself.

• In the Star Trek universe the Klingons believe in a version of Hell called Gre'Thor.

Non-religious context

The word "Hell" used away from its religious context was long considered to be profanity, particularly in North America. Although its use was commonplace in everyday speech and on television by the 1970s, many people in the US still consider it somewhat rude or inappropriate language, particularly involving children. Many, particularly among religious circles and in certain sensitive environments, still avoid casual usage of the word. In British English and some parts of North America, the word has fallen into common use and is not considered profane; often considered to be a safer and less offensive alternative to swearing.

Euphemistic ways of saying hell

"Hell" is sometimes used as a minced oath, as "H-E-double-hockey-sticks", "H-E-double-toothpicks", "heck" or "Sam Hill" ("What in the Sam Hill is going on here?"). Another common euphemism for Hell is "The Other Place" (which is also the formal term used in the UK parliament to refer to the House of Lords by a member of the House of Commons, and vice-versa and was used by Hamlet, both as a silent threat addressed to Claudius and as a hint to Polonius's location). Example: "Gosh darn you to heck and tarnation" in place of "May God damn you to hell and eternal damnation."

Cold day in hell

Another example of common use of “hell” in daily language, a “cold day in hell” is a paradox and an idiom, since most imagery of hell depicts it as hot and fiery, such as in the Bible in Revelation, where sinners are cast into a lake of fire. Therefore, an event that will transpire “on a cold day in hell” will never occur. Similar or related phrases include: “over my dead body,” “when hell freezes over,” “a snowball's chance in hell,” “when the devil goes ice-skating,” and “when pigs fly.” Still, the phrase "cold as hell" is understood to describe something very cold.

Interestingly, Cocytus, the bottom circle of Hell, which held traitors, in Dante's Divine Comedy, is depicted as an ice-covered lake.

See also

Gehenna The Inferno by Dante Alighieri Malebolge Theodicy Eschatology Purgatory The problem of Hell

Annihilationism Demons Book of Revelation Heaven and Hell book by Allan Kardec Heaven Ose Doom

External links

• Concept of Hell in Iranian culture
• Christian site with paintings, audio and video about hell, Satan and demons.
• Christian Doctrines of Hell - statements from the Old Testament, New Testament, church fathers and modern denominations on Hell, plus common arguments for and against Hell.
• A Cathar perspective on Hell
• Hell as non-eternal (Universalist study)
• The Jehovah's Witnesses perspective
• Dying, Yamaraja and Yamadutas + terminal restlessness
• example Buddhist hells
• Stanford Encyclopedia of Philosophy entry on Heaven and Hell
• The Jewish view of Hell
• Aquinas on The Inferno (parallel Latin English text)
• 'Hell' in the Bible interpreted as the grave

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