Aragon, Louis

From New World Encyclopedia
m
 
(16 intermediate revisions by 6 users not shown)
Line 1: Line 1:
−
{{claimed}}{{epname|Aragon, Louis}}
+
{{Copyedited}}{{Ready}}{{epname|Aragon, Louis}}{{submitted}}{{approved}}{{Paid}}
  
−
'''Louis Aragon''' (French [[International Phonetic Alphabet|IPA]]: {{IPA|[lwi aʁa'gɔ̃]}}) ([[October 3]], [[1897]] – [[December 24]], [[1982]]), [[France|French]] [[poet]] and [[novelist]], a long-time political supporter of the [[French Communist Party|communist party]] and a member of the [[Académie Goncourt]].
+
'''Louis Aragon''' (French [[International Phonetic Alphabet|IPA]]: {{IPA|[lwi aʁa'gɔ̃]}}) (October 3, 1897 – December 24, 1982), was a [[France|French]] [[poet]] and [[novelist]], a long-time political supporter of the [[French Communist Party|communist party]] and a member of the [[Académie Goncourt]] He was also a member of the French Resistance, as the Communist Party played an important role in the defeat of [[Nazism|Nazi Germany]]. However, after the war Aragon was critical of the de-Stalinization of the [[Soviet Union]], [[Nikita Krushchev]]'s so-called "Secret Speech" at the 20th Party Congress in 1956. The French Communist Party remained Stalinist longer than the rest of Europe, until the publication of [[Alexander Solzhenitsyn]]'s ''One Day in the Life of Ivan Denisovich'' in 1962 demonstrated the horrors of the [[Gulag]] system. Later, though, he would criticize the imprisonment of Soviet filmmaker, [[Sergey Paradzhanov]], helping to lead to his release.
  
 
==Early life (1897-1939) ==
 
==Early life (1897-1939) ==
−
{{French literature (small)}}
+
 
 
Aragon was born and died in [[Paris]]. He was raised by his mother, Marguerite, and maternal grandmother, who he grew up believing to be his sister and foster mother respectively. His biological father, Louis Andrieux, former senator of [[Forcalquier]], was married and forty years older than Marguerite, who he had seduced when she was seventeen. Her mother passed him off as his [[godfather]], and Aragon was only told the truth at the age of 19, as he was leaving to serve in the [[World War I|First World War]], from which neither he nor his parents believed he would return. Andrieux's refusal to recognize his son would influence Aragon's [[poetry]] later on.
 
Aragon was born and died in [[Paris]]. He was raised by his mother, Marguerite, and maternal grandmother, who he grew up believing to be his sister and foster mother respectively. His biological father, Louis Andrieux, former senator of [[Forcalquier]], was married and forty years older than Marguerite, who he had seduced when she was seventeen. Her mother passed him off as his [[godfather]], and Aragon was only told the truth at the age of 19, as he was leaving to serve in the [[World War I|First World War]], from which neither he nor his parents believed he would return. Andrieux's refusal to recognize his son would influence Aragon's [[poetry]] later on.
  
−
Having been involved in [[Dada]] from 1919 to 1924, he became a founding member of [[Surrealism]] in 1924 with [[André Breton]] and [[Philippe Soupault]]. In the 1920s, Aragon became a [[fellow traveller]] of the [[French Communist Party]] (PCF) with several other surrealists, and took his card in January 1927. In 1933, he began to write for the party's newspaper, ''[[L'Humanité]]'', in the "news in brief" section. He would remain a member for the rest of his life, writing several political poems including one to [[Maurice Thorez]], the general secretary of the PCF. During the [[World Congress of Writers for the Defense of Culture]] (1935), Aragon found himself opposed his former friend André Breton, who wanted to seize the opportunity as a tribune to defend the writer [[Victor Serge]], associated with [[Leon Trotsky]]'s [[Left Opposition]].
+
Having been involved in [[Dada]] from 1919 to 1924, he became a founding member of [[Surrealism]] in 1924 with [[André Breton]] and [[Philippe Soupault]]. In the 1920s, Aragon became a [[fellow traveler]] of the [[French Communist Party]] (PCF) with several other surrealists, and took his card in January 1927. In 1933, he began to write for the party's newspaper, ''[[L'Humanité]]'', in the "news in brief" section. He would remain a member for the rest of his life, writing several political poems including one to [[Maurice Thorez]], the general secretary of the PCF. During the [[World Congress of Writers for the Defense of Culture]] (1935), Aragon found himself opposed his former friend André Breton, who wanted to seize the opportunity as a tribune to defend the writer [[Victor Serge]], associated with [[Leon Trotsky]]'s [[Left Opposition]].
  
 
Nevertheless Aragon was also critical of the [[USSR]], particularly after the [[20th Congress of the Communist Party of the Soviet Union]] (1956) during which [[Stalin]]'s [[personality cult]] was [[On the Personality Cult and its Consequences|denounced]] by [[Nikita Khrushchev]].
 
Nevertheless Aragon was also critical of the [[USSR]], particularly after the [[20th Congress of the Communist Party of the Soviet Union]] (1956) during which [[Stalin]]'s [[personality cult]] was [[On the Personality Cult and its Consequences|denounced]] by [[Nikita Khrushchev]].
  
−
The French surrealists had long claimed [[Lewis Carroll]] as one of their own, so it came as no surprise when Aragon tackled ''[[The Hunting of the Snark]]''<ref>''La Chasse au Snark'', Pierre Seghers, Paris 1949</ref> in 1929, "shortly before he completed his transition from Snarxism to Marxism", as [[Martin Gardner]] puts it.<ref>''The Annotated Snark'', edited by Martin Gardner, Penguin Books, 1974</ref> Witness the key stanza of the poem in Aragon's translation:
+
The French surrealists had long claimed [[Lewis Carroll]] as one of their own, so it came as no surprise when Aragon tackled ''[[The Hunting of the Snark]]''<ref>Lewis Carroll, and Louis Aragon (trans.), ''La Chasse au Snark'' (Paris, FR: Pierre Seghers, 1949).</ref> in 1929, "shortly before he completed his transition from Snarxism to Marxism," as [[Martin Gardner]] puts it.<ref>Martin Gardner, ''The Annotated Snark'' (New York, NY: Penguin Books, 1974).</ref> Witness the key stanza of the poem in Aragon's translation:
  
−
{{cquote|''Ils le traquèrent avec des gobelets ils le traquèrent avec soin''<br/>
+
{{quote|''Ils le traquèrent avec des gobelets ils le traquèrent avec soin''<br/>
 
''Ils le poursuivirent avec des fourches et de l'espoir''<br/>
 
''Ils le poursuivirent avec des fourches et de l'espoir''<br/>
 
''Ils menacèrent sa vie avec une action de chemin de fer''<br/>
 
''Ils menacèrent sa vie avec une action de chemin de fer''<br/>
 
''Ils le charmèrent avec des sourires et du savon''}}
 
''Ils le charmèrent avec des sourires et du savon''}}
  
−
Gardner calls the translation "pedestrian", and reminds the reader of Carroll's ''[[Rhyme? And Reason?]]'' (also published as "Phantasmagoria"). Gardner finds also the rest of Aragon's writings on Carroll's nonsense poetry full of factual errors, and cautions the reader that there is no evidence that Aragon intended any of it as a joke.
+
Gardner calls the translation "pedestrian," and reminds the reader of Carroll's ''[[Rhyme? And Reason?]]'' (also published as "Phantasmagoria"). Gardner finds also the rest of Aragon's writings on Carroll's nonsense poetry full of factual errors, and cautions the reader that there is no evidence that Aragon intended any of it as a joke.
  
 
=== The ''Commune'' (1933-1939) ===
 
=== The ''Commune'' (1933-1939) ===
  
−
Apart of working as a [[journalist]] for ''L'Humanité'', Louis Aragon also became, along with [[Paul Nizan]], editor secretary of the journal ''[[Commune (journal)|Commune]]'', published by the ''[[Association des écrivains et artistes révolutionnaires]]'' (Association of Revolutionary Writers and Artists), which aimed at gathering [[intellectual]]s and artists in a common front [[anti-fascism|against fascism]]. Aragon became member of the directing committee of the ''Commune'' journal in January 1937, along with [[André Gide]], [[Romain Rolland]] and [[Paul Vaillant-Couturier]]. The journal then took the name of "French literary review for defense of culture" (''« revue littéraire française pour la défense de la culture »''). With Gide's withdrawal in August 1937, Vaillant-Couturier's death in autumn 1937 and Romain Rolland's old age, Aragon became its effective director. In December 1938, he called as [[chief editor]] the young writer [[Jacques Decour]]. The ''Commune'' journal was strongly involved in the mobilization of French intellectuals in favor of the [[Spanish Second Republic|Spanish Republic]].
+
Apart of working as a [[journalist]] for ''L'Humanité'', Louis Aragon also became, along with [[Paul Nizan]], editor secretary of the journal ''[[Commune (journal)|Commune]]'', published by the ''[[Association des écrivains et artistes révolutionnaires]]'' (Association of Revolutionary Writers and Artists), which aimed at gathering [[intellectual]]s and artists in a common front [[anti-fascism|against fascism]]. Aragon became member of the directing committee of the ''Commune'' journal in January 1937, along with [[André Gide]], [[Romain Rolland]] and [[Paul Vaillant-Couturier]]. The journal then took the name of "French literary review for defense of culture" ''(revue littéraire française pour la défense de la culture)''. With Gide's withdrawal in August 1937, Vaillant-Couturier's death in autumn 1937 and Romain Rolland's old age, Aragon became its effective director. In December 1938, he called as [[chief editor]] the young writer [[Jacques Decour]]. The ''Commune'' journal was strongly involved in the mobilization of French intellectuals in favor of the [[Spanish Second Republic|Spanish Republic]].
  
 
=== Director of ''Ce soir'' (1937-1953) ===
 
=== Director of ''Ce soir'' (1937-1953) ===
Line 30: Line 30:
 
== World War II (1939-1945) ==
 
== World War II (1939-1945) ==
  
−
In [[1939]] he married [[Russia]]n-born author [[Elsa Triolet]], the sister of [[Lilya Brik]], a mistress and common-law wife of Russian poet [[Vladimir Mayakovsky]]. He had met her in 1928, and she became his [[muse]] starting in the 1940s. Aragon and Triolet collaborated in the [[French Left|left-wing French]] media before and during [[World War II]], going underground for most of the [[Vichy France|Nazi occupation]].  
+
In 1939 he married [[Russia]]n-born author [[Elsa Triolet]], the sister of [[Lilya Brik]], a mistress and common-law wife of Russian poet [[Vladimir Mayakovsky]]. He had met her in 1928, and she became his [[muse]] starting in the 1940s. Aragon and Triolet collaborated in the [[French Left|left-wing French]] media before and during [[World War II]], going underground for most of the [[Vichy France|Nazi occupation]].  
  
−
Aragon was mobilized in the [[French Army|army]] in 1939, and awarded the ''[[Croix de guerre]]'' (War Cross) and the military medal for his acts of bravery. After the [[Battle of France|May 1940 defeat]], he took refuge in the [[Vichy France|Southern Zone]] . He was one of the several poets, along with [[Robert Desnos]], [[Paul Eluard]], [[Jean Prévost]], [[Jean-Pierre Rosnay]] to engage themselves in the [[French Resistance|Resistance]], both by literary activities and as an organizer of Resistant movements.
+
Aragon was mobilized in the [[French Army|army]] in 1939, and awarded the ''[[Croix de guerre]]'' (War Cross) and the military medal for his acts of bravery. After the [[Battle of France|May 1940 defeat]], he took refuge in the [[Vichy France|Southern Zone]]. He was one of the several poets, along with [[Robert Desnos]], [[Paul Eluard]], [[Jean Prévost]], [[Jean-Pierre Rosnay]] to engage themselves in the [[French Resistance|Resistance]], both by literary activities and as an organizer of Resistant movements.
  
 
During the war, Aragon wrote for the underground press ''[[Les Éditions de Minuit]]'' and was a member of the [[National Front (Resistance)|National Front]] Resistant movement. He participated with his wife Elsa Triolet to the setting up of the National Front of Writers in the Southern Zone. His activism led him to break his friendly relationship with [[Pierre Drieu La Rochelle]], who had chosen instead the path of [[Collaborationism|collaboration]].  
 
During the war, Aragon wrote for the underground press ''[[Les Éditions de Minuit]]'' and was a member of the [[National Front (Resistance)|National Front]] Resistant movement. He participated with his wife Elsa Triolet to the setting up of the National Front of Writers in the Southern Zone. His activism led him to break his friendly relationship with [[Pierre Drieu La Rochelle]], who had chosen instead the path of [[Collaborationism|collaboration]].  
Line 38: Line 38:
 
Along with Paul Eluard, [[Pierre Seghers]] or [[René Char]], Aragon would maintain the memory of the Resistance in his post-war poems. He thus wrote, in 1954, ''[[L'affiche rouge (Poem)|Strophes pour se souvenir]]'' in commemoration of the role of foreigners in the Resistance, which celebrated the ''[[Francs-Tireurs et Partisans de la Main d'Oeuvre Immigrée]]'' (FTP-MOI).
 
Along with Paul Eluard, [[Pierre Seghers]] or [[René Char]], Aragon would maintain the memory of the Resistance in his post-war poems. He thus wrote, in 1954, ''[[L'affiche rouge (Poem)|Strophes pour se souvenir]]'' in commemoration of the role of foreigners in the Resistance, which celebrated the ''[[Francs-Tireurs et Partisans de la Main d'Oeuvre Immigrée]]'' (FTP-MOI).
  
−
The theme of the poem was the [[Affiche Rouge|Red Poster]] affair, mainly the last letter that [[Missak Manouchian]], an Armenian-French poet and Resistant, wrote to his wife Mélinée before his execution on 21 February 1944 <ref>Mélinée Manouchian: ''Manouchian'', EFR, Paris 1954</ref>. This poem was then sung by [[Léo Ferré]].
+
The theme of the poem was the [[Affiche Rouge|Red Poster]] affair, mainly the last letter that [[Missak Manouchian]], an Armenian-French poet and Resistant, wrote to his wife Mélinée before his execution on February 21, 1944.<ref>Mélinée Manouchian, ''Manouchian'' (Paris, FR: EFR, 1954).</ref> This poem was then sung by [[Léo Ferré]].
  
 
== After the war ==
 
== After the war ==
Line 48: Line 48:
 
===''Les Lettres françaises'' (1953-1972)===
 
===''Les Lettres françaises'' (1953-1972)===
  
−
In the days following the disappearance of ''Ce soir'', in March 1953, Aragon became the director of ''[[Les Lettres françaises]]'', which was ''L'Humanité'' 's literary supplement. Assisted by its chief editor, [[Pierre Daix]], Aragon started in the 1960s a struggle against [[Stalinism]] and its consequences in [[Eastern Europe]]. He published writings of dissidents such as [[Alexander Solzhenitsyn]] or [[Milan Kundera]]. The financial losses of ''Les Lettres françaises'' led to the ceasing of activities in 1972 &mdash; although it was later re-created.
+
In the days following the disappearance of ''Ce soir'', in March 1953, Aragon became the director of ''[[Les Lettres françaises]]'', which was ''L'Humanité'' 's literary supplement. Assisted by its chief editor, [[Pierre Daix]], Aragon started in the 1960s a struggle against [[Stalinism]] and its consequences in [[Eastern Europe]]. He published writings of dissidents such as [[Alexander Solzhenitsyn]] or [[Milan Kundera]]. The financial losses of ''Les Lettres françaises'' led to the ceasing of activities in 1972—although it was later re-created.
  
−
Henceforth, Aragon supported in 1956 the [[Hungarian Revolution of 1956|Budapest insurrection]], provoking the dissolving of the ''Comité national des écrivains'', which [[Vercors (writer)|Vercors]] quit. The same year, he was however granted the [[Lenine Award for Peace]]. He then harshly condemned Soviet authoritarianism, opened his journals to dissidents, condemned trials against intellectuals (in particular the 1966 [[Yuli Daniel|Sinyavsky-Daniel trial]]). He strongly supported the student movement of [[May 1968]], although the PCF was more than sceptic about it. The crushing of the [[Prague Spring]] in 1968 led him to a critical preface published in a translation of one of [[Milan Kundera]]'s book (''La Plaisanterie'') <ref> French: ''« Et voilà qu'une fin de nuit, au transistor, nous avons entendu la condamnation de nos illusions perpétuelles... »'' </ref>. Despite his criticisms, Aragon remained an official member of the PCF's central committee until his death.
+
Henceforth, Aragon supported in 1956 the [[Hungarian Revolution of 1956|Budapest insurrection]], provoking the dissolving of the ''Comité national des écrivains'', which [[Vercors (writer)|Vercors]] quit. The same year, he was however granted the [[Lenine Award for Peace]]. He then harshly condemned Soviet authoritarianism, opened his journals to dissidents, condemned trials against intellectuals (in particular the 1966 [[Yuli Daniel|Sinyavsky-Daniel trial]]). He strongly supported the student movement of May 1968, although the PCF was more than skeptic about it. The crushing of the [[Prague Spring]] in 1968 led him to a critical preface published in a translation of one of [[Milan Kundera]]'s book ''(La Plaisanterie)''. Despite his criticisms, Aragon remained an official member of the PCF's central committee until his death.
  
 
=== The publisher ===
 
=== The publisher ===
Line 58: Line 58:
 
===Back to Surrealism===
 
===Back to Surrealism===
  
−
After the death of his wife on [[June 16]], [[1970]], Aragon [[came out]] as [[bisexual]], appearing at [[gay pride]] parades in a pink convertible <ref> Ivry 1996, p.134 </ref>. Drieu La Rochelle had evoked Aragon's homosexuality in ''Gilles'', written in the 1930s.
+
After the death of his wife on June 16, 1970, Aragon [[came out]] as [[bisexual]], appearing at [[gay pride]] parades in a pink convertible<ref>Ivry, 1996</ref> Drieu La Rochelle had evoked Aragon's [[homosexuality]] in ''Gilles'', written in the 1930s.
  
−
Free from both his marital and editorial responsibilities (having ended publication of ''[[Les Lettres Françaises]]'' &mdash; ''[[L'Humanité]]'' 's literary supplement &mdash; in 1972), Aragon was free to return to his surrealist roots. During the last ten years of his life, he published at least two further novels: ''[[Henri Matisse Roman]]'' and ''[[Les Adieux]]''.
+
Free from both his marital and editorial responsibilities (having ended publication of ''[[Les Lettres Françaises]]''—''[[L'Humanité]]'' 's literary supplement—in 1972), Aragon was free to return to his surrealist roots. During the last ten years of his life, he published at least two further novels: ''[[Henri Matisse Roman]]'' and ''[[Les Adieux]]''.
  
−
Louis Aragon died on 24 December, 1982, his friend [[Jean Ristat]] sitting up with him. He was buried in the parc of [[Moulins de Villeneuve]], in his property of [[Saint-Arnoult-en-Yvelines]], along his wife Elsa Triolet.
+
Louis Aragon died on December 24, 1982, his friend [[Jean Ristat]] sitting up with him. He was buried in the park of [[Moulins de Villeneuve]], in his property of [[Saint-Arnoult-en-Yvelines]], along his wife Elsa Triolet.
  
−
Various poems by Aragon have been sung by [[Lino Léonardi]], [[Hélène Martin]], [[Léo Ferré]], [[Jean Ferrat]], [[Georges Brassens]], [[Alain Barrière]], [[Isabelle Aubret]], [[Nicole Rieu]], [[Monique Morelli]], [[Marc Ogeret]], etc.
+
==Legacy==
−
<!-- TO TRANSLATE:
+
After his initial period marked by his interest in [[Surrealism]] and the playful use of language, Aragon returned to a more classical form (using rhyme and [[meter]]), inspired by [[Guillaume Apollinaire]], and his desire to give an account of the French resistance during the [[World War II|Second World War]]. After the war, the political aspect of his poetry receded into the background as he emphasized its lyrical quality. Although he never fully rejected this embrace of the classical style, his later poetry returned to his interest in more modern styles.
 +
 
 +
Various poems by Aragon have been sung by [[Lino Léonardi]], [[Hélène Martin]], [[Léo Ferré]], [[Jean Ferrat]], [[Georges Brassens]], [[Alain Barrière]], [[Isabelle Aubret]], [[Nicole Rieu]], [[Monique Morelli]], [[Marc Ogeret]], among others.
 +
<!-- TO TRANSLATE:  
  
 
==L'auteur romanesque et le poète==
 
==L'auteur romanesque et le poète==
Line 71: Line 74:
 
Il signe une œuvre poétique plurielle, où la prose le dispute à la poésie à forme fixe, qu'il renouvelle. Après une première période très libre marquée par le surréalisme et ses jeux de langage, il retourne à une forme plus classique de poésie (vers mesurés et rimes), très inspirée par [[Guillaume Apollinaire]], pour mieux rendre compte de la France (et de la résistance) à l'heure de la seconde guerre mondiale. Après guerre, l'aspect politique de sa poésie s'efface de plus en plus devant son aspect lyrique. Sans jamais renier ce retour au classicisme, il y intègre de plus en plus des formes plus libres, se rapprochant du [[surréalisme]] de ses débuts qu'il a toujours affirmé n'avoir jamais renié.
 
Il signe une œuvre poétique plurielle, où la prose le dispute à la poésie à forme fixe, qu'il renouvelle. Après une première période très libre marquée par le surréalisme et ses jeux de langage, il retourne à une forme plus classique de poésie (vers mesurés et rimes), très inspirée par [[Guillaume Apollinaire]], pour mieux rendre compte de la France (et de la résistance) à l'heure de la seconde guerre mondiale. Après guerre, l'aspect politique de sa poésie s'efface de plus en plus devant son aspect lyrique. Sans jamais renier ce retour au classicisme, il y intègre de plus en plus des formes plus libres, se rapprochant du [[surréalisme]] de ses débuts qu'il a toujours affirmé n'avoir jamais renié.
  
−
Son œuvre romanesque épouse les contours de la production de son siècle (qu'il invente en partie), roman surréaliste, réaliste, puis nouveau roman. Son désir de roman ne s'est jamais démenti, malgré la méfiance de ses amis surréalistes (pour qui écrire une phrase romanesque du type ''La marquise sortit à cinq heures'' était la négation même de leur idéal littéraire par sa platitude), puis celle des communistes qui auraient voulu le voir exalter plus le Parti (il a avoué avoir arrêté la rédaction de son roman ''Les Communistes'' quand de nombreux militants lui firent part de leur satisfaction à le voir faire enfin ce qu'ils attendaient de lui), sans parler de celle des critiques (notamment de droite) qui voyaient en lui le communiste avant de voir l'écrivain.
+
Son œuvre romanesque épouse les contours de la production de son siècle (qu'il invente en partie), roman surréaliste, réaliste, puis nouveau roman. Son désir de roman ne s'est jamais démenti, malgré la méfiance de ses amis surréalistes (pour qui écrire une phrase romanesque du type ''La marquise sortit à cinq heures'' était la négation même de leur idéal littéraire par sa platitude), puis celle des communistes qui auraient voulu le voir exalter plus le Parti (il a avoué avoir arrêté la rédaction de son roman ''Les Communistes'' quand de nombreux militants lui firent part de leur satisfaction à le voir faire enfin ce qu'ils attendaient de lui), sans parler de celle des critiques (notamment de droite) qui voyaient en lui le communiste avant de voir l'écrivain.—>
−
 
 
−
===Citation===
 
−
{{Wikiquote}}
 
−
Aragon est l'auteur de la célèbre maxime ''La femme est l'avenir de l'homme'' : elle provient du bandeau de la première édition du Fou d'Elsa, qu'il affichait comme un mot d'ordre. On trouve également dans ''Le Fou d'Elsa'' le vers suivant :
 
−
:''L'avenir de l'homme est la femme'' (dans le "Zadjal de l'avenir") rendu célèbre par [[Jean Ferrat]] sous la forme ''La femme est l'avenir de l'homme''.
 
−
 
 
−
Dans son article "Prendre son bien où on le trouve ou les ennemis", ''Les Lettres françaises'', no. 956, daté du 14 au 20 décembre 1962, il déclare, se référant à l'écriture du "Fou d'Elsa" et au monde d'aujourd'hui:
 
−
 
 
−
:''[...] dans un monde d'où l'idée même de Dieu est absente, je me permets de transcrire à ma manière la formule de Marx: "L'homme est l'avenir de l'homme", sous cette forme qui ne la contredit pas: "La femme est l'avenir de l'homme". ''
 
−
Dans un entretien avec Thérèse de Saint-Phalle, publié par "Le Monde" du 9 novembre 1963 sous le titre "Louis Aragon commente Le Fou d'Elsa une épopée de quatre cents pages", il dit:
 
−
 
 
−
:''Je suis l'ennemi de ce règne de l'homme qui n'est pas encore terminé. Pour moi, la femme est l'avenir de l'homme, au sens où Marx disait que l'homme est l'avenir de l'homme.''—>
 
  
 
==Bibliography==
 
==Bibliography==
 
===Novels and Short Stories===
 
===Novels and Short Stories===
−
*''[[Anicet ou le Panorama]]'' ([[1921 in literature|1921]])
+
*''Anicet ou le Panorama'' (1921)
−
*''[[Les Aventures de Télémaque]]'' ([[1922 in literature|1922]])
+
*''Les Aventures de Télémaque'' (1922)
−
*''[[Le Libertinage]]'' ([[1924 in literature|1924]])  
+
*''Le Libertinage'' (1924)  
−
*''[[Le Paysan de Paris]]'' ([[1926 in literature|1926]])  
+
*''Le Paysan de Paris'' (1926)  
−
*''[[Le Con d'Irène]]'' ([[1927 in literature|1927]], published under the pseudonym Albert de Routisie)  
+
*''Le Con d'Irène'' (1927, published under the pseudonym Albert de Routisie)  
−
*''[[Les Cloches de Bâle]]'' ("Le Monde réel", [[1934 in literature|1934]])
+
*''Les Cloches de Bâle'' ("Le Monde réel," 1934)
−
*''[[Les Beaux Quartiers]]'' ("Le Monde réel", [[1936 in literature|1936]], Renaudot Prize winner)
+
*''Les Beaux Quartiers'' ("Le Monde réel," 1936, Renaudot Prize winner)
−
*''[[Les Voyageurs de l'Impériale]]'' ("Le Monde réel", [[1942 in literature|1942]])
+
*''Les Voyageurs de l'Impériale'' ("Le Monde réel," 1942)
−
*''[[Aurélien (roman)|Aurélien]]'' ("Le Monde réel", [[1944 in literature|1944]])
+
*''Aurélien (roman)'' ("Le Monde réel," 1944)
−
*''[[Servitude et Grandeur des Français. Scènes des années terribles]]'' ([[1945 in literature|1945]])
+
*''Servitude et Grandeur des Français. Scènes des années terribles'' (1945)
−
*''[[Les Communistes]]'' (6 volumes, [[1949 in literature|1949]]-[[1951 in literature|1951]] et [[1966 in literature|1966]]-[[1967 in literature|1967]]  - "Le Monde réel")
+
*''Les Communistes'' (six volumes, 1949-1951 et 1966-1967 - "Le Monde réel")
−
*''[[La Semaine Sainte]]'' ([[1958 in literature|1958]])  
+
*''La Semaine Sainte'' (1958)  
−
*''[[La Mise à mort]]'' ([[1965 in literature|1965]])
+
*''La Mise à mort'' (1965)
−
*''[[Blanche ou l'oubli]]'' ([[1967 in literature|1967]])  
+
*''Blanche ou l'oubli'' (1967)  
−
*''[[Henri Matisse, roman]]'' ([[1971 in literature|1971]])
+
*''Henri Matisse, roman'' (1971)
−
*''[[Théâtre/Roman]]'' ([[1974 in literature|1974]])  
+
*''Théâtre/Roman'' (1974)  
−
*''[[Le Mentir-vrai]]'' ([[1980 in literature|1980]])
+
*''Le Mentir-vrai'' (1980)
−
*''[[La Défense de l'infini]]'' ([[1986 in literature|1986]])
+
*''La Défense de l'infini'' (1986)
−
*''[[Les Aventures de Jean-Foutre La Bite]]'' ([[1986 in literature|1986]])
+
*''Les Aventures de Jean-Foutre La Bite'' (1986)
  
 
===Poetry===
 
===Poetry===
−
* ''Le Musée Grévin'', published under the pseudonym François la Colère by the [[Editions de Minuit]]
+
* ''Le Musée Grévin'', published under the pseudonym François la Colère by the Editions de Minuit
 
* ''La rose et le réséda''
 
* ''La rose et le réséda''
−
*''Feu de joie'', [[1919 in poetry|1919]]
+
*''Feu de joie'', 1919
−
*''Le Mouvement perpétuel'', [[1926 in poetry|1926]]
+
*''Le Mouvement perpétuel'', 1926
−
*''La Grande Gaîté'', [[1929 in poetry|1929]]
+
*''La Grande Gaîté'', 1929
−
*''Persécuté persécuteur'', [[1930 in poetry|1930]]-[[1931 in poetry|1931]]
+
*''Persécuté persécuteur'', 1930-1931
−
*''Hourra l'Oural'', [[1934 in poetry|1934]]
+
*''Hourra l'Oural'', 1934
−
*''Le Crève-Cœur, [[1941 in poetry|1941]]
+
*''Le Crève-Cœur, 1941
−
*''Cantique à Elsa'', [[1942 in poetry|1942]]
+
*''Cantique à Elsa'', 1942
−
*''Les Yeux d'Elsa'', [[1942 in poetry|1942]]
+
*''Les Yeux d'Elsa'', 1942
−
*''Brocéliande'', [[1942 in poetry|1942]]
+
*''Brocéliande'', 1942
−
*''Le Musée Grevin'', [[1943 in poetry|1943]]
+
*''Le Musée Grevin'', 1943
−
*''La Diane française'', [[1945 in poetry|1945]]
+
*''La Diane française'', 1945
−
*''En étrange pays dans mon pays lui-même'', [[1945 in poetry|1945]]
+
*''En étrange pays dans mon pays lui-même'', 1945
−
*''Le Nouveau Crève-Cœur'', [[1948 in poetry|1948]]
+
*''Le Nouveau Crève-Cœur'', 1948
−
*''Le Roman inachevé'', [[1956 in poetry|1956]]
+
*''Le Roman inachevé'', 1956
−
*''Elsa'', [[1959 in poetry|1959]]
+
*''Elsa'', 1959
−
*''Les Poètes'', [[1960 in poetry|1960]]
+
*''Les Poètes'', 1960
−
*''[[Le Fou d'Elsa]]'', [[1963 in poetry|1963]]
+
*''Le Fou d'Elsa'', 1963
−
*''Il ne m'est Paris que d'Elsa'', [[1964 in poetry|1964]]
+
*''Il ne m'est Paris que d'Elsa'', 1964
−
*''Les Chambres, poème du temps qui ne passe pas'', [[1969 in poetry|1969]]
+
*''Les Chambres, poème du temps qui ne passe pas'', 1969
  
 
=== Essays ===
 
=== Essays ===
−
*''Une vague de rêves'', [[1924 in literature|1924]]
+
*''Une vague de rêves'', 1924
−
*''Traité du style'', [[1928 in literature|1928]]
+
*''Traité du style'', 1928
−
*''Pour un réalisme socialiste'', [[1935 in literature|1935]]
+
*''Pour un réalisme socialiste'', 1935
  
−
== References ==
+
==Notes==
−
{{reflist}}
+
<references/>
  
−
==Further readings==
+
==References==
−
* Ivry, Benjamin (1996). ''Francis Poulenc'', 20th-Century Composers series. Phaidon Press Limited. ISBN 0-7148-3503-X.
+
* Becker, Lucille Frackman. 1971. ''Louis Aragon''. New York, NY: Twayne Publishers. OCLC 136232
−
* Polizzotti, Mark (1995). ''Revolution of the Mind: The Life of André Breton'' Bloomsbury Publishing Plc. ISBN 0-7415-1281-7
+
* Ivry, Benjamin. 1996. ''Francis Poulenc''. London, UK: Phaidon Press Limited. ISBN 0-7148-3503-X
 +
* Polizzotti, Mark. 1995. ''Revolution of the Mind: The Life of André Breton''. London, UK: Bloomsbury Publishing Plc. ISBN 0-7415-1281-7
  
−
==External links==
+
[[Category:Art, music, literature, sports and leisure]]
−
 
+
[[Category:Literature]]
−
* [http://maxunger.free.fr/spip/spip.php?article15 J'arrive où je suis étranger] poem with music, listenable on-line.
+
[[Category:Writers and poets]]
 +
[[Category:biography]]
  
−
[[Category:Art, music, literature, sports and leisure]]
 
 
{{credits|Louis_Aragon|166718010}}
 
{{credits|Louis_Aragon|166718010}}

Latest revision as of 16:00, 16 July 2015

Louis Aragon (French IPA: [lwi aʁa'gɔ̃]) (October 3, 1897 – December 24, 1982), was a French poet and novelist, a long-time political supporter of the communist party and a member of the Académie Goncourt He was also a member of the French Resistance, as the Communist Party played an important role in the defeat of Nazi Germany. However, after the war Aragon was critical of the de-Stalinization of the Soviet Union, Nikita Krushchev's so-called "Secret Speech" at the 20th Party Congress in 1956. The French Communist Party remained Stalinist longer than the rest of Europe, until the publication of Alexander Solzhenitsyn's One Day in the Life of Ivan Denisovich in 1962 demonstrated the horrors of the Gulag system. Later, though, he would criticize the imprisonment of Soviet filmmaker, Sergey Paradzhanov, helping to lead to his release.

Early life (1897-1939)

Aragon was born and died in Paris. He was raised by his mother, Marguerite, and maternal grandmother, who he grew up believing to be his sister and foster mother respectively. His biological father, Louis Andrieux, former senator of Forcalquier, was married and forty years older than Marguerite, who he had seduced when she was seventeen. Her mother passed him off as his godfather, and Aragon was only told the truth at the age of 19, as he was leaving to serve in the First World War, from which neither he nor his parents believed he would return. Andrieux's refusal to recognize his son would influence Aragon's poetry later on.

Having been involved in Dada from 1919 to 1924, he became a founding member of Surrealism in 1924 with André Breton and Philippe Soupault. In the 1920s, Aragon became a fellow traveler of the French Communist Party (PCF) with several other surrealists, and took his card in January 1927. In 1933, he began to write for the party's newspaper, L'Humanité, in the "news in brief" section. He would remain a member for the rest of his life, writing several political poems including one to Maurice Thorez, the general secretary of the PCF. During the World Congress of Writers for the Defense of Culture (1935), Aragon found himself opposed his former friend André Breton, who wanted to seize the opportunity as a tribune to defend the writer Victor Serge, associated with Leon Trotsky's Left Opposition.

Nevertheless Aragon was also critical of the USSR, particularly after the 20th Congress of the Communist Party of the Soviet Union (1956) during which Stalin's personality cult was denounced by Nikita Khrushchev.

The French surrealists had long claimed Lewis Carroll as one of their own, so it came as no surprise when Aragon tackled The Hunting of the Snark[1] in 1929, "shortly before he completed his transition from Snarxism to Marxism," as Martin Gardner puts it.[2] Witness the key stanza of the poem in Aragon's translation:

Ils le traquèrent avec des gobelets ils le traquèrent avec soin

Ils le poursuivirent avec des fourches et de l'espoir
Ils menacèrent sa vie avec une action de chemin de fer

Ils le charmèrent avec des sourires et du savon

Gardner calls the translation "pedestrian," and reminds the reader of Carroll's Rhyme? And Reason? (also published as "Phantasmagoria"). Gardner finds also the rest of Aragon's writings on Carroll's nonsense poetry full of factual errors, and cautions the reader that there is no evidence that Aragon intended any of it as a joke.

The Commune (1933-1939)

Apart of working as a journalist for L'Humanité, Louis Aragon also became, along with Paul Nizan, editor secretary of the journal Commune, published by the Association des écrivains et artistes révolutionnaires (Association of Revolutionary Writers and Artists), which aimed at gathering intellectuals and artists in a common front against fascism. Aragon became member of the directing committee of the Commune journal in January 1937, along with André Gide, Romain Rolland and Paul Vaillant-Couturier. The journal then took the name of "French literary review for defense of culture" (revue littéraire française pour la défense de la culture). With Gide's withdrawal in August 1937, Vaillant-Couturier's death in autumn 1937 and Romain Rolland's old age, Aragon became its effective director. In December 1938, he called as chief editor the young writer Jacques Decour. The Commune journal was strongly involved in the mobilization of French intellectuals in favor of the Spanish Republic.

Director of Ce soir (1937-1953)

Aragon was called on by the PCF, in March 1937, to head the new evening daily, Ce soir, which he was charged of launching along with the writer Jean-Richard Bloch. Ce soir attempted to compete with Paris-Soir. Outlawed in August 1939, Ce soir was re-created after the Liberation, and Aragon again took its lead, first with Bloch then alone after Bloch's death in 1947. The newspaper, which counted Emile Danoën as a collaborator, disappeared in March 1953.

World War II (1939-1945)

In 1939 he married Russian-born author Elsa Triolet, the sister of Lilya Brik, a mistress and common-law wife of Russian poet Vladimir Mayakovsky. He had met her in 1928, and she became his muse starting in the 1940s. Aragon and Triolet collaborated in the left-wing French media before and during World War II, going underground for most of the Nazi occupation.

Aragon was mobilized in the army in 1939, and awarded the Croix de guerre (War Cross) and the military medal for his acts of bravery. After the May 1940 defeat, he took refuge in the Southern Zone. He was one of the several poets, along with Robert Desnos, Paul Eluard, Jean Prévost, Jean-Pierre Rosnay to engage themselves in the Resistance, both by literary activities and as an organizer of Resistant movements.

During the war, Aragon wrote for the underground press Les Éditions de Minuit and was a member of the National Front Resistant movement. He participated with his wife Elsa Triolet to the setting up of the National Front of Writers in the Southern Zone. His activism led him to break his friendly relationship with Pierre Drieu La Rochelle, who had chosen instead the path of collaboration.

Along with Paul Eluard, Pierre Seghers or René Char, Aragon would maintain the memory of the Resistance in his post-war poems. He thus wrote, in 1954, Strophes pour se souvenir in commemoration of the role of foreigners in the Resistance, which celebrated the Francs-Tireurs et Partisans de la Main d'Oeuvre Immigrée (FTP-MOI).

The theme of the poem was the Red Poster affair, mainly the last letter that Missak Manouchian, an Armenian-French poet and Resistant, wrote to his wife Mélinée before his execution on February 21, 1944.[3] This poem was then sung by Léo Ferré.

After the war

At the Liberation, Aragon became one of the leading Communist intellectuals, assuming political responsibilities in the Comité national des écrivains (National Committee of Writers). He celebrated the role of the general secretary of the PCF, Maurice Thorez, and defended the Kominform's condemnation of the regime of Josip Broz Tito in Yugoslavia.

To the request of Thorez, Aragon was elected in 1950 in the central committee of the PCF. His office, however, did not protect him from all forms of criticisms. Thus, when his journal, Les Lettres françaises, published a drawing by Pablo Picasso at the occasion of Stalin's death in March 1953, Aragon was forced to make an honorable amend to his critics, who judged the drawing iconoclastic. Through-out the years, he became informed of the Stalinist repression by his wife Elsa, and thereafter changed his political line.

Les Lettres françaises (1953-1972)

In the days following the disappearance of Ce soir, in March 1953, Aragon became the director of Les Lettres françaises, which was L'Humanité 's literary supplement. Assisted by its chief editor, Pierre Daix, Aragon started in the 1960s a struggle against Stalinism and its consequences in Eastern Europe. He published writings of dissidents such as Alexander Solzhenitsyn or Milan Kundera. The financial losses of Les Lettres françaises led to the ceasing of activities in 1972—although it was later re-created.

Henceforth, Aragon supported in 1956 the Budapest insurrection, provoking the dissolving of the Comité national des écrivains, which Vercors quit. The same year, he was however granted the Lenine Award for Peace. He then harshly condemned Soviet authoritarianism, opened his journals to dissidents, condemned trials against intellectuals (in particular the 1966 Sinyavsky-Daniel trial). He strongly supported the student movement of May 1968, although the PCF was more than skeptic about it. The crushing of the Prague Spring in 1968 led him to a critical preface published in a translation of one of Milan Kundera's book (La Plaisanterie). Despite his criticisms, Aragon remained an official member of the PCF's central committee until his death.

The publisher

Beside his journalist activities, Louis Aragon was also CEO of the Editeurs français réunis (EFR) publishing house, heir of two publishing houses founded by the Resistance, La Bibliothèque française and Hier et Aujourd'hui. He directed the EFR along with Madeleine Braun, and published in the 1950s French and Soviet writers commonly related to the Socialist realism current. Among other works, the EFR published André Stil's Premier choc, which owed to the future Goncourt Academician the Stalin Award in 1953. But they also published other writers, such as Julius Fučík, Vítězslav Nezval, Rafael Alberti, Yánnis Rítsos or Vladimir Mayakovsky. In the beginning of the 1960s, the EFR brought to public knowledge the works of non-Russian Soviet writers, such as Tchinguiz Aïtmatov, or Russian writers belong to the Khrushchev Thaw, such as Galina Nicolaëva, Anatoli Kouznetsov's Babi Yar in 1967, etc. The EFR also published the first novel of Christa Wolf in 1964, and launched the poetic collection Petite sirène, which collected works by Pablo Neruda, Eugène Guillevic, Nicolas Guillen, but also less known poets such as Dominique Grandmont, Alain Lance or Jean Ristat.

Back to Surrealism

After the death of his wife on June 16, 1970, Aragon came out as bisexual, appearing at gay pride parades in a pink convertible[4] Drieu La Rochelle had evoked Aragon's homosexuality in Gilles, written in the 1930s.

Free from both his marital and editorial responsibilities (having ended publication of Les Lettres Françaises—L'Humanité 's literary supplement—in 1972), Aragon was free to return to his surrealist roots. During the last ten years of his life, he published at least two further novels: Henri Matisse Roman and Les Adieux.

Louis Aragon died on December 24, 1982, his friend Jean Ristat sitting up with him. He was buried in the park of Moulins de Villeneuve, in his property of Saint-Arnoult-en-Yvelines, along his wife Elsa Triolet.

Legacy

After his initial period marked by his interest in Surrealism and the playful use of language, Aragon returned to a more classical form (using rhyme and meter), inspired by Guillaume Apollinaire, and his desire to give an account of the French resistance during the Second World War. After the war, the political aspect of his poetry receded into the background as he emphasized its lyrical quality. Although he never fully rejected this embrace of the classical style, his later poetry returned to his interest in more modern styles.

Various poems by Aragon have been sung by Lino Léonardi, Hélène Martin, Léo Ferré, Jean Ferrat, Georges Brassens, Alain Barrière, Isabelle Aubret, Nicole Rieu, Monique Morelli, Marc Ogeret, among others.

Bibliography

Novels and Short Stories

  • Anicet ou le Panorama (1921)
  • Les Aventures de Télémaque (1922)
  • Le Libertinage (1924)
  • Le Paysan de Paris (1926)
  • Le Con d'Irène (1927, published under the pseudonym Albert de Routisie)
  • Les Cloches de Bâle ("Le Monde réel," 1934)
  • Les Beaux Quartiers ("Le Monde réel," 1936, Renaudot Prize winner)
  • Les Voyageurs de l'Impériale ("Le Monde réel," 1942)
  • Aurélien (roman) ("Le Monde réel," 1944)
  • Servitude et Grandeur des Français. Scènes des années terribles (1945)
  • Les Communistes (six volumes, 1949-1951 et 1966-1967 - "Le Monde réel")
  • La Semaine Sainte (1958)
  • La Mise à mort (1965)
  • Blanche ou l'oubli (1967)
  • Henri Matisse, roman (1971)
  • Théâtre/Roman (1974)
  • Le Mentir-vrai (1980)
  • La Défense de l'infini (1986)
  • Les Aventures de Jean-Foutre La Bite (1986)

Poetry

  • Le Musée Grévin, published under the pseudonym François la Colère by the Editions de Minuit
  • La rose et le réséda
  • Feu de joie, 1919
  • Le Mouvement perpétuel, 1926
  • La Grande Gaîté, 1929
  • Persécuté persécuteur, 1930-1931
  • Hourra l'Oural, 1934
  • Le Crève-Cœur, 1941
  • Cantique à Elsa, 1942
  • Les Yeux d'Elsa, 1942
  • Brocéliande, 1942
  • Le Musée Grevin, 1943
  • La Diane française, 1945
  • En étrange pays dans mon pays lui-même, 1945
  • Le Nouveau Crève-Cœur, 1948
  • Le Roman inachevé, 1956
  • Elsa, 1959
  • Les Poètes, 1960
  • Le Fou d'Elsa, 1963
  • Il ne m'est Paris que d'Elsa, 1964
  • Les Chambres, poème du temps qui ne passe pas, 1969

Essays

  • Une vague de rêves, 1924
  • Traité du style, 1928
  • Pour un réalisme socialiste, 1935

Notes

  1. ↑ Lewis Carroll, and Louis Aragon (trans.), La Chasse au Snark (Paris, FR: Pierre Seghers, 1949).
  2. ↑ Martin Gardner, The Annotated Snark (New York, NY: Penguin Books, 1974).
  3. ↑ Mélinée Manouchian, Manouchian (Paris, FR: EFR, 1954).
  4. ↑ Ivry, 1996

References
ISBN links support NWE through referral fees

  • Becker, Lucille Frackman. 1971. Louis Aragon. New York, NY: Twayne Publishers. OCLC 136232
  • Ivry, Benjamin. 1996. Francis Poulenc. London, UK: Phaidon Press Limited. ISBN 0-7148-3503-X
  • Polizzotti, Mark. 1995. Revolution of the Mind: The Life of André Breton. London, UK: Bloomsbury Publishing Plc. ISBN 0-7415-1281-7

Credits

New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:

The history of this article since it was imported to New World Encyclopedia:

Note: Some restrictions may apply to use of individual images which are separately licensed.

Retrieved from https://www.newworldencyclopedia.org/p/index.php?title=Louis_Aragon&oldid=989466

Content is available under Creative Commons Attribution/Share-Alike License; additional terms may apply. See Terms of Use for details.
Copyright Logo
Powered by MediaWiki