Difference between revisions of "Edgar Allan Poe" - New World Encyclopedia

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{{Infobox Writer
| bgcolour    = silver
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| name         = Edgar Allan Poe
| name       = Edgar Allan Poe
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| image       = Edgar_Allan_Poe_2.jpg
| image       = Edgar_Allan_Poe_2.jpg
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| caption     = 1848 [[daguerreotype]] of Poe
| caption     = This [[daguerreotype]] of Poe was taken in 1848 when he was 39, a year before his death.
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| pseudonym    =
| birth_date  = {{birth date|1809|1|19|mf=y}}
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| birthname    =
| birth_place = [[Boston, Massachusetts]] [[United States|U.S.]]
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| birthdate    = {{birth date|mf=yes|1809|01|19}}
| death_date  = {{death date and age|1849|10|07|1809|01|19}}
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| birthplace  = [[Boston]], [[Massachusetts]], [[United States|USA]]
| death_place = [[Baltimore, Maryland]] [[United States|U.S.]]
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| deathdate    = {{death date and age|mf=yes|1849|10|7|1809|01|19}}
| occupation = Poet, short story writer, editor, literary critic
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| deathplace  = [[Baltimore]], [[Maryland]], USA
| movement    = [[Romanticism]], [[Dark romanticism]]
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| occupation   = [[Poetry|Poet]], [[Short story|short-story writer]], [[Editing|editor]], [[Literary criticism|literary critic]]
| genre       = [[Horror fiction]], [[Crime fiction]], [[Detective fiction]]
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| nationality  =
| magnum_opus = The Raven
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| ethnicity    =
| influences  = [[George Gordon Byron, 6th Baron Byron|Lord Byron]], [[Charles Dickens]], [[Ann Radcliffe]], [[Nathaniel Hawthorne]]
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| citizenship  =
| influenced  = [[Charles Baudelaire]], [[Oscar Wilde]], [[Fyodor Dostoevsky]], [[Robert Louis Stevenson]], [[Arthur Conan Doyle]], [[Clark Ashton Smith]], [[Jules Verne]], [[H. P. Lovecraft]], [[Jorge Luis Borges]], [[Ray Bradbury]], [[Lemony Snicket]], [[Stefan Grabinski]], [[Fernando Pessoa]], [[Harlan Ellison]], [[Ville Valo]], [[Stephen King]], [[Antoni Lange]]
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| education    =
| spouse     = [[Virginia Eliza Clemm Poe]]
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| alma_mater  =
| relations   = David Poe, Jr. and [[Eliza Poe|Elizabeth Arnold Poe]] (birth parents), John Allan and Frances Allan (foster parents)
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| period      =
| footnotes   =  
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| genre       = [[Horror fiction]], [[crime fiction]], [[detective fiction]]
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| subject      =  
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| movement    = [[Romanticism]]
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| notableworks =  
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| spouse       = [[Virginia Eliza Clemm Poe]]
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| partner      =
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| children    =
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| relatives    =
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| influences   =  
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| influenced  =
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| awards      =
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| signature    =
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| website      =
 +
| portaldisp   =  
 
}}
 
}}
'''Edgar Allan Poe''' (January 19, 1809 – October 7, 1849) was an [[United States|American]] [[poet]], [[short story]] [[writer]], [[playwright]], [[editing|editor]], [[literary critic]], [[essayist]] and one of the leaders of the American [[Romanticism|Romantic Movement]]. Best known for his tales of [[Mystery fiction|mystery]] and of the [[macabre]], Poe was one of the early American practitioners of the short story and a progenitor of [[detective fiction]] and [[crime fiction]]. He is also credited with contributing to the emergent [[science fiction]] genre.<ref>[http://cco.cambridge.org/extract?id=ccol0521816262_CCOL0521816262A004 Science fiction before the genre] - Retrieved October 24, 2007.</ref>
 
  
Born in [[Boston]], Edgar Poe's parents died when he was still young and he was taken in by John and Frances Allan of [[Richmond, Virginia]]. Raised there and for a few years in [[England]], the Allans raised Poe in relative wealth, though he was never formally adopted. After a short period at the [[University of Virginia]] and a brief attempt at a military career, Poe and the Allans parted ways. Poe's publishing career began humbly with an anonymous collection of poems called ''[[Tamerlane and Other Poems]]'' (1827), credited only "by a Bostonian." Poe moved to [[Baltimore]] to live with blood-relatives and switched his focus from poetry to prose. In July of 1835, he became assistant editor of the ''[[Southern Literary Messenger]]'' in Richmond, where he helped increase subscriptions and began developing his own style of literary criticism. That year he also married [[Virginia Eliza Clemm Poe|Virginia Clemm]], his 13-year old cousin.  
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'''Edgar Allan Poe''' (January 19, 1809 – October 7, 1849) was an American [[poet]], [[Short story|short-story]] writer, [[Editing|editor]] and [[Literary criticism|literary critic]], and is considered part of the American [[Romanticism|Romantic Movement]]. Best known for his tales of [[Mystery (fiction)|mystery]] and the [[macabre]], Poe was one of the earliest American practitioners of the short story and is considered the inventor of the [[Detective fiction|detective-fiction]] genre. He is further credited with contributing to the emerging genre of [[science fiction]].<ref>Stableford, Brian. "Science fiction before the genre." ''The Cambridge Companion to Science Fiction'', Eds. Edward James and Farah Mendlesohn. Cambridge: Cambridge University Press, 2003. pp. 18–19.</ref> He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.<ref name = Meyers138/>
  
After an unsuccessful novel ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'', Poe produced his first collection of short stories, ''[[Tales of the Grotesque and Arabesque]]'' in 1839. That year Poe became editor of ''[[Burton's Magazine|Burton's Gentlemen's Magazine]]'' and, later, ''[[Graham's Magazine]]'' in [[Philadelphia]]. It was in Philadelphia that many of his most well-known works would be published. In that city, Poe also planned on starting his own journal, ''The Penn'' (later renamed ''[[The Stylus]]''), though it would never come to be. In February 1844, he moved to [[New York City]] and worked with the ''[[Broadway Journal]]'', a magazine of which he would eventually become sole owner.
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He was born as Edgar Poe in [[Boston]], [[Massachusetts]]; his parents died when he was young. Poe was taken in by John and Frances Allan, of [[Richmond, Virginia|Richmond]], [[Virginia]], but they never formally adopted him. After spending a short period at the [[University of Virginia]] and briefly attempting a military career, Poe parted ways with the Allans. Poe's publishing career began humbly, with an anonymous collection of poems, ''[[Tamerlane and Other Poems]]'' (1827), credited only to "a Bostonian".
  
In January 1845, Poe published "[[The Raven]]" to instant success but, only two years later, his wife Virginia died of [[tuberculosis]] on January 30, 1847. Poe considered remarrying but never did. On October 7, 1849, Poe died at the age of 40 in Baltimore. The cause of his death is undetermined and has been attributed to [[alcohol]], [[drugs]], [[cholera]], [[rabies]], [[suicide]] (although likely to be mistaken with his suicide attempt in the previous year), tuberculosis, [[heart disease]], brain congestion and other agents.<ref>Jeffrey Meyers. ''Edgar Allan Poe: His Life and Legacy''. (New York: Cooper Square Press, 2000, ISBN 0815410387), P. 256</ref>
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Poe switched his focus to prose and spent the next several years working for literary journals and periodicals, becoming known for his own style of literary criticism. His work forced him to move between several cities, including [[Baltimore]], [[Philadelphia]], and [[New York City]]. In Baltimore in 1835, he married [[Virginia Eliza Clemm Poe|Virginia Clemm]], his 13-year-old cousin. In January 1845, Poe published his poem "[[The Raven]]" to instant success. His wife died of [[tuberculosis]] two years later. He began planning to produce his own journal, ''The Penn'' (later renamed ''[[The Stylus]]''), though he died before it could be produced. On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unknown and has been variously attributed to alcohol, brain congestion, [[cholera]], drugs, [[heart disease]], [[rabies]], suicide, tuberculosis, and other agents.<ref name="Meyers256"/>
  
Poe's legacy includes a significant influence in literature in the United States and around the world as well as in specialized fields like cosmology and [[cryptography]]. Additionally, Poe and his works appear throughout popular culture in literature, music, films, television, video games, etc. Some of his homes are dedicated as museums today.
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Poe and his works influenced literature in the United States and around the world, as well as in specialized fields, such as [[cosmology]] and [[cryptography]]. Poe and his work appear throughout popular culture in literature, music, films, and television. A number of his homes are dedicated museums today.
  
 
==Life and career==
 
==Life and career==
[[Image:Edgar Allan Poe bust.jpg|thumb|250px|right|This bust of Edgar Allan Poe is found at the [[University of Virginia]] where, having lost his tuition due to a [[compulsive gambling|gambling problem]], he dropped out in 1827.]]
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[[Image:Edgar Allan Poe Birthplace Boston.jpg|thumb|This plaque marks the approximate location where Edgar Poe was born in Boston.]]
 
===Early life===
 
===Early life===
Poe was born '''Edgar Poe''' to a [[Scots-Irish]] family in [[Boston, Massachusetts]], on January 19, 1809, the son of actress [[Eliza Poe|Elizabeth Arnold Hopkins Poe]] and actor David Poe, Jr. The second of three children, his elder brother was William Henry Leonard Poe, and younger sister, Rosalie Poe.<ref name="hervey">Hervey Allen. Introduction to ''The Works of Edgar Allan Poe in One Volume: Complete Tales and Poems''. (New York: P. F. Collier & Son, 1927)</ref> His father abandoned their family in 1810.<ref name = father>[http://www.uncp.edu/home/canada/work/allam/17841865/lit/poe.htm Poe Chronology] - Retrieved October 24, 2007.</ref> His mother died a year later from "consumption" ([[tuberculosis]]). Poe was then taken into the home of John Allan, a successful [[Scotland|Scottish]] merchant in [[Richmond, Virginia]], who dealt in a variety of goods including [[tobacco]], [[cloths]], [[wheat]], [[tombstone]]s, and [[slavery|slaves]].<ref>Meyers, P. 8</ref> The Allans served as a foster family but never formally adopted Poe, though they gave him the name "Edgar Allan Poe."<ref>[http://www.eapoe.org/geninfo/poeallan.htm Poe's Middle Name] - Retrieved October 24, 2007.</ref>
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He was born Edgar Poe in [[Boston, Massachusetts]], on January 19, 1809, the second child of actress [[Eliza Poe|Elizabeth Arnold Hopkins Poe]] and actor David Poe, Jr. He had an elder brother, [[William Henry Leonard Poe]], and a younger sister, Rosalie Poe.<ref name="hervey">Allen, Hervey. "Introduction". ''The Works of Edgar Allan Poe'', New York: P. F. Collier & Son, 1927.</ref> Edgar may have been named after a character in [[William Shakespeare|William Shakespeare's]] ''[[King Lear]]'', a play the couple was performing in 1809.<ref>Nelson, Randy F. ''The Almanac of American Letters''. Los Altos, California: William Kaufmann, Inc., 1981: 65. ISBN 086576008X</ref> His father abandoned their family in 1810,<ref name = father>Canada, Mark, ed. "[http://www.uncp.edu/home/canada/work/allam/17841865/lit/poe.htm Edgar Allan Poe Chronology]". ''Canada's America''. 1997. Retrieved on June 3, 2007.</ref> and his mother died a year later from [[tuberculosis|consumption]]. Poe was then taken into the home of John Allan, a successful Scottish merchant in [[Richmond, Virginia]], who dealt in a variety of goods including tobacco, cloth, wheat, tombstones, and [[slavery|slaves]].<ref>Meyers, 8</ref> The Allans served as a foster family but never formally adopted Poe,<ref>Quinn, 61</ref> though they gave him the name "Edgar Allan Poe".<ref name=Meyers9>Meyers, 9</ref>
  
The Allan family had young Edgar baptized in the [[ECUSA|Episcopal Church]] in 1812. John Allan alternately spoiled and aggressively disciplined his foster son.<ref>Meyers, P. 9</ref> The family, including Allan's wife Frances Valentine Allan and Edgar, sailed to England in 1815. Edgar attended the Grammar School in [[Irvine, North Ayrshire|Irvine]], Scotland (where John Allan was born) for a short period in 1815, before rejoining the family in London, in 1816. He studied at a boarding school in [[Chelsea, London|Chelsea]] until summer 1817. Then he was entered at Reverend John Bransby’s Manor House School at [[Stoke Newington]], then a suburb four miles (6 km) north of London.<ref>Kenneth Silverman. ''Edgar A. Poe: Mournful and Never-ending Remembrance''. (New York: Harper Perennial, 1991, ISBN 0060167157), P. 16-18</ref> Bransby is mentioned by name as a character in "[[William Wilson (short story)|William Wilson]]."
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The Allan family had Poe baptized in the [[Episcopal Church in the United States of America|Episcopal Church]] in 1812. John Allan alternately spoiled and aggressively disciplined his foster son.<ref name=Meyers9/> The family, including Poe and Allan's wife, Frances Valentine Allan, sailed to England in 1815. Poe attended the grammar school in [[Irvine, North Ayrshire|Irvine]], Scotland (where John Allan was born) for a short period in 1815, before rejoining the family in London in 1816. He studied at a boarding school in [[Chelsea, London|Chelsea]] until summer 1817. He was subsequently entered at the Reverend John Bransby’s Manor House School at [[Stoke Newington]], then a suburb four&nbsp;miles (6&nbsp;km) north of London.<ref>Silverman, 16–18</ref>
  
Poe moved back with the Allans to Richmond, Virginia in 1820. In 1825, John Allan's friend and business benefactor William Galt, said to be the wealthiest man in Richmond, died and left Allan several acres of real estate. The inheritance was estimated at $750,000. By summer 1825, Allan celebrated his expansive wealth by purchasing a two-story brick home named "[[Moldavia (Richmond)|Moldavia]]".<ref>Silverman, P. 27-8</ref> Poe may have become engaged to [[Sarah Elmira Royster]] before he registered at the one-year old [[University of Virginia]] in February 1826 with the intent to study languages.<ref>Silverman, P. 29-30</ref> The University, in its infancy, was established on the ideals of its founder [[Thomas Jefferson]]. It had strict rules against [[gambling]], horses, guns, tobacco and alcohol, but these rules were generally ignored. Jefferson had enacted a system of student self-government, allowing students to choose their own studies, make their own arrangements for boarding, and report all wrongdoing to the faculty. The unique system was still in chaos and there was a high drop-out rate.<ref>Meyers, P. 21-2</ref> During his time there, Poe lost touch with Royster and also became estranged from his foster father over gambling debts. Poe claimed that Allan had not given him sufficient money to register for classes, purchase texts, and procure and furnish a dormitory. Allan did send additional money and clothes, but Poe's debts increased.<ref>Silverman, P. 32-4</ref> Poe gave up on the University after a year and, not feeling welcome in Richmond, especially when he learned that his sweetheart Royster had married Alexander Shelton, he traveled to [[Boston]] in April 1827, sustaining himself with odd jobs as a clerk and newspaper writer.<ref>Meyers, P. 32</ref> At some point he was using the [[pseudonym]] Henri Le Rennet.<ref>Silverman, P. 41</ref>
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Poe moved back with the Allans to Richmond, Virginia in 1820. In March 1825, John Allan's uncle<ref>Meyers, 20</ref> and business benefactor William Galt, said to be one of the wealthiest men in Richmond, died and left Allan several acres of real estate. The inheritance was estimated at $750,000. By summer 1825, Allan celebrated his expansive wealth by purchasing a two-story brick home named Moldavia.<ref>Silverman, 27–28</ref> Poe may have become engaged to [[Sarah Elmira Royster]] before he registered at the one-year-old [[University of Virginia]] in February 1826 to study languages.<ref>Silverman, 29–30</ref> The university, in its infancy, was established on the ideals of its founder, [[Thomas Jefferson]]. It had strict rules against gambling, horses, guns, tobacco and alcohol, but these rules were generally ignored. Jefferson had enacted a system of student self-government, allowing students to choose their own studies, make their own arrangements for boarding, and report all wrongdoing to the faculty. The unique system was still in chaos, and there was a high dropout rate.<ref>Meyers, 21–22</ref> During his time there, Poe lost touch with Royster and also became estranged from his foster father over gambling debts. Poe claimed that Allan had not given him sufficient money to register for classes, purchase texts, and procure and furnish a dormitory. Allan did send additional money and clothes, but Poe's debts increased.<ref>Silverman, 32–34</ref> Poe gave up on the university after a year, and, not feeling welcome in Richmond, especially when he learned that his sweetheart Royster had married Alexander Shelton, he traveled to Boston in April 1827, sustaining himself with odd jobs as a clerk and newspaper writer.<ref name=Meyers32>Meyers, 32</ref> At some point he started using the [[pseudonym]] Henri Le Rennet.<ref>Silverman, 41</ref>
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[[Image:FtIndependence2.jpg|left|thumb|Poe was first stationed at Boston's [[Fort Independence (Massachusetts)|Fort Independence]] while in the army.]]
  
 
===Military career===
 
===Military career===
Reduced to destitution, Poe enlisted in the [[United States Army]] as a private, using the name "Edgar A. Perry" and claiming he was 22 years old (he was 18) on May 26, 1827. He first served at [[Fort Independence]] in [[Boston Harbor]] for five dollars a month.<ref>Meyers, P. 32</ref> That same year, he released his first book, a 40-page collection of [[poetry]], ''[[Tamerlane and Other Poems]]'' attributed only as "by a Bostonian." Only 50 copies were printed, and the book received virtually no attention.<ref>Meyers, P. 33-4</ref> Poe's regiment was posted to [[Fort Moultrie National Monument|Fort Moultrie]] in [[Charleston, South Carolina]] and traveled by ship on the brig ''Waltham'' on November 8, 1827. Poe was promoted to "artificer," an officer who prepared shells for [[artillery]], and had his monthly pay doubled.<ref>Meyers, P. 35</ref> After serving for two years and attaining the rank of Sergeant Major for Artillery (the highest rank a noncommissioned officer can achieve), Poe sought to end his five-year enlistment early. He revealed his real name and his circumstances to his [[commanding officer]], Lieutenant Howard, who would only allow Poe to be [[military discharge|discharged]] if he reconciled with John Allan. Howard wrote a letter to Allan, but he was unsympathetic. Several months passed and pleas to Allan were ignored; Allan may not have written to Poe even to make him aware of his foster mother's illness. Frances Allan died on February 28, 1829 and Poe visited the day after her burial. Perhaps softened by his wife's death, John Allan agreed to support Poe's attempt to be discharged in order to receive an appointment to the [[United States Military Academy]] at West Point.<ref>Silverman, P. 43-7</ref>
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Unable to support himself, on May 27, 1827, Poe enlisted in the [[United States Army]] as a private. Using the name "Edgar A. Perry", he claimed he was {{nowrap|22 years old}} even though he was 18.<ref>Cornelius, Kay. "Biography of Edgar Allan Poe", ''Bloom's BioCritiques: Edgar Allan Poe'', Ed. Harold Bloom, Philadelphia: Chelsea House Publishers, 2002. p. 13 ISBN 0791061736</ref> He first served at [[Fort Independence (Massachusetts)|Fort Independence]] in [[Boston Harbor]] for five&nbsp;dollars a month.<ref name=Meyers32/> That same year, he released his first book, a 40-page collection of poetry, ''[[Tamerlane and Other Poems]]'', attributed with the byline "by a Bostonian". Only 50&nbsp;copies were printed, and the book received virtually no attention.<ref>Meyers, 33–34</ref> Poe's regiment was posted to [[Fort Moultrie National Monument|Fort Moultrie]] in [[Charleston, South Carolina]] and traveled by ship on the brig ''Waltham'' on November 8, 1827. Poe was promoted to "artificer", an enlisted tradesman who prepared shells for [[artillery]], and had his monthly pay doubled.<ref>Meyers, 35</ref> After serving for two&nbsp;years and attaining the rank of Sergeant Major for Artillery (the highest rank a noncommissioned officer can achieve), Poe sought to end his five-year enlistment early. He revealed his real name and his circumstances to his [[commanding officer]], Lieutenant Howard. Howard would only allow Poe to be [[military discharge|discharged]] if he reconciled with John Allan and wrote a letter to Allan, who was unsympathetic. Several months passed and pleas to Allan were ignored; Allan may not have written to Poe even to make him aware of his foster mother's illness. Frances Allan died on February 28, 1829, and Poe visited the day after her burial. Perhaps softened by his wife's death, John Allan agreed to support Poe's attempt to be discharged in order to receive an appointment to the [[United States Military Academy]] at West Point.<ref>Silverman, 43–47</ref>
  
Poe finally was discharged on April 15, 1829 after securing a replacement to finish his enlisted term for him.<ref>Meyers, P. 38</ref> Before entering West Point, Poe moved back to Baltimore for a time, to stay with his widowed aunt, Maria Clemm, her daughter, [[Virginia Eliza Clemm Poe|Virginia Eliza Clemm]] (Poe's first cousin), and his brother Henry. Meanwhile, Poe published his second book, ''Al Aaraaf Tamerlane and Minor Poems'' in Baltimore in 1829.
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Poe finally was discharged on April 15, 1829, after securing a replacement to finish his enlisted term for him.<ref>Meyers, 38</ref> Before entering West Point, Poe moved back to Baltimore for a time, to stay with his widowed aunt Maria Clemm, her daughter, [[Virginia Eliza Clemm Poe|Virginia Eliza Clemm]] (Poe's first cousin), his brother Henry, and his invalid grandmother Elizabeth Cairnes Poe.<ref>Cornelius, Kay. "Biography of Edgar Allan Poe", ''Bloom's BioCritiques: Edgar Allan Poe'', Ed. Harold Bloom, Philadelphia: Chelsea House Publishers, 2002. pp. 13–14 ISBN 0791061736</ref> Meanwhile, Poe published his second book, ''Al Aaraaf, Tamerlane and Minor Poems'', in Baltimore in 1829.<ref>Sova, 5</ref>
  
Poe traveled to West Point, and took his oath on July 1, 1830. John Allan married a second time. The marriage, and bitter quarrels with Poe over the children born to Allan out of affairs, led to the foster father finally disowning Poe. Poe decided to leave West Point by purposely getting [[court-martial]]ed. On February 8, 1831, he was tried for gross neglect of duty and disobedience of orders for refusing to attend formations, classes, or church. Poe tactically pled not guilty to induce dismissal, knowing he would be found guilty.<ref>William J. Hecker. ''Private Perry and Mister Poe: The West Point Poems''. (Baton Rouge: Louisiana State University Press, 2005, ISBN 0807130540), P. 49-51</ref> He left for New York in February 1831, and released a third volume of poems, simply titled ''Poems.'' The book was financed with help from his fellow cadets at West Point, many of whom donated 75 cents to the cause, raising a total of $170. They may have been expecting verses similar to the satirical ones Poe had been writing about commanding officers.<ref>Meyers, Jeffrey. ''Edgar Allan Poe: His Life and Legacy''. Cooper Square Press, 1992. pp. 50-1</ref> Printed by Elam Bliss of New York, it was labeled as "Second Edition" and included a page saying, "To the U.S. Corps of Cadets this volume is respectfully dedicated." The book once again reprinted the long poems "Tamerlane" and "Al Aaraaf" but also six previously unpublished poems including early versions of "[[To Helen]]," "[[Poems by Edgar Allan Poe#Israfel (1831)|Israfel]]," and "[[The City in the Sea]]."<ref>Hecker, P. 53-4</ref>
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Poe traveled to West Point and matriculated as a cadet on July 1, 1830.<ref>Krutch, 32</ref> In October 1830, John Allan married his second wife, Louisa Patterson.<ref>Cornelius, Kay. "Biography of Edgar Allan Poe", ''Bloom's BioCritiques: Edgar Allan Poe'', Ed. Harold Bloom, Philadelphia: Chelsea House Publishers, 2002. p. 14 ISBN 0791061736</ref> The marriage, and bitter quarrels with Poe over the children born to Allan out of affairs, led to the foster father finally disowning Poe.<ref>Meyers, 54–55</ref> Poe decided to leave West Point by purposely getting [[court-martial]]ed. On February 8, 1831, he was tried for gross neglect of duty and disobedience of orders for refusing to attend formations, classes, or church. Poe tactically pled not guilty to induce dismissal, knowing he would be found guilty.<ref>Hecker, William J. ''Private Perry and Mister Poe: The West Point Poems''. Louisiana State University Press, 2005. pp. 49–51</ref>
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He left for New York in February 1831, and released a third volume of poems, simply titled ''Poems.'' The book was financed with help from his fellow cadets at West Point, many of whom donated 75&nbsp;cents to the cause, raising a total of $170. They may have been expecting verses similar to the satirical ones Poe had been writing about commanding officers.<ref>Meyers, 50–51</ref> Printed by Elam Bliss of New York, it was labeled as "Second Edition" and included a page saying, "To the U.S. Corps of Cadets this volume is respectfully dedicated." The book once again reprinted the long poems "Tamerlane" and "Al Aaraaf" but also six previously unpublished poems including early versions of "[[To Helen]]", "[[Poems by Edgar Allan Poe#Israfel (1831)|Israfel]]", and "[[The City in the Sea]]".<ref>Hecker, William J. ''Private Perry and Mister Poe: The West Point Poems''. Louisiana State University Press, 2005. pp. 53–54</ref> He returned to Baltimore, to his aunt, brother and cousin, in March 1831. His elder brother Henry, who had been in ill health in part due to problems with alcoholism, died on August 1, 1831.<ref>Quinn, 187–188</ref>
  
 
===Publishing career===
 
===Publishing career===
He returned to Baltimore, to his aunt, brother and cousin, in March 1831. Henry died from tuberculosis in August 1831. Poe turned his attention to prose, and placed a few stories with a [[Philadelphia]] publication. He also began work on his only drama, ''Politian''. The ''Saturday Visitor'', a Baltimore paper, awarded a prize in October 1833 to his ''The Manuscript Found in a Bottle''. The story brought him to the attention of [[John P. Kennedy]], a Baltimorian of considerable means. He helped Poe place some of his stories, and also introduced him to Thomas W. White, editor of the ''[[Southern Literary Messenger]]'' in [[Richmond, Virginia|Richmond]]. Poe became assistant editor of the periodical in July 1835. Within a few weeks, he was discharged after being found drunk repeatedly. Returning to Baltimore, he secretly married Virginia, his cousin, on September 22, 1835. She was 13 at the time, though she is listed on the marriage certificate as being 21.<ref>Meyers, P. 85</ref>  
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After his brother's death, Poe began more earnest attempts to start his career as a writer. He chose a difficult time in American publishing to do so.<ref>Whalen, 64</ref> He was the first well-known American to try to live by writing alone<ref name=Meyers138>Meyers, 138</ref><ref name=Quinn305>Quinn, 305</ref> and was hampered by the lack of an international [[copyright]] law.<ref>Silverman, 247</ref> Publishers often pirated copies of British works rather than paying for new work by Americans.<ref name=Quinn305/> The industry was also particularly hurt by the [[Panic of 1837]].<ref>Whalen, 74</ref> Despite a booming growth in American periodicals around this time period, fueled in part by new technology, many did not last beyond a few issues<ref>Silverman, 99</ref> and publishers often refused to pay their writers or paid them much later than they promised.<ref>Whalen, 82</ref> Poe, throughout his attempts at pursuing a successful literary career, would be forced to constantly make humiliating pleas for money and other assistance for the rest of his life.<ref>Meyers, 139</ref>
  
Reinstated by White after promising good behavior, Poe went back to Richmond with Virginia and her mother, and remained at the paper until January 1837. During this period, its circulation increased from 700 to 3500.<ref name="hervey"/> He published several poems, book reviews, criticism, and stories in the paper. On May 16, 1836, he entered into marriage in Richmond with Virginia Clemm, this time in public.
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[[Image:VirginiaPoe.jpg|right|thumb|Poe married his 13-year old cousin, [[Virginia Eliza Clemm Poe|Virginia Clemm]]. Her early death may have inspired some of his writing.]]
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After his early attempts at poetry, Poe had turned his attention to prose. He placed a few stories with a [[Philadelphia]] publication and began work on his only drama, ''[[Politian (play)|Politian]]''. The ''Saturday Visitor'', a Baltimore paper, awarded Poe a prize in October 1833 for his short story "[[MS. Found in a Bottle]]".<ref>Sova, 162</ref> The story brought him to the attention of [[John P. Kennedy]], a Baltimorian of considerable means. He helped Poe place some of his stories, and introduced him to Thomas W. White, editor of the ''[[Southern Literary Messenger]]'' in [[Richmond, Virginia|Richmond]]. Poe became assistant editor of the periodical in August 1835;<ref>Sova, 225</ref> however, within a few weeks, he was discharged after being found drunk repeatedly.<ref>Meyers, 73</ref> Returning to Baltimore, Poe secretly married Virginia, his cousin, on September 22, 1835. She was 13 at the time, though she is listed on the marriage certificate as being 21.<ref>Meyers, 85</ref> Reinstated by White after promising good behavior, Poe went back to Richmond with Virginia and her mother. He remained at the ''Messenger'' until January 1837. During this period, its circulation increased from 700 to 3,500.<ref name="hervey" /> He published several poems, book reviews, criticism, and stories in the paper. On May 16, 1836, he had a second wedding ceremony in Richmond with Virginia Clemm, this time in public.<ref>Silverman, 124</ref>
  
[[Image:VirginiaPoe.jpg|right|thumb|Virginia Poe, in a painting created after her death.]]
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''[[The Narrative of Arthur Gordon Pym of Nantucket|The Narrative of Arthur Gordon Pym]]'' was published and widely reviewed in 1838. In the summer of 1839, Poe became assistant editor of ''[[Burton's Gentleman's Magazine]]''. He published numerous articles, stories, and reviews, enhancing his reputation as a trenchant critic that he had established at the ''Southern Literary Messenger''. Also in 1839, the collection ''[[Tales of the Grotesque and Arabesque]]'' was published in two&nbsp;volumes, though he made little money off of it and it received mixed reviews.<ref>Meyers, 113</ref> Poe left ''Burton's'' after about a year and found a position as assistant at ''[[Graham's Magazine]]''.<ref>Sova, 39, 99</ref>
''[[The Narrative of Arthur Gordon Pym of Nantucket|The Narrative of Arthur Gordon Pym]]'' was published and widely reviewed in 1838. In the summer of 1839, Poe became assistant editor of ''Burton's Gentleman's Magazine''. He published a large number of articles, stories, and reviews, enhancing the reputation as a trenchant critic that he had established at the ''Southern Literary Messenger''. Also in 1839, the collection ''[[Tales of the Grotesque and Arabesque]]'' was published in two volumes. Though not a financial success, it was a milestone in the history of American literature, collecting such classic Poe tales as "[[The Fall of the House of Usher]]," "[[MS. Found in a Bottle]]," "[[Berenice (short story)|Berenice]]," "[[Ligeia]]" and "[[William Wilson (short story)|William Wilson]]." Poe left ''Burton's'' after about a year and found a position as assistant at ''[[Graham's Magazine]]''.
 
  
In June 1840, Poe published a [[prospectus]] announcing his intentions to start his own journal, ''[[The Stylus]]''.<ref>Meyers, P. 119</ref> Originally, Poe intended to call the journal ''The Penn'', as it would have been based in [[Philadelphia]], [[Pennsylvania]]. In the June 6, 1840 issue of Philadelphia's ''[[Saturday Evening Post]]'', Poe purchased advertising space for his prospectus: "PROSPECTUS OF THE PENN MAGAZINE, A MONTHLY LITERARY JOURNAL, TO BE EDITED AND PUBLISHED IN THE CITY OF PHILADELPHIA, BY EDGAR A. POE."<ref>Silverman, P. 159</ref> The journal would never be produced.
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In June 1840, Poe published a prospectus announcing his intentions to start his own journal, ''[[The Stylus]]''.<ref>Meyers, 119</ref> Originally, Poe intended to call the journal ''The Penn'', as it would have been based in Philadelphia, Pennsylvania. In the June 6, 1840 issue of Philadelphia's ''[[Saturday Evening Post]]'', Poe bought advertising space for his prospectus: ''"Prospectus of the Penn Magazine, a Monthly Literary journal to be edited and published in the city of Philadelphia by Edgar A. Poe."''<ref>Silverman, 159</ref> The journal would never be produced before Poe's death. Around this time, he attempted to secure a position with the [[John Tyler|Tyler]] administration, claiming he was a member of the [[Whig Party (United States)|Whig Party]].<ref>Quinn, 321–322</ref> He hoped to be appointed to the [[Custom House]] in Philadelphia with help from President Tyler's son Robert,<ref>Silverman, 186</ref> an acquaintance of Poe's friend Frederick Thomas.<ref>Meyers, 144</ref> Poe failed to show up for a meeting with Thomas to discuss the appointment in mid-September 1842, claiming to be sick, though Thomas believed he was drunk.<ref>Silverman, 187</ref> Though he was promised an appointment, all positions were filled by others.<ref>Silverman, 188</ref>
  
The evening of January 20, 1842, Virginia broke a blood vessel while singing and playing the [[piano]]. Blood began to rush forth from her mouth. It was the first sign of consumption, now more commonly known as [[tuberculosis]]. She only partially recovered. Poe began to drink more heavily under the stress of Virginia's illness. He left ''Graham's'' and attempted to find a new position, for a time angling for a government post. He returned to New York, where he worked briefly at the ''Evening Mirror'' before becoming editor of the ''[[Broadway Journal]]'' and, later, sole owner. There he became involved in a noisy public feud with [[Henry Wadsworth Longfellow]]. On January 29, 1845, his poem "[[The Raven]]" appeared in the ''Evening Mirror'' and became a popular sensation, making Poe a household name almost instantly.<ref>Daniel Hoffman. ''Poe Poe Poe Poe Poe Poe Poe''. (Baton Rouge: Louisiana State University Press, 1972, ISBN 0807123218), P. 80</ref>
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One evening in January 1842, Virginia showed the first signs of consumption, now known as [[tuberculosis]], while singing and playing the piano. Poe described it as breaking a blood vessel in her throat.<ref>Silverman, 179</ref> She only partially recovered. Poe began to drink more heavily under the stress of Virginia's illness. He left ''Graham's'' and attempted to find a new position, for a time angling for a government post. He returned to New York, where he worked briefly at the ''Evening Mirror'' before becoming editor of the ''[[Broadway Journal]]'' and, later, sole owner.<ref name=Sova34>Sova, 34</ref> There he alienated himself from other writers by publicly accusing [[Henry Wadsworth Longfellow]] of [[plagiarism]], though Longfellow never responded.<ref>Quinn, 455</ref> On January 29, 1845, his poem "[[The Raven]]" appeared in the ''Evening Mirror'' and became a popular sensation. Though it made Poe a household name almost instantly,<ref>Hoffman, 80</ref> he was paid only $9 for its publication.<ref>Ostrom, John Ward. "Edgar A. Poe: His Income as Literary Entrepreneur", ''Poe Studies'' 5.1 (1982): 5</ref>
  
[[Image:Poe's house hi res.jpg|thumb|200px|left|Poe's cottage in the Bronx]]The ''Broadway Journal'' failed in 1846. Poe moved to a cottage in the [[Fordham]] section of [[The Bronx, New York]]. He loved the [[Jesuits]] at [[Fordham University]] and frequently strolled about its campus conversing with both students and faculty. Fordham University's [[bell tower]] even inspired him to write "[[The Bells]]." The [http://www.bronxhistoricalsociety.org/about/poecottage.html Poe Cottage] is on the southeast corner of the [[Grand Concourse]] and Kingsbridge Road, and is open to the public. Virginia died there on January 30, 1847.
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[[Image:Poe's house hi res.jpg|thumb|left|Poe spent the last few years of his life in a small cottage in the [[Fordham, Bronx|Bronx, New York]].]]
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The ''Broadway Journal'' failed in 1846.<ref name=Sova34/> Poe moved to [[Edgar Allan Poe Cottage|a cottage]] in the [[Fordham, Bronx|Fordham]] section of [[The Bronx, New York]]. That home, known today as the "Poe Cottage", is on the southeast corner of the [[Grand Concourse (Bronx)|Grand Concourse]] and Kingsbridge Road. Virginia died there on January 30, 1847.<ref name="Poe Cottage">{{cite web|url=http://bronxhistoricalsociety.org/about/poecottage.html|archiveurl=http://web.archive.org/web/20071011072300/http://bronxhistoricalsociety.org/about/poecottage.html|archivedate=2007-10-11 |title=Edgar Allan Poe Cottage |publisher=Bronx Historical Society |accessdate=2007-10-13}}</ref> Biographers and critics often suggest Poe's frequent theme of the "death of a beautiful woman" stems from the repeated loss of women throughout his life, including his wife.<ref>Weekes, Karen. "Poe's feminine ideal," ''The Cambridge Companion to Edgar Allan Poe'', Ed. Kevin J. Hayes. Cambridge University Press, 2002. p. 149. ISBN 0521797276</ref>
  
Increasingly unstable after his wife's death, Poe attempted to court the poet [[Sarah Helen Whitman]], who lived in [[Providence, Rhode Island]]. Their engagement failed, purportedly because of Poe's drinking and erratic behavior. However, there is also strong evidence that Whitman's mother intervened and did much to derail their relationship.<ref>Benjamin Franklin Fisher. ''Myths and reality the mysterious Mr. Poe.'' (Baltimore: Edgar Allan Poe Society, 1987, ISBN 0961644915), P. 19  </ref> He then returned to Richmond and resumed a relationship with a childhood sweetheart, [[Sarah Elmira Royster]].
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Increasingly unstable after his wife's death, Poe attempted to court the poet [[Sarah Helen Whitman]], who lived in [[Providence, Rhode Island]]. Their engagement failed, purportedly because of Poe's drinking and erratic behavior. However, there is also strong evidence that Whitman's mother intervened and did much to derail their relationship.<ref>Benton, Richard P. "Friends and Enemies: Women in the Life of Edgar Allan Poe", ''Myths and Reality: The Mysterious Mr. Poe''. Baltimore: Edgar Allan Poe Society, 1987. p. 19 ISBN 0961644915</ref> Poe then returned to Richmond and resumed a relationship with a childhood sweetheart, Sarah Elmira Royster.<ref>Quinn, 628</ref>
  
 
==Death==
 
==Death==
[[Image:Poe's grave Baltimore MD.jpg|thumb|right|Edgar Allan Poe's grave, Baltimore, MD.]]
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[[Image:Poe's grave Baltimore MD.jpg|thumb|upright|Edgar Allan Poe is buried in [[Baltimore, Maryland]]. The circumstances and cause of his death remain uncertain.]]
 
{{main|Death of Edgar Allan Poe}}
 
{{main|Death of Edgar Allan Poe}}
On October 3, 1849, Poe was found on the streets of Baltimore [[delirium|delirious]] and "in great distress, and... in need of immediate assistance," according to the friend who found him, Dr. John E. Snodgrass. He was taken to the Washington College Hospital, where he died early on the morning of October 7. Poe was never coherent long enough to explain how he came to be in his dire condition, and, oddly, was wearing clothes that were not his own. Poe is said to have repeatedly called out the name "Reynolds" on the night before his death. Some sources say Poe's final words were "Lord help my poor soul."<ref>Meyers, P. 255.</ref> Poe suffered from bouts of depression and madness, and he may have attempted suicide in 1848.<ref>Silverman, P. 374</ref>  
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On October 3, 1849, Poe was found on the streets of Baltimore delirious, "in great distress, and... in need of immediate assistance", according to the man who found him, Joseph W. Walker.<ref>Quinn, 638</ref> He was taken to the Washington College Hospital, where he died on Sunday, October 7, 1849, at 5:00 in the morning.<ref name=Meyers255>Meyers, 255</ref> Poe was never coherent long enough to explain how he came to be in his dire condition, and, oddly, was wearing clothes that were not his own. Poe is said to have repeatedly called out the name "Reynolds" on the night before his death, though it is unclear to whom he was referring. Some sources say Poe's final words were "Lord help my poor soul."<ref name=Meyers255/> All medical records, including his death certificate, have been lost.<ref>Bramsback, Birgit (1970). "The Final Illness and Death of Edgar Allan Poe: An Attempt at Reassessment", ''Studia Neophilologica'' (University of Uppsala), XLII. p. 40</ref> Newspapers at the time reported Poe's death as "congestion of the brain" or "cerebral inflammation", common [[euphemism]]s for deaths from disreputable causes such as alcoholism.<ref>Silverman, 435–436</ref> However, the actual cause of death remains a mystery;<ref>Silverman, 435</ref> from as early as 1872, [[cooping]] was commonly believed to have been the cause,<ref>{{cite book |title=Midnight Dreary: The Mysterious Death of Edgar Allan Poe |last=Walsh |first=John Evangelist |publisher=St. Martin's Minotaur |location=New York |edition=Paperback |pages=32–33 |year=2000 |isbn=0312227329}}</ref> and speculation has included ''[[delirium tremens]]'', [[heart disease]], [[epilepsy]], [[syphilis]], [[meningitis|meningeal inflammation]],<ref name=Meyers256>Meyers, 256</ref> [[cholera]]<ref>{{cite web
 
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| url = http://www.crimelibrary.com/notorious_murders/celebrity/edgar_allan_poe/5.html
Poe finally died on Sunday, October 7, 1849 at 5:00 in the morning.<ref>Meyers, P. 255.</ref> The precise cause of Poe's death is disputed and has aroused great controversy.
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| title = Death Suspicion Cholera
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| publisher = Crimelibrary.com
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| accessdate = 2008-05-09
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}}</ref> and [[rabies]].<ref>Benitez, Dr. R. Michael, "A 39-year-old man with mental status change", ''Maryland Medical Journal'', 45 (1996): 765–769.</ref>
  
 
===Griswold's "Memoir"===
 
===Griswold's "Memoir"===
The day Edgar Allan Poe was buried, a long [[obituary]] appeared in the ''[[New York Tribune]]'' signed "Ludwig" which was soon published throughout the country. The piece began, "Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it."<ref>To read Griswold's full obituary, see [[wikisource:Death of Edgar Allan Poe|Edgar Allan Poe obituary]] at Wikisource.</ref> "Ludwig" was soon identified as [[Rufus Wilmot Griswold]], a minor editor and anthologist who had borne a grudge against Poe since 1842. Griswold somehow became executor of Poe's literary estate and attempted to destroy his enemy's reputation after his death.
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The day Edgar Allan Poe was buried, a long obituary appeared in the ''[[New York Tribune]]'' signed "Ludwig". It was soon published throughout the country. The piece began, "Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it."<ref>Meyers, 259. To read Griswold's full obituary, see [[wikisource:Death of Edgar Allan Poe|Edgar Allan Poe obituary]] at Wikisource.</ref> "Ludwig" was soon identified as [[Rufus Wilmot Griswold]], an editor, critic and anthologist who had borne a grudge against Poe since 1842. Griswold somehow became Poe's [[literary executor]] and attempted to destroy his enemy's reputation after his death.<ref name=Hoffman14>Hoffman, 14</ref>
 
 
Rufus Griswold wrote a biographical "Memoir" of Poe, which he included in an 1850 volume of the collected works. Griswold depicted Poe as a depraved, drunk, drug-addled madman and included forged letters as evidence. Griswold's book was denounced by those who knew Poe well, but it became a popularly accepted one. This was due in part because it was the only full biography available and was widely reprinted, and in part because it seemed to accord with the narrative voice Poe used in much of his fiction.
 
 
 
===The Poe Toaster===
 
{{main|Poe Toaster}}
 
Adding to the mystery surrounding Poe's death, an unknown visitor affectionately referred to as the "Poe Toaster" has paid homage to Poe's grave every year since 1949. Though likely to have been several individuals in the more than 50 year history of this tradition, the tribute is always the same. Every January 19 in the early hours of the morning the man makes a toast of [[cognac]] to Poe's original grave marker and leaves three roses. Members of the Edgar Allan Poe Society in Baltimore have helped in protecting this tradition for decades. On August 15, 2007, Sam Porpora, a former historian at the Westminster Church in Baltimore where Poe is buried, claimed that he had started the tradition in the 1960s. The claim that the tradition began in 1949, he said, was a hoax in order to raise money and enhance the profile of the church. His story has not been confirmed,<ref>[http://www.breitbart.com/article.php?id=2007-08-15_D8R1O6LO0&show_article=1&cat=breaking Poe Fan Takes Credit for Grave Legend] - Retrieved October 24, 2007.</ref> and some details he has given to the press have been pointed out as factually inaccurate.<ref>[http://www.foxnews.com/story/0,2933,293413,00.html Man Reveals Legend of Mystery Visitor to Edgar Allan Poe's Grave] - Retrieved October 24, 2007.</ref>
 
 
 
==Literary and artistic theory==
 
[[Image:Edgar Allan Poe portrait B.jpg|right|thumb|200px|1860s portrait by Oscar Halling after an 1849 daguerreotype.]]
 
In his essay "[[The Poetic Principle]]," Poe would argue that there is no such thing as a long poem, since the ultimate purpose of [[art]] is [[aesthetic]], that is, its purpose is the effect it has on its audience, and this effect can only be maintained for a brief period of time (the time it takes to read a lyric poem, or watch a drama performed, or view a painting, etc.). He argued that an [[Epic poetry|epic]], if it has any value at all, must be actually a series of smaller pieces, each geared towards a single effect or sentiment, which "elevates the soul."
 
 
 
Poe associated the aesthetic aspect of art with pure ideality claiming that the mood or sentiment created by a work of art elevates the soul, and is thus a spiritual experience. In many of his short stories, artistically inclined characters (especially Roderick Usher from "[[The Fall of the House of Usher]]") are able to achieve this ideal aesthetic through ''fixation'', and often exhibit obsessive personalities and reclusive tendencies. "[[The Oval Portrait]]" also examines fixation, but in this case the object of fixation is itself a work of art.
 
 
 
He championed [[art for art's sake]] (before the term itself was coined). He was consequentially an opponent of [[Didactic literature|didacticism]], arguing in his literary criticisms that the role of [[morality|moral]] or [[ethical]] instruction lies outside the realm of poetry and art, which should only focus on the production of a beautiful work of art. He criticized [[James Russell Lowell]] in a review for being excessively didactic and moralistic in his writings, and argued often that a poem should be written "for a poem's sake." Since a poem's purpose is to convey a single aesthetic experience, Poe argues in his literary theory essay "[[The Philosophy of Composition]]," the ending should be written first. Poe's inspiration for this theory was [[Charles Dickens]], who wrote to Poe in a letter dated March 6, 1842,
 
 
 
:Apropos of the "construction" of "Caleb Williams," do you know that Godwin wrote it backwards, &mdash; the last volume first, &mdash; and that when he had produced the hunting down of Caleb, and the catastrophe, he waited for months, casting about for a means of accounting for what he had done?<ref>[http://eapoe.org/misc/letters/t4203060.htm letter: Charles Anthon to E. A. Poe] - Retrieved October 24, 2007.</ref>
 
  
Poe refers to the letter in his essay. Dickens's literary influence on Poe can also be seen in Poe's short story "[[The Man of the Crowd (short story)|The Man of the Crowd]]." Its depictions of urban blight owe much to Dickens and in many places purposefully echo Dickens's language.
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Rufus Griswold wrote a biographical article of Poe called "Memoir of the Author", which he included in an 1850 volume of the collected works. Griswold depicted Poe as a depraved, drunk, drug-addled madman and included Poe's letters as evidence.<ref name=Hoffman14/> Many of his claims were either outright lies or distorted half-truths. For example, it is now known that Poe was not a drug addict.<ref>Quinn, 693</ref> Griswold's book was denounced by those who knew Poe well,<ref>Sova, 101</ref> but it became a popularly accepted one. This occurred in part because it was the only full biography available and was widely reprinted and in part because readers thrilled at the thought of reading works by an "evil" man.<ref>Meyers, 263</ref> Letters that Griswold presented as proof of this depiction of Poe were later revealed as [[forgery|forgeries]].<ref>Quinn, 699</ref>
  
He was a proponent and supporter of [[magazine]] literature, and felt that short stories, or "tales" as they were called in the early nineteenth century, which were usually considered "vulgar" or "low art" along with the magazines that published them, were legitimate art forms on par with the novel or epic poem. His insistence on the artistic value of the short story was influential in the short story's rise to prominence in later generations.
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==Literary style and themes==
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[[Image:Edgar Allan Poe portrait B.jpg|thumb|1860s portrait by Oscar Halling after an 1849 [[daguerreotype]]]]
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===Genres===
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Poe's best known fiction works are [[Gothic fiction|Gothic]],<ref>Meyers, 64</ref> a genre he followed to appease the public taste.<ref name=Royot57>Royot, Daniel (2002). "Poe's Humor", ''The Cambridge Companion to Edgar Allan Poe''. Cambridge University Press. ISBN 0521797276. p. 57.</ref> His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of [[premature burial]], the reanimation of the dead, and [[mourning]].<ref>Kennedy, J. Gerald (1987). ''Poe, Death, and the Life of Writing''. Yale University Press. ISBN 0300037732. p. 3.</ref> Many of his works are generally considered part of the [[dark romanticism]] genre, a literary reaction to [[transcendentalism]],<ref>Koster, Donald N. (2002). "Influences of Transcendentalism on American Life and Literature", ''Literary Movements for Students Vol. 1''. David Galens, ed. Detroit: Thompson Gale. p. 336.</ref> which Poe strongly disliked.<ref>Ljunquist, Kent (2002). "The poet as critic", ''The Cambridge Companion to Edgar Allan Poe'', Kevin J. Hayes, ed. Cambridge University Press. ISBN 0521797276 p. 15</ref> He referred to followers of the movement as "Frogpondians" after the pond on [[Boston Common (park)|Boston Common]].<ref>Royot, Daniel. "Poe's humor," as collected in ''The Cambridge Companion to Edgar Allan Poe'', Kevin J. Hayes, ed. Cambridge University Press, 2002. pp. 61–62. ISBN 0521797276</ref> and ridiculed their writings as "[[metaphor]]-run", lapsing into "obscurity for obscurity's sake" or "mysticism for mysticism's sake."<ref>Ljunquist, Kent. "The poet as critic" collected in ''The Cambridge Companion to Edgar Allan Poe'', Kevin J. Hayes, ed. Cambridge University Press, 2002. p. 15. ISBN 0521797276</ref> Poe once wrote in a letter to [[Thomas Holley Chivers]] that he did not dislike Transcendentalists, "only the pretenders and [[sophism|sophists]] among them."<ref>Silverman, 169</ref>
  
Poe often included elements of popular [[pseudoscience]]s such as [[phrenology]]<ref>Edward Hungerford. "Poe and Phrenology" ''American Literature'' 1(1930): 209-31.</ref> and [[physiognomy]]<ref>[http://www.arts.cornell.edu/english/mode/documents/grayson.html Weird Science, Weirder Unity: Phrenology and Physiognomy in Edgar Allan Poe] - Retrieved October 24, 2007.</ref> in his fiction.
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Beyond horror, Poe also wrote [[satire]]s, humor tales, and [[hoax]]es. For comic effect, he used irony and ludicrous extravagance, often in an attempt to liberate the reader from cultural conformity.<ref name=Royot57/> In fact, "[[Metzengerstein]]", the first story that Poe is known to have published,<ref>Silverman, 88</ref> and his first foray into horror, was originally intended as a [[burlesque (genre)|burlesque]] satirizing the popular genre.<ref>Fisher, Benjamin Franklin (1993). "Poe's 'Metzengerstein': Not a Hoax", ''On Poe: The Best from "American Literature.'' Durham, NC: Duke University Press. p. 142, 149</ref> Poe also reinvented [[science fiction]], responding in his writing to emerging technologies such as [[hot air balloon]]s in "[[The Balloon-Hoax]]".<ref>Tresch, John (2002). "Extra! Extra! Poe invents science fiction!", ''The Cambridge Companion to Edgar Allan Poe'', Kevin J. Hayes, ed. Cambridge University Press. ISBN 0521797276. p. 114.</ref>
  
Poe also focused the theme of each of his short stories on one human characteristic. For example, in "[[The Tell-Tale Heart]]," he focused on [[guilt]], in "[[The Fall of the House of Usher]]," his focus was [[fear]].
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Poe wrote much of his work using themes specifically catered for mass market tastes.<ref>Whalen, 67</ref> To that end, his fiction often included elements of popular [[pseudoscience]]s such as [[phrenology]]<ref>Edward Hungerford (1930). "Poe and Phrenology", ''American Literature'' Vol. 1. p. 209–31.</ref> and [[physiognomy]].<ref>Erik Grayson (2005). "Weird Science, Weirder Unity: Phrenology and Physiognomy in Edgar Allan Poe", ''Mode'' Vol. 1 p. 56–77.</ref>
  
Much of Poe's work was [[allegory|allegorical]], but his position on allegory was a nuanced one: "In defence of allegory, (however, or for whatever object, employed,) there is scarcely one respectable word to be said. Its best appeals are made to the fancy&ndash;that is to say, to our sense of adaptation, not of matters proper, but of matters improper for the purpose, of the real with the unreal; having never more of intelligible connection than has something with nothing, never half so much of effective affinity as has the substance for the shadow." In his criticism, Poe said that meaning in literature should be an undercurrent just beneath the surface. Works with a too obvious meaning cease to be art.<ref>Richard Wilbur. ''The House of Poe''. (Washington, 1959, OCLC 80818945)</ref><ref>Robert Regan. ''Poe: A Collection of Critical Essays''. (Englewood Cliffs, NJ: Prentice-Hall, 1967, OCLC 6556478), P. 99</ref>
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===Literary theory===
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Poe's writing reflects his literary theories, which he presented in his criticism and also in essays such as "[[The Poetic Principle]]".<ref name=Krutch225>Krutch, 225</ref> He disliked [[didacticism]]<ref name=Kagle104>Kagle, Steven E. "The Corpse Within Us", ''Poe and His Times: The Artist and His Milieu'', Ed. Benjamin Franklin Fisher IV. Baltimore: The Edgar Allan Poe Society, Inc., 1990. ISBN 0961644923. p. 104</ref> and [[allegory]],<ref>{{cite web|url=http://www.eapoe.org/works/CRITICSM/GLB47HN1.HTM|title=Tale-Writing&nbsp;— Nathaniel Hawthorne |last=Poe|first=Edgar A. |publisher=''Godey's Lady's Book'', November 1847, pp. 252–256|accessdate=2007-03-24}}</ref> though he believed that meaning in literature should be an undercurrent just beneath the surface. Works with obvious meanings, he wrote, cease to be art.<ref name=Wilbur99>Wilbur, Richard (1967). "The House of Poe", ''Poe: A Collection of Critical Essays'', Ed. Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc. p. 99</ref> He believed that quality work should be brief and focus on a specific single effect.<ref name=Krutch225/> To that end, he believed that the writer should carefully calculate every sentiment and idea.<ref>Jannaccone, Pasquale (translated by Peter Mitilineos) (1974). "[http://www.eapoe.org/pstudies/ps1970/p1974101.htm The Aesthetics of Edgar Poe]", ''Poe Studies'' Vol. 7.1. p. 3.</ref> In "[[The Philosophy of Composition]]", an essay in which Poe describes his method in writing "The Raven", he claims to have strictly followed this method. It has been questioned, however, if he really followed this system. [[T. S. Eliot]] said: "It is difficult for us to read that essay without reflecting that if Poe plotted out his poem with such calculation, he might have taken a little more pains over it: the result hardly does credit to the method."<ref>Hoffman, 76</ref> Biographer Joseph Wood Krutch described the essay as "a rather highly ingenious exercise in the art of rationalization".<ref>Krutch, 98</ref>
  
 
==Legacy==
 
==Legacy==
 
===Literary influence===
 
===Literary influence===
{{main|Edgar Allan Poe's literary influence}}
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During his lifetime, Poe was mostly recognized as a literary critic. Fellow critic [[James Russell Lowell]] called him "the most discriminating, philosophical, and fearless critic upon imaginative works who has written in America", though he questioned if he occasionally used [[prussic acid]] instead of ink.<ref>Quinn, 432</ref> Poe was also known as a writer of fiction and became one of the first American authors of the 19th century to become more popular in Europe than in the United States.<ref name=Meyers258>Meyers, 258</ref> Poe is particularly respected in France, in part due to early translations by [[Charles Baudelaire]]. Baudelaire's translations became definitive renditions of Poe's work throughout Europe.<ref>Harner, Gary Wayne. "Edgar Allan Poe in France: Baudelaire's Labor of Love", ''Poe and His Times: The Artist and His Milieu'', Ed. Benjamin Franklin Fisher IV. Baltimore: The Edgar Allan Poe Society, 1990. p. 218. ISBN 0961644923</ref>
Poe's work has inspired literature not only in the United States but throughout the world. [[France]] in particular ranks Poe very highly, in part due to early translations by [[Charles Baudelaire]].
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Poe's early [[detective fiction]] tales starring the fictitious [[C. Auguste Dupin]] laid the groundwork for future detectives in literature. Sir [[Arthur Conan Doyle]] said, "Each [of Poe's detective stories] is a root from which a whole literature has developed.... Where was the detective story until Poe breathed the breath of life into it?"<ref>''Poe Encyclopedia'', 103</ref> The [[Mystery Writers of America]] have named their awards for excellence in the genre the "[[Edgar Award|Edgars]]".<ref>Neimeyer, Mark. "Poe and Popular Culture," Ed. Kevin J. Hayes. ''The Cambridge Companion to Edgar Allan Poe''. Cambridge University Press, 2002. ISBN 0521797276 p. 206</ref> Poe's work also influenced [[science fiction]], notably [[Jules Verne]], who wrote a sequel to Poe's novel ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' called ''The Narrative of Arthur Gordon Pym, Le sphinx des glaces''.<ref>''Poe Encyclopedia'', 364</ref> Science fiction author [[H. G. Wells]] noted, "''Pym'' tells what a very intelligent mind could imagine about the south polar region a century ago."<ref>''Poe Encyclopedia'', 372</ref>
  
Poe's early [[detective fiction]] tales starring the fictitious [[C. Auguste Dupin]] laid the groundwork for future detectives in literature. Sir [[Arthur Conan Doyle]] said, "Each [of Poe's detective stories] is a root from which a whole literature has developed....  Where was the detective story until Poe breathed the breath of life into it?"<ref>''Poe Encyclopedia'' P. 103</ref> The [[Mystery Writers of America]] have named their awards for excellence in the genre the "[[Edgar Award|Edgars]]." Poe's work also influenced [[science fiction]], notably [[Jules Verne]] who wrote a sequel to Poe's novel ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' called ''The Narrative of Arthur Gordon Pym, Le sphinx des glaces''.<ref>''Poe Encyclopedia'' P. 364</ref> Science fiction author [[H. G. Wells]] noted that "''Pym'' tells what a very intelligent mind could imagine about the south polar region a century ago".<ref>''Poe Encyclopaedia'' P. 372</ref>
+
Like many famous artists, Poe's works have spawned innumerable imitators.<ref>Meyers, 281</ref> One interesting trend among imitators of Poe, however, has been claims by [[clairvoyance|clairvoyants]] or [[psychics]] to be "channeling" poems from Poe's spirit. One of the most notable of these was Lizzie Doten, who in 1863 published ''Poems from the Inner Life'', in which she claimed to have "received" new compositions by Poe's spirit. The compositions were re-workings of famous Poe poems such as "[[The Bells]]", but which reflected a new, positive outlook.<ref>{{cite book |last = Carlson |first = Eric Walter |title = A Companion to Poe Studies |publisher = Greenwood Press |year= 1996 |location = Westport, Connecticut |page = 476 |url = http://books.google.com/books?id=nMHFGbxYhEMC&pg=PA476&lpg=PA476&dq=%22lizzie+doten%22+poe&source=web&ots=73YdR-r7Gy&sig=gnW0O_qhywhhUTnIGKkZk0dIup0 |isbn = 0-313-26506-2}}</ref>
  
Even so, Poe has not received only praise. [[William Butler Yeats]] was generally critical of Poe, calling him "vulgar."<ref>Meyers, P. 274</ref> [[Transcendentalism|Transcendentalist]] [[Ralph Waldo Emerson]] reacted to "The Raven" by saying, "I see nothing in it."<ref>Silverman, 265</ref> [[Aldous Huxley]] wrote that Poe's writing was the equivalent of wearing a diamond ring on every finger and that his poetry tried to be "too poetical" and "falls into vulgarity."<ref>Regan, P. 32</ref>
+
Even so, Poe has not received only praise, partly because of the negative perception of his personal character influencing his reputation.<ref name=Meyers258/> [[William Butler Yeats]] was occasionally critical of Poe and once called him "vulgar".<ref>Meyers, 274</ref> [[Transcendentalism|Transcendentalist]] [[Ralph Waldo Emerson]] reacted to "The Raven" by saying, "I see nothing in it"<ref>Silverman, 265</ref> and derisively referred to Poe as "the jingle man".<ref>{{cite web|url=http://query.nytimes.com/gst/abstract.html?res=9A03E5D91630E033A25753C2A9639C94659ED7CF|title=Emerson's Estimate of Poe|accessdate=2008-03-02}}</ref> [[Aldous Huxley]] wrote that Poe's writing "falls into vulgarity" by being "too poetical" – the equivalent of wearing a diamond ring on every finger.<ref>Huxley, Aldous. "Vulgarity in Literature," ''Poe: A Collection of Critical Essays'', Ed. Robert Regan, Englewood Cliffs, NJ: Prentice-Hall Inc., 1967. p. 32</ref>
  
 
===Physics and cosmology===
 
===Physics and cosmology===
''[[Eureka (Edgar Allan Poe)|Eureka]]'', an essay written in 1848, included a cosmological theory that anticipated [[black holes]]<ref>[http://www.poedecoder.com/essays/eureka/ "Edgar Allan Poe's Eureka"] - Retrieved October 24, 2007.</ref><ref>[http://www.poedecoder.com/essays/lartigue/#Poe's%20Primary%20Part "Poe Foresees Modern Cosmologists' Black Holes and The Big Crunch"] - Retrieved October 24, 2007.</ref> and the [[big bang]] theory by 80 years, as well as the first plausible solution to [[Olbers' paradox]].<ref>George Smoot, Keay Davidson. ''Wrinkles in Time''. (New York: Avon Books, 1994 ISBN 0380720442)</ref> Though described as a "[[prose poetry|prose poem]]" by Poe, who wished it to be considered as art, this work is a remarkable scientific and mystical essay unlike any of his other works. He wrote that he considered ''Eureka'' to be his career masterpiece.<ref>Meyers, P. 219</ref>
+
''[[Eureka: A Prose Poem]]'', an essay written in 1848, included a cosmological theory that presaged the [[big bang]] theory by 80 years,<ref>Rombeck, Terry. "[http://www2.ljworld.com/news/2005/jan/22/poes_littleknown_science/ Poe's little-known science book reprinted]", ''Lawrence Journal-World & News''. January 22, 2005</ref> as well as the first plausible solution to [[Olbers' paradox]].<ref>[[George Smoot|Smoot, George]] and Keay Davidson. ''Wrinkles in Time''. Harper Perennial, Reprint edition (October 1, 1994) ISBN 0-380-72044-2</ref> Poe eschewed the scientific method in ''Eureka'' and instead wrote from pure [[intuition (knowledge)|intuition]].<ref name=Meyers214>Meyers, 214</ref> For this reason, he considered it a work of art, not science,<ref name=Meyers214/> but insisted that it was still true<ref>Silverman, 399</ref> and considered it to be his career masterpiece.<ref>Meyers, 219</ref> Even so, ''Eureka'' is full of scientific errors. In particular, Poe's suggestions opposed [[Newton's laws of motion|Newtonian principles]] regarding the density and rotation of planets.<ref>Sova, 82</ref>
 
 
Poe eschewed the scientific method in his ''Eureka''. He argued that he wrote from pure [[intuition (knowledge)|intuition]], not the [[Aristotelian]] [[A priori and a posteriori (philosophy)|a priori]] method of [[axioms]] and [[syllogisms]], nor the [[empirical]] method of modern science set forth by [[Francis Bacon (philosopher)|Francis Bacon]]. For this reason, he considered it a work of art, not science, but insisted that it was still true. Though some of his assertions have later proven to be false (such as his assertion that gravity must be the strongest [[force]]&ndash;it is actually the ''weakest''), others have been shown to be surprisingly accurate and decades ahead of their time.
 
  
 
===Cryptography===
 
===Cryptography===
Poe had a keen interest in the field of [[cryptography]]. He had placed a notice of his abilities in the [[Philadelphia, Pennsylvania|Philadelphia]] paper ''Alexander's Weekly (Express) Messenger'', inviting submissions of [[cipher]]s, which he proceeded to solve.<ref>[http://starbase.trincoll.edu/~crypto/historical/poe.html Edgar Allen Poe and Cryptography] - Retrieved October 24, 2007.</ref> In July 1841, Poe had published an essay called "Some Words on Secret Writing" in ''[[Graham's Magazine]]''. Realizing the public interest in the topic, he wrote "[[The Gold-Bug]]" incorporating ciphers as part of the story.<ref>Shawn James Rosenheim. ''The Cryptographic Imagination''. (Baltimore: Johns Hopkins University Press, 1997, ISBN 0801853311), P. 2, 6</ref>
+
Poe had a keen interest in the field of [[cryptography]]. He had placed a notice of his abilities in the [[Philadelphia, Pennsylvania|Philadelphia]] paper ''Alexander's Weekly (Express) Messenger'', inviting submissions of [[cipher]]s, which he proceeded to solve.<ref name=Silverman152>Silverman, 152</ref> In July 1841, Poe had published an essay called "A Few Words on Secret Writing" in ''[[Graham's Magazine]]''. Realizing the public interest in the topic, he wrote "[[The Gold-Bug]]" incorporating ciphers as part of the story.<ref>Rosenheim, 2, 6</ref> Poe's success in cryptography relied not so much on his knowledge of that field (his method was limited to the simple substitution cryptogram), as on his knowledge of the magazine and newspaper culture. His keen analytical abilities, which were so evident in his detective stories, allowed him to see that the general public was largely ignorant of the methods by which a simple substitution cryptogram can be solved, and he used this to his advantage.<ref name=Silverman152/> The sensation Poe created with his cryptography stunt played a major role in popularizing cryptograms in newspapers and magazines.<ref>Friedman, William F. "Edgar Allan Poe, Cryptographer", ''On Poe: The Best from "American Literature"''. Durham, NC: Duke University Press, 1993. p. 40–41</ref>
 
 
Poe's success in cryptography relied not so much on his knowledge of that field (his method was limited to the simple substitution cryptogram), as on his knowledge of the magazine and newspaper culture. His keen analytical abilities, which were so evident in his detective stories, allowed him to see that the general public was largely ignorant of the methods by which a simple substitution cryptogram can be solved, and he used this to his advantage.<ref>[http://www.usna.edu/EnglishDept/poeperplex/cryptop.htm The Legend of Poe the Cryptographer] - Retrieved October 24, 2007.</ref> The sensation Poe created with his cryptography stunt played a major role in popularizing cryptograms in newspapers and magazines.<ref>Friedman, William F. "Edgar Allan Poe, Cryptographer" in ''On Poe: The Best from "American Literature"''. Durham, NC: Duke University Press, 1993. p. 40-1</ref>
 
 
 
Poe had a long-standing influence on cryptography beyond public interest in his lifetime. [[William Friedman]], America's foremost cryptologist, was heavily influenced by Poe.<ref>Rosenheim, P. 15</ref> Friedman's initial interest in cryptography came from reading "The Gold-Bug" as a child&ndash;interest he later put to use in deciphering [[Japan]]'s [[PURPLE]] code during [[World War II]].<ref>Rosenheim, P. 146</ref>
 
  
===Imitators===
+
Poe had an influence on cryptography beyond increasing public interest in his lifetime. [[William Friedman]], America's foremost cryptologist, was heavily influenced by Poe.<ref>Rosenheim, 15</ref> Friedman's initial interest in cryptography came from reading "The Gold-Bug" as a child&nbsp;— interest he later put to use in deciphering Japan's [[PURPLE]] code during [[World War II]].<ref>Rosenheim, 146</ref>
{| class="toccolours" style="float: right; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 25%;" cellspacing="5"
 
| style="text-align: left;" |
 
"For my soul from out that shadow<br/>
 
Hath been lifted evermore—<br/>
 
From that deep and dismal shadow,<br/>
 
In the streets of Baltimore!
 
|-
 
| style="text-align: left;" |—Lizzie Doten, "Streets of Baltimore," from ''Poems from the Inner Life'', imitating "[[The Raven]]" by Edgar Allan Poe."<ref>[http://www.spiritwritings.com/PoemsInnerLifeDoten.pdf#search='elizabeth%20doten%20poems%20from%20inner%20life' POEMS FROM THE INNER LIFE] - Retrieved October 24, 2007.</ref>
 
|}
 
Like many famous artists, Poe's works have spawned legions of imitators and [[plagiarism|plagiarists]].<ref>[http://www.eapoe.org/works/canon/poemsrjt.htm|title=www.eapoe.org/works/canon/poemsrjt.htm Apocryphal, Doubtful and Rejected Poems] - Retrieved October 24, 2007.</ref> One interesting trend among imitators of Poe, however, has been claims by [[clairvoyance|clairvoyants]] or [[psychics]] to be "channelling" poems from Poe's spirit beyond the grave. One of the most notable of these was Lizzie Doten, who in 1863 published ''Poems from the Inner Life'', in which she claimed to have "received" new compositions by Poe's spirit. The compositions were re-workings of famous Poe poems such as "[[The Bells]]," but which reflected a new, positive outlook. Poe researcher [[Thomas Ollive Mabbott]] notes that, at least compared to many other Poe imitators, Doten was not entirely without poetic talent, whether that talent was her own or "channelled" from Poe.
 
  
 
==Poe in popular culture==
 
==Poe in popular culture==
 
===Poe as a character===
 
===Poe as a character===
{{main|Edgar Allan Poe in popular culture}}
+
{{main|Edgar Allan Poe in popular culture|Edgar Allan Poe in television and film}}
The historical Edgar Allan Poe has appeared as a fictionalized character, often representing the "mad genius" or "tormented artist" and exploiting his personal struggles.<ref>Neimeyer, Mark. "Poe and Popular Culture," collected in ''The Cambridge Companion to Edgar Allan Poe''. Cambridge University Press, 2002. ISBN 0521797276 p. 209</ref> Many such depictions also blend in with characters from his stories, suggesting Poe and his characters share identities.<ref>[http://links.jstor.org/sici?sici=0010-0994(196312)25%3A3%3C177%3ATQOPN%3E2.0.CO%3B2-7 The Question of Poe's Narrators] - Retrieved October 24, 2007.</ref> Often, fictional depictions of Poe utilize his mystery-solving skills in such novels as ''[[The Poe Shadow]]'' by [[Matthew Pearl]]. His life is also often depicted in television and film.
+
The historical Edgar Allan Poe has appeared as a fictionalized character, often representing the "mad genius" or "tormented artist" and exploiting his personal struggles.<ref>Neimeyer, Mark. "Poe and Popular Culture", ''The Cambridge Companion to Edgar Allan Poe''. Cambridge University Press, 2002. ISBN 0521797276 p. 209</ref> Many such depictions also blend in with characters from his stories, suggesting Poe and his characters share identities.<ref>Gargano, James W. "The Question of Poe's Narrators," ''Poe: A Collection of Critical Essays'', Ed. Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967. p. 165</ref> Often, fictional depictions of Poe use his mystery-solving skills in such novels as ''[[The Poe Shadow]]'' by [[Matthew Pearl]].<ref>{{cite news |first=Janet |last=Maslin |coauthors= |title=The Poe Shadow |date=2006-06-06 |publisher= |url =http://www.iht.com/articles/2006/06/06/features/bookwed.php |work =International Herald Tribune |pages = |accessdate = 2007-10-13}}</ref>
  
===Audio interpretations===
+
[[Image:PoeNHS.JPG|thumb|left|upright|The [[Edgar Allan Poe National Historic Site]] in Philadelphia is one of several preserved former residences of Poe]]
* [[Vincent Price]] collaborated with actor [[Basil Rathbone]] on a collection of their readings of Poe's stories and poems.
+
===Preserved homes, landmarks, and museums===
*A double-[[Compact disc|CD]] organized by [[Hal Willner]], "[[Closed On Account of Rabies]]" with poems and tales of Poe performed by artists as diverse as [[Christopher Walken]], [[Marianne Faithfull]], [[Iggy Pop]] and [[Jeff Buckley]] was issued in 1997.
+
No childhood home of Poe is still standing, including the Allan family's Moldavia estate. The oldest standing home in Richmond, the Old Stone House, is in use as the [[Edgar Allan Poe Museum (Richmond)|Edgar Allan Poe Museum]], though Poe never lived there. The collection includes many items Poe used during his time with the Allan family and also features several rare first printings of Poe works. The dorm room Poe is believed to have used while studying at the University of Virginia in 1826 is preserved and available for visits. Its upkeep is now overseen by a group of students and staff known as the [[Raven Society]].<ref>[http://www.uvaravensociety.com/ Raven Society Homepage]. [[University of Virginia]]. Retrieved on December 16, 2007.</ref>
  
===Literature===
+
The earliest surviving home in which Poe lived is in Baltimore, preserved as the [[Edgar Allan Poe House and Museum]]. Poe is believed to have lived in the home at the age of 23 when he first lived with Maria Clemm and Virginia (as well as his grandmother and possibly his brother William Henry Leonard Poe).<ref>{{cite web|url=http://www.eapoe.org/balt/poehse.htm |title=The Baltimore Poe House and Museum |publisher=Edgar Allan Poe Society of Baltimore |accessdate=2007-10-13}}</ref> It is open to the public and is also the home of the Edgar Allan Poe Society. Of the several homes that Poe, his wife Virginia, and his mother-in-law Maria rented in Philadelphia, only the last house has survived. The Spring Garden home, where the author lived in 1843–1844, is today preserved by the [[National Park Service]] as the [[Edgar Allan Poe National Historic Site]].<ref>{{cite news |first=Niccole |last=Burns |title=Poe wrote most important works in Philadelphia |date=2006-11-15 |publisher=School of Communication&nbsp;— University of Miami |url =http://com.miami.edu/parks/philapoeauthor.htm |work = |accessdate = 2007-10-13}}</ref> Poe's final home is preserved as the [[Edgar Allan Poe Cottage]] in the Bronx, New York.<ref name="Poe Cottage"/>
* Author [[Ray Bradbury]] is a great admirer of Poe, and has either featured Poe as a character or alluded to Poe's stories in many of his works. Notable is ''[[Fahrenheit 451]]'', a novel based in a world where books are banned and burned. A character in the novel memorizes Poe's short story collection ''Tales of Mystery and Imagination'' to make sure it is not lost forever.
 
* [[Robert R. McCammon]] wrote ''Ushers Passing'', a sequel to ''[[Fall of the House of Usher]]'', published in 1984.
 
* The [[comic]]/[[graphic novel]] "[[Lenore, the Cute Little Dead Girl]]" features a dead little girl inspired by Poe's poem "[[Lenore]]."
 
* [[Linda Fairstein]]'s 2005 novel ''Entombed'' features a modern day serial killer obsessed with Poe. The story takes place amongst Poe's old haunts in New York.
 
* Writer [[Stephen Marlowe]] adapted the strange details of Poe's death into his 1995 novel ''The Lighthouse at the End of the World''.
 
* [[Clive Cussler]]'s 2004 novel ''[[Lost City]]'' has numerous references to Poe's works. For example, the end is similar to "The Fall of the House of Usher," during the costume party, all the guest are dressed up as characters from his works, and death and torture methods in the novel are similar to "The Pit and the Pendulum" and "The Cask of Amontillado."
 
* [[Norway|Norwegian]] comic ''[[Nemi (comic strip)|Nemi]]'' has got a special page with Nemi drawings to a poem by Poe.
 
* The 1995 novel ''Nevermore'', by [[William Hjortsberg]] concerns a serial killer whose murders are based on Poe's stories; the detectives are the odd couple [[Harry Houdini]] and Sir [[Arthur Conan Doyle]].
 
* Edgar Allan Poe and members of the Poe family are featured as characters in [[James Reese]]'s 2005 novel ''The Book of Spirits''.
 
  
===Music===
+
Other Poe landmarks include a building in the [[Upper West Side]], where Poe temporarily lived when he first moved to New York. A plaque suggests that Poe wrote "The Raven" here. In Boston, a plaque hangs near the building where Poe was born once stood. Believed to have been located at 62 Carver Street (now Charles Street), the plaque is possibly in an incorrect location.<ref>Van Hoy, David C. [http://www.boston.com/news/local/articles/2007/02/18/the_fall_of_the_house_of_edgar/ "The Fall of the House of Edgar"]. ''The Boston Globe'', February 18, 2007</ref><ref>Glenn, Joshua. [http://www.boston.com/news/globe/ideas/brainiac/2007/04/_a_globe_reader.html The house of Poe — mystery solved!] ''The Boston Globe'' April 9, 2007</ref> The bar in which legend says Poe was last seen drinking before his death still stands in [[Fells Point]] in Baltimore, Maryland. Now known as The Horse You Came In On, local lore insists that a ghost they call "Edgar" haunts the rooms above.<ref>Lake, Matt. ''Weird Maryland''. Sterling Publishing, New York, 2006. ISBN 1402739060 p. 195.</ref>
{{main|Edgar Allan Poe and music}}
 
Both classical and popular music incorporate much of Poe's works. [[Claude Debussy]], for example, considered Poe an influence on his work and wrote an unfinished [[opera]] based on "[[The Fall of the House of Usher]]." The [[Alan Parsons Project]] turned Poe's work into a full-length concept album in the 1976 called ''[[Tales of Mystery and Imagination]]''.
 
  
===Playwrights and filmmakers===
+
===Poe Toaster===
On the stage, the great dramatist [[George Bernard Shaw]] was greatly influenced by Poe's literary criticism, calling Poe "the greatest journalistic critic of his time." <ref>''Poe Encyclopaedia'' page 315</ref> [[Alfred Hitchcock]] declared Poe as a major inspiration, saying, "It's because I liked Edgar Allan Poe's stories so much that I began to make suspense films." {{Fact|date=July 2007}}
+
{{main|Poe Toaster}}
 
+
Adding to the mystery surrounding Poe's death, an unknown visitor affectionately referred to as the "Poe Toaster" has paid homage to Poe's grave every year since 1949. As the tradition has been carried on for more than 50&nbsp;years, it is likely that the "Poe Toaster" is actually several individuals; however, the tribute is always the same. Every January 19, in the early hours of the morning, the person makes a toast of [[Cognac (drink)|cognac]] to Poe's original grave marker and leaves three roses. Members of the Edgar Allan Poe Society in Baltimore have helped in protecting this tradition for decades. On August 15, 2007, Sam Porpora, a former historian at the Westminster Church in Baltimore where Poe is buried, claimed that he had started the tradition in the 1960s. The claim that the tradition began in 1949, he said, was a hoax in order to raise money and enhance the profile of the church. His story has not been confirmed,<ref>Hall, Wiley. "[http://www.breitbart.com/article.php?id=2007-08-15_D8R1O6LO0&show_article=1&cat=breaking Poe Fan Takes Credit for Grave Legend]," Associated Press, August 15, 2007.</ref> and some details he has given to the press have been pointed out as factually inaccurate.<ref>{{cite web |last = Associated Press |title = Man Reveals Legend of Mystery Visitor to Edgar Allan Poe's Grave |publisher = FoxNews.com |date = August 15, 2007 |url = http://www.foxnews.com/story/0,2933,293413,00.html |accessdate = 2007-12-15}}</ref>
Actor [[John Astin]], who performed as Gomez in the ''[[The Addams Family|Addams Family]]'' television series, is an ardent admirer of Poe, whom he resembles, and in recent years has starred in a one-man play based on Poe's life and works, ''[[Edgar Allan Poe: Once Upon a Midnight]]''.<ref>[http://www.astin-poe.com/ Edgar Allan Poe: Once Upon a Midnight, starring John Astin] - Retrieved October 24, 2007.</ref> The musical play ''Nevermore'',<ref>[http://signature-theatre.org/seasondescrip.htm#nevermore Signature Theatre] - Retrieved October 24, 2007.</ref> by Matt Conner and Grace Barnes, was inspired by Poe's poems and essays. Actor [[Vincent Price]] played in many films based on Poe's stories like ''[[The Pit and the Pendulum (1961 film)|The Pit and the Pendulum]]'' (1961), ''[[The Masque of the Red Death (film)|The Masque of the Red Death]]'' (1964), ''[[The Tomb of Ligeia]]'' (1965), and ''[[The Oblong Box]]'' (1969) among many more. There has also been talk about Marilyn Manson making movies out of three of Poe's stories.{{Fact|date=April 2007}}
 
  
Another Poe impersonator is Baltimore-native [[David Keltz]], notable as the star actor in the annual Poe birthday celebration at [[Westminster Hall and Burying Ground]] every January.
+
==Selected list of works==
 
 
In 2005, a reading of the [[Broadway theatre|Broadway]]-bound musical "Poe" was announced, with a book by David Kogeas and music and lyrics by David Lenchus, featuring Deven May as Edgar Allan Poe. Plans for a full production have not been announced. In early 2007, NYC composer Phill Greenland and book writer/actor Ethan Angelica announced a new Poe stage musical titled "Edgar," which uses only Poe's prose and letters as text, and Poe's poems as lyrics.<ref>[http://www.edgarallanpoemusical.com/about.html Edgar: A New Chamber Musical]- Retrieved October 24, 2007.</ref>
 
 
 
 
 
 
 
===Visual arts===
 
* In the world of visual arts, [[Gustave Doré]] and [[Édouard Manet]] composed several illustrations for Poe's works.
 
* Edgar Allan Poe is a semi-frequent character in the [[webcomic]] [http://www.thinkin-lincoln.com Thinkin' Lincoln].
 
* [[Self Made Hero]]'s line Eye Classics includes ''Nevermore'' a [[graphic novel]] anthology containing [[comic]] adaptations of various stories by Poe, created by a number of established British comic writers and artists.<ref>[http://www.selfmadehero.com/classical_eye/nevermore.html ''Nevermore'' graphic novel from Self Made Hero]- Retrieved October 24, 2007.</ref>
 
 
 
 
 
 
 
===Preserved homes and museums===
 
[[Image:Edgarallanpoenhs1.jpg|right|thumb|150px|The Poe National Historic Site in Philadelphia.]]
 
No childhood home of Poe is still standing, including the Allan family's Moldavia estate. However, the oldest standing home in Richmond, the Old Stone House, is in use as the [[Edgar Allan Poe Museum (Richmond)|Edgar Allan Poe Museum]], though Poe never lived there. The collection includes many items Poe used during his time with the Allan family and also features several rare first printings of Poe works. The dorm room Poe is believed to have used while studying at the University of Virginia in 1826 is preserved and available for visits. Its upkeep is now overseen by a group of students and staff known as the [[Raven Society]].<ref>[http://www.uvaravensociety.com/ Raven Society online]- Retrieved October 24, 2007.</ref>
 
 
 
The earliest surviving home in which Poe lived is in Baltimore, preserved as the [[Edgar Allan Poe House and Museum]]. Poe is believed to have lived in the home at the age of 23 when he first lived with Maria Clemm and Virginia (as well as his grandmother and possibly his brother William Henry Leonard Poe). It is open to the public and is also the home of the Edgar Allan Poe Society. Of the several homes that Poe, his wife Virginia, and his mother-in-law Maria rented in Philadelphia, only the last house has survived. The Spring Garden home, where the author lived in 1843-44, is today preserved by the [[National Park Service]] as the [[Edgar Allan Poe National Historic Site]]. It is located on 7th and Spring Garden Streets, and is open Wednesday through Sunday, 9 a.m. to 5 p.m. Poe's final home is also preserved as the Poe Cottage in the Bronx, New York.
 
 
 
Other Poe landmarks include a building in the [[Upper West Side]] where Poe temporarily lived when he first moved to New York. A plaque suggests that Poe wrote "The Raven" here. In Boston, a plaque hangs near the building where Poe was born once stood. Believed to have been located at 62 Carver Street (now Charles Street), the plaque is possibly in an incorrect location.<ref>Van Hoy, David C. [http://www.boston.com/news/local/articles/2007/02/18/the_fall_of_the_house_of_edgar/ "The Fall of the House of Edgar"]- Retrieved October 24, 2007.</ref><ref>Glenn, Joshua. [http://www.boston.com/news/globe/ideas/brainiac/2007/04/_a_globe_reader.html The house of Poe—mystery solved!] - Retrieved October 24, 2007.</ref>
 
 
 
==Selected bibliography==
 
 
{{main|Bibliography of Edgar Allan Poe}}
 
{{main|Bibliography of Edgar Allan Poe}}
  
 
{{col-begin}}
 
{{col-begin}}
 
{{Col-1-of-2}}
 
{{Col-1-of-2}}
 
+
'''Tales'''
===Tales===
+
* "[[The Black Cat (short story)|The Black Cat]]"
*"[[Berenice (short story)|Berenice]]"
+
* "[[The Cask of Amontillado]]"
*"[[The Black Cat (short story)|The Black Cat]]"
+
* "[[A Descent into the Maelstrom]]"
*"[[The Cask of Amontillado]]"
+
* "[[The Facts in the Case of M. Valdemar]]"
*"[[The Fall of the House of Usher]]"
+
* "[[The Fall of the House of Usher]]"
*"[[The Gold-Bug]]"
+
* "[[The Gold-Bug]]"
*"[[Hop-Frog]]"
+
* "[[Ligeia]]"
*"[[Ligeia]]"
+
* "[[The Masque of the Red Death]]"
*"[[The Man of the Crowd (short story)|The Man of the Crowd]]"
+
* "[[The Murders in the Rue Morgue]]"
*"[[The Masque of the Red Death]]"
+
* "[[The Oval Portrait]]"
*"[[The Murders in the Rue Morgue]]"
+
* "[[The Pit and the Pendulum]]"
*"[[The Pit and the Pendulum]]"
+
* "[[The Premature Burial]]"
*"[[The Purloined Letter]]"
+
* "[[The System of Doctor Tarr and Professor Fether]]"
*"[[The Tell-Tale Heart]]"
+
* "[[The Tell-Tale Heart]]"
  
 
{{Col-2-of-2}}
 
{{Col-2-of-2}}
===Poetry===
+
'''Poetry'''
*"[[Annabel Lee]]"
+
* "[[Al Aaraaf]]"
*"[[The Bells]]"
+
* "[[Annabel Lee]]"
*"[[The City in the Sea]]"
+
* "[[The Bells]]"
*"[[Eldorado (poem)|Eldorado]]"
+
* "[[The City in the Sea]]"
*"[[The Haunted Palace (poem)|The Haunted Palace]]"
+
* "[[The Conqueror Worm]]"
*"[[Lenore]]"
+
* "[[A Dream Within A Dream]]"
*"[[The Raven]]"
+
* "[[Eldorado (poem)|Eldorado]]"
*"[[Ulalume]]"
+
* "[[Eulalie]]"
 +
* "[[The Haunted Palace (poem)|The Haunted Palace]]"
 +
* "[[To Helen]]"
 +
* "[[Lenore]]"
 +
* "[[Tamerlane (poem)|Tamerlane]]"
 +
* "[[The Raven]]"
 +
* "[[Ulalume]]"
  
 
{{Col-end}}
 
{{Col-end}}
 +
'''Other works'''
 +
 +
* ''[[Politian (play)|Politian]]'' (1835)&nbsp;– Poe's only play
 +
* ''[[The Narrative of Arthur Gordon Pym of Nantucket]]'' (1838)&nbsp;– Poe's only complete novel
 +
* "[[The Balloon-Hoax]]" (1844)&nbsp;– A journalistic [[hoax]] printed as a true story
 +
* "[[The Philosophy of Composition]]" (1846)&nbsp;– Essay
 +
* ''[[Eureka: A Prose Poem]]'' (1848)&nbsp;– Essay
 +
* "[[The Poetic Principle]]" (1848)&nbsp;– Essay
 +
* "[[The Light-House]]" (1849)&nbsp;– Poe's last incomplete work
 +
 +
==See also==
 +
{{portal|Edgar Allan Poe|PoeCorbeau.png}}
 +
*[[Edgar Allan Poe and music]]
 +
*[[List of coupled cousins]]
 +
*[[USS E.A. Poe (IX-103)]]
  
 
==Notes==
 
==Notes==
{{reflist|2}}
+
{{columns-list|3|
 +
{{reflist}}
 +
}}
  
 
==References==
 
==References==
<div class="references-small" >
+
{{Refbegin}}
*Foye, Raymond. ''The Unknown Poe'', City Lights, [[San Francisco]], CA. Prefaces, Copyright by Raymond Foye, (1980). OCLC 21715019
+
*{{cite book |title=The Unknown Poe |last=Foye |first=Raymond (editor) |authorlink= |publisher=City Lights |location=San Francisco, CA |edition=Paperback |year=1980 |pages= |isbn=0872861104}}
*Frank, Frederick S., and Magistrale, Anthony. ''The Poe Encyclopedia''.  Greenwood Press, Westport, Connecticut and London, England, (1997). ISBN 0313277680
+
*{{cite book |last = Frank |first = Frederick S. |coauthors = Anthony Magistrale |title = The Poe Encyclopedia |publisher = Greenwood Press |year = 1997 |location = Westport, CT |pages = |isbn = 0313277680}}
*Mabbott, Thomas Ollive (ed.); ''Collected Works of Edgar Allan Poe'', three volumes (I and II Tales and Sketches, III Poems), The Belknap Press Of Harvard University Press, Cambridge, Massachusetts, London, England, (1978). ISBN 9780674139367
+
*{{cite book |title=Poe Poe Poe Poe Poe Poe Poe |last=Hoffman |first=Daniel |authorlink=Daniel Hoffman |publisher=Louisiana State University Press |location=Baton Rouge, La. |edition=Paperback |year=1998 |pages= |isbn=0807123218}}
*Poe, Edgar Allan. ''The Classics of Style'', [[The American Academic Press]], (2006). ISBN 0978728203
+
*{{cite book |title=Edgar Allan Poe: A Study in Genius |last=Krutch |first=Joseph Wood |authorlink= |publisher=Alfred A. Knopf |location=New York |edition= |year=1926 |pages= |id=}}
*Quinn, Arthur Hobson. ''Edgar Allan Poe: A Critical Biography'', New York, Appleton-Century-Crofts, Inc, (1941). ISBN 0801857309
+
*{{cite book |title=Edgar Allan Poe: His Life and Legacy |last=Meyers |first=Jeffrey |authorlink= |publisher=Cooper Square Press |location=New York |edition=Paperback |year=1992 |pages= |isbn=0815410387}}
*Quinn, Patrick F. (ed.); ''Edgar Allan Poe: Poetry and Tales''. ([[Library of America]], 1984) ISBN 9780940450189
+
*{{cite book |title=Edgar Allan Poe: A Critical Biography |last=Quinn |first=Arthur Hobson |authorlink= |publisher=Appleton-Century-Crofts, Inc. |location=New York |edition= |year=1941 |pages= |isbn=0801857309}}
*Silverman, Kenneth. ''Edgar A. Poe: Mournful and Never-ending Remembrance''. Harper Perennial, New York, NY, 1991. ISBN 9780060167158
+
*{{cite book |title=The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet |last=Rosenheim |first=Shawn James |authorlink= |publisher=Johns Hopkins University Press |location=Baltimore |edition= |year=1997 |pages = |isbn=9780801853326}}
* Thompson G.R. (ed.); ''Edgar Allan Poe: Essays and Reviews''. ([[Library of America]], 1984) ISBN 9780940450196
+
*{{cite book |title=Edgar A. Poe: Mournful and Never-Ending Remembrance |last=Silverman|first=Kenneth |authorlink=Kenneth Silverman |publisher=Harper Perennial |location=New York |edition=Paperback |year=1991 |pages= |isbn=0060923318}}
</div>
+
*{{cite book |title=Edgar Allan Poe: A to Z |last=Sova |first=Dawn B. |authorlink= |publisher=Checkmark Books |location=New York |edition=Paperback |year=2001 |pages= |isbn=081604161X}}
 +
*{{cite book | editor = J. Kennedy | first = Terence|last= Whalen |chapter=Poe and the American Publishing Industry| title = A Historical Guide to Edgar Allan Poe | publisher = Oxford University Press | location = Oxford Oxfordshire | year = 2001 | isbn = 0195121503}}
 +
{{Refend}}
  
 
==External links==
 
==External links==
All links retrieved October 24, 2007.
+
{{sisterlinks|s=Author:Edgar Allan Poe}}
{{portalpar|Edgar Allan Poe|PoeCorbeau.png}}
+
{{Spoken Wikipedia|Edgar allen poe recording.ogg|2008-11-22}}
{{wikiquote}}
+
'''About Poe'''
{{commons|Edgar Allan Poe}}
+
* [http://www.nps.gov/edal/ Edgar Allan Poe National Historic Site]
===About Poe===
+
* [http://www.eapoe.org/ Edgar Allan Poe Society in Baltimore]
*[http://www.nps.gov/edal/ Edgar Allan Poe National Historic Site]
+
* {{Find A Grave|id=822}}
*[http://www.eapoe.org/ Edgar Allan Poe Society in Baltimore]
+
* [http://www.online-literature.com/poe/ Poe at Literature Network]
*[http://www.poemuseum.org/ Poe Museum in Richmond, Virginia]
+
* [http://www.poemuseum.org/ Poe Museum in Richmond, Virginia]
*[http://www.bronxhistoricalsociety.org/about/poecottage.html Poe Cottage Bronx]
+
* [http://poe-raven.wikispaces.com/ Wiki on Poe and his works)]
*[http://www.opcommunication.com/grapho/Edgar_Allen_Poe.gif Edgar Allan Poe's Signature]
 
*[http://www.psychics.co.uk/coincidences/cannibal.html Poe's True Prediction about Cannibalism]
 
*[http://knowingpoe.thinkport.org Maryland Public Television's Knowing Poe: The Literature, Life, and Times of Edgar Allan Poe in Baltimore and Beyond]
 
* [http://wiredforbooks.org/kensilverman/ 1992 audio interview with Ken Silverman, author of ''Edgar A Poe : Mournful and Never-ending Remembrance''] by [[Don Swaim]]
 
 
 
===Works===
 
{{wikisource author}}
 
*{{gutenberg author|id=Edgar_Allan_Poe|name=Edgar Allan Poe}}
 
*[http://www.poestories.com/ PoeStories.com] - A well organized site with summaries, quotes, and full text of Poe's short stories, a Poe timeline, and image gallery.
 
*[http://www.poetryfoundation.org/archive/poet.html?id=81604 Poems by Edgar Allan Poe at PoetryFoundation.org]
 
*[http://www.houseofusher.net/ The Edgar Allan Poe Virtual Library]
 
*[http://www.archive.org/download/shortpoetry_003_librivox/the_raven_poe_ea_chip.mp3 Public domain recording of "The Raven"]
 
*[http://www.aruffo.com/poe Poe Short Story Audiobooks] - free download
 
  
 +
'''Works'''
 +
* [http://www.blackcatpoems.com/p/edgar_allan_poe.html Poems by Edgar Allan Poe] – An extensive collection of Poe's poetry.
 +
* [http://www.poetryfoundation.org/archive/poet.html?id=81604 Poems by Edgar Allan Poe at PoetryFoundation.org]
 +
* [http://www.poestories.com/ PoeStories.com] – With summaries, quotes, and full text of Poe's short stories, a Poe timeline, and image gallery.
 +
* [http://www.houseofusher.net/ The Edgar Allan Poe Virtual Library]
 +
* {{gutenberg author|id=Edgar_Allan_Poe|name=Edgar Allan Poe}}
 +
* [http://www.archive.org/search.php?query=creator%3Aedgar%20poe%20-contributor%3Agutenberg%20AND%20mediatype%3Atexts Works by Edgar Allan Poe], available at [[Internet Archive]]. Scanned illustrated books.
 
{{Edgar Allan Poe}}
 
{{Edgar Allan Poe}}
 
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{{Romanticism}}
 +
{{featured article}}
 
{{Persondata
 
{{Persondata
 
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|NAME=Poe, Edgar Allan
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[[Category:Art, music, literature, sports and leisure]]
 
[[Category:Art, music, literature, sports and leisure]]
 
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[[Category:Writers and poets]]
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Revision as of 03:51, 18 February 2009

Edgar Allan Poe
Edgar Allan Poe 2.jpg
1848 daguerreotype of Poe
Born January 19 1809(1809-01-19)
Boston, Massachusetts, USA
Died October 7 1849 (aged 40)
Baltimore, Maryland, USA
Occupation Poet, short-story writer, editor, literary critic
Genres Horror fiction, crime fiction, detective fiction
Literary movement Romanticism
Spouse(s) Virginia Eliza Clemm Poe

Edgar Allan Poe (January 19, 1809 – October 7, 1849) was an American poet, short-story writer, editor and literary critic, and is considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective-fiction genre. He is further credited with contributing to the emerging genre of science fiction.[1] He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.[2]

He was born as Edgar Poe in Boston, Massachusetts; his parents died when he was young. Poe was taken in by John and Frances Allan, of Richmond, Virginia, but they never formally adopted him. After spending a short period at the University of Virginia and briefly attempting a military career, Poe parted ways with the Allans. Poe's publishing career began humbly, with an anonymous collection of poems, Tamerlane and Other Poems (1827), credited only to "a Bostonian".

Poe switched his focus to prose and spent the next several years working for literary journals and periodicals, becoming known for his own style of literary criticism. His work forced him to move between several cities, including Baltimore, Philadelphia, and New York City. In Baltimore in 1835, he married Virginia Clemm, his 13-year-old cousin. In January 1845, Poe published his poem "The Raven" to instant success. His wife died of tuberculosis two years later. He began planning to produce his own journal, The Penn (later renamed The Stylus), though he died before it could be produced. On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unknown and has been variously attributed to alcohol, brain congestion, cholera, drugs, heart disease, rabies, suicide, tuberculosis, and other agents.[3]

Poe and his works influenced literature in the United States and around the world, as well as in specialized fields, such as cosmology and cryptography. Poe and his work appear throughout popular culture in literature, music, films, and television. A number of his homes are dedicated museums today.

Life and career

This plaque marks the approximate location where Edgar Poe was born in Boston.

Early life

He was born Edgar Poe in Boston, Massachusetts, on January 19, 1809, the second child of actress Elizabeth Arnold Hopkins Poe and actor David Poe, Jr. He had an elder brother, William Henry Leonard Poe, and a younger sister, Rosalie Poe.[4] Edgar may have been named after a character in William Shakespeare's King Lear, a play the couple was performing in 1809.[5] His father abandoned their family in 1810,[6] and his mother died a year later from consumption. Poe was then taken into the home of John Allan, a successful Scottish merchant in Richmond, Virginia, who dealt in a variety of goods including tobacco, cloth, wheat, tombstones, and slaves.[7] The Allans served as a foster family but never formally adopted Poe,[8] though they gave him the name "Edgar Allan Poe".[9]

The Allan family had Poe baptized in the Episcopal Church in 1812. John Allan alternately spoiled and aggressively disciplined his foster son.[9] The family, including Poe and Allan's wife, Frances Valentine Allan, sailed to England in 1815. Poe attended the grammar school in Irvine, Scotland (where John Allan was born) for a short period in 1815, before rejoining the family in London in 1816. He studied at a boarding school in Chelsea until summer 1817. He was subsequently entered at the Reverend John Bransby’s Manor House School at Stoke Newington, then a suburb four miles (6 km) north of London.[10]

Poe moved back with the Allans to Richmond, Virginia in 1820. In March 1825, John Allan's uncle[11] and business benefactor William Galt, said to be one of the wealthiest men in Richmond, died and left Allan several acres of real estate. The inheritance was estimated at $750,000. By summer 1825, Allan celebrated his expansive wealth by purchasing a two-story brick home named Moldavia.[12] Poe may have become engaged to Sarah Elmira Royster before he registered at the one-year-old University of Virginia in February 1826 to study languages.[13] The university, in its infancy, was established on the ideals of its founder, Thomas Jefferson. It had strict rules against gambling, horses, guns, tobacco and alcohol, but these rules were generally ignored. Jefferson had enacted a system of student self-government, allowing students to choose their own studies, make their own arrangements for boarding, and report all wrongdoing to the faculty. The unique system was still in chaos, and there was a high dropout rate.[14] During his time there, Poe lost touch with Royster and also became estranged from his foster father over gambling debts. Poe claimed that Allan had not given him sufficient money to register for classes, purchase texts, and procure and furnish a dormitory. Allan did send additional money and clothes, but Poe's debts increased.[15] Poe gave up on the university after a year, and, not feeling welcome in Richmond, especially when he learned that his sweetheart Royster had married Alexander Shelton, he traveled to Boston in April 1827, sustaining himself with odd jobs as a clerk and newspaper writer.[16] At some point he started using the pseudonym Henri Le Rennet.[17]

Poe was first stationed at Boston's Fort Independence while in the army.

Military career

Unable to support himself, on May 27, 1827, Poe enlisted in the United States Army as a private. Using the name "Edgar A. Perry", he claimed he was 22 years old even though he was 18.[18] He first served at Fort Independence in Boston Harbor for five dollars a month.[16] That same year, he released his first book, a 40-page collection of poetry, Tamerlane and Other Poems, attributed with the byline "by a Bostonian". Only 50 copies were printed, and the book received virtually no attention.[19] Poe's regiment was posted to Fort Moultrie in Charleston, South Carolina and traveled by ship on the brig Waltham on November 8, 1827. Poe was promoted to "artificer", an enlisted tradesman who prepared shells for artillery, and had his monthly pay doubled.[20] After serving for two years and attaining the rank of Sergeant Major for Artillery (the highest rank a noncommissioned officer can achieve), Poe sought to end his five-year enlistment early. He revealed his real name and his circumstances to his commanding officer, Lieutenant Howard. Howard would only allow Poe to be discharged if he reconciled with John Allan and wrote a letter to Allan, who was unsympathetic. Several months passed and pleas to Allan were ignored; Allan may not have written to Poe even to make him aware of his foster mother's illness. Frances Allan died on February 28, 1829, and Poe visited the day after her burial. Perhaps softened by his wife's death, John Allan agreed to support Poe's attempt to be discharged in order to receive an appointment to the United States Military Academy at West Point.[21]

Poe finally was discharged on April 15, 1829, after securing a replacement to finish his enlisted term for him.[22] Before entering West Point, Poe moved back to Baltimore for a time, to stay with his widowed aunt Maria Clemm, her daughter, Virginia Eliza Clemm (Poe's first cousin), his brother Henry, and his invalid grandmother Elizabeth Cairnes Poe.[23] Meanwhile, Poe published his second book, Al Aaraaf, Tamerlane and Minor Poems, in Baltimore in 1829.[24]

Poe traveled to West Point and matriculated as a cadet on July 1, 1830.[25] In October 1830, John Allan married his second wife, Louisa Patterson.[26] The marriage, and bitter quarrels with Poe over the children born to Allan out of affairs, led to the foster father finally disowning Poe.[27] Poe decided to leave West Point by purposely getting court-martialed. On February 8, 1831, he was tried for gross neglect of duty and disobedience of orders for refusing to attend formations, classes, or church. Poe tactically pled not guilty to induce dismissal, knowing he would be found guilty.[28]

He left for New York in February 1831, and released a third volume of poems, simply titled Poems. The book was financed with help from his fellow cadets at West Point, many of whom donated 75 cents to the cause, raising a total of $170. They may have been expecting verses similar to the satirical ones Poe had been writing about commanding officers.[29] Printed by Elam Bliss of New York, it was labeled as "Second Edition" and included a page saying, "To the U.S. Corps of Cadets this volume is respectfully dedicated." The book once again reprinted the long poems "Tamerlane" and "Al Aaraaf" but also six previously unpublished poems including early versions of "To Helen", "Israfel", and "The City in the Sea".[30] He returned to Baltimore, to his aunt, brother and cousin, in March 1831. His elder brother Henry, who had been in ill health in part due to problems with alcoholism, died on August 1, 1831.[31]

Publishing career

After his brother's death, Poe began more earnest attempts to start his career as a writer. He chose a difficult time in American publishing to do so.[32] He was the first well-known American to try to live by writing alone[2][33] and was hampered by the lack of an international copyright law.[34] Publishers often pirated copies of British works rather than paying for new work by Americans.[33] The industry was also particularly hurt by the Panic of 1837.[35] Despite a booming growth in American periodicals around this time period, fueled in part by new technology, many did not last beyond a few issues[36] and publishers often refused to pay their writers or paid them much later than they promised.[37] Poe, throughout his attempts at pursuing a successful literary career, would be forced to constantly make humiliating pleas for money and other assistance for the rest of his life.[38]

Poe married his 13-year old cousin, Virginia Clemm. Her early death may have inspired some of his writing.

After his early attempts at poetry, Poe had turned his attention to prose. He placed a few stories with a Philadelphia publication and began work on his only drama, Politian. The Saturday Visitor, a Baltimore paper, awarded Poe a prize in October 1833 for his short story "MS. Found in a Bottle".[39] The story brought him to the attention of John P. Kennedy, a Baltimorian of considerable means. He helped Poe place some of his stories, and introduced him to Thomas W. White, editor of the Southern Literary Messenger in Richmond. Poe became assistant editor of the periodical in August 1835;[40] however, within a few weeks, he was discharged after being found drunk repeatedly.[41] Returning to Baltimore, Poe secretly married Virginia, his cousin, on September 22, 1835. She was 13 at the time, though she is listed on the marriage certificate as being 21.[42] Reinstated by White after promising good behavior, Poe went back to Richmond with Virginia and her mother. He remained at the Messenger until January 1837. During this period, its circulation increased from 700 to 3,500.[4] He published several poems, book reviews, criticism, and stories in the paper. On May 16, 1836, he had a second wedding ceremony in Richmond with Virginia Clemm, this time in public.[43]

The Narrative of Arthur Gordon Pym was published and widely reviewed in 1838. In the summer of 1839, Poe became assistant editor of Burton's Gentleman's Magazine. He published numerous articles, stories, and reviews, enhancing his reputation as a trenchant critic that he had established at the Southern Literary Messenger. Also in 1839, the collection Tales of the Grotesque and Arabesque was published in two volumes, though he made little money off of it and it received mixed reviews.[44] Poe left Burton's after about a year and found a position as assistant at Graham's Magazine.[45]

In June 1840, Poe published a prospectus announcing his intentions to start his own journal, The Stylus.[46] Originally, Poe intended to call the journal The Penn, as it would have been based in Philadelphia, Pennsylvania. In the June 6, 1840 issue of Philadelphia's Saturday Evening Post, Poe bought advertising space for his prospectus: "Prospectus of the Penn Magazine, a Monthly Literary journal to be edited and published in the city of Philadelphia by Edgar A. Poe."[47] The journal would never be produced before Poe's death. Around this time, he attempted to secure a position with the Tyler administration, claiming he was a member of the Whig Party.[48] He hoped to be appointed to the Custom House in Philadelphia with help from President Tyler's son Robert,[49] an acquaintance of Poe's friend Frederick Thomas.[50] Poe failed to show up for a meeting with Thomas to discuss the appointment in mid-September 1842, claiming to be sick, though Thomas believed he was drunk.[51] Though he was promised an appointment, all positions were filled by others.[52]

One evening in January 1842, Virginia showed the first signs of consumption, now known as tuberculosis, while singing and playing the piano. Poe described it as breaking a blood vessel in her throat.[53] She only partially recovered. Poe began to drink more heavily under the stress of Virginia's illness. He left Graham's and attempted to find a new position, for a time angling for a government post. He returned to New York, where he worked briefly at the Evening Mirror before becoming editor of the Broadway Journal and, later, sole owner.[54] There he alienated himself from other writers by publicly accusing Henry Wadsworth Longfellow of plagiarism, though Longfellow never responded.[55] On January 29, 1845, his poem "The Raven" appeared in the Evening Mirror and became a popular sensation. Though it made Poe a household name almost instantly,[56] he was paid only $9 for its publication.[57]

File:Poe's house hi res.jpg
Poe spent the last few years of his life in a small cottage in the Bronx, New York.

The Broadway Journal failed in 1846.[54] Poe moved to a cottage in the Fordham section of The Bronx, New York. That home, known today as the "Poe Cottage", is on the southeast corner of the Grand Concourse and Kingsbridge Road. Virginia died there on January 30, 1847.[58] Biographers and critics often suggest Poe's frequent theme of the "death of a beautiful woman" stems from the repeated loss of women throughout his life, including his wife.[59]

Increasingly unstable after his wife's death, Poe attempted to court the poet Sarah Helen Whitman, who lived in Providence, Rhode Island. Their engagement failed, purportedly because of Poe's drinking and erratic behavior. However, there is also strong evidence that Whitman's mother intervened and did much to derail their relationship.[60] Poe then returned to Richmond and resumed a relationship with a childhood sweetheart, Sarah Elmira Royster.[61]

Death

Edgar Allan Poe is buried in Baltimore, Maryland. The circumstances and cause of his death remain uncertain.

On October 3, 1849, Poe was found on the streets of Baltimore delirious, "in great distress, and... in need of immediate assistance", according to the man who found him, Joseph W. Walker.[62] He was taken to the Washington College Hospital, where he died on Sunday, October 7, 1849, at 5:00 in the morning.[63] Poe was never coherent long enough to explain how he came to be in his dire condition, and, oddly, was wearing clothes that were not his own. Poe is said to have repeatedly called out the name "Reynolds" on the night before his death, though it is unclear to whom he was referring. Some sources say Poe's final words were "Lord help my poor soul."[63] All medical records, including his death certificate, have been lost.[64] Newspapers at the time reported Poe's death as "congestion of the brain" or "cerebral inflammation", common euphemisms for deaths from disreputable causes such as alcoholism.[65] However, the actual cause of death remains a mystery;[66] from as early as 1872, cooping was commonly believed to have been the cause,[67] and speculation has included delirium tremens, heart disease, epilepsy, syphilis, meningeal inflammation,[3] cholera[68] and rabies.[69]

Griswold's "Memoir"

The day Edgar Allan Poe was buried, a long obituary appeared in the New York Tribune signed "Ludwig". It was soon published throughout the country. The piece began, "Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it."[70] "Ludwig" was soon identified as Rufus Wilmot Griswold, an editor, critic and anthologist who had borne a grudge against Poe since 1842. Griswold somehow became Poe's literary executor and attempted to destroy his enemy's reputation after his death.[71]

Rufus Griswold wrote a biographical article of Poe called "Memoir of the Author", which he included in an 1850 volume of the collected works. Griswold depicted Poe as a depraved, drunk, drug-addled madman and included Poe's letters as evidence.[71] Many of his claims were either outright lies or distorted half-truths. For example, it is now known that Poe was not a drug addict.[72] Griswold's book was denounced by those who knew Poe well,[73] but it became a popularly accepted one. This occurred in part because it was the only full biography available and was widely reprinted and in part because readers thrilled at the thought of reading works by an "evil" man.[74] Letters that Griswold presented as proof of this depiction of Poe were later revealed as forgeries.[75]

Literary style and themes

1860s portrait by Oscar Halling after an 1849 daguerreotype

Genres

Poe's best known fiction works are Gothic,[76] a genre he followed to appease the public taste.[77] His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning.[78] Many of his works are generally considered part of the dark romanticism genre, a literary reaction to transcendentalism,[79] which Poe strongly disliked.[80] He referred to followers of the movement as "Frogpondians" after the pond on Boston Common.[81] and ridiculed their writings as "metaphor-run", lapsing into "obscurity for obscurity's sake" or "mysticism for mysticism's sake."[82] Poe once wrote in a letter to Thomas Holley Chivers that he did not dislike Transcendentalists, "only the pretenders and sophists among them."[83]

Beyond horror, Poe also wrote satires, humor tales, and hoaxes. For comic effect, he used irony and ludicrous extravagance, often in an attempt to liberate the reader from cultural conformity.[77] In fact, "Metzengerstein", the first story that Poe is known to have published,[84] and his first foray into horror, was originally intended as a burlesque satirizing the popular genre.[85] Poe also reinvented science fiction, responding in his writing to emerging technologies such as hot air balloons in "The Balloon-Hoax".[86]

Poe wrote much of his work using themes specifically catered for mass market tastes.[87] To that end, his fiction often included elements of popular pseudosciences such as phrenology[88] and physiognomy.[89]

Literary theory

Poe's writing reflects his literary theories, which he presented in his criticism and also in essays such as "The Poetic Principle".[90] He disliked didacticism[91] and allegory,[92] though he believed that meaning in literature should be an undercurrent just beneath the surface. Works with obvious meanings, he wrote, cease to be art.[93] He believed that quality work should be brief and focus on a specific single effect.[90] To that end, he believed that the writer should carefully calculate every sentiment and idea.[94] In "The Philosophy of Composition", an essay in which Poe describes his method in writing "The Raven", he claims to have strictly followed this method. It has been questioned, however, if he really followed this system. T. S. Eliot said: "It is difficult for us to read that essay without reflecting that if Poe plotted out his poem with such calculation, he might have taken a little more pains over it: the result hardly does credit to the method."[95] Biographer Joseph Wood Krutch described the essay as "a rather highly ingenious exercise in the art of rationalization".[96]

Legacy

Literary influence

During his lifetime, Poe was mostly recognized as a literary critic. Fellow critic James Russell Lowell called him "the most discriminating, philosophical, and fearless critic upon imaginative works who has written in America", though he questioned if he occasionally used prussic acid instead of ink.[97] Poe was also known as a writer of fiction and became one of the first American authors of the 19th century to become more popular in Europe than in the United States.[98] Poe is particularly respected in France, in part due to early translations by Charles Baudelaire. Baudelaire's translations became definitive renditions of Poe's work throughout Europe.[99]

Poe's early detective fiction tales starring the fictitious C. Auguste Dupin laid the groundwork for future detectives in literature. Sir Arthur Conan Doyle said, "Each [of Poe's detective stories] is a root from which a whole literature has developed.... Where was the detective story until Poe breathed the breath of life into it?"[100] The Mystery Writers of America have named their awards for excellence in the genre the "Edgars".[101] Poe's work also influenced science fiction, notably Jules Verne, who wrote a sequel to Poe's novel The Narrative of Arthur Gordon Pym of Nantucket called The Narrative of Arthur Gordon Pym, Le sphinx des glaces.[102] Science fiction author H. G. Wells noted, "Pym tells what a very intelligent mind could imagine about the south polar region a century ago."[103]

Like many famous artists, Poe's works have spawned innumerable imitators.[104] One interesting trend among imitators of Poe, however, has been claims by clairvoyants or psychics to be "channeling" poems from Poe's spirit. One of the most notable of these was Lizzie Doten, who in 1863 published Poems from the Inner Life, in which she claimed to have "received" new compositions by Poe's spirit. The compositions were re-workings of famous Poe poems such as "The Bells", but which reflected a new, positive outlook.[105]

Even so, Poe has not received only praise, partly because of the negative perception of his personal character influencing his reputation.[98] William Butler Yeats was occasionally critical of Poe and once called him "vulgar".[106] Transcendentalist Ralph Waldo Emerson reacted to "The Raven" by saying, "I see nothing in it"[107] and derisively referred to Poe as "the jingle man".[108] Aldous Huxley wrote that Poe's writing "falls into vulgarity" by being "too poetical" – the equivalent of wearing a diamond ring on every finger.[109]

Physics and cosmology

Eureka: A Prose Poem, an essay written in 1848, included a cosmological theory that presaged the big bang theory by 80 years,[110] as well as the first plausible solution to Olbers' paradox.[111] Poe eschewed the scientific method in Eureka and instead wrote from pure intuition.[112] For this reason, he considered it a work of art, not science,[112] but insisted that it was still true[113] and considered it to be his career masterpiece.[114] Even so, Eureka is full of scientific errors. In particular, Poe's suggestions opposed Newtonian principles regarding the density and rotation of planets.[115]

Cryptography

Poe had a keen interest in the field of cryptography. He had placed a notice of his abilities in the Philadelphia paper Alexander's Weekly (Express) Messenger, inviting submissions of ciphers, which he proceeded to solve.[116] In July 1841, Poe had published an essay called "A Few Words on Secret Writing" in Graham's Magazine. Realizing the public interest in the topic, he wrote "The Gold-Bug" incorporating ciphers as part of the story.[117] Poe's success in cryptography relied not so much on his knowledge of that field (his method was limited to the simple substitution cryptogram), as on his knowledge of the magazine and newspaper culture. His keen analytical abilities, which were so evident in his detective stories, allowed him to see that the general public was largely ignorant of the methods by which a simple substitution cryptogram can be solved, and he used this to his advantage.[116] The sensation Poe created with his cryptography stunt played a major role in popularizing cryptograms in newspapers and magazines.[118]

Poe had an influence on cryptography beyond increasing public interest in his lifetime. William Friedman, America's foremost cryptologist, was heavily influenced by Poe.[119] Friedman's initial interest in cryptography came from reading "The Gold-Bug" as a child — interest he later put to use in deciphering Japan's PURPLE code during World War II.[120]

Poe in popular culture

Poe as a character

The historical Edgar Allan Poe has appeared as a fictionalized character, often representing the "mad genius" or "tormented artist" and exploiting his personal struggles.[121] Many such depictions also blend in with characters from his stories, suggesting Poe and his characters share identities.[122] Often, fictional depictions of Poe use his mystery-solving skills in such novels as The Poe Shadow by Matthew Pearl.[123]

The Edgar Allan Poe National Historic Site in Philadelphia is one of several preserved former residences of Poe

Preserved homes, landmarks, and museums

No childhood home of Poe is still standing, including the Allan family's Moldavia estate. The oldest standing home in Richmond, the Old Stone House, is in use as the Edgar Allan Poe Museum, though Poe never lived there. The collection includes many items Poe used during his time with the Allan family and also features several rare first printings of Poe works. The dorm room Poe is believed to have used while studying at the University of Virginia in 1826 is preserved and available for visits. Its upkeep is now overseen by a group of students and staff known as the Raven Society.[124]

The earliest surviving home in which Poe lived is in Baltimore, preserved as the Edgar Allan Poe House and Museum. Poe is believed to have lived in the home at the age of 23 when he first lived with Maria Clemm and Virginia (as well as his grandmother and possibly his brother William Henry Leonard Poe).[125] It is open to the public and is also the home of the Edgar Allan Poe Society. Of the several homes that Poe, his wife Virginia, and his mother-in-law Maria rented in Philadelphia, only the last house has survived. The Spring Garden home, where the author lived in 1843–1844, is today preserved by the National Park Service as the Edgar Allan Poe National Historic Site.[126] Poe's final home is preserved as the Edgar Allan Poe Cottage in the Bronx, New York.[58]

Other Poe landmarks include a building in the Upper West Side, where Poe temporarily lived when he first moved to New York. A plaque suggests that Poe wrote "The Raven" here. In Boston, a plaque hangs near the building where Poe was born once stood. Believed to have been located at 62 Carver Street (now Charles Street), the plaque is possibly in an incorrect location.[127][128] The bar in which legend says Poe was last seen drinking before his death still stands in Fells Point in Baltimore, Maryland. Now known as The Horse You Came In On, local lore insists that a ghost they call "Edgar" haunts the rooms above.[129]

Poe Toaster

Adding to the mystery surrounding Poe's death, an unknown visitor affectionately referred to as the "Poe Toaster" has paid homage to Poe's grave every year since 1949. As the tradition has been carried on for more than 50 years, it is likely that the "Poe Toaster" is actually several individuals; however, the tribute is always the same. Every January 19, in the early hours of the morning, the person makes a toast of cognac to Poe's original grave marker and leaves three roses. Members of the Edgar Allan Poe Society in Baltimore have helped in protecting this tradition for decades. On August 15, 2007, Sam Porpora, a former historian at the Westminster Church in Baltimore where Poe is buried, claimed that he had started the tradition in the 1960s. The claim that the tradition began in 1949, he said, was a hoax in order to raise money and enhance the profile of the church. His story has not been confirmed,[130] and some details he has given to the press have been pointed out as factually inaccurate.[131]

Selected list of works

Tales

  • "The Black Cat"
  • "The Cask of Amontillado"
  • "A Descent into the Maelstrom"
  • "The Facts in the Case of M. Valdemar"
  • "The Fall of the House of Usher"
  • "The Gold-Bug"
  • "Ligeia"
  • "The Masque of the Red Death"
  • "The Murders in the Rue Morgue"
  • "The Oval Portrait"
  • "The Pit and the Pendulum"
  • "The Premature Burial"
  • "The System of Doctor Tarr and Professor Fether"
  • "The Tell-Tale Heart"

Poetry

  • "Al Aaraaf"
  • "Annabel Lee"
  • "The Bells"
  • "The City in the Sea"
  • "The Conqueror Worm"
  • "A Dream Within A Dream"
  • "Eldorado"
  • "Eulalie"
  • "The Haunted Palace"
  • "To Helen"
  • "Lenore"
  • "Tamerlane"
  • "The Raven"
  • "Ulalume"

Other works

  • Politian (1835) – Poe's only play
  • The Narrative of Arthur Gordon Pym of Nantucket (1838) – Poe's only complete novel
  • "The Balloon-Hoax" (1844) – A journalistic hoax printed as a true story
  • "The Philosophy of Composition" (1846) – Essay
  • Eureka: A Prose Poem (1848) – Essay
  • "The Poetic Principle" (1848) – Essay
  • "The Light-House" (1849) – Poe's last incomplete work

See also

Portal Edgar Allan Poe Portal
  • Edgar Allan Poe and music
  • List of coupled cousins
  • USS E.A. Poe (IX-103)

Notes

  1. Stableford, Brian. "Science fiction before the genre." The Cambridge Companion to Science Fiction, Eds. Edward James and Farah Mendlesohn. Cambridge: Cambridge University Press, 2003. pp. 18–19.
  2. 2.0 2.1 Meyers, 138
  3. 3.0 3.1 Meyers, 256
  4. 4.0 4.1 Allen, Hervey. "Introduction". The Works of Edgar Allan Poe, New York: P. F. Collier & Son, 1927.
  5. Nelson, Randy F. The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc., 1981: 65. ISBN 086576008X
  6. Canada, Mark, ed. "Edgar Allan Poe Chronology". Canada's America. 1997. Retrieved on June 3, 2007.
  7. Meyers, 8
  8. Quinn, 61
  9. 9.0 9.1 Meyers, 9
  10. Silverman, 16–18
  11. Meyers, 20
  12. Silverman, 27–28
  13. Silverman, 29–30
  14. Meyers, 21–22
  15. Silverman, 32–34
  16. 16.0 16.1 Meyers, 32
  17. Silverman, 41
  18. Cornelius, Kay. "Biography of Edgar Allan Poe", Bloom's BioCritiques: Edgar Allan Poe, Ed. Harold Bloom, Philadelphia: Chelsea House Publishers, 2002. p. 13 ISBN 0791061736
  19. Meyers, 33–34
  20. Meyers, 35
  21. Silverman, 43–47
  22. Meyers, 38
  23. Cornelius, Kay. "Biography of Edgar Allan Poe", Bloom's BioCritiques: Edgar Allan Poe, Ed. Harold Bloom, Philadelphia: Chelsea House Publishers, 2002. pp. 13–14 ISBN 0791061736
  24. Sova, 5
  25. Krutch, 32
  26. Cornelius, Kay. "Biography of Edgar Allan Poe", Bloom's BioCritiques: Edgar Allan Poe, Ed. Harold Bloom, Philadelphia: Chelsea House Publishers, 2002. p. 14 ISBN 0791061736
  27. Meyers, 54–55
  28. Hecker, William J. Private Perry and Mister Poe: The West Point Poems. Louisiana State University Press, 2005. pp. 49–51
  29. Meyers, 50–51
  30. Hecker, William J. Private Perry and Mister Poe: The West Point Poems. Louisiana State University Press, 2005. pp. 53–54
  31. Quinn, 187–188
  32. Whalen, 64
  33. 33.0 33.1 Quinn, 305
  34. Silverman, 247
  35. Whalen, 74
  36. Silverman, 99
  37. Whalen, 82
  38. Meyers, 139
  39. Sova, 162
  40. Sova, 225
  41. Meyers, 73
  42. Meyers, 85
  43. Silverman, 124
  44. Meyers, 113
  45. Sova, 39, 99
  46. Meyers, 119
  47. Silverman, 159
  48. Quinn, 321–322
  49. Silverman, 186
  50. Meyers, 144
  51. Silverman, 187
  52. Silverman, 188
  53. Silverman, 179
  54. 54.0 54.1 Sova, 34
  55. Quinn, 455
  56. Hoffman, 80
  57. Ostrom, John Ward. "Edgar A. Poe: His Income as Literary Entrepreneur", Poe Studies 5.1 (1982): 5
  58. 58.0 58.1 Edgar Allan Poe Cottage. Bronx Historical Society. Archived from the original on 2007-10-11. Retrieved 2007-10-13.
  59. Weekes, Karen. "Poe's feminine ideal," The Cambridge Companion to Edgar Allan Poe, Ed. Kevin J. Hayes. Cambridge University Press, 2002. p. 149. ISBN 0521797276
  60. Benton, Richard P. "Friends and Enemies: Women in the Life of Edgar Allan Poe", Myths and Reality: The Mysterious Mr. Poe. Baltimore: Edgar Allan Poe Society, 1987. p. 19 ISBN 0961644915
  61. Quinn, 628
  62. Quinn, 638
  63. 63.0 63.1 Meyers, 255
  64. Bramsback, Birgit (1970). "The Final Illness and Death of Edgar Allan Poe: An Attempt at Reassessment", Studia Neophilologica (University of Uppsala), XLII. p. 40
  65. Silverman, 435–436
  66. Silverman, 435
  67. Walsh, John Evangelist (2000). Midnight Dreary: The Mysterious Death of Edgar Allan Poe, Paperback, New York: St. Martin's Minotaur, 32–33. ISBN 0312227329. 
  68. Death Suspicion Cholera. Crimelibrary.com. Retrieved 2008-05-09.
  69. Benitez, Dr. R. Michael, "A 39-year-old man with mental status change", Maryland Medical Journal, 45 (1996): 765–769.
  70. Meyers, 259. To read Griswold's full obituary, see Edgar Allan Poe obituary at Wikisource.
  71. 71.0 71.1 Hoffman, 14
  72. Quinn, 693
  73. Sova, 101
  74. Meyers, 263
  75. Quinn, 699
  76. Meyers, 64
  77. 77.0 77.1 Royot, Daniel (2002). "Poe's Humor", The Cambridge Companion to Edgar Allan Poe. Cambridge University Press. ISBN 0521797276. p. 57.
  78. Kennedy, J. Gerald (1987). Poe, Death, and the Life of Writing. Yale University Press. ISBN 0300037732. p. 3.
  79. Koster, Donald N. (2002). "Influences of Transcendentalism on American Life and Literature", Literary Movements for Students Vol. 1. David Galens, ed. Detroit: Thompson Gale. p. 336.
  80. Ljunquist, Kent (2002). "The poet as critic", The Cambridge Companion to Edgar Allan Poe, Kevin J. Hayes, ed. Cambridge University Press. ISBN 0521797276 p. 15
  81. Royot, Daniel. "Poe's humor," as collected in The Cambridge Companion to Edgar Allan Poe, Kevin J. Hayes, ed. Cambridge University Press, 2002. pp. 61–62. ISBN 0521797276
  82. Ljunquist, Kent. "The poet as critic" collected in The Cambridge Companion to Edgar Allan Poe, Kevin J. Hayes, ed. Cambridge University Press, 2002. p. 15. ISBN 0521797276
  83. Silverman, 169
  84. Silverman, 88
  85. Fisher, Benjamin Franklin (1993). "Poe's 'Metzengerstein': Not a Hoax", On Poe: The Best from "American Literature. Durham, NC: Duke University Press. p. 142, 149
  86. Tresch, John (2002). "Extra! Extra! Poe invents science fiction!", The Cambridge Companion to Edgar Allan Poe, Kevin J. Hayes, ed. Cambridge University Press. ISBN 0521797276. p. 114.
  87. Whalen, 67
  88. Edward Hungerford (1930). "Poe and Phrenology", American Literature Vol. 1. p. 209–31.
  89. Erik Grayson (2005). "Weird Science, Weirder Unity: Phrenology and Physiognomy in Edgar Allan Poe", Mode Vol. 1 p. 56–77.
  90. 90.0 90.1 Krutch, 225
  91. Kagle, Steven E. "The Corpse Within Us", Poe and His Times: The Artist and His Milieu, Ed. Benjamin Franklin Fisher IV. Baltimore: The Edgar Allan Poe Society, Inc., 1990. ISBN 0961644923. p. 104
  92. Poe, Edgar A.. Tale-Writing — Nathaniel Hawthorne. Godey's Lady's Book, November 1847, pp. 252–256. Retrieved 2007-03-24.
  93. Wilbur, Richard (1967). "The House of Poe", Poe: A Collection of Critical Essays, Ed. Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc. p. 99
  94. Jannaccone, Pasquale (translated by Peter Mitilineos) (1974). "The Aesthetics of Edgar Poe", Poe Studies Vol. 7.1. p. 3.
  95. Hoffman, 76
  96. Krutch, 98
  97. Quinn, 432
  98. 98.0 98.1 Meyers, 258
  99. Harner, Gary Wayne. "Edgar Allan Poe in France: Baudelaire's Labor of Love", Poe and His Times: The Artist and His Milieu, Ed. Benjamin Franklin Fisher IV. Baltimore: The Edgar Allan Poe Society, 1990. p. 218. ISBN 0961644923
  100. Poe Encyclopedia, 103
  101. Neimeyer, Mark. "Poe and Popular Culture," Ed. Kevin J. Hayes. The Cambridge Companion to Edgar Allan Poe. Cambridge University Press, 2002. ISBN 0521797276 p. 206
  102. Poe Encyclopedia, 364
  103. Poe Encyclopedia, 372
  104. Meyers, 281
  105. Carlson, Eric Walter (1996). A Companion to Poe Studies. Westport, Connecticut: Greenwood Press. ISBN 0-313-26506-2. 
  106. Meyers, 274
  107. Silverman, 265
  108. Emerson's Estimate of Poe. Retrieved 2008-03-02.
  109. Huxley, Aldous. "Vulgarity in Literature," Poe: A Collection of Critical Essays, Ed. Robert Regan, Englewood Cliffs, NJ: Prentice-Hall Inc., 1967. p. 32
  110. Rombeck, Terry. "Poe's little-known science book reprinted", Lawrence Journal-World & News. January 22, 2005
  111. Smoot, George and Keay Davidson. Wrinkles in Time. Harper Perennial, Reprint edition (October 1, 1994) ISBN 0-380-72044-2
  112. 112.0 112.1 Meyers, 214
  113. Silverman, 399
  114. Meyers, 219
  115. Sova, 82
  116. 116.0 116.1 Silverman, 152
  117. Rosenheim, 2, 6
  118. Friedman, William F. "Edgar Allan Poe, Cryptographer", On Poe: The Best from "American Literature". Durham, NC: Duke University Press, 1993. p. 40–41
  119. Rosenheim, 15
  120. Rosenheim, 146
  121. Neimeyer, Mark. "Poe and Popular Culture", The Cambridge Companion to Edgar Allan Poe. Cambridge University Press, 2002. ISBN 0521797276 p. 209
  122. Gargano, James W. "The Question of Poe's Narrators," Poe: A Collection of Critical Essays, Ed. Robert Regan. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1967. p. 165
  123. Maslin, Janet, "The Poe Shadow", International Herald Tribune, 2006-06-06. Retrieved 2007-10-13.
  124. Raven Society Homepage. University of Virginia. Retrieved on December 16, 2007.
  125. The Baltimore Poe House and Museum. Edgar Allan Poe Society of Baltimore. Retrieved 2007-10-13.
  126. Burns, Niccole, "Poe wrote most important works in Philadelphia", School of Communication — University of Miami, 2006-11-15. Retrieved 2007-10-13.
  127. Van Hoy, David C. "The Fall of the House of Edgar". The Boston Globe, February 18, 2007
  128. Glenn, Joshua. The house of Poe — mystery solved! The Boston Globe April 9, 2007
  129. Lake, Matt. Weird Maryland. Sterling Publishing, New York, 2006. ISBN 1402739060 p. 195.
  130. Hall, Wiley. "Poe Fan Takes Credit for Grave Legend," Associated Press, August 15, 2007.
  131. Associated Press (August 15, 2007). Man Reveals Legend of Mystery Visitor to Edgar Allan Poe's Grave. FoxNews.com. Retrieved 2007-12-15.


References
ISBN links support NWE through referral fees

  • Foye, Raymond (editor) (1980). The Unknown Poe, Paperback, San Francisco, CA: City Lights. ISBN 0872861104. 
  • Frank, Frederick S. and Anthony Magistrale (1997). The Poe Encyclopedia. Westport, CT: Greenwood Press. ISBN 0313277680. 
  • Hoffman, Daniel (1998). Poe Poe Poe Poe Poe Poe Poe, Paperback, Baton Rouge, La.: Louisiana State University Press. ISBN 0807123218. 
  • Krutch, Joseph Wood (1926). Edgar Allan Poe: A Study in Genius. New York: Alfred A. Knopf. 
  • Meyers, Jeffrey (1992). Edgar Allan Poe: His Life and Legacy, Paperback, New York: Cooper Square Press. ISBN 0815410387. 
  • Quinn, Arthur Hobson (1941). Edgar Allan Poe: A Critical Biography. New York: Appleton-Century-Crofts, Inc.. ISBN 0801857309. 
  • Rosenheim, Shawn James (1997). The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet. Baltimore: Johns Hopkins University Press. ISBN 9780801853326. 
  • Silverman, Kenneth (1991). Edgar A. Poe: Mournful and Never-Ending Remembrance, Paperback, New York: Harper Perennial. ISBN 0060923318. 
  • Sova, Dawn B. (2001). Edgar Allan Poe: A to Z, Paperback, New York: Checkmark Books. ISBN 081604161X. 
  • Whalen, Terence (2001). "Poe and the American Publishing Industry", in J. Kennedy: A Historical Guide to Edgar Allan Poe. Oxford Oxfordshire: Oxford University Press. ISBN 0195121503. 


External links

About Poe

Works

Works of Edgar Allan Poe
Poems

Poetry (1824) • O, Tempora! O, Mores! (1825) • Song (1827) • Imitation (1827) • Spirits of the Dead (1827) • A Dream (1827) • Stanzas" (1827) (1827) • Tamerlane (1827) • The Lake (1827) • Evening Star (1827) • A Dream (1827) • To Margaret (1827) • The Happiest Day (1827) • To The River —— (1828) • Romance (1829) • Fairy-Land (1829) • To Science (1829) • To Isaac Lea (1829) • Al Aaraaf (1829) • An Acrostic (1829) • Elizabeth (1829) • To Helen (1831) • A Paean (1831) • The Sleeper (1831) • The City in the Sea (1831) • The Valley of Unrest (1831) • Israfel (1831) • The Coliseum (1833) • Enigma (1833) • Fanny (1833) • Serenade (1833) • Song of Triumph from Epimanes (1833) • Latin Hymn (1833) • To One in Paradise (1833) • Hymn (1835) • Politician (1835) • May Queen Ode (1836) • Spiritual Song (1836) • Bridal Ballad (1837) • To Zante (1837) • The Haunted Palace (1839) • Silence, a Sonnet (1839) • Lines on Joe Locke (1843) • The Conqueror Worm (1843) • Lenore (1843) • Eulalie (1843) • A Campaign Song (1844) • Dream-Land (1844) • Impromptu. To Kate Carol (1845) • To Frances (1845) • The Divine Right of Kings (1845) • Epigram for Wall Street (1845) • The Raven (1845) • A Valentine (1846) • Beloved Physician (1847) • An Enigma (1847) • Deep in Earth (1847) • Ulalume (1847) • Lines on Ale (1848) • To Marie Louise (1848) • Evangeline (1848) • A Dream Within A Dream (1849) • Eldorado (1849) • For Annie (1849) • The Bells (1849) • Annabel Lee (1849) • Alone (1875)

Tales
Metzengerstein (1832) • The Duc De L'Omelette (1832) • A Tale of Jerusalem (1832) • Loss of Breath (1832) • Bon-Bon (1832) • MS. Found in a Bottle (1833) • The Assignation (1834) • Berenice (1835) • Morella (1835) • Lionizing (1835) • The Unparalleled Adventure of One Hans Pfaall (1835) • King Pest (1835) • Shadow - A Parable (1835) • Four Beasts in One - The Homo-Cameleopard (1836) • Mystification (1837) • Silence - A Fable (1837) • Ligeia (1838) • How to Write a Blackwood Article (1838) • A Predicament (1838) • The Devil in the Belfry (1839) • The Man That Was Used Up (1839) • The Fall of the House of Usher (1839) • William Wilson (1839) • The Conversation of Eiros and Charmion (1839) • Why the Little Frenchman Wears His Hand in a Sling (1840) • The Business Man (1840) • The Man of the Crowd (1840) • The Murders in the Rue Morgue (1841) • A Descent into the Maelström (1841) • The Island of the Fay (1841) • The Colloquy of Monos and Una (1841) • Never Bet the Devil Your Head (1841) • Eleonora (1841) • Three Sundays in a Week (1841) • The Oval Portrait (1842) • The Masque of the Red Death (1842) • The Landscape Garden (1842) • The Mystery of Marie Roget (1842) • The Pit and the Pendulum (1842) • The Tell-Tale Heart (1843) • The Gold-Bug (1843) • The Black Cat (1843) • Diddling (1843) • The Spectacles (1844) • A Tale of the Ragged Mountains (1844) • The Premature Burial (1844) • Mesmeric Revelation (1844) • The Oblong Box (1844) • The Angel of the Odd (1844) • Thou Art the Man (1844) • The Literary Life of Thingum Bob, Esq. (1844) • The Purloined Letter (1844) • The Thousand-and-Second Tale of Scheherazade (1845) • Some Words with a Mummy (1845) • The Power of Words (1845) • The Imp of the Perverse (1845) • The System of Doctor Tarr and Professor Fether (1845) • The Facts in the Case of M. Valdemar (1845) • The Sphinx (1846) • The Cask of Amontillado (1846) • The Domain of Arnheim (1847) • Mellonta Tauta (1849) • Hop-Frog (1849) • Von Kempelen and His Discovery (1849) • X-ing a Paragrab (1849) • Landor's Cottage (1849)
Other works
Essays: Maelzel's Chess Player (1836) • The Daguerreotype (1840) • The Philosophy of Furniture (1840) • A Few Words on Secret Writing (1841) • The Rationale of Verse (1843) • Morning on the Wissahiccon (1844) • Old English Poetry (1845) • The Philosophy of Composition (1846) • The Poetic Principle (1846) • Eureka (1848) Hoaxes:The Balloon-Hoax (1844) Novels: The Narrative of Arthur Gordon Pym of Nantucket (1837) • The Journal of Julius Rodman (1840) Plays: Scenes From 'Politian' (1835) Other: The Conchologist's First Book (1839) • The Light-House (1849)
Romanticism
Eighteenth century - Nineteenth century
Romantic music: Beethoven - Berlioz - Brahms - Chopin - Grieg - Liszt - Puccini - Schumann - Tchaikovsky - The Five - Verdi - Wagner
   Romantic poetry: Blake - Burns - Byron - Coleridge - Goethe - Hölderlin - Hugo - Keats - Lamartine - Leopardi - Lermontov - Mickiewicz - Nerval - Novalis - Pushkin - Shelley - Słowacki - Wordsworth   
Visual art and architecture: Brullov - Constable - Corot - Delacroix - Friedrich - Géricault - Gothic Revival architecture - Goya - Hudson River school - Leutze - Nazarene movement - Palmer - Turner
Romantic culture: Bohemianism - Romantic nationalism
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