Stele

This article is about the stone structure. For the usage in plant biology, see stele (biology).

Stela N, depicting King K'ac Yipyaj Chan K'awiil ("Smoke Shell"), as drawn by Frederick Catherwood in 1839

A stele, (from the [[Greek language|Greek Stili, often Anglicized as Stela), is a free-standing stone or wooden slab, generally taller than it is wide, erected for funerary or commemorative purposes, territorial markers, and to commemorate military victories. They were usually decorated with the names and titles of the deceased or living, inscribed, carved in relief (bas-relief, sunken-relief, high-relief, etc), or painted onto the slab. They were a common, though independent cultural manifestation in all the ancient civilizations of the world, particularly in the Ancient Near East, Greece, Egypt, Ethiopia, and, quite independently, in China and some Buddhist cultures (see the Nestorian Stele), and, more surely independently, by Mesoamerican civilizations, notably the Olmec and Maya.

Today, forms of stele are still used, most often in War monuments, such as in the Memorial to the Murdered Jews of Europe in Berlin. Architect Peter Eisenman created a field of some 2,700 blank stelae. The memorial is meant to be read not only as the field, but also as an erasure of data that refer to memory of the Holocaust.

Archaeological History

Interest in the stele phenomenon coincided with the beginnings of archaeology in the mid 18th century, during a time of increased travel and exploration across the globe. In Ancient Egypt, Greece, Mesopotamia and Mesoamerica, stele were commonly discovered, although often they were not fully understood. Since many were found in proximity to burial cites, it was of course believed that they were tomb/cemetery markers, or were merely part of the ancient affinity for monuments. However, once the old languages, such as cuneiform and hieroglyphics were successfully translated, scholars soon came to realize that steli were used for a number of different purposes and constituted one of the largest and most significant sources of information for certain civilizations. In Sumer, stele were sometimes used as public edicts that informed the public of the laws of the civilization, while in Asia stele were occasionally preservations of respected past cultures, left standing for future generations, and relied upon due to their durability against the elements. Stele in Mesoamerica were often used as makers for the boundaries of large cities, and the Maya often employed them as publications of their elaborate calender system. No matter how they were used, though, researchers were able to see the distinct cultural imprints left on the structures that offered both explicit and implicit views into cultures long gone.

Notable Stele

Gwanggaeto stele

Detail of inscription on Gwanggaeto Stele

The Gwanggaeto Stele (hangul=광개토대왕비 also 호태왕비 hanja=廣開土大王碑 also 好太王碑) of King Gwanggaeto of Goguryeo was erected in 414 by King Jangsu as a memorial to his deceased father. It is one of the major primary sources extant for the history of Goguryeo, one of the Three Kingdoms of Korea, and supplies invaluable historical detail on his reign as well as insights into Goguryeo mythology.

It stands near the tomb of Gwanggaeto in what is today the city of Ji'an along the Yalu River in present-day northeast China, which was the capital of Goguryeo at that time. It is carved out of a single mass of granite, stands nearly 7 meters tall and has a girth of almost 4 meters. The inscription is written exclusively in Classical Chinese and has 1802 characters.

Nestorian stele

The Nestorian Stele or Nestorian Stone, formally the Memorial of the Propagation in China of the Luminous Religion from Daqin (大秦景教流行中國碑; pinyin: Dàqín Jǐngjiào liúxíng Zhōngguó béi, abbreviated 大秦景教碑), is a Tang Chinese stele erected in 781 which celebrates the accomplishments of the Assyrian Church of the East in China, which is also referred to as the Nestorian Church (albeit inaccurately).

The Nestorian Stele documents the existence of Christian communities in several cities in northern China and reveals that the church had initially received recognition by the Tang Emperor Taizong in 635. It is a 279-cm tall limestone block. It was erected on January 7, 781 at the imperial capital city of Chang'an (modern-day Xi'an), or at nearby Chou-Chih. The calligraphy was by Lü Xiuyan, and the content was composed by the Nestorian monk Jingjing in the four- and six-character euphemistic style Chinese (total 1,756 characters) and a few lines in Syriac (70 words). On top of the tablet, there is a cross. Calling God "Veritable Majesty," the text refers to Genesis, the cross, and the baptism. It also pays tribute to missionaries and benefactors of the church, who are known to have arrived in China by 640.

The Nestorian Stone has attracted the attention of some anti-Christian groups, who argue that the stone is a fake or that the inscriptions were modified by the Jesuits who served in the Ming Court. There is no scientific or historical evidence to support this claim. Numerous Christian gravestones have also been found in China from a somewhat later period. There are also two much later stelae (from 960 and 1365) presenting a curious mix of Christian and Buddhist aspects, which are preserved at the site of the former Monastery of the cross in the Fangshan District, near Beijing.

Merneptah stele

File:Merenptah.jpg

The Merneptah Stele

The Merneptah Stele (also known as the Israel Stele or Victory Stele of Merneptah) is the reverse of a large granite stele originally erected by the Ancient Egyptian king Amenhotep III, but later inscribed by Merneptah who ruled Egypt from 1213 to 1203 B.C.E. The black granite stela primarily commemorates a victory in a campaign against the Libu and Meshwesh Libyans and their Sea People allies, but its final two lines refer to a prior military campaign in Canaan in which Merneptah states that he defeated Ashkelon, Gezer, Yanoam and Israel among others. The stele was discovered in the first court of Merneptah's mortuary temple at Thebes by Flinders Petrie in 1896. It stands some ten feet tall, and its text is mainly a prose report with a poetic finish, mirroring other Egyptian New Kingdom stelae of the time. The stela is dated to Year 5, 3rd month of Shemu (summer), day 3 (c.1209/1208 B.C.E.), and begins with a laudatory recital of Merneptah's achievements in battle.

The stele has gained much notoriety and fame for being the only Egyptian document generally accepted as mentioning "Isrir" or "Israel." It is also, by far, the earliest known attestation of Israel. For this reason, many scholars refer to it as the "Israel stele." This title is somewhat misleading because the stele is clearly not concerned about Israel—it mentions Israel only in passing. There is only one line about Israel: "Israel is wasted, bare of seed" or "Israel lies waste, its seed no longer exists" and very little about the region of Canaan. Israel is simply grouped together with three other defeated states in Canaan (Gezer, Yanoam and Ashkelon) in the stele. Merneptah inserts just a single stanza to the Canaanite campaigns but multiple stanzas to his defeat of the Libyans.

Mesha stele

The stele as photographed circa 1891

The Mesha Stele (popularized in the 19th century as the "Moabite Stone") is a black basalt stone, bearing an inscription by the 9th century B.C.E. Moabite King Mesha, discovered in 1868. The inscription of 34 lines, the most extensive inscription ever recovered from ancient Israel, was written in Paleo-Hebrew alphabet. It was set up by Mesha, about 850 B.C.E., as a record and memorial of his victories in his revolt against Israel, which he undertook after the death of his overlord, Ahab.

The stone is 124 cm high and 71 cm wide and deep, and rounded at the top. It was discovered at the ancient Dibon now Dhiban, Jordan, in August 1868, by Rev. F. A. Klein, a German missionary in Jerusalem. "The Arabs of the neighborhood, dreading the loss of such a talisman, broke the stone into pieces; but a squeeze had already been obtained by Charles Simon Clermont-Ganneau, and most of the fragments were recovered and pieced together by him". A squeeze is a paper-mâché impression. The squeeze (which has never been published) and the reassembled stele (which has been published in many books and encyclopedias) are now in the Louvre Museum.

Boundary stelae of Akhenaten

The Boundary Stelae of Akhenaten maps out the boundaries of the city of the Ancient Egyptian city of Akhenaten. Many of the stelae are heavily eroded, but two of them have been protected and are easily visited. One is in the north of the city boundaries, by Tuna el-Gebel, the other at the mouth of the Royal Wadi. There were two phases of stelae, the four earliest (probably from Year 5 of Akhenaten's reign) were in the cliffs on the eastern bank of the Nile, to the north and south of the city of Akhetaten. These had copies of the same text in which the king told of how he planned the city, and was dedicating it to the Aten.

Boundary Stelae U

The later phase of stelae (from Year 6 of Akhenaten's reign) were used to properly define the area of land that were to be used by the city and surrounding farmlands. There are 11 of these and they all have the same text, but each have omissions and additions. They reaffirmed the dedication of the city and royal residences to the Aten:

Now as for the areas within these 4 landmarks, from the eastern mountain to the western mountain, it (is) Akhetaten itself. It belongs to my father Re–Horakhti–who–rejoices–in–lightland. In–his–name–Shu–who–is–Aten, who gives life forever; whether mountains or deserts or meadows or new lands or highlands or fresh lands or fields or water or settlements or shorelands or people or cattle or trees or all, anything, that the Aten, my father has made. I have made it for Aten, my father, forever and ever.

Raimondi stela

The Raimondi Stela is a major piece of art of the Chavín culture of the central Andes. The stela is seven feet high, made of highly polished granite, with a very lightly incised design which is almost unnoticeable on the actual sculpture. For this reason, the design is best viewed from a drawing.

File:Estela.png

A detail of the Raimondi Stela.

Chavín artists frequently made use of the technique of contour rivalry in their art forms, and the Raimondi Stela is frequently considered to be one of the finest known examples of this technique. Contour rivalry means that the lines in an image can be read in multiple ways, depending on which way the object is being viewed. In the case of the Raimondi Stela, when viewed one way, the image depicts a fearsome deity holding two staffs. His eyes look upward toward his large, elaborate headdress of snakes and volutes. This same image, when flipped upside-down, takes on a completely new life. The headdress now turns into a stacked row of smiling, fanged faces, while the deity's face has turned into the face of a smiling reptile as well. Even the deity's staffs now appear to be rows of stacked faces.

This technique speaks to larger Andean concerns of the duality and reciprocal nature of nature, life, and society - a concern that can also be found in the art of many other Andean civilizations.

Gallery

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  Ancient Egyptian funerary stele

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  Sueno's Stone in Forres, Scotland

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  Maya stela, Quirigua

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  Kildalton Cross 800 C.E. Islay, Scotland

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  Cantabrian Stele 200 B.C.E. Cantabria, Spain

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  A Buddhist Stele from China, Northern Wei period, built in the early 6th century

References

ISBN links support NWE through referral fees

• Coogan, Michael D., 1999. The Oxford History of the Biblical Word, Oxford University Press
• Görg, Manfred. 2001. "Israel in Hieroglyphen." Biblische Notizen: Beiträge zur exegetischen Diskussion 106:21–27.
• Hasel, Michael G. 1994. "Israel in the Merneptah Stela." Bulletin of the American Schools of Oriental Research 296:45–61.
• Hasel, Michael G. 1998. Domination and Resistance: Egyptian Military Activity in the Southern Levant, 1300–1185 B.C.E. Problem der Ägyptologie 11. Leiden: Brill. ISBN 90-04-10984-6
• Hasel, Michael G. 2003. "Merenptah's Inscription and Reliefs and the Origin of Israel" in Beth Alpert Nakhai ed. The Near East in the Southwest: Essays in Honor of William G. Dever, pp. 19–44. Annual of the American Schools of Oriental Research 58. Boston: American Schools of Oriental Research. ISBN 0-89757-065-0
• Hasel, Michael G. 2004. "The Structure of the Final Hymnic-Poetic Unit on the Merenptah Stela." Zeitschrift für die alttestamentliche Wissenschaft 116:75–81.
• Kitchen, Kenneth Anderson. 1994. "The Physical Text of Merneptah's Victory Hymn (The 'Israel Stela')." Journal of the Society for the Study of Egyptian Antiquities 24:71–76.
• Kitchen, Kenneth A. Ramesside Inscriptions, Translated & Annotated Translations. Volume 4: Merenptah & the Late Nineteenth Dynasty. Malden, MA: Blackwell Publishing Ltd., 2003. ISBN 0-631-18429-5
• Kuentz, Charles. 1923. "Le double de la stèle d'Israël à Karnak." Bulletin de l'Institut français d'archéologie orientale 21:113–117.
• Lichtheim, Miriam. 1976. Ancient Egyptian Literature, A Book of Readings. Volume 2: The New Kingdom. Berkeley: University of California Press.
• Manassa, Colleen. 2003. The Great Karnak Inscription of Merneptah: Grand Strategy in the Thirteenth Century B.C.E.. Yale Egyptological Studies 5. New Haven: Yale Egyptological Seminar, Department of Near Eastern Languages and Civilizations, Yale University. ISBN 0-9740025-0-X
• Redford, Donald Bruce. 1992. Egypt, Canaan, and Israel in Ancient Times. Princeton: Princeton University Press.
• Stager, Lawrence E. 1985. "Merenptah, Israel and Sea Peoples: New Light on an Old Relief." Eretz Israel: Archaeological, Historical and Geographic Studies 18:56*–64*.
• Stager, Lawrence E. 2001. "Forging an Identity: The Emergence of Ancient Israel" in Michael Coogan ed. The Oxford History of the Biblical World, pp. 90–129. New York: Oxford University Press.

• D. Ya Telegin, The Anthropomorphic Stelae of the Ukraine (1994).

External links

• Funerary Stela

• stele text in English from researchers at Fordham University; actually 1919 translation of C. Horne
• "The Jesus Messiah of Xi'an" - translation and exposition of doctrinal passages in the stele text. From B. Vermander (ed.), Le Christ Chinois, Héritages et espérance, (Paris: Desclée de Brouwer, 1998).
• [http://f17.aaa.livedoor.jp/~kmaz/keikyo/keikyou-hi.htm Photos of the actual Nestorian

• Raimondi Stela Full Image

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