Difference between revisions of "Longmen Grottoes" - New World Encyclopedia

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The '''Longmen Grottoes''' ([[Chinese language|ch.]] 龍門石窟/ 龙门石窟, lóngmén shíkū; lit. ''Dragon's Gate Grottoes'') or '''Longmen Caves''' are located 12 kilometers south of present day [[Luoyang]] in [[Henan]] province, [[China]]. The grottoes, which overwhelmingly depict Buddhist subjects, densely dot two mountains: Xiangshan (to the east) and Longmenshan (to the west).<ref>''Atlas of world heritage: China''. 2005. ''Cultural China'' (San Francisco, Calif: Long River Press), p. 82.</ref> The [[Yi River (China)|Yi River]] flows northward between them. For that reason, the area had been called '''Yique''' (The Gate of the Yi River). From north to south, the distance covered by grottoes is about one kilometer. Along with the [[Mogao Caves]] and [[Yungang Grottoes]], the Longmen Grottoes is one of the three most famous ancient sculptural sites in China.<ref>Xingyun. 2004. ''Illustrated world Buddhist arts'' (Taiwan, R.O.C.: Fo Guang Shan Foundation for Culture and Education), p. 303.</ref>
+
The '''Longmen Grottoes''' ([[Chinese language|ch.]] 龍門石窟/ 龙门石窟, lóngmén shíkū; lit. ''Dragon's Gate Grottoes'') or '''Longmen Caves''' are located 12 kilometers south of present day [[Luoyang]] in [[Henan]] province, [[China]]. The grottoes, which overwhelmingly depict Buddhist subjects, densely dot two mountains: Xiangshan (to the east) and Longmenshan (to the west).<ref>''Atlas of world heritage: China''. 2005. ''Cultural China'' (San Francisco, Calif: Long River Press), p. 82.</ref> The [[Yi River (China)|Yi River]] flows northward between them. For that reason, the area had been called '''Yique''' (The Gate of the Yi River). From north to south, the distance covered by grottoes is about one kilometer. Along with the [[Mogao Caves]] and [[Yungang Grottoes]], the Longmen Grottoes is one of the three most famous ancient sculptural sites in China.<ref>Xingyun. 2004. ''Illustrated world Buddhist arts'' (Taiwan, R.O.C.: Fo Guang Shan Foundation for Culture and Education), p. 303.</ref> [[UNESCO]] designated Longmen Grottoes a [[World Heritage Site]] in 2000.<ref name="unesco">{{cite web
 
 
==Description==
 
[[Image:Longmen-grottoes-longmen-mountain-from-a-distance.jpg|right|thumb|220px|Mt. Longmen as seen from Manshui Bridge to the southeast.]]
 
Longmen Caves has 2345 caves and niches, 2800 inscriptions, forty three [[pagodas]] and over 100,000 [[Buddhist]] images.<ref>Jo Allum, Sharon Leece, Christine Meaney, and Vivien Jones. 2006. ''Legends of the dragon: celebrating Asia's historic splendour'' (Hong Kong: PPP Co.), p. 63.</ref> Thirty percent of the caves date from the [[Northern Wei Dynasty]], sixty percent from the [[Tang Dynasty]], and caves from other periods less than ten percent. The most impressive collection of Chinese art from those dynasties, dating from 316 to 907 C.E., they represent the zenith of stone carving in China.<ref name="unesco">{{cite web
 
 
|year=
 
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}}</ref> The area was inscribed on the [[UNESCO]] [[World Heritage List]] in November 2000.
 
}}</ref> The area was inscribed on the [[UNESCO]] [[World Heritage List]] in November 2000.
  
==History==
+
==Description==
During the [[Warring States Period]], the general [[Bai Qi]] of [[Qin (state)]] once defeated the allied forces of [[Han (state)]] and [[Wei (state)]] at the site.<ref>Jinglong Liu. 2002. ''Longmen Shiku zao xiang quan ji = Complete works of statues in Longmen Grottoes'' (Beijing: Wen wu chu ban she), p. 10. </ref> Construction of the grottoes themselves began in 493 C.E. According to the inscription the Longmen Grottoes are an illustration of  "...the perfection of a long-established art form which was to play a highly significant role in the cultural evolution of this region of Asia."<ref name="unesco"/>
+
[[Image:Longmen-grottoes-longmen-mountain-from-a-distance.jpg|right|thumb|220px|Mt. Longmen as seen from Manshui Bridge to the southeast.]]
 +
Longmen Caves has 2345 caves and niches, 2800 inscriptions, forty three [[pagodas]] and over 100,000 [[Buddhist]] images.<ref>Jo Allum, Sharon Leece, Christine Meaney, and Vivien Jones. 2006. ''Legends of the dragon: celebrating Asia's historic splendour'' (Hong Kong: PPP Co.), p. 63.</ref> Thirty percent of the caves date from the [[Northern Wei Dynasty]], sixty percent from the [[Tang Dynasty]], and caves from other periods less than ten percent. The most impressive collection of Chinese art from those dynasties, dating from 316 to 907 C.E.. They represent the zenith of stone carving in China.
 +
 
 +
During the [[Warring States Period]], the general [[Bai Qi]] of [[Qin (state)]] once defeated the allied forces of [[Han (state)]] and [[Wei (state)]] at the site.<ref>Jinglong Liu. 2002. ''Longmen Shiku zao xiang quan ji = Complete works of statues in Longmen Grottoes'' (Beijing: Wen wu chu ban she), p. 10. </ref> Construction of the grottoes began in 493 C.E. According to UNESCO's citation designating the Longmen Grottoes a World Heritage Site, they are an illustration of  "...the perfection of a long-established art form which was to play a highly significant role in the cultural evolution of this region of Asia."<ref name="unesco"/>
  
 
==Individual grottoes by dynasty completed==
 
==Individual grottoes by dynasty completed==
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Middle Binyang Cave ([[Chinese language|ch.]] 宾阳中洞) is cave number 140, 12 meters long, 10.9 meters wide, 9.3 meters high. Constructed by order of [[Emperor Xuanwu of Northern Wei China|Emperor Xuanwu]] of the [[Northern Wei]] in honor of his parents [[Emperor Xiaowen of Northern Wei China|Emperor Xiaowen]] and [[Empress Wenzhao of Northern Wei China|Empress Wenzhao]], the cave was supposed to imitate [[Lingyansi Cave]] at the [[Yungang Caves]]. Work began in 500 and was completed in 523. In 1987 a brick-entrance was demolished to reveal two new figures: a four-headed, four-armed [[Brahma (Buddhism)|Brahma]] and a one headed, four armed [[Śakra]] devendra.
 
Middle Binyang Cave ([[Chinese language|ch.]] 宾阳中洞) is cave number 140, 12 meters long, 10.9 meters wide, 9.3 meters high. Constructed by order of [[Emperor Xuanwu of Northern Wei China|Emperor Xuanwu]] of the [[Northern Wei]] in honor of his parents [[Emperor Xiaowen of Northern Wei China|Emperor Xiaowen]] and [[Empress Wenzhao of Northern Wei China|Empress Wenzhao]], the cave was supposed to imitate [[Lingyansi Cave]] at the [[Yungang Caves]]. Work began in 500 and was completed in 523. In 1987 a brick-entrance was demolished to reveal two new figures: a four-headed, four-armed [[Brahma (Buddhism)|Brahma]] and a one headed, four armed [[Śakra]] devendra.
  
The back wall is a carved [[Sakyamuni]], with two discliples and two [[bodhisattva]]s. The main Buddha and bodhisattvas are representative of the Northern Wei sculptural style. A lotus-flower pool decorates the floor. The ceiling is engraved with a blossoming lotus flower, 8 musical [[apsaras]]es, 2 attending apsarases and tassel and drapery patterns. The front wall is covered with a large [[Vimalakirti]] relief, the [[Prince Sattva]] [[jataka]], the [[Prince Sudatta]] jataka, an emperor/empress worshipping scene and ten deity kings. The cave is flanked by [[North Binyang Cave|North]] and [[South Binyang Cave|South]] Binyang Caves.
+
The back wall is a carved [[Sakyamuni]], with two discliples and two [[bodhisattva]]s. The main Buddha and Bodhisattvas represent the Northern Wei sculptural style. A lotus-flower pool decorates the floor. The ceiling is engraved with a blossoming lotus flower, eight musical [[apsaras]]es, two attending apsarases and tassel and drapery patterns. A large [[Vimalakirti]] relief, the [[Prince Sattva]] [[jataka]], the [[Prince Sudatta]] jataka, an emperor/empress worshipping scene and ten deity kings cover the front wall. [[North Binyang Cave|North]] and [[South Binyang Cave|South]] Binyang Caves flank the cave.
  
 
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Revision as of 01:14, 3 October 2008

Coordinates: 34°28′N 112°28′E / 34.467, 112.467

Longmen Grottoes*
UNESCO World Heritage Site

Lu She Na Buddha
State Party Flag of the People's Republic of China.svg China
Type Cultural
Criteria i, ii, iii
Reference 1003
Region** Asia-Pacific
Inscription history
Inscription 2000  (24th Session)
* Name as inscribed on World Heritage List.
** Region as classified by UNESCO.

The Longmen Grottoes (ch. 龍門石窟/ 龙门石窟, lóngmén shíkū; lit. Dragon's Gate Grottoes) or Longmen Caves are located 12 kilometers south of present day Luoyang in Henan province, China. The grottoes, which overwhelmingly depict Buddhist subjects, densely dot two mountains: Xiangshan (to the east) and Longmenshan (to the west).[1] The Yi River flows northward between them. For that reason, the area had been called Yique (The Gate of the Yi River). From north to south, the distance covered by grottoes is about one kilometer. Along with the Mogao Caves and Yungang Grottoes, the Longmen Grottoes is one of the three most famous ancient sculptural sites in China.[2] UNESCO designated Longmen Grottoes a World Heritage Site in 2000.[3] The area was inscribed on the UNESCO World Heritage List in November 2000.

Description

Mt. Longmen as seen from Manshui Bridge to the southeast.

Longmen Caves has 2345 caves and niches, 2800 inscriptions, forty three pagodas and over 100,000 Buddhist images.[4] Thirty percent of the caves date from the Northern Wei Dynasty, sixty percent from the Tang Dynasty, and caves from other periods less than ten percent. The most impressive collection of Chinese art from those dynasties, dating from 316 to 907 C.E.. They represent the zenith of stone carving in China.

During the Warring States Period, the general Bai Qi of Qin (state) once defeated the allied forces of Han (state) and Wei (state) at the site.[5] Construction of the grottoes began in 493 C.E. According to UNESCO's citation designating the Longmen Grottoes a World Heritage Site, they are an illustration of "...the perfection of a long-established art form which was to play a highly significant role in the cultural evolution of this region of Asia."[3]

Individual grottoes by dynasty completed

Massive Boddhisatvas in the main grotto.

Northern Wei

Middle Binyang Cave

Middle Binyang Cave (ch. 宾阳中洞) is cave number 140, 12 meters long, 10.9 meters wide, 9.3 meters high. Constructed by order of Emperor Xuanwu of the Northern Wei in honor of his parents Emperor Xiaowen and Empress Wenzhao, the cave was supposed to imitate Lingyansi Cave at the Yungang Caves. Work began in 500 and was completed in 523. In 1987 a brick-entrance was demolished to reveal two new figures: a four-headed, four-armed Brahma and a one headed, four armed Śakra devendra.

The back wall is a carved Sakyamuni, with two discliples and two bodhisattvas. The main Buddha and Bodhisattvas represent the Northern Wei sculptural style. A lotus-flower pool decorates the floor. The ceiling is engraved with a blossoming lotus flower, eight musical apsarases, two attending apsarases and tassel and drapery patterns. A large Vimalakirti relief, the Prince Sattva jataka, the Prince Sudatta jataka, an emperor/empress worshipping scene and ten deity kings cover the front wall. North and South Binyang Caves flank the cave.

Other Northern Wei grottoes

  • Guyang Cave
  • Lotus-flower Cave
  • Weizi Cave
  • Huangfugong Cave

Sui

South Binyang Cave

South Binyang Cave (ch. 宾阳南洞) is cave number 159 at the Longmen Grottoes near Luoyang, Henan, China. Initiated by order of Emperor Xuanwu of the Northern Wei in honor of his parents Emperor Xiaowen and Empress Wenzhao, the cave was not completed until the Sui.[6]

The main image is an Amitabha which is said to represent the transition of solemn and majestic Northern Wei sculpture in to the more life-like style of the Tang. There are multiple inscriptions in the cave, and additional figures are also present (possibly bodhisattvas). Middle Binyang Cave and North Binyang Cave are adjacent to the north..

Tang

Hidden Stream Temple Cave

Central Amitabha figure. Hidden Stream Temple Cave.

The Hidden Stream Temple Cave (ch. 潜溪寺洞; qián xī sì dòng, also zhai fu tang) is cave number 20. The cave had wooden structured eaves added in the Qing Dynasty, but these were not maintained. In 1990 an outer room imitating the Tang style was rebuilt and the floor was paved with bricks.

The central statue is a large Amitabha seated on a square pedestal with loose clothes, a naked chest and a plump face. His hands take the abhaya mudra, symbolising fearlessness. The bodhisattvas Avalokitesvara and Mahasthamaprapta stand to each side. Two armoured heavenly kings protect the entrance. There are also two line engraved buddhas in a niche on the southern wall outside the cave.

North Binyang Cave

North Binyang Cave interior. The rear and north walls are visible. (May, 2004)

North Binyang Cave (ch. 宾阳北洞) is cave number 104 at the Longmen Grottoes. Initiated by order of Emperor Xuanwu of the Northern Wei in honour of his parents Emperor Xiaowen and Empress Wenzhao, the cave was not completed until the Tang. The main image is an Amitabha with a patterned halo. Dragon-head shaped column bases dating from the Northern Wei flank the cave entrance. Other figures are also present (possibly bodhisattvas). Middle Binyang Cave and South Binyang Cave are adjacent to the south.

Other cave sites

  • Fengxiansi
  • 10,000 Buddha Cave
  • Kanjingsi
  • Dawanwufo Cave
Commons
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The Longmen area is open to the public, and although the grottoes cannot be entered most of the artwork can be seen from the exterior.

See Also

Notes

  1. Atlas of world heritage: China. 2005. Cultural China (San Francisco, Calif: Long River Press), p. 82.
  2. Xingyun. 2004. Illustrated world Buddhist arts (Taiwan, R.O.C.: Fo Guang Shan Foundation for Culture and Education), p. 303.
  3. 3.0 3.1 Longmen Grottoes. UNESCO. Retrieved 2008-10-02.
  4. Jo Allum, Sharon Leece, Christine Meaney, and Vivien Jones. 2006. Legends of the dragon: celebrating Asia's historic splendour (Hong Kong: PPP Co.), p. 63.
  5. Jinglong Liu. 2002. Longmen Shiku zao xiang quan ji = Complete works of statues in Longmen Grottoes (Beijing: Wen wu chu ban she), p. 10.
  6. David Leffman, Simon Lewis, and Jeremy Atiyah. 2003. The rough guide to China (London: Rough Guides), p. 405.

References
ISBN links support NWE through referral fees

  • Allum, Jo, Sharon Leece, Christine Meaney, and Vivien Jones. 2006. Legends of the dragon: celebrating Asia's historic splendour. Hong Kong: PPP Co. ISBN 9789889889968.
  • Atlas of world heritage: China. 2005. Cultural China. San Francisco, Calif: Long River Press. ISBN 9781592650606.
  • Leffman, David, Simon Lewis, and Jeremy Atiyah. 2003. The rough guide to China. London: Rough Guides. ISBN 9781843530190.
  • Liu, Jinglong. 2002. Longmen Shiku zao xiang quan ji = Complete works of statues in Longmen Grottoes. Beijing: Wen wu chu ban she. ISBN 9787501013838.
  • Xingyun. 2004. Illustrated world Buddhist arts. Taiwan, R.O.C.: Fo Guang Shan Foundation for Culture and Education. OCLC 224330745.

External Links

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