Difference between revisions of "Audrey Hepburn" - New World Encyclopedia

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==Quotes==
 
==Quotes==
  
{{cquote|People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.}}
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"People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.
  
{{cquote|For beautiful eyes, look for the good in others; For beautiful lips, speak only words of kindness; and for poise, walk with the knoweldge that you are never alone.}}
+
"For beautiful eyes, look for the good in others; For beautiful lips, speak only words of kindness; and for poise, walk with the knoweldge that you are never alone."
  
{{cquote|I love people who make me laugh. I honestly think it's the thing I like most, to laugh. It cures a multitude of ills. It's probably the most important thing in a person.}}
+
I love people who make me laugh. I honestly think it's the thing I like most, to laugh. It cures a multitude of ills. It's probably the most important thing in a person.
  
{{cquote|I was born with something that appealed to an audience at that particular time...I acted instinctively. I've had one of the greatest schools of all - a whole row of great, great directors.}}
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I was born with something that appealed to an audience at that particular time...I acted instinctively. I've had one of the greatest schools of all - a whole row of great, great directors.
  
{{cquote|Living is like tearing through a museum. Not until later do you really start absorbing what you saw, thinking about it, looking it up in a book, and remembering - because you can't take it all in at once.}}
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Living is like tearing through a museum. Not until later do you really start absorbing what you saw, thinking about it, looking it up in a book, and remembering - because you can't take it all in at once.
  
{{cquote|As a child, I was taught that it was bad manners to bring attention to yourself, and to never, ever make a spectacle of yourself... All of which I've earned a living doing.}}
+
As a child, I was taught that it was bad manners to bring attention to yourself, and to never, ever make a spectacle of yourself... All of which I've earned a living doing.
  
{{cquote|I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with. There is therefore no way I can thank you for this beautiful award without thanking all of them, because it is they who helped and honed, triggered and taught, pushed and pulled, dressed and photographed - and with endless patience and kindness and gentleness, guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity. I am proud to have been in a business that gives pleasure, creates beauty, and awakens our conscience, arouses compassion, and perhaps most importantly, gives millions a respite from our so violent world. Thank you, Screen Actors Guild and friends, for this huge honor - and for giving me this unique opportunity to express my deepest gratitude and love to all of those who have given me a career that has brought me nothing but happiness.}}
+
I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with. There is therefore no way I can thank you for this beautiful award without thanking all of them, because it is they who helped and honed, triggered and taught, pushed and pulled, dressed and photographed - and with endless patience and kindness and gentleness, guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity. I am proud to have been in a business that gives pleasure, creates beauty, and awakens our conscience, arouses compassion, and perhaps most importantly, gives millions a respite from our so violent world. Thank you, Screen Actors Guild and friends, for this huge honor - and for giving me this unique opportunity to express my deepest gratitude and love to all of those who have given me a career that has brought me nothing but happiness.
 
''For receiving the Screen Actors Guild Life Achievement Award in 1992. [[Julia Roberts]] accepted the award on her behalf.''
 
''For receiving the Screen Actors Guild Life Achievement Award in 1992. [[Julia Roberts]] accepted the award on her behalf.''
  

Revision as of 21:31, 22 October 2006

Audrey Hepburn
File:Hepburn publicity still 1954.jpg
Paramount Pictures Publicity Still. Circa 1954
Birth name: Audrey Kathleen Ruston
Date of birth: May 4, 1929
Birth location: Brussels, Belgium
Date of death: January 20, 1993, age 63
Death location: Tolochenaz, Switzerland
Height: 5' 7" (1.70 m)
Other name(s): Edda Van Heemstra
Notable role(s): Princess Ann in
Roman Holiday
Holly Golightly in
Breakfast at Tiffany's
Eliza Doolittle in
My Fair Lady
Academy Awards: 1953 Academy Award for Best Actress
(Roman Holiday)
Spouse: Mel Ferrer
Andrea Dotti

Audrey Hepburn (May 4, 1929 – January 20, 1993) was an Academy Award-winning actress, fashion model and humanitarian.

Raised under Nazi rule during World War II, she trained extensively to be a ballerina. She instead became a leading Hollywood actress during the 1950s and 1960s. In the 1970s and 1980s, she starred in few films and instead devoted her time to being a mother. From 1988 until her death in 1993, she served as a UNICEF Goodwill Ambassador and was honored with the Presidential Medal of Freedom for her work. In 1999, she was ranked as the third greatest female star of all time by the American Film Institute in their list AFI's 100 Years... 100 Stars.

Early life

Born Audrey Kathleen Ruston[1] in Brussels, Belgium, she was the only child of Joseph Hepburn-Ruston[2], an Anglo-Irish banker, and Baroness Ella van Heemstra, a Dutch aristocrat descended from French nobility and English kings. Her father later appended the name Hepburn to his surname, and her surname became Hepburn-Ruston. She had two half-brothers, Alexander and Ian Quarles van Ufford, by her mother's first marriage to a Dutch nobleman. She was a descendant of King Edward III of England.[3]

Hepburn's father's job required the family to travel often between Brussels, England, and The Netherlands. From 1935 to 1938, Hepburn attended boarding school in England. In 1935, her parents divorced and her father left the family.[4] She later called this the most traumatic moment of her life. Years later she located him in Dublin through the Red Cross. She stayed in contact with him and supported him financially until his death.[5] In 1939, her mother moved her and her two half-brothers to Arnhem, Netherlands. Hepburn attended the Arnhem Conservatory from 1939 to 1945 where she trained in ballet, in addition to learning a standard school curriculum.

In 1940, the Nazis invaded Arnhem. During the war Hepburn adopted the pseudonym Edda Van Heemstra, modifying her mother's documents to do so, because an "English-sounding" name was considered dangerous. This was never her legal name. The name Edda was a modified version of Hepburn's mother's name, Ella.[6]

By 1944, Hepburn had become a very proficient ballet dancer. She secretly danced for groups of people to collect money for the underground movement.

After the landing of the Allied Forces on D-Day, things grew worse under the German occupiers. During the Dutch famine over the winter of 1944, the Nazis confiscated the Dutch people's limited food and fuel supply for themselves. Without heat in their homes or food to eat, people in the Netherlands starved and froze to death in the streets. Arnhem was devastated during allied bombing raids that were part of Operation Market Garden. Hepburn's uncle and a cousin of her mother's were shot for being part of the Resistance. Hepburn's brother spent time in a German labor camp. Suffering from malnutrition, Hepburn developed acute anemia, respiratory problems, and edema—a swelling of the limbs.[7]

In 1991, Hepburn said, "I have memories. More than once I was at the station seeing trainloads of Jews being transported, seeing all these faces over the top of the wagon. I remember, very sharply, one little boy standing with his parents on the platform, very pale, very blond, wearing a coat that was much too big for him, and he stepped on to the train. I was a child observing a child."

Hepburn also noted the similarities between her and Anne Frank. "I was exactly the same age as Anne Frank. We were both 10 when war broke out and 15 when the war finished. I was given the book in Dutch, in galley form, in 1946 by a friend. I read it . . . and it destroyed me. It does this to many people when they first read it but I was not reading it as a book, as printed pages. This was my life. I didn't know what I was going to read. I've never been the same again, it affected me so deeply."

"We saw reprisals. We saw young men put against the wall and shot and they'd close the street and then open it and you could pass by again. If you read the diary, I've marked one place where she says, 'Five hostages shot today'. That was the day my uncle was shot. And in this child's words I was reading about what was inside me and is still there. It was a catharsis for me. This child who was locked up in four walls had written a full report of everything I'd experienced and felt."

These times were not all bad and she was able to enjoy some of her childhood. Again drawing parallels to Anne Frank's life, Hepburn said, "This spirit of survival is so strong in Anne Frank's words. One minute she says, 'I'm so depressed.' The next she is longing to ride a bicycle. She is certainly a symbol of the child in very difficult circumstances, which is what I devote all my time to. She transcends her death."

One way in which Audrey Hepburn passed the time was by drawing, and some of her childhood artwork can be seen today.[8]

When the tanks came in and Holland was liberated, United Nations Relief and Rehabilitation Administration trucks followed.[9] Hepburn said in an interview that she ate an entire can of condensed milk and then got sick from one of her first relief meals because she put too much sugar in her oatmeal. [10].

Early career

In 1945, after the war, Hepburn left the Arnhem Conservatory and moved to Amsterdam, where she took ballet lessons with Sonia Gaskell.[11] In 1948, Hepburn went to London and took dancing lessons with the renowned Marie Rambert, teacher of Vaslav Nijinsky, one of the greatest male dancers in history. Hepburn eventually asked Rambert what her future would be. Rampert assured Hepburn that she could continue to work there and have a great career as a ballerina, but that her height, 5'7", coupled with her poor nutrition during the war would keep her from becoming a prima ballerina. Hepburn trusted Rampert's advice and decided to pursue acting, a career which she at least had a chance to excel in.[12] After Hepburn became a star, Rampert said in an interview, "She was a wonderful learner. If she had wanted to persevere, she might have become an outstanding ballerina."[13] Unfortunately, Hepburn's mother was working menial jobs to support them. Hepburn had no money and needed to find a paying job. Since she had trained all her life to be a performer, acting was the only sensible career path.

Her acting career started with the instructional film, Dutch in Seven Lessons. She then played in musical theatre in productions such as High Button Shoes and Sauce Piquante. Hepburn's first role in a motion picture was in the British film One Wild Oat, in which she played a hotel receptionist. She played several more minor roles in Young Wives' Tales, Laughter in Paradise, The Lavender Hill Mob and Monte Carlo Baby. During the filming of Monte Carlo Baby, Hepburn was chosen to play the lead character in the Broadway play Gigi that opened on 24 November 1951. The writer Sidonie-Gabrielle Colette upon first seeing Hepburn reportedly said, "Voilà! There's our Gigi!"[14] She won a Theatre World Award for her debut performance, and it had a successful six-month run in New York City.

File:Audrey Hepburn 20.jpg
Hepburn as Princess Ann in her breakthrough film, Roman Holiday

Her first significant film performance was in the 1952 film The Secret People, in which she played a prodigy ballet dancer. Naturally, Hepburn did all of her own dancing scenes.

Hepburn's first starring role and first American film was opposite Gregory Peck in the Hollywood motion picture Roman Holiday. Producers initially wanted Elizabeth Taylor for the role, but director William Wyler was so impressed by Hepburn's screen test, in which the camera was left on and candid footage of Hepburn relaxing and answering questions was taken, that he cast her in the lead. Wyler said, "She had everything I was looking for: charm, innocence and talent. She also was very funny. She was absolutely enchanting, and we said, 'That's the girl!'"[15] The billing was to have Gregory Peck's name above the title in large font with "introducing Audrey Hepburn" beneath. After filming had been completed, Peck called his agent and had Hepburn's name equally billed with his because he had predicted that she would win the Oscar. Hepburn and Peck bonded during filming, and there were rumors that they were romantically involved; both denied such claims. Hepburn, however, added, "actually, you have to be a little bit in love with your leading man and vice versa. If you're going to portray love, you have to feel it. You can't do it any other way. But you don't carry it beyond the set."[16] Hepburn would later call Roman Holiday her dearest movie, because it was the one that made her a star.

Hollywood stardom

Cary Grant and Audrey Hepburn in Charade

After Roman Holiday she filmed Billy Wilder's Sabrina with Humphrey Bogart and William Holden. Hepburn was sent to fashion designer Givenchy to decide on her wardrobe. When told that "Miss Hepburn" was coming to see him, Givenchy famously expected to see Katharine Hepburn (who was only distantly related to Audrey through a common ancestor, James Hepburn, 4th Earl of Bothwell[17]). He was not disappointed with Audrey, however, and they formed a lifelong friendship and partnership. During the filming of Sabrina, Hepburn and Holden became romantically involved and she hoped to marry him and have children. She broke off the relationship when Holden revealed that he had had a vasectomy.[18]

In 1954, Audrey went back to the stage to play the water sprite in Ondine in a performance with Mel Ferrer, whom she would wed later that year. During the run of the play, Hepburn was awarded the Golden Globe for "Best Motion Picture Actress" and the Academy Award for Best Actress, both for Roman Holiday. Six weeks after receiving the Oscar, Hepburn was awarded the Tony Award for Best Actress for Ondine.

By the mid 1950s, Hepburn was not only one of the biggest motion picture stars in Hollywood, but she also came to be regarded as a major style icon. Her gamine and elfin appearance and widely recognised sense of chic were both admired and imitated. In 1955, she was awarded the Golden Globe - World Film Favorite - Female.

Having become one of Hollywood's most popular box-office attractions, Audrey Hepburn co-starred with other major actors such as Fred Astaire in Funny Face, Maurice Chevalier and Gary Cooper in Love in the Afternoon, George Peppard in Breakfast at Tiffany's, Cary Grant in the critically acclaimed hit Charade, Rex Harrison in My Fair Lady, Peter O'Toole in How to Steal a Million, and Sean Connery in Robin and Marian. Many of these leading men became very close to her. Rex Harrison called Audrey his favourite leading lady; Cary Grant loved to humor her and once said, "all I want for Christmas is another picture with Audrey Hepburn;"[19] and Gregory Peck became a lifelong friend. After her death, Peck went on camera and tearfully recited her favorite poem, "Unending Love" by Rabindranath Tagore.[20] Some believe Bogart and Hepburn did not get along, but this is untrue. Bogart got along better with Hepburn than anyone else on set. Hepburn later said, "Sometimes it's the so-called 'tough guys' that are the most tender hearted, as Bogey was with me."[21]

Funny Face in 1957 was Hepburn's favorite movie to film because she got to dance with Fred Astaire. The Nun's Story in 1959 was one of Hepburn's most daring roles, and one of her favorites since it was so socially relevant.

File:Bataudrey.jpg
Hepburn as Holly Golightly with Orangey the Cat in Breakfast at Tiffany's

Hepburn's performance as "Holly Golightly" in 1961's Breakfast at Tiffany's resulted in one of the most iconic characters in 20th Century American cinema. Hepburn called the role, "the jazziest of my career."[22] Asked about the acting challenge of the role, Hepburn said, "I'm an introvert. Playing the extroverted girl was the hardest thing I ever did."[23] She wore trendy clothing designed by her and Givenchy and added blonde streaks to her brown hair, a look that she would keep off-screen as well.

Hepburn had cemented herself as one of Hollywood's greatest actresses, right alongside Marilyn Monroe. In fact, Monroe was not the only one to sing "Happy Birthday Mr. President" to President John F Kennedy. For JFK's next birthday in 1963, Hepburn did the honors. Despite her stardom, Hepburn retained her humility throughout life. She preferred a more quiet living with family and nature. She lived in houses, not mansions, and she loved to garden.

Hepburn starred in 1964's My Fair Lady which was said to be the most anticipated movie since Gone With The Wind.[24] Hepburn was cast as Eliza Doolittle instead of then-unknown Julie Andrews, who had originated the role on Broadway. The decision not to cast Andrews was made before Hepburn was cast for the role. Hepburn initially refused the role and asked Jack Warner to give it to Andrews, but when they informed her that it would either be her or Elizabeth Taylor, who was vying for the role, she decided to take the part. According to an article in Soundstage magazine, "everyone agreed that if Julie Andrews was not to be in the film, Audrey Hepburn was the perfect choice."[25] Julie Andrews had yet to make Mary Poppins, which was released within the same year as My Fair Lady. Audrey recorded singing vocals for the role, but subsequently discovered a professional "singing double" Marni Nixon had overdubbed all of her songs. She walked off the set after being told of the dubbing and returned early the next day to apologize for her behavior. Footage of several songs with Hepburn's original vocals still exist and have been included in documentaries and the DVD release of the film, though to date, only Nixon's renditions have been released on LP and CD. Some of her original vocals remained in the film, such as "Just You Wait" and snippets from "I Could Have Danced All Night." When asked about the dubbing of an actress with such distinctive vocal tones, Hepburn frowned and said, "you could tell, couldn't you? And there was Rex, recording all his songs as he acted...next time-" She then bit her lip to keep from saying any more. [26] Aside from the dubbing, many critics agreed that Hepburn's performance was excellent. Gene Ringgold said, "Audrey Hepburn is magnificent. She is Eliza for the ages."[27]

File:Fairladycover.jpg
DVD cover of My Fair Lady

The controversy over Hepburn's casting reached its height at the 1964-65 Academy Awards season, when Hepburn was not nominated for best actress while Andrews was nominated for Mary Poppins. The media tried to play up the rivalry between the two actresses as the ceremony approached, even though both women denied such bad feelings existed and got along well. Julie Andrews won "Best Actress" at the ceremony.

Two For The Road was a non-linear and innovative movie about divorce. Director Stanley Donen said that Hepburn was more free and happy than he had ever seen her, and he accredited that to Albert Finney.[28] Wait Until Dark in 1967 was a difficult film to do. It was an edgy thriller in which Hepburn played the part of a blind woman being terrorized. In addition, it was produced by Mel Ferrer and filmed on the brink of their divorce. Hepburn is said to have lost 15 pounds under the stress. On the bright side, she found co-star Richard Crenna to be very funny, and she had a lot to laugh about with director Terence Young. They both joked that he had shelled his favorite star 23 years before; Terence Young had been a British Army tank commander during the Battle of Arnhem. Hepburn's performance was nominated for an Academy Award.

From 1967 onward, after fifteen highly successful years in film, Hepburn acted only occasionally. After her divorce from first husband Mel Ferrer, she married Italian psychiatrist Dr. Andrea Dotti and had a second son, after a difficult pregnancy that required near-total bed rest. After her eventual separation from Dotti, she attempted a comeback, co-starring with Sean Connery in the period piece Robin and Marian in 1976, which was moderately successful. She reportedly turned down the tailor-made role of a former ballet dancer in The Turning Point. (Shirley MacLaine got the part.) Hepburn finally returned to cinema in 1979, taking the leading role in Sidney Sheldon's Bloodline. Author Sidney Sheldon revised his novel when it was reissued to tie into the film, making Hepburn's character older to better match the actress' age. The film was a critical and box office failure.

Hepburn's last starring role in a cinematic film was with Ben Gazzara in the comedy They All Laughed, directed by Peter Bogdanovich. Although a critical success, the film was overshadowed by the murder of one of its stars, Bogdanovich's girlfriend, Dorothy Stratten; the film was released after Stratten's death but played only limited runs. In 1987, she co-starred with Robert Wagner in a tongue-in-cheek made-for-television caper film, Love Among Thieves which borrowed elements from several of Hepburn's films, most notably Charade and How to Steal a Million. The TV-film, which also starred Jerry Orbach as a villain, was only a moderate success, with Hepburn being quoted that she appeared in it just for fun.

Hepburn's last film role, a cameo appearance, was of an angel in Steven Spielberg's Always, filmed in 1988. This film was also only moderately successful. In the final months of her life Hepburn completed two entertainment-related projects: she hosted a television documentary series entitled Gardens of the World with Audrey Hepburn, which debuted on PBS the day of her death, and she also recorded a spoken word album, Audrey Hepburn's Enchanted Tales featuring readings of classic children's stories, which would win her a posthumous Grammy Award.

She has a star on the Hollywood Walk of Fame at 1652 Vine Street.

Marriages, family, and later life

In the early 1950s she was engaged to the young James Hanson.[29] She called it "love at first sight;" however, after having her wedding dress fitted and date set, she decided the marriage would not work, due to the demands of his career that would require him to be gone on business most of the time. She had the wedding dress given to a poor Italian couple, who still have it today.

File:Audrey Hepburn2.jpg
Hepburn in 1963's Charade

Hepburn did marry, twice: to American actor Mel Ferrer and to an Italian doctor, Andrea Dotti, and had a son with each—Sean in 1960 by Ferrer, and Luca in 1970 by Dotti.

Hepburn met Mel Ferrer at a party hosted by Gregory Peck, and quickly fell in love with him. After Sabrina, Audrey went back to the stage, this time with Ferrer in a play called Ondine, in which she played a water sprite. Ferrer was rumored to be perhaps too controlling of Hepburn, but in William Holden's words, "I think Audrey allows Mel to think he influences her."

She married him on 25 September 1954. Before having their first child, Hepburn had two miscarriages, the first of which was in March of 1955. In 1959, while filming The Unforgiven, Hepburn broke her back after falling off a horse onto a rock. She spent weeks in the hospital and later had a miscarriage that was probably induced by the physical and mental stress. While she was resting at home, Mel Ferrer brought her the fawn from the movie Green Mansions to keep as a pet. They called him Ip, short for Pippin. In 1965, she had another miscarriage. Hepburn was much more careful when she was pregnant with Luca in 1969; she rested for months and passed the time by painting. Luca was delivered by Caesarean section. Hepburn had her final miscarriage in 1974. [30]

The marriage to Ferrer lasted 14 years until 5 December 1968; their son was quoted as saying Hepburn stayed in the marriage too long. In the later years of the marriage, Ferrer was rumored to have had a girlfriend on the side, while Hepburn had an affair with her handsome Two for the Road co-star, Albert Finney. After the marriage fell apart, Hepburn met Italian psychologist Andrea Dotti on a cruise and fell in love with him on a trip to Greek ruins. She believed she would have many children, and possibly stop working. She married him on 18 January 1969. Although Dotti loved Hepburn and was well-liked by Sean, who called him "fun," Dotti had affairs with younger women. The marriage lasted 13 years and ended in 1982 after Luca and Sean were old enough to handle life with a single mother.

Hepburn had several pets, including a Yorkshire Terrier named Mr. Famous, who was hit by a car and killed. To cheer her up, Mel Ferrer got her another Yorkshire named Assam of Assam. She also kept Ip the fawn as a pet; they made a bed for him out of a bathtub. Sean Ferrer had a Cocker Spaniel named Cokey. When Hepburn was older, she had two Jack Russell Terriers.

At the time of her death, she was the companion of Robert Wolders, a handsome Dutch actor who was the widower of film star Merle Oberon. She met Wolders through a friend, in the later stage of her marriage to Dotti. Six months later, they met again for a drink, which turned into dinner. They fell in love, and after Hepburn's divorce from Dotti was final, she and Wolders started their lives together, although they never married. In 1989, after nine years with him, she called them the happiest years of her life. "Took me long enough," she said in an interview with Barbara Walters. Walters also asked why she never married Wolders. Hepburn replied that they were married, just not formally. Hepburn and Wolders planned the UNICEF trips together. At every one of her moving speeches, Wolders would watch and sometimes shed tears.

Work for UNICEF

Soon after Hepburn's final film role, she was appointed a special ambassador to the United Nations Children's Fund (UNICEF). Grateful for her own good fortune after being a victim of the Nazi occupation as a child, she dedicated the remainder of her life to helping impoverished children in the world's poorest nations. Hepburn's travels were made easier by her wide knowledge of languages; she spoke French, Italian, English, Dutch/Flemish, and Spanish. She learned Italian while living in Rome. She learned Spanish on her own, and there is UNICEF footage of her in Mexico speaking fluent Spanish to locals.

Though she had done work for UNICEF in the 1950s, starting in 1954 with radio presentations, this was a much higher dedication. Those close to her say that the thoughts of dying, helpless children consumed her for the rest of her life. Her first Field Mission was to Ethiopia in 1988. She visited an orphanage in Mek'ele with 500 starving children and had UNICEF send food. Of the trip, she said:

"I have a broken heart. I feel desperate. I can't stand the idea that two million people are in imminent danger of starving to death, many of them children, [and] not because there isn't tons of food sitting in the northern port of Shoa. It can't be distributed. Last spring, Red Cross and UNICEF workers were ordered out of the northern provinces because of two simultaneous civil wars.
"I went into rebel country and saw mothers and their children who had walked for ten days, even three weeks, looking for food, settling onto the desert floor into makeshift camps where they may die. Horrible. That image is too much for me. The "Third World" is a term I don't like very much, because we're all one world. I want people to know that the largest part of humanity is suffering."[31]

In August of 1988, Hepburn went to Turkey on an immunization campaign. She called Turkey "The most lovely example" of UNICEF's capabilities. Of the trip, she said:

"The army gave us their trucks, the fishmongers gave their wagons for the vaccines, and once the date was set, it took ten days to vaccinate the whole country. Not bad."

In October, Hepburn went to South America. In Venezuela and Ecuador, Hepburn told Congress:

"I saw tiny mountain communities, slums, and shantytowns receive water systems for the first time by some miracle — and the miracle is UNICEF. I watched boys build their own schoolhouse with bricks and cement provided by UNICEF."

Hepburn toured Central America in February, 1989, and met with chiefs in Honduras, El Salvador, and Guatemala. In April, Hepburn visited Sudan with Robert Wolders as part of a mission called "Operation Lifeline." Due to civil war, food from aid agencies had been cut off. The mission was to ferry food to southern Sudan. Hepburn said:

"I saw but one glaring truth: These are not natural disasters but man-made tragedies for which there is only one man-made solution — peace."

In October, Hepburn and Wolders went to Bangladesh. John Isaac, a UN photographer, said, "Often the kids would have flies all over them, but she would just go hug them. I had never seen that. Other people had a certain amount of hesitation, but she would just grab them. Children would just come up to hold her hand, touch her — she was like the Pied Piper."

In October of 1990, Hepburn went to Vietnam in an effort to collaborate with the government for national UNICEF-supported immunization and clean water programs.

In September of 1992, 4 months before her passing, Hepburn went to Somalia. Hepburn called it "apocoplyptic" and said:

"I walked into a nightmare. I have seen famine in Ethiopia and Bangladesh, but I have seen nothing like this — so much worse than I could possibly have imagined. I wasn't prepared for this."
"The earth is red — an extraordinary sight — that deep terra-cotta red. And you see the villages, displacement camps and compounds, and the earth is all rippled around them like an ocean bed. And those were the graves. There are graves everywhere. Along the road, around the paths that you take, along the riverbeds, near every camp — there are graves everywhere."

Though forever scarred by what she had seen, Hepburn still had hope:

"Taking care of children has nothing to do with politics. I think perhaps with time, instead of there being a politicization of humanitarian aid, there will be a humanization of politics."
"Anyone who doesn't believe in miracles is not a realist. I have seen the miracle of water which UNICEF has helped to make a reality. Where for centuries young girls and women had to walk for miles to get water, now they have clean drinking water near their homes. Water is life, and clean water now means health for the children of this village."
"People in these places don't know Audrey Hepburn, but they recognize the name UNICEF. When they see UNICEF their faces light up, because they know that something is happening. In the Sudan, for example, they call a water pump UNICEF."

In 1992, President George Bush presented her with the Presidential Medal of Freedom in recognition of her work with UNICEF, and the Academy of Motion Picture Arts and Sciences awarded her The Jean Hersholt Humanitarian Award for her contribution to humanity. This was awarded posthumously, and her son accepted the award on her behalf.

In 2006, the Sustainable Style Foundation inaugurated the Style & Substance Award in Honor of Audrey Hepburn to recognize high profile individuals that work to improve the quality of life for children around the world. The first award was given to Ms. Hepburn posthumously and received by the Audrey Hepburn Children's Fund.

Cancer

In late 1992, Hepburn began to feel pains in her abdomen, which turned out to be a rare form of cancer that originated in the appendix. Hepburn had surgery in a Los Angeles hospital, but the cancer continued to spread and doctors decided that another surgery would not help. (Hepburn had been a lifelong smoker. That addiction may have come to her at great cost; studies have found that women who smoke are more than 40% more likely to die from colorectal cancer than women who never have smoked.[32])

Hepburn died of colorectal cancer on 20 January 1993, in Tolochenaz, Vaud, Switzerland, and was interred there. She was 63.

Enduring popularity

Audrey Hepburn to this day is a beauty and fashion icon. She has often been called one of the most beautiful women of all time.[33][34] Her fashion styles also continue to be popular among women.[35] Contrary to her recent image, although Hepburn did enjoy fashion, she did not place much importance on it. She preferred casual, comfortable clothes.[36]

To date only one biographical film based upon Audrey Hepburn's life has been attempted. The 2000 American made-for-television film, The Audrey Hepburn Story, starred Jennifer Love Hewitt as the actress. Hewitt also co-produced the film. The film received poor reviews due to numerous factual errors and for Hewitt's performance.

File:Hepburn stamp 2003.jpg
2003 Commemorative stamp

The film concludes with footage of the real Audrey Hepburn, shot during one of her final missions for UNICEF. Several versions of the film exist; it was aired as a mini-series in some countries, and in a truncated version on America's ABC television network, which is also the version released on DVD in North America.

In 2003, the United States Postal Service issued a stamp honoring her as a Hollywood legend and humanitarian. It has a drawing of her which is based on a publicity photo from the movie Sabrina. Hepburn is one of the few non-Americans to be so honored.

Hepburn was featured in a GAP commerical which ran from September 7 2006 to October 5 2006. It used clips of her dancing from Funny Face, set to AC/DC's Back in Black, with the tagline "It's Back — The Skinny Black Pant." To celebrate its "Keep it Simple" campaign, the GAP made a sizeable donation to the Audrey Hepburn Children's Fund. [37] The commercial was popular, with over 21,000 users viewing it on YouTube. Sales for the Funny Face DVD on Amazon.com soared in September.

Filmography

Year Title Role Other notes
1948 Nederlands en seven lessen / Dutch in seven lessons Airline Stewardess Documentary. Dutch version is 79 minutes long ; English version 38 minutes.
1950 One Wild Oat Hotel receptionist
1951 Laughter in Paradise Cigarette Girl
Young Wives' Tale Eve Lester
The Lavender Hill Mob Chiquita
1952 The Secret People Nora Brentano
Monte Carlo Baby / We will go to Monte Carlo Linda Farrell Discovered by French novelist Colette during filming and cast as Gigi for the Broadway play
Nous irons a Monte Carlo Melissa Walter French version of Monte Carlo Baby (with different cast).
1953 Roman Holiday Princess Ann Academy Award Winner; Golden Globe Winner; BAFTA Award Winner; New York Film Critics Circle Award Winner
1954 Sabrina Sabrina Fairchild Academy Award Nomination; BAFTA Award Nomination
1956 War and Peace Natasha Rostov Golden Globe Nomination; BAFTA Award Nomination
1957 Funny Face Jo
Love in the Afternoon Ariane Chavasse/Thin Girl Golden Globe Nomination; Golden Laurel Winner
1959 Green Mansions Rima Directed by Mel Ferrer
The Nun's Story Sister Luke (Gabrielle van der Mal) Academy Award Nomination; Golden Globe Nomination; BAFTA Award Winner; New York Film Critics Circle Winner; Zulueta Prize Winner
1960 The Unforgiven Rachel Zachary
1961 Breakfast at Tiffany's Holly Golightly Academy Award Nomination
The Children's Hour Karen Wright
1963 Charade Regina Lampert Golden Globe Nomination; BAFTA Award Winner
1964 Paris, When It Sizzles Gabrielle Simpson
My Fair Lady Eliza Doolittle Golden Globe Nomination
1966 How to Steal a Million Nicole Bonnet
1967 Two For The Road Joanna Wallace Golden Globe Nomination
Wait Until Dark Susy Hendrix Academy Award Nomination; Golden Globe Nomination
1976 Robin and Marian Lady Marian
1979 Bloodline Elizabeth Roffe
1981 They All Laughed Angela Niotes
1989 Always Hap

Television and theatre

Year Title Role Other notes
1949 High Button Shoes Chorus Girl Musical Theatre
Sauce Tartare Chorus Girl Musical Theatre
1950 Sauce Piquante Featured Player Musical Theatre
1951 Gigi Gigi Opened on Broadway at the Fulton Theatre, November 24, 1951
1952 CBS Television Workshop Episode entitled "Rainy Day at Paradise Junction"
1954 Ondine Water Nymph Opened on Broadway, February 18 - June 26. Tony Award Winner - Best Actress. Costarring Mel Ferrer
1957 Mayerling Maria Vetsera Producers' Showcase live production. Costarring Mel Ferrer as Prince Rudolf. Released theatrically in Europe.
1987 Love Among Thieves Baroness Caroline DuLac Television movie.
1993 Gardens of the World with Audrey Hepburn Herself PBS miniseries; Emmy Award Winner - Outstanding Individual Achievement - Informational Programming

According to some biographies, Hepburn made several American and British TV appearances before Roman Holiday, and a poster for a 1951 British public appearance listed her as a TV actress. "Rainy Day" is the only example of this early work to have surfaced. A copy of this production exists in the Museum of Radio and Television archives in Beverly Hills, California and New York City, New York.

Some sources (including the Internet Movie Database) erroneously state that Hepburn had a cameo appearance in the 1963 film, A New Kind of Love, but this was debunked by several reviewers when the film was released to DVD in 2005.

Awards

She won the 1953 Academy Award for Best Actress for Roman Holiday. She was nominated for Best Actress four more times; for Sabrina, The Nun's Story, Breakfast at Tiffany's, and Wait Until Dark.

There was Oscar controversy in 1964 when Audrey was not nominated for her performance as Eliza Doolittle in My Fair Lady, one of her most acclaimed performances.

For her 1967 nomination, the Academy chose her performance in Wait Until Dark over her critically acclaimed performance in Two For The Road. She lost to Katharine Hepburn (in Guess Who's Coming to Dinner).

Audrey Hepburn was one of the few people who have won an Emmy, a Grammy, an Oscar and a Tony Award.

  • Academy Award: Best Actress for Roman Holiday (1954) and posthumous The Jean Hersholt Humanitarian Award (1993).
  • Tony Award: Best Actress for Ondine (1954) and Special Achievement award (1968).
  • Grammy Award: Best Spoken Word Album for Children (1993) for Audrey Hepburn's Enchanted Tales (posthumous).
  • Emmy Award: Outstanding Individual Achievement - Informational Programming (1993) for the "Flower Gardens" episode of her documentary series, Gardens of the World (posthumous).

In addition, Hepburn won the Henrietta Award in 1955 for the world's favorite actress, the Cecil B. DeMille Award in 1990 and the Screen Actors Guild Life Achievement Award in 1992. Hepburn was posthumously awarded the Jean Hersholt Humanitarian Award later in 1993. [38]

In December 1992, one month before her death, Hepburn received the Presidential Medal of Freedom for her work in UNICEF. This is the highest award a civilian can receive.[39]

Preceded by:
Shirley Booth
for Come Back, Little Sheba
Academy Award for Best Actress
1953
for Roman Holiday
Succeeded by:
Grace Kelly
for The Country Girl

Quotes

"People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.

"For beautiful eyes, look for the good in others; For beautiful lips, speak only words of kindness; and for poise, walk with the knoweldge that you are never alone."

I love people who make me laugh. I honestly think it's the thing I like most, to laugh. It cures a multitude of ills. It's probably the most important thing in a person.

I was born with something that appealed to an audience at that particular time...I acted instinctively. I've had one of the greatest schools of all - a whole row of great, great directors.

Living is like tearing through a museum. Not until later do you really start absorbing what you saw, thinking about it, looking it up in a book, and remembering - because you can't take it all in at once.

As a child, I was taught that it was bad manners to bring attention to yourself, and to never, ever make a spectacle of yourself... All of which I've earned a living doing.

I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with. There is therefore no way I can thank you for this beautiful award without thanking all of them, because it is they who helped and honed, triggered and taught, pushed and pulled, dressed and photographed - and with endless patience and kindness and gentleness, guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity. I am proud to have been in a business that gives pleasure, creates beauty, and awakens our conscience, arouses compassion, and perhaps most importantly, gives millions a respite from our so violent world. Thank you, Screen Actors Guild and friends, for this huge honor - and for giving me this unique opportunity to express my deepest gratitude and love to all of those who have given me a career that has brought me nothing but happiness. For receiving the Screen Actors Guild Life Achievement Award in 1992. Julia Roberts accepted the award on her behalf.

The poem "Time Tested Beauty Tips" was recited by Hepburn to her sons and is popularly attributed to her, but it was in fact written by Sam Levenson. | Read the poem

Notes

  1. http://www.thatface.org/3473.jpg
  2. http://www.audreyhepburn.com
  3. http://www.livescience.com/history/ap_royal_roots.html
  4. http://movies.aol.com/celebrity/audrey-hepburn/31869/biography
  5. http://audreyhepburnlibrary.com/80s/parade5-5-89pg2.jpg
  6. inactive as of September 1, 2006
  7. http://www.ahepburn.com/article6.html
  8. http://www.audrey1.com/gallery/results.php?cat=Audrey+drawings
  9. http://www.ahepburn.com/work1.html
  10. http://www.jessicaseigel.com/articles/hepburn.shtml
  11. http://audreyhepburn.com/
  12. http://transcripts.cnn.com/TRANSCRIPTS/0312/24/lkl.00.html
  13. http://audreyhepburnlibrary.com/50s/time9-7-53pg2.jpg
  14. http://www.audrey1.com/articles/articles26.html
  15. http://www.audrey1.com/films/roman.html
  16. http://audreyhepburnlibrary.com/50s/motionpicture2-54pg4.jpg
  17. http://www.salon.com/people/feature/1999/10/06/hepburns/index.html
  18. http://www.tcm.com/thismonth/article.jsp?cid=97161&mainArticleId=136023
  19. http://audreyhepburnlibrary.com/60s/motionpicture5-64pg3.jpg
  20. http://audrey1.com/poems.html
  21. http://audreyhepburnlibrary.com/90s/filmfestpg1.jpg
  22. http://audreyhepburnlibrary.com/bat/screenstories10-61pg11.jpg
  23. http://audreyhepburnlibrary.com/mfl/mflscrapbkpg25.jpg
  24. http://audreyhepburnlibrary.com/mfl/soundstage12-64pg27.jpg]
  25. http://audreyhepburnlibrary.com/mfl/soundstage12-64pg27.jpg
  26. http://audreyhepburnlibrary.com/mfl/mflscrapbkpg25.jpg
  27. http://audreyhepburnlibrary.com/mfl/soundstage12-64pg27.jpg
  28. http://audreyhepburnlibrary.com/60s/screenland12-67pg6.jpg
  29. Alex Brummer, Hanson: a Biography, (London: Fourth Estate, 1994)pp. 47-50 & p.52
  30. http://www.audrey1.com/grahamspage/biography-page2.html
  31. http://audrey1.com/unicef/index.html
  32. http://www.cancer.org/docroot/NWS/content/NWS_1_1x_Smoking_Linked_to_Increased_Colorectal_Cancer_Risk.asp
  33. http://www.smh.com.au/articles/2004/05/31/1085855500521.html
  34. http://news.bbc.co.uk/1/hi/uk/3763887.stm
  35. http://www.factio-magazine.com/specialfeatures/des__Audrey.cfm
  36. http://www.ew.com/ew/article/reuters/0,24012,1539827_10_0_,00.html
  37. http://www.wboc.com/Global/story.asp?S=5371942
  38. http://www.imdb.com/name/nm0000030/awards
  39. http://www.unicef.org/people/people_audrey_hepburn.html

References
ISBN links support NWE through referral fees

  • Sean Hepburn Ferrer, Audrey Hepburn, An Elegant Spirit: A Son Remembers, New York: Atria, 2003.
  • Barry Paris, Audrey Hepburn, New York: Putnam, 1996.
  • Diana Maychick, Audrey Hepburn: An Intimate Portrait, Citadel Press, 1996.
  • http://www.audreyhepburnlibrary.com

See also

  • List of people who have won an Emmy, a Grammy, an Oscar and a Tony Award

External links

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