Agni

Agni is the god of fire in the Hindu tradition. Agni is the messenger between human beings and gods, since sacrifices made through him on earth go directly to the deities in heaven. Agni was of particular significance in the Vedas, due to their emphasis on sacrifice, though he has remained an important figure in the mythology and some rituals of later Hinduism. He is worshipped under a threefold form: fire on earth, lightning and the sun.

Origins

The theonym agni is quite simply the Sanskrit word for "fire" (अग्नि). Clearly, it derives from a proto-Indo-European root, which is evident from its similarity to other words referring to fire such as Latin ignis (root of the English ignite). In addition, the very similar name Ak/gniš was used to identify a god of destruction in a Hittite text found at Bogazköy, Turkey. Although fire plays an important role in many systems of myths and rituals which took root in the Indo-European lineage, such as the Irish, Roman and Iranian traditions, the divine persona of Agni was just as likely to have been spawned as a result of the sheer importance of fire in Vedic ritualism.

Attributes

In Hindu art, Agni is represented as deep red in colour. He has two faces, suggesting both his destructive and beneficent qualities. He has three legs, seven arms, and seven tounges. His eyes are black, as is his hair. On his head he often bears horns of a bull with a tail groomed like that of a horse, and he wears a yellow waist cloth. His vehicle is most commonly a ram, or a chariot pulled by goats. Seven rays of light emanate from his body. He is ever-young, because the fire is re-lit every day; but also he is immortal. He lives among men and is miraculously reborn each day by the fire-drill, the friction of the two sticks which are regarded as his parents. Although he is fire, Agni is not limited to the terrestrial realm. He also present in the clouds as lightning, and in the the sky as the sun. The Rigveda often says that Agni arises from water or dwells in the waters. His home was said to be within the element wood, in which he hid himself until revealed by the flames of the altar.

Family

In Vedic mythology, Agni is a deva, second only to Indra in importance. He is Indra's twin, and therefore a son of Dyaus Pita, the sky god, and his consort Prthivi. In alternative versions, he is a son of Kashyapa and Aditi or else a Queen who kept her pregnancy secret from her husband. He has ten sisters (alternatively ten mothers or ten maidservants), who represent the ten fingers of the individual who lights the fire. Considered in this way, his parents are the two aranis, or firesticks, with his father the upper stick and his mother the lower. When rubbed together swiftly, these sticks create fire. It is sometimes said that Agni destroyed his parents when he was born because they could not care for him. Agni is married to Svaha and father of Karttikeya by either Svaha or Ganga, the personification of the Ganges. Three of Agni's nine sons, Uttama, Tamasa, and Rajvata, became the Manus. Agni is also said to have had seven brothers, the names of each signifying flames.

Epithets

Agni has a number of epithets, each of which stresses certain functions of his personality. The name Vaisvanara, which refers to fire's power over all men, serves as an acknowledgement of Aryan superiority, since it is fire which both empowers and protects the Aryan people. Further, the name represents humanity's control over light and warmth as a result of fire. For the Aryans, the domestication of fire represented not only the taming of the flame, but also as the taming of the entirety of nature, therefore symbolizing the foundations of all civilization. The epithet Jatavedas focuses upon the hearth's maintenance of the family and ancestors as well as its consistent ritual presence. The epithet Apam Napat, or "Offspring of the Waters", suggests Agni's connection to the primeval bodies of water and their procreative powers. Another epithet attributed to Agni is "Sapta jihva", referring to his 'seven tongues'.

Function

Agni the Messenger

Agni is the supreme director of religious ceremonies and duties, and therefore serves as the prototype of the ideal priest. He is afforded this role since his jurisdiction spans both heaven and earth, which allows him to become meeting place between gods and humans. Agni is conceived to be a messenger between gods and men, or a high-priest who carries oblations directly to the gods. His many tounges are said to consume the sacrificial offerings, then transfer them in the form of smoke so they may be presented to the gods above. On a more general level, he bonds the three worlds: in heaven he is the sun, in the atmosphere he is within the storm cloud as the power of lightning, and on earth he is that fire which is created by human beings. Although he enjoys pervasive power in all three realms, Agni also humbles himself as the household fire at the center of domestic rituals. As such, Agni has been given many honourific titles as the administrators of great sacrifices. He is the first to conduct the sacrifice, and no performer of sacrifice is older than he is, suggesting the eternal nature of Agni's role.

I extol Agni, the household priest, the divine minister of the sacrifice, the cheif priest, the bestower of blessings.

May that Agni, who is to be extolled by ancient and modern seers, conduct the gods here.

Through Agni may one gain day by day wealth and welfare which is glorious and replete with heroic sons.

O Agni, the sacrifice and ritual which you encompass on every side, that indeed goes to the gods.

Not only does Agni provide the offerings from men to gods by way of his flames, but he also brings the gods to the altar. He is singularly responsible for transmitting the boons of the gods to humanity. Thus, Agni also represents the interconnectedness of family and the greater society, and even the cosmos.

Agni as Witness

Fire was also used as a test of credibility. Since Agni presided over speech, truth of one's words was to be demonstrated by Agni by making a speaker walk through fire. Taking Agni as a witness is a very old tradition - in the Valmiki Ramayana, Rama and Sugreeva swear to help each other and circle the fire thrice as a seal of their bond. Similarly in the Mahabharata, Susarma and his brothers the Trigartas swear by the fire to either defeat Arjuna or die at his hands. Their joint oath earns them the name of "Samsaptaka" as a clan. The tradition stems from the idea that Agni or fire is the purest of all natural elements and is holy as the same.

Other Functions

Agni has even been attributed the power of influencing the fate of each human being in the future world. According to Ayurveda, Agni is the biological fire that governs digestion, metabolism and the immune system. Agni is also representative of the power which digests the food in every person's stomach. He created the stars with the sparks resulting from his flames. He is the creator of the Agneyestra (IAST: Āgneyāstra, Sanskrit: आग्नेयास्त्र), a fire weapon. In some stories about the Hindu gods, Agni is the one who is sent to the front in dangerous situations. He is one of the Guardians of the directions, representing the southeast.

Ritual and Worship

In the context of Vedic worship, no god was as important as Agni. Few ceremonies were considered complete without the performance of oblations to Agni. In sacrificial ceremonies particularly, Agni was the diety of primary invocation. Since Agni was related to the three parts of the cosmos, manipulation of fire hearths allowed Vedic priests to control these various aspects and thereby demonstrate their mastery over the cosmos. As the heavenly fire, Agni was said to reside the western adhavaniya hearth along with other gods. As the atmospheric fire, Agni took abode in the southern daksinagni hearth along with deceased ancestors, and as the earthly fire, Agni resided in the western garhapatya hearth with human beings. These various fires also corresponded with one of twice-born caste system, as the heavenly fire was used for offerings and represented the Brahmins, or priests; the atmostpheric fire served to protect and therefore referred to the Kshatriya, or warrior class; while the earthly fire was seen as the producer and represented the Vaisyas, or merchants.

The ritual fire assumed a central role in the performance of the domestic, or gryha liturgies, as well, such as marriage and funerary rites. In the context of marriage, fire was linked with the stages of life for a Hindu male. The heat of the fire was symbolic of the of the middle stage between the celibacy of the student and the restraint of the householder. In the marriage ceremony, the marriage was sanctified by circling the fire seven times. Although the Vedic fire-sacrifice (yajña) has largely disappeared from modern Hinduism (with the exception of Arya Samaj), Agni with the fire-sacrifice is still the mode of ritual in any modern Hindu marriage, where Agni is said to be the chief sakshi or witness of the marriage and guardian of the sanctity of marriage.

In the context of death, heat represented the heat which exists between this life and the next. The cremation fire was thought to have ability to help the deceased passe through death and shape the old self into a new self. As such, the cremation fire was treated with great reverence by priests, for fear that any action otherwise could evoke the wrath of Agni as kravyād, the "flesh-eating" deity. It was not uncommon for wives to throw themselves upon their deceased husbands' funeral pyres, a practice called sati, so that the fire would ensure the passage of both husband and wife into the next incarnation. Sati was prevalent until the nineteenth century, when British imperialists officially banned the practice.

As the Upanishads emerged, the sacrifice was shifted from an external undertaking to a metaphorical process which had to occur within individuals. The significance of fire changed as well, with a new focus upon the abstract qualities of fire's heat (or tapas). Now, heat as it occured in the flame, the sweat of the priest, and cooked food became part of a sacrifice which occured within the body. The elaborate public fire rituals of the Brahmanas became the ascetic tradition of the internal fire ritual (anagnihotra). The mircrocosmic fires of human physiology came to correspond with the macrocosmic fires of the universe, and yoga became the means by which to manipulate the entire system. Now the fire rages in the head as intellect and speech, in the arms as sovereignty, and in the genitals as the fire of reproduction.

A specific ritual was and still is used to ignite Agni. This process is called Agni-Mathana. This was the Ancient Hindu way of making fire. Wooden piece from Arani tree (belonging to the family of Ficus religiosa or Urostigma religiosum) is put to vigorous friction, which generates fire. Agni is miraculously reborn each day by the fire-drill, the friction of the two sticks which are regarded as his parents. Brahmins were directed to make the first of their daily oblations to Agni. Agni's cult survived the change of the ancient Vedic nature-worship into modern Hinduism, and there are fire-priests (agnihotr) whose duty is to watch over his worshippers. The sacred fire-drill for starting the temple-fire by friction is still used.

References

ISBN links support NWE through referral fees

• Embree, Ainslee T. (ed.). The Hindu Tradition. New York: Vintage Books, 1966. ISBN 0394717023
• Findly, Ellison Banks. "Agni". Encyclopedia of Religion. Mercia Eliade, ed. New York: MacMillan Publishing, 1987. 133-135.
• Moor, Edward. The Hindu Pantheon. New Delhi: Cosmo Publications, 2000. ISBN 8177550292
• Zaenher, R. C. Hinduism. New York: Oxford University Press, 1962. ISBN 019888012

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