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Zhuangzi dreaming of a butterfly (or a butterfly dreaming of Zhuangzi)

Zhenren (Chinese: 真人; pinyin: zhēnrén; Wade-Giles: chen-jen; literally "true person") is a Chinese term meaning "Daoist spiritual master," roughly translatable as "Perfected Person." The first recorded usages of zhenren ("true person") are in the Daoist text Zhuangzi (莊子) (ca. third-second centuries B.C.E.), where “zhenren” refers to a sage or holy man, a person who has reached an ideal state of existence. Later Daoist texts developed an other-worldly, mystical concept of zhenren. The honorific title Zhenren was given to Daoist sages. A fourth century text, the Ziyang zhenren neizhuan (紫陽真人內傳, "Inner Biography of the True Person of Purple Yang"), names “zhenren” as the highest of three degrees of xian (immortality) in the celestial bureaucracy.[1] A “zhenren” is a Taoist ideal, a person who lives completely and naturally in harmony with the Tao.

By the seventh century, the term “zhenren” was being used in Chinese Buddhist texts as a translation of arhat (真人, "enlightened one"). The term zhenren ("true person") has been used in a number of other contexts by Chinese writers. From the end of the first century B.C.E., it was used as a name for sage-rulers. The Book of Han (fifth century C.E.) contains the earliest recorded example of the usage of zhenren to mean "honest person, well-behaved person." Zhenren has also been used as the name of a star, an evolutionary term, and in the names of several folk heroes. The concept of “zhenren” continues to intrigue modern scholars, who strive both to better understand its meaning in its historical context, and to develop new interpretations in a contemporary context.

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Daoist usages of zhenren (真人)

While the Dao De Jing has the first occurrences of the term zhen ("true; real; etc."), the first recorded usages of zhenren ("true person") are in the Daoist text Zhuangzi, (莊子), attributed partially to Zhuangzi, an influential Chinese philosopher who lived around the fourth century B.C.E. Practically all extant editions of the Zhuangzi are based on a recension 700 years later, written by Guo Xiang (c. 300 C.E.).


The Zhuangzi has 66 occurrences of zhen, 19 of them in the compound zhenren. Burton Watson translates it into English as "True Man," and notes that it is "another term for the Taoist sage, synonymous with the Perfect Man or the Holy Man." The most descriptive zhenren passage repeats it nine times:

There must first be a True Man before there can be true knowledge. What do I mean by a True Man? The True Man of ancient times did not rebel against want, did not grow proud in plenty, and did not plan his affairs. A man like this could commit an error and not regret it, could meet with success and not make a show. A man like this could climb the high places and not be frightened, could enter the water and not get wet, could enter the fire and not get burned. His knowledge was able to climb all the way up to the Way like this.

The True Man of ancient times slept without dreaming and woke without care; he ate without savoring and his breath came from deep inside. The True Man breathes with his heels; the mass of men breathe with their throats. Crushed and bound down, they gasp out their words as though they were retching. Deep in their passions and desires, they are shallow in the workings of Heaven.

The True Man of ancient times knew nothing of loving life, knew nothing of hating death. He emerged without delight; he went back in without a fuss. He came briskly, he went briskly, and that was all. He didn't forget where he began; he didn't try to find out where he would end. He received something and took pleasure in it; he forgot about it and handed it back again. This is what I call not using the mind to repel the Way, not using man to help out Heaven. This is what I call the True Man. …

This was the True Man of old: his bearing was lofty and did not crumble; he appeared to lack but accepted nothing; he was dignified in his correctness but not insistent; he was vast in his emptiness but not ostentatious. Mild and cheerful, he seemed to be happy; reluctant, he could not help doing certain things; annoyed, he let it show in his face; relaxed, he rested in his virtue. Tolerant, he seemed to be part of the world; towering alone, he could be checked by nothing; withdrawn, he seemed to prefer to cut himself off; bemused, he forgot what he was going to say. …

Therefore his liking was one and his not liking was one. His being one was one and his not being one was one. In being one, he was acting as a companion of Heaven. In not being one, he was acting as a companion of man. When man and Heaven do not defeat each other, then we may be said to have the True Man. (6, 大宗師, tr. Watson, 1968, 77-80)

Guo Xiang (d. 312 C.E.), the earliest known Zhuangzi editor and commentator, explains this passage:

The zhenren unifies Heaven and man, and levels the myriad extensions. The myriad extensions do not oppose each other, and Heaven and man do not overcome each other. Thus being vast he is one, being dark he is omnipresent – he mysteriously unifies the other with his own self. (tr. Coyle, 1998, 204)

Watson translates gu zhi zhenren (古之真人) as "True Man of ancient times" and "True Man of old," which appears seven times in the Zhuangzi.

Therefore the Holy Man hates to see the crowd arriving, and if it does arrive, he does not try to be friendly with it; not being friendly with it, he naturally does nothing to benefit it. So he makes sure that there is nothing he is very close to, and nothing he is very distant with. Embracing virtue, infused with harmony, he follows along with the world – this is what is called the True Man. He leaves wisdom to the ants, takes his cue from the fishes, leaves willfulness to the mutton. Use the eye to look at the eye, the ear to listen to the ear, and the mind to restore the mind. Do this and your levelness will be as though measured with the line, your transformations will be a form of compliance. The True Man of ancient times used Heaven to deal with man; he did not use man to work his way into Heaven. The True Man of ancient times got it and lived, lost it and died; got it and died, lost it and lived. Medicines will serve as an example. There are monkshood, balloonflower, cockscomb, and chinaroot; each has a time when it is the sovereign remedy, though the individual cases are too numerous to describe. (24, tr. Watson, 1968, 277)

Another Zhuangzi chapter depicts zhenren as able to rise above the difficulties of the material world:

Governing is a difficult thing. To dispense favors to men without ever forgetting that you are doing so – this is not Heaven's way of giving. Even merchants and peddlers are unwilling to be ranked with such a person; and although their occupations may seem to rank them with him, in their hearts they will never acquiesce to such a ranking. External punishments are administered by implements of metal and wood; internal punishments are inflicted by frenzy and excess. When the petty man meets with external punishments, the implements of metal and wood bear down on him; when he incurs internal punishment, the yin and yang eat him up. To escape both external and internal punishment – only the True Man is capable of this. (32, tr. Watson, 1968, 358)


The Huainanzi (second century B.C.E.) mentions zhenren ("true person") 11 times. One Huainanzi chapter uses zhenren to describe a spiritual state in which "closing the four senses" results in one's jing (精, "essence") and shen (神, "spirit") returning to the ultimate Daoist zhen (真, "truth").

Hence the spiritual faculties will be hidden in the invisible world, and the spirit will return to the Perfect Body (or the Perfect Realm). … The spirit fills the eye, so he sees clearly; it is present in the ear, so he hears acutely; it abides in the mouth, and so the person's words are with wisdom; it accumulates in the mind, so his thoughts are penetrative. Hence the closing down of the Four Senses gives the body rest from troubles, and the individual parts have no sickness. There is no death, no life, no void, no excess; in such a condition of spirit, like the diamond, it will not wear away; such are the characteristics of the Perfect Man. (8, tr. Morgan, 1934, 93)

A second chapter uses zhenren to describe Fu Xi and Nüwa, the creators of mankind:

Drifting aimlessly, they led the ghosts and spirits and ascended the Nine Heavens, where they paid court to the Lord as the Sacred Gate and remained reverently silent in the presence of the Great Ancestor. Even then, they would not extol their own merit, or trumpet their own fame. [Rather], they concealed within themselves the Tao of the True Man and thereby followed the unchanging course of Heaven and Earth. How was this [possible]? With their Tao and Te they communicated with what was on high, whereas their knowledge of factual matters was obliterated. (6, tr. Le Blanc, 1985, 162-163)

A third Huainanzi chapter contains this passage on returning to the origin:

He who can return to that which produced [him] as if he had not yet acquired [physical] form, we call him a True Man. The True Man is he who has not yet begun to differentiate himself from the Great Unity (wei shih fen yu t'ai-yi che, 未始分於太一者). (14, tr. Le Blanc, 1985, 114)

The scholar and translator Charles Le Blanc suggests that the passages in the Huainanzi synthesize the concept of the "other-worldly" zhenren "True Man" with the "this-worldly" shengren "Sage." In earlier pre-Han works, the expression "zhenren" always refers to a quasi-mystical and contemplative state of detachment from the affairs of the world. [2] According to Huainanzi the “zhenren” remains detached and does not reveal his true greatness during times of peace, but manifests world-shaking power in times of chaos.[3]


The southern Chuci (second century C.E.), which has Daoist elements although it is not strictly a "Daoist text," uses zhenren in two poems. Yuan you ("Far-off journey") contrasts it with xian:

I honoured the wondrous powers of the Pure Ones,
And those of past ages who had become Immortals.
They departed in the flux of change and vanished from men's sight,
Leaving a famous name that endures after them. (tr. Hawkes, 1985, 194)

Shou zhi "Maintaining Resolution" also uses it, translated here as "Immortals."

I visited Fu Yue, bestriding a dragon,
Joined up in marriage with the Weaving Maiden,
Lifted up Heaven's Net to capture evil,
Drew the Bow of Heaven to shoot at wickedness,
Followed the Immortals fluttering through the sky. (tr. Hawkes, 1985, 318)


The Daoist Liezi (ca. fourth century C.E.) uses zhenren in two chapters. The first usage (3, tr. Giles, 1912, 60) refers to the Zhuangzi (6) saying zhenren slept without dreaming.

A dream is something that comes into contact with the mind; an external event is something that impinges on the body. Hence our feelings by day and our dreams by night are the result of contacts made by mind or body. it follows that if we can concentrate the maid in abstraction, our feelings and our dreams will vanish of themselves. Those who rely on their waking perceptions will not argue about them. Those who put faith in dreams do not understand the processes of change in the external world. "The pure men of old passed their waking existence in self-oblivion, and slept without dreams." How can this be dismissed as an empty phrase?

The other chapter usage (8, tr. Forke, 1912, 47-48) concerns the politician Zi Chan (子產, d. 522 B.C.E.). He was able to govern the state of Zheng but not control his brothers who loved wine and women, but were secretly zhenren. Zi Chan asks the Daoist sage Deng Xi (鄧析) how to "save" them, but misunderstands Deng's answer and admonishes his brothers with Confucianist morality and bribes, "Hear my words. Repent in the morning, and in the evening you will have already gained the wage that will support you." His brothers reply:

”Long ago we knew it and made our choice. Nor had we to wait for your instructions to enlighten us. It is very difficult to preserve life, and easy to come by one's death. Yet who would think of awaiting death, which comes so easily, on account of the difficulty of preserving life? You value proper conduct and righteousness in order to excel before others, and you do violence to your feelings and nature in striving for glory. That to us appears to be worse than death. Our only fear is lest, wishing to gaze our fill at all the beauties of this one life, and to exhaust all the pleasures of the present years, the repletion of the belly should prevent us from drinking what our palate delights in, or the slackening of our strength not allow us to revel with pretty women. We have no time to trouble about bad reputations or mental dangers. Therefore for you to argue with us and disturb our minds merely because you surpass others in ability to govern, and to try and allure us with promises of glory and appointments, is indeed shameful and deplorable. But we will now settle the question with you. See now. If anybody knows how to regulate external things, the things do not of necessity become regulated, and his body has still to toil and labour. But if anybody knows how to regulate internals, the things go on all right, and the mind obtains peace and rest. Your system of regulating external things will do temporarily and for a single kingdom, but it is not in harmony with the human heart, while our method of regulating internals can be extended to the whole universe, and there would be no more princes and ministers. We always desired to propagate this doctrine of ours, and now you would teach us yours.”

Zi Chan is perplexed and speechless, so he goes back to Deng Xi who explains, "You are living together with real men without knowing it. Who calls you wise? Cheng has been governed by chance, and without merit of yours."


The little-known Daoist text Wenzi has 17 occurrences of zhenren.

This context echoes Zhuangzi (6) in defining zhenren as sleeping without dreaming:

The Way molds myriad beings but is ever formless. Silent and unmoving, it totally comprehends the undifferentiated unknown. No vastness is great enough to be outside it, no minuteness is small enough to be inside it. It has no house but gives birth to all the names of the existent and nonexistent. Real people embody this through open emptiness, even easiness, clear cleanness, flexible yielding, unadulterated purity, and plain simplicity, not getting mixed up in things. Their perfect virtue is the Way of heaven and earth, so they are called real people. Real people know how to deem the self great and the world small, they esteem self-government and disdain governing others. They do not let things disturb their harmony, they do not let desires derange their feelings. Concealing their names, they hide when the Way is in effect and appear when it is not. They act without contrivance, work without striving, and know without intellectualizing. … Therefore real people deliberately return to essence, relying on the support of spirit, thus attaining completeness. So they sleep without dreams and awake without worries. (tr. Cleary, 1991, 7-8)

Later Daoist texts

According to Chinese scholar Daniel Coyle, the concept of “zhenren” took on a more religious significance from the period of the Han to the Six Dynasties and became central to Daoism. A “zhenren” was a person who achieved “immortality” through being elevated to a macrocosmic perspective and becoming part of a totality of existence.[4]

The honorific title Zhenren was applied to Daoist sages. Zhou Yishan (周義山, b. 80 B.C.E.) was called Ziyang Zhenren (紫陽真人, "True Person of Purple Yang"), a name later applied to Zhang Ziyang (張紫陽), author of the Wuzhen pian (note zhen "reality; perfection" in the title).

The Ziyang zhenren neizhuan (紫陽真人內傳, "Inner Biography of the True Person of Purple Yang") (fourth century C.E.) named zhenren as the highest of three degrees of xian, occupying the upper rank in the celestial bureaucracy.[5]

Other usages of zhenren (真人)

After originating in early Daoist texts, the zhenren "true person" was semantically expanded to mean Buddhist arhat and miscellaneous senses such as "honest person."

Buddhist texts

Chinese Buddhists adapted zhenren (真人) to translate the loanword arhat or arahant ("one who has achieved enlightenment"), which was also transcribed as aluohan (阿羅漢) or luohan (羅漢). Buddhist usage contrasts zhenren ("arhat") with niren (逆人, "contrary person; hateful person; unprincipled person").

The oldest example is found in the Tang Dynasty Buddhist dictionary Yiqie jing yinyi (一切經音義, "Pronunciation and Meaning in the Tripitaka") (seventh century), edited by Xuan Ying (玄應).

Chinese zhen ("true") was used to translate various other Buddhist expressions. Mantra ("instrument of thought") translates as Chinese zhenyan (真言, "true words") and Japanese Shingon Buddhism. Tathata ("thusness, suchness, the unconditioned, unchanging reality") is Chinese zhenru (真如, "true resemblance") and Japanese shinnyo (see Shinnyo En).

Secular texts

Chinese authors have used zhenren ("true person") as a name for sage-rulers and honest people, the name of a star, an evolutionary term, and proper names.

Zhenren can mean "heaven-sent ruler." Originating at the end of the first century B.C.E., the idea spread that a zhenren who had received the Heavenly Mandate (天命tianming) would appear to renew the world."[6]" Emperor Guangwu of Han was called Baishui Zhenren (白水真人, "True Person of the White Water"), and Cao Cao of the Kingdom of Wei was also called a zhenren. The Records of the Grand Historian (ca. 100 B.C.E.) may have a classical precedent for this meaning. It records that the "First Emperor" Qin Shi Huang (r. 221-210 B.C.E.) was fascinated with xian immortality and decided to call himself zhenren rather than the homophonous Chinese honorific zhen (朕, "(imperial) I, we"). The emperor summoned the Daoist practitioner Lu Sheng (盧生) who said, "The zhenren enters water but does not get wet, enters fire but does not get burned, flies among the clouds, and has a length of life equal to that of Heaven and Earth" [7]. The Taipingjing (太平經, "Scripture of Great Peace," 6th century C.E.) contrasts the zhenren who rules on earth with a shenren (神人, "divine person") who rules in heaven.

Zhenren can mean "honest person; well-behaved person," nearly synonymous with zhenren (貞人, "person of high moral standing and integrity") and zhengren (正人, "honest/loyal man; gentleman"). The earliest recorded example is the Book of Han (fifth century C.E.) biography of Yang Yun (楊惲, fl. 1st century B.C.E.). This meaning is expressed in the idiom zhengren mian qian bu shuo jia (真人面前不說假, "don't tell lies in front of a true/honest person").

Among Traditional Chinese star names, Zhenren (真人) is a literary reference to Gamma Ursae Majoris, near the Big Dipper.

In modern Chinese scientific terms for human evolution, zhenren means "true human," as distinct from other primates.

Zhenren is the proper name of several characters in Chinese folklore (such as Taiyi Zhenren); Chinese mythology (Cihang Zhenren), and Chinese literature (Luo Zhenren). Note that Japanese 真人 can be pronounced shinjin in the Daoist sense and Masato (Masato Shimon) or Mahito (Mahito Tsujimura) as a given name.

Linguistics of Zhen

The common Chinese word zhen (真, "true; real; authentic") is linguistically unusual. It was originally written with an ideogram (one of the rarest types in Chinese character classification) depicting "spiritual transformation." It originated in the Daoist classic Dao De Jing and does not appear in the early Confucian classics.


The archaic Chinese character 眞 was reduced into 真, which is the Traditional Chinese character, Simplified Chinese character, and Japanese Kanji. (Note the slight font variation between Chinese and Japanese .) This modern character 真 appears to derive from wu (兀, "stool") under zhi (直, "straight"), but the ancient 眞 has hua (匕, "upside-down person); transformation" (ren 人 "person" backwards) at the top, rather than shi (十, "10"). This antiquated zhen (眞) derives from Seal Script characters (4th-3rd centuries B.C.E.), It is tentatively identified in the earlier Bronzeware script (with 匕 over ding 鼎 "cooking vessel; tripod; cauldron") and unidentified in the earliest Oracle bone script.

Xu Shen's Shuowen Jiezi (122 C.E.), the first Chinese dictionary of characters, gives Small seal script and Guwen forms of zhen (眞), noting origins in Daoism. It defines 眞 as "A xian (Daoist "transcendent; immortal") transforming shape and ascending into Heaven" (僊人變形而登天也), and interprets 眞 as an ideogram with 匕 "upside-down person," 目 "eye," and ∟ "conceal" representing the xian plus 八 representing the conveyance. In Coyle's interpretation,

The etymological components suggest transforming to a higher level of character, thus genuineness is to be conceived as fundamentally transformational, that is, as an ongoing process of change. As Wang Bi's (226-249 C.E.) commentary to the Yijing suggests, zhen is in "constant mutation." By envisioning a new image, it appears, with zhen, the writers of the Laozi and Zhuangzi wanted to distinguish their teaching from others. (Coyle, 1998, 198)

Duan Yucai's Shuowen commentary (1815 C.E.) confirms that zhen originally depicted a Daoist zhenren and was semantically extended to mean cheng (誠, "sincere; honest; true; actual; real"). It explains the ideographic components in Daoist xian terms, 匕 for hua (化, "change; transformation") (see the Huashu), the "eyes" (目, vision" in neidan practices), "conceal" (∟) for invisibility; and it notes three traditional xian conveyances into the heavens (qi, Chinese dragon, and qilin).

Duan differentiates two semantic sets of words written with the zhen 真/眞 phonetic element and different radicals. The first words basically mean chongshi (充實, "real; solid; substantial; substantiate; fill out; strengthen").

  • tian 塡/填 "fill in; fill up; stuff; block" (土, "soil" radical)
  • tian 鎭 "weigh down; press upon; control" (金, "metal")
  • tian 闐 "full; abundant; rumbling sound" (門, "gate; door")
  • zhen 瑱 "earplug; earring" (玉, "jade")
  • zhen 縝 "fine; close woven; careful" (糸, "silk")
  • cao or shen 愼 "careful; cautious; circumspect" (心, "heart")

The second set of words basically mean ding 頂 "crown (of head); top; tip; summit; prop up; fall down."

  • dian 顚/顛 "top of the head; fall on the head; totter; tumble" (頁, "head" radical)
  • dian 巓/巔"mountain peak; summit; fall down" (山, "mountain")
  • dian 傎 "topple; overthrow; fall" (人, "person")
  • dian 蹎 "stumble; trip; fall" (足, "foot")
  • dian 癲/厧 "crazy; demented; epileptic" (疒, "sickness")
  • zhen 槇 "tip of a tree; fallen tree" (木, "tree")


The Modern Standard Chinese pronunciation of 真 is zhēn "true; real." Reconstructed Middle Chinese and Old Chinese pronunciations include tyĕn < *tśyĕn (Bernhard Karlgren), tśiɪn < *tjien (Zhou Fagao), tʃiĕn < *tien (Tōdō Akiyasu, 1964), or tśin < *tin (Axel Schuessler).

Tōdō (1964, 743-745) envisions that the original "upside-down zhenren" ideograph pictured a sacrificial victim zhen 眞 "falling into; fitting into" a burial pit being tian 塡 "filled in," and proposes an etymon of *TEN "completely full; stuffed" (expanding upon Duan Yucai's examples above).

Schuessler's etymological dictionary (2007, 610) cites Ming Dynasty and Yuan Dynasty transcriptions of tʂin. It suggests etymological connections with Tibetan bden-pa ("true") (see Two truths doctrine) and possibly Chinese zhēn (貞, "divination, divine; test; verify; faithful; loyal").


The root word of zhenren is zhen 真 "true; real; factual; genuine; authentic; actual; really; truly; indeed," which has a special Daoist meaning of a person's "true, original, undamaged character."

The Hanyu Da Zidian, which lists meanings in order of historical development, defines 15 for zhen:

  1. 道家称“修真得道”或“成仙”的人。 [Daoist term for a person who has "cultivated perfection and attained the Dao" or "become a xian".]
  2. 精;淳。[Jing; essence; spirit; perfection; purity; simplicity.]
  3. 本来的,固有的。[Original; real; intrinsic, innate, inherent.]
  4. 本原;本性。[Principle; natural property; natural instincts; natural character; inherent quality; inborn nature.]
  5. 真实。[Real; genuine; true; authentic.]
  6. 真诚,诚实。[Sincere; real; honest; true.]
  7. 正。[Correct; right, straight.]
  8. 身。[Body; person; life.]
  9. 肖像。摹画的人像。[Portrait; portraiture; image.]
  10. 古代指实授官职为真。[Ancient term for a permanent (i.e., not temporary) government position.]
  11. 汉字楷书的别称。[Term for Regular script in Chinese calligraphy.]
  12. 真切;清楚。[Vivid; clear; distinct; sure; unambiguous.]
  13. 古州名。[Name of Zhen prefecture (Tang Dynasty).]
  14. 通“填 (tián)”。[Used for tián "fill in; stuff".]
  15. 姓。[A surname.]

According to this historical dictionary of Chinese characters, the first occurrences of zhen are in Daoist classics. The Dao De Jing uses it in meaning 2 and the Zhuangzi uses zhen in meanings 1, 3, 4, 5, 6, and 8.

Zhen 真 "true; real" originally occurs three times in the Tao Te Ching (ca. fourth-third centuries B.C.E.?), where Coyle says,

[I]t is employed as a special term to contrast with the transitoriness and superficiality of "man-made" formalities. In this novel approach, "genuineness" is not understood as any sort of "unchanging reality," but rather has to do with change and "cultivation." The first time we encounter zhen in the Inner Chapters [see Zhuangzi 2 below] is in the context of the flux and interrelatedness of life and death, where "genuineness" is something ever-present, yet without any apprehensible fixed "identity." (Coyle, 1998, 197)

One of these three zhen usages describes Dao ("Way") and the other two describe De ("integrity; virtue").

How cavernous and dark! Yet within it there is an essence. Its essence is quite real; Within it there are tokens. (21, tr. Mair, 1990, 85)

The greatest whiteness seems grimy. Ample integrity seems insufficient. Robust integrity seems apathetic. Plain truth seems sullied. (41, tr. Mair, 1990, 7)

Cultivated in the person, integrity is true. Cultivated in the family, integrity is ample. Cultivated in the village, integrity lasts long. … (54, tr. Mair, 1990, 23)

Zhenren interpretations

Generations of Western researchers have struggled with translating and explaining the Daoist technical expression zhenren.


Zhuangzi translators and scholars have variously rendered zhenren (真人) into English as:

  • "Divine Man"—Frederic H. Balfour 1881
  • "true man"—James Legge 1891; Yu-Lan Fung 1933; Victor H. Mair 1994
  • "pure man"—Herbert Giles 1926
  • "God's Man"—James R. Ware 1963
  • "True Man"—Burton Watson 1968; A.C. Graham 1981
  • "Perfected Person"—Lee Yearley 1983
  • "Perfect Man"—Toshikiko Izutsu 1984
  • "realized beings"—David McCraw 1995
  • "Authentic Person"—Roger T. Ames 1998; James D. Sellmann 1998
  • "Genuine Person"—Daniel Coyle 1998

Note the diachronic improvements of these zhenren translations. In Chinese, ren (人) means "person; people; human" and not "man," which is nan 男 "man; male"

Roger T. Ames uses the word "authentic" to translate zhen because etymologically zhen implies both "authenticity" and "transformation." A zhenren is someone who is able to express personal integrity and uniqueness in the context of a transforming world. “Authentic,” which has the same Greek root (aut; “primary, original, first-hand”) as the word “author,” emphasizes the role of the zhenren in creating human order and knowledge.[8] Daniel Coyle asserts that the Zhuangzi avoids the concept of “human agency” and that “genuine” is a more appropriate translation than “authentic.” [9]

There are semantic advantages to English translations of zhenren as a "Person" who is "Perfected," "Realized," or "Genuine." Another possibility is "Actualized Person" in the psychological sense of self actualization.

Modern Western interpretations

More than two thousand years after it was first articulated in China, the concept of “zhenren” continues to intrigue and inspire thinkers of many philosophical backgrounds. As Daoism has gained popularity and taken new directions in the West, a number of Western scholars have attempted to explain “zhenren” in their own words.

Evan S. Morgan, writing during the first half of the twentieth century described “zhenren” in this way:

The Perfect Man of the Taoist system, always acts in the spirit of wu wei, of apparently doing nothing. He withdraws from the active arena of affairs and retires into seclusion and does not interfere in public agitations and turmoil; but, as we have already seen, their influence is very effective. The silence they observe carries out the Tao of wu wei, which is of priceless value. But merely learned persons do not appreciate this method nor understand the value of the wu wei method: and they engage in purposeless discussions and the vanity of words.[10]

More recent Western scholars of Daoism have reinterpreted the concept of "zhenren" in terms of modern trends in psychology and self-realization. Lee Yearley characterized the zhenren as possessing intraworldly mysticism, centered responsiveness, the "mind as a mirror" image, and subtle detachment, and as viewing life as an "esthetic panorama."[11]

Toshihiko Izutsu interprets the Perfect Man as “in every respect a Perfect image of Heaven and Earth, i.e., the Way as it manifests itself as the world of Being,"[12]and analyzes the zhenren in terms of "unperturbedness," flexibility, and detachment:

Such being his basic spiritual state, the Perfect Man perceives in the whole world nothing to disturb his cosmic balance of mind, although he does notice accurately all things that happen to him and to others. He does participate in the activities of the world together with all other men, yet at the same time, at the very core of his heart, he remains detached from the clamor and bustle of the world. Calmness and tranquility are the most salient features that characterize both the inside and outside of the Perfect Man.[13]

Alan Fox believes that the concept of zhenren is an inspiration to become immersed in the world rather than transcendentally detached.

“Therefore it can be said that the Zhuangzi describes the behavior and attitude of what we might call the "perfectly well-adjusted person," someone who is perfectly at ease in all situations. It is not clear, however, if Zhuangzi thinks that everyone should be like this, or that everyone could be like this, or that anyone could be like this. To generalize in this fashion would itself be inconsistent with the nonformulaic personality of the text. Instead, the text simply presents us with strange and unsettling, though ultimately fascinating and compelling, stories that disturb our balance and force us to adjust. In this way, reading the text becomes a transformative project in itself.”[14]

The concept of a "true man" or "ideal man" has relevance for modern thinkers just as it did for ancient Chinese thinkers, although the qualities and attributes of such an ideal person may be different in a modern context. Ancient or modern, the concept encompasses reaching the full potential of man, and overcoming or rising above the disturbances of everyday life.

See also


  1. Kunio Miura. "Zhenren 真人," in The Encyclopedia of Taoism, Fabrizio Pregadio, ed., (Routledge, 2007), 1266
  2. Charles Le Blanc. Huai-nan Tzu: Philosophical Synthesis in Early Han Thought: The Idea of Resonance '(Kan-Ying)' With a Translation and Analysis of Chapter Six. (Hong Kong University Press, 1985), 195
  3. Le Blanc, 150, quote: “The point of the two Huai-nan tzu fables seems to be that in times of peace the True Man does not reveal his inner greatness. This is a Taoist tenet consistent with the ineffability of Tao. So, petty men of limited scope and skills deride the True Man, who is untrained in any particular skill. But in periods of imminent chaos (the clash of darkness and light, of Yin and Yang) the True Man suddenly manifests world-shaking power (universal resonance) and completely overwhelms his detractors.”
  4. “From the period of the Han to the Six Dynasties the zhenren took on a more religious significance, becoming one of the linchpins of "Daoism." Movements of alchemy, life-prolonging techniques, and the quest for "immortality" flourished, yet most mystical allusions remained firmly ground in the Zhuangzi. From the Zhuangzian perspective, the religious experience (etymologically, "that which binds together") becomes a personal rapture that elevates one from the microcosmic to an altogether macrocosmic perspective – a perspective that affirms continuity as the fabric of unity – that somehow binds one to the totality of existence in a personal integration and affirmation of all.” Daniel Coyle, "On the Zhenren." in Roger T. Ames. Wandering at Ease in the Zhuangzi. (State University of New York Press. 1998. ISBN 9780791439210), 205
  5. Kunio Miura. "Zhenren 真人," in The Encyclopedia of Taoism, Fabrizio Pregadio, ed., (Routledge, 2007), 1266
  6. Miura, 2007, 1265
  7. tr. Miura, 2007, 1265
  8. “The common translations of zhenren – "True Man" or "Real Man" – belies the fact that etymologically zhen implies both "authenticity" and "transformation." That is, whatever the human exemplar might be, he or she is one who is able to express personal integrity and uniqueness in the context of a transforming world. The choice of "authentic" to translate zhen is calculated. With the same root as "author," it captures the primacy given to the creative contribution of the particular person. It further registers this contribution as what is most fundamentally "real" and "true."It is because of the primacy of the "authorship" of the "authentic person" in creating human order that "there must be the Authentic Person before there can be authentic knowledge." Roger T. Ames. Wandering at Ease in the Zhuangzi. (State University of New York Press, 1998), 2
  9. "Authentic person" works well, conveying the idea of "authorship," but it connotes an idea of "human agency" that Zhuangzi is trying to avoid. "Genuine person" seems to work best as it carries the least amount of "philosophical" baggage. Etymologically, "genuine" comes from the Latin genuinus, "natural," which is akin to gignere, to beget (possibly an alteration of ingenuus, native, or freeborn), and thus connotes a processionality necessary to any Zhuangzian interpretation.” Daniel Coyle, "On the Zhenren," in Ames, 1998, 197-210. 206
  10. Evan S. Morgan, tr. Tao, the Great Luminant: Essays from the Huai Nan Tzu (Kelly and Walsh, 1934), 280 sacred-texts.com. Retrieved January 18, 2009.
  11. Lee Yearley, 1983, "The Perfected Person in the Radical Chuang-tzu," in Experimental Essays on Chuang-tzu, Victor H. Mair, ed., (Honolulu: University of Hawaii Press), 125-139.
  12. Toshihiko Izutsu, "The Perfect Man," 448. in Sufism and Taoism: A Comparative Study of Key Philosophical Concepts. (Berkeley: University of California Press, 1984)
  13. Izutsu, 1984, 454
  14. Alan Fox, "Reflex and Reflectivity; Wuwei in the Zhuangzi," 222. in Hiding the World in the World: Uneven Discourses on the Zhuangzi. Scott Cook, ed., (State University of New York, 2003)

ISBN links support NWE through referral fees

  • Ames, Roger T. Wandering at Ease in the Zhuangzi. State University of New York Press. 1998. ISBN 9780791439210
  • Cleary, Thomas, tr. Wen-tzu: Understanding the Mysteries, Further Teachings of Lao-tzu. Boston: Shambhala. 1991. ISBN 9780877736097
  • Coyle, Daniel. "On the Zhenren." in Ames 1998:197-210.
  • Forke, Anton, tr. Yang Chu's Garden of Pleasure. Wisdom of the East. (1912) Retrieved January 17, 2009.
  • Fox, Alan. "Reflex and Reflectivity; Wuwei in the Zhuangzi," 207-225. in Hiding the World in the World: Uneven Discourses on the Zhuangzi, Scott Cook, ed., State University of New York, 2003. ISBN 9780791458655
  • Giles, Lionel, tr. 1912. Taoist Teachings from the Book of Lieh-Tzŭ. Wisdom of the East. (1912) sacred-texts.com. Retrieved January 17, 2009.
  • Hawkes, David. The Songs of the South: An Anthology of Ancient Chinese Poems by Qu Yuan and Other Poets. Penguin, 1985. ISBN 9780140443752
  • Izutsu Toshihiko. "The Perfect Man," 444-456. in Sufism and Taoism: A Comparative Study of Key Philosophical Concepts. University of California Press, 1984. ISBN 9780520052642
  • Le Blanc, Charles. Huai-nan Tzu: Philosophical Synthesis in Early Han Thought: The Idea of Resonance (Kan-Ying) With a Translation and Analysis of Chapter Six. Hong Kong University Press, 1985. ISBN 9789622091795
  • Mair, Victor H. Tao Te Ching: The Classic Book of Integrity and the Way, by Lao Tzu; an entirely new translation based on the recently discovered Ma-wang-tui manuscripts. Bantam Books, 1990. ISBN 9780553070057
  • Miura, Kunio, "Zhenren 真人," 1265-1266. in The Encyclopedia of Taoism, Fabrizio Pregadio, ed., Routledge, 2007. ISBN 9780700712007
  • Morgan, Evan S., tr. Tao, the Great Luminant: Essays from the Huai Nan Tzu. (Kelly and Walsh. 1934) sacred-texts.com. Retrieved January 31, 2009.
  • Sellmann, James D. "Transformational Humor in the Zhuangzi," in Ames 1998:163-174.
  • Schuessler, Axel. ABC Etymological Dictionary of Old Chinese. Honolulu: University of Hawaii Press, 2007. ISBN 9780824829759
  • (Japanese) Tōdō, Akiyasu 藤堂明保. 1964. Kanji gogen jiten 漢字語源辞典 [Etymological Dictionary of Chinese Characters]. Gakutōsha.
  • Watson, Burton, tr. The Complete works of Chuang Tzu. New York: Columbia University Press, 1968. ISBN 0231031475
  • Yearley, Lee. "The Perfected Person in the Radical Chuang-tzu," 125-139. in Experimental Essays on Chuang-tzu, Victor H. Mair, ed., Honolulu: University of Hawaii Press, 1983. ISBN 9780824808365


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