Berry, Chuck

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(New page: {{Infobox musical artist | Name = Chuck Berry | Img = Chuck-berry-2007-07-18.jpg | Img_capt = Berry in Örebro, Sweden on July 18, 2007. | Img_si...)
 
 
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{{epname|Berry, Chuck}}
 
{{Infobox musical artist
 
{{Infobox musical artist
 
| Name                = Chuck Berry  
 
| Name                = Chuck Berry  
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| Alias              =  
 
| Alias              =  
 
| Background          = solo_singer
 
| Background          = solo_singer
| Born                = {{birth date and age|1926|10|18}}<br/>[[St. Louis, Missouri]], [[United States of America|USA]]
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| Born                = {{birth date|1926|10|18}}<br/>[[St. Louis, Missouri]], [[United States of America|USA]]
| Died                =  
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| Died                = {{death date and age|mf=yes|2017|3|18|1926|10|18}}
 
| Instrument          = [[Guitar]], [[singer|Vocals]]
 
| Instrument          = [[Guitar]], [[singer|Vocals]]
 
| Genre              = [[Rock and roll]]
 
| Genre              = [[Rock and roll]]
 
| Occupation          = [[Guitarist]], [[Songwriter]]
 
| Occupation          = [[Guitarist]], [[Songwriter]]
| Years_active        = 1955 - present
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| Years_active        = 1955 - 20017
 
| Label              = [[Chess Records|Chess]]<br />[[Mercury Records|Mercury]]<br />[[Atco Records|Atco]]
 
| Label              = [[Chess Records|Chess]]<br />[[Mercury Records|Mercury]]<br />[[Atco Records|Atco]]
 
| Associated_acts    =  
 
| Associated_acts    =  
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'''Charles Edward Anderson "Chuck" Berry''' (born October 18 1926 in [[St. Louis, Missouri]]) is an American [[guitarist]], [[singer]] and [[songwriter]].  
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'''Charles Edward Anderson "Chuck" Berry''' (October 18, 1926 - March 18, 2017) was an American [[guitarist]], [[singer]], and [[songwriter]]. In terms of performance, song-writing, and guitar playing, Berry is considered one of, if not the greatest of the pioneer [[rock-and-roll]] artists. His catalog of early rock hits includes some of the most iconic songs of the genre, many of which became hits again when covered by later artists. The [[The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll|Rock and Roll Hall of Fame]] includes three of Berry's songs—"[[Johnny B. Goode]]," "[[Maybellene]]," and "[[Rock & Roll Music]]"—among its "500 Songs that Shaped Rock and Roll." Other classic hits for Berry include "Roll Over Beethoven," "Sweet Little Sixteen," [[School Days]], and "Memphis, Tennessee."
  
Chuck Berry is an influential figure and one of the pioneers of [[rock and roll]] music. According to [[the Rock and Roll Hall of Fame]]'s [[website]], "While no individual can be said to have invented rock and roll, Chuck Berry comes the closest of any single figure to being the one who put all the essential pieces together."<ref>{{cite web| title = Chuck Berry| publisher = The Rock and Roll Hall of Fame and Museum| url =http://www.rockhall.com/inductee/chuck-berry}}</ref> [[Cub Koda]] wrote, "Of all the early breakthrough rock & roll artists, none is more important to the development of the music than Chuck Berry. He is its greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers."<ref>{{cite web
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Known as the "Poet Laureate of Rock and Roll," Berry's string of hits in the mid-late 1950s came to an end when he ran afoul of the law in 1959 and spent the next several years in a youth reformatory. He continued to reach high on the pop charts after his release in 1963 with songs like "[[No Particular Place To Go]]," "[[You Never Can Tell (song)|You Never Can Tell]]," and "[[Nadine]]." In 1972, he reached number one with a live recording of "[[My Ding-a-Ling]]." A perennial favorite as a live performer, he toured constantly in the 1970s and 1980s except for another break to serve time in [[prison]] in 1979.  
|url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:iya9ke9t7q7n~T1
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{{toc}}
|title=Chuck Berry biography
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Berry was among the first musicians to be inducted into the [[Rock and Roll Hall of Fame]] on its opening in 1986. He received [[Kennedy Center Honors]] in 2000. In 2004, ''[[Rolling Stone]]'' ranked him number five on their list of "The Immortals: The First Fifty." He was also ranked sixth on ''Rolling Stone'''s list of 100 Greatest Guitarists of All Time.
|publisher=allmusic
 
|accessdate=2006-10-05
 
}}</ref>  [[John Lennon]] was more succinct: "If you tried to give rock and roll another name, you might call it 'Chuck Berry'."<ref>{{cite web
 
|url=http://www.brainyquote.com/quotes/authors/j/john_lennon.html
 
|title=Brainy Quote - John Lennon
 
|publisher=
 
|accessdate=2006-10-05
 
}}</ref>
 
 
 
Berry was among the first musicians to be inducted into the [[Rock and Roll Hall of Fame]] on its opening in 1986. He received [[Kennedy Center Honors]] in 2000 in a "class" with [[Mikhail Baryshnikov]], [[Plácido Domingo]], [[Angela Lansbury]], and [[Clint Eastwood]]. In 2004, ''[[Rolling Stone]]'' ranked Chuck Berry #5<ref>{{cite web| title = Chuck Berry | work = Joe Perry. Rolling Stone Issue 946| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5939208/5_chuck_berry}}</ref> on their list of The Immortals: The First Fifty.<ref>{{cite web| title = The Immortals: The First Fifty| work = Rolling Stone Issue 946| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty}}</ref> He was also ranked 6th on Rolling Stone's 100 Greatest Guitarists of All Time.<ref>{{cite web| title = The 100 Greatest Guitarists of All Time| work = Rolling Stone Issue 931| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5937559/the_100_greatest_guitarists_of_all_time/}}</ref>
 
 
 
The [[The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll|Rock and Roll Hall of Fame]] included three of Chuck Berry's songs ([[Johnny B. Goode]], [[Maybellene]], [[Rock & Roll Music]]), of the 500 songs that shaped Rock and Roll.<ref>[http://www.rockhall.com/exhibithighlights/500-songs/ The 500 Songs That Shaped Rock and Roll]</ref>
 
  
 
==Biography==
 
==Biography==
===Early life, and first arrest and conviction (1926-1947)===
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===Early life and career===
Born in [[St. Louis, Missouri]], [[USA]] <ref>[http://www.history-of-rock.com/berry.htm Chuck Berry<!-- Bot generated title —>]</ref> Berry was the third child in a family of six. He grew up in the north St. Louis neighborhood known as "The Ville," an area where many middle class St. Louis blacks lived at the time. His father was a contractor and a deacon of a nearby [[Baptist]] church, his mother a qualified principal. His [[middle class]] upbringing allowed him to pursue his interest in music from an early age and he made his first public performance while still at [[Sumner High School (St. Louis)|Sumner High School]].<ref>Weinraub, Bernard. [http://query.nytimes.com/gst/fullpage.html?res=950CEEDD113DF930A15751C0A9659C8B63&sec=&spon=&pagewanted=3] "Sweet Tunes, Fast Beats and a Hard Edge," ''[[The New York Times]]'', February 23, 2003. Accessed December 11, 2007. "A significant moment in his early life was a musical performance in 1941 at Sumner High School, which had a middle-class black student body."</ref>
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Born in [[St. Louis, Missouri]], [[USA]], Berry was the third child in a family of six. He grew up in the north St. Louis neighborhood known as "The Ville," where many middle-class blacks lived at the time. His father was a [[contractor]] and a [[deacon]] of a nearby [[Baptist church]], while his mother worked as a school principal. His [[middle-class]] upbringing allowed him to pursue his interest in music from an early age, and he made his first public performance while still in high school.
 
 
In 1944, before he could graduate, he was arrested and convicted of [[armed robbery]] after taking a joy ride with his friends to [[Kansas City, Missouri]]. In his 1987 autobiography, ''Chuck Berry: The Autobiography,'' he retells the story that his car broke down on the side of a highway and, not having a way home, flagged down a passing car. Berry attempted to commandeer the man's car at gunpoint with a non functional pistol. The carjacked man called the police from a nearby pay phone who quickly pulled over Berry in the car and arrested him and his friends.{{specify|Dec 2007}} Berry was released from the Intermediate Reformatory for Young Men at Algoa, near Jefferson, Missouri on his 21st birthday in 1947.<ref>[http://www.history-of-rock.com/berry.htm Chuck Berry<!-- Bot generated title —>]</ref>
 
 
 
===Early career (1948-1955)===
 
Chuck Berry had been playing [[blues music|the blues]] since his teens and according to the 1987 [[Taylor Hackford]] film "Chuck Berry: Hail! Hail! Rock 'n' Roll,," and used both guitar riffs and grandstanding done earlier by jump blues player [[T. Bone Walker]].<ref>{{cite book|last=Cohn|first=Lawrence|title=Nothing but the Blues: The Music and the Musicians|origmonth=September|origyear=1993|coauthors=Aldin,Mary Katherine; Bastin,Bruce|publisher=Abbeville Press|isdn=978-1558592711|pages=174}}</ref>  By early 1953 Berry was  performing with the Johnnie Johnson Trio, a band that played at a popular club called The Cosmopolitan, in [[East St. Louis, Illinois]] and whose namesake would become Berry's long-time collaborator. Although the band played mostly blues and ballads, the most popular music among whites in the area was hillbilly. Berry wrote, "Curiosity provoked me to lay a lot of our country stuff on our predominantly black audience and some of our black audience began whispering 'who is that black hillbilly at the Cosmo?' After they laughed at me a few times they began requesting the hillbilly stuff and enjoyed dancing to it." <ref>[http://www.history-of-rock.com/berry.htm Chuck Berry<!-- Bot generated title —>]</ref>
 
 
 
Berry's calculated showmanship began luring larger white audiences to the club. He also began singing the songs of [[Nat "King" Cole]] and [[Muddy Waters]]. "Listening to Nat Cole prompted me to sing sentimental songs with distinct diction," he said at Blueberry Hill. "The songs of Muddy Waters impelled me to deliver the down-home blues in the language they came from. When I played hillbilly songs, I stressed my diction so that it was harder and whiter. All in all, it was my intention to hold both the black and the white clientele by voicing the different kinds of songs in their customary tongues." <ref>[http://www.geocities.com/allaboard70/CB2003.html Chuck Berry News<!-- Bot generated title —>]</ref>
 
 
 
In May 1955, Berry traveled to Chicago where he met Waters himself, who suggested he contact [[Leonard Chess]] of [[Chess Records]]. Berry thought his blues material would be of most interest to Chess, but to his surprise it was an old country and western recording by [[Bob Wills]], entitled "Ida Red" that got Chess's attention. In recent years, Chess had seen the blues market shrink and was looking to move beyond the [[rhythm and blues]] market, and he thought Berry might be that artist who could do it. So on May 21, 1955 Berry covered "Ida Red" (renamed "[[Maybellene]]") with Johnny Johnson, Jerome Green (from [[Bo Diddley]]'s band) on the maracas, Jasper Thomas on the drums and blues legend [[Willie Dixon]] on the bass. "Maybellene" sold over a million copies, reaching #1 on Billboard's Rhythm and Blues chart and #5 on the Hot 100.
 
<ref>[http://www.history-of-rock.com/berry.htm Chuck Berry<!-- Bot generated title —>]</ref><ref>[http://www.die-rock-and-roll-ag.de/html/chuck_1955-56.html Chuck 1955-56<!-- Bot generated title —>]</ref>
 
 
 
===Ascent to stardom (1956-1959)===
 
At the end of June 1956, his song "[[Roll Over Beethoven]]" reached #29 on the ''[[Billboard]] Top 100'' chart.
 
 
In 1956 Berry toured as one of the "Top Acts of '56." He and [[Carl Perkins]] became friends. Perkins said that "I knew when I first heard Chuck that he'd been affected by country music. I respected his writing; his records were very, very great." As they toured, Perkins discovered that Berry not only liked country music, but knew about as many songs, and [[Jimmie Rodgers]] was one of his favorites. "Chuck knew every Blue Yodel," and most of [[Bill Monroe]]'s songs as well. Perkins remembered, "He told me about how he was raised very poor, very tough. He had a hard life. He was a good guy. I really liked him."
 
<ref>Go, Cat, Go! by Carl Perkins and David McGee 1996 pages 215,216 Hyperion Press ISBN 0-7868-6073-1</ref>
 
 
 
In the autumn of 1957 Berry joined the [[Everly Brothers]], [[Buddy Holly]], and other rising stars of the new rock and roll to tour the United States. The hits continued from 1957 to 1959, with Berry scoring over a dozen chart singles during this period, including the top 10 U.S. hits "[[School Days]]," "[[Rock and Roll Music]]," "[[Sweet Little Sixteen]]," and "[[Johnny B. Goode]]." Author/producer [[Robert Palmer (author/producer)|Robert Palmer]] wrote that Berry’s songs tended to feature [[country and western]] inflected light blues melodies, along with plenty of guitar twang. He also had a taste for the "[[Spanish tinge]]," as in "La Juanda" and "Havana Moon."
 
 
 
Berry appeared in two early rock 'n' roll movies. The first was ''Rock Rock Rock,'' released in 1956. He is shown singing "You Can't Catch Me." [http://www.imdb.com/title/tt0049684/] He had a speaking role as himself in the 1959 film ''Go, Johnny, Go!'' along with [[Alan Freed]], and also shown performing his songs "Johnny B. Goode," "Memphis, Tennessee," and "Little Queenie." <ref>[http://www.imdb.com/title/tt0051665/ Go, Johnny, Go! (1959)<!-- Bot generated title —>]</ref>
 
 
 
===Second jail term (1959-1963)===
 
[[Image:Chuck Berry51.JPG|thumb|left|130px|Berry in Deauville France in 1987]]
 
By the end of the 1950s, Berry was an established star with several hit records and film appearances to his name, as well as a lucrative touring career. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand.
 
  
But in December 1959, Berry encountered legal problems after he invited a 14-year-old [[Apache]] waitress whom he met in [[Mexico]] to work as a hat check girl at his club. After being fired from the club, the girl was arrested on a [[prostitution]] charge and Berry was arrested under the [[Mann Act]]. After a trial and retrial, Berry was convicted, fined $5,000, and sentenced to five years in [[prison]]. This event, coupled with other early rock and roll scandals such as [[Jerry Lee Lewis]]'s marriage to his 13-year-old cousin and [[Alan Freed|Alan Freed's]] [[payola]] conviction gave rock and roll an image problem that limited its acceptance into mainstream U.S. society.
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However, in 1944, before he could graduate, Berry was arrested and convicted of [[armed robbery]] in a car-jacking episode with two friends. Sentenced to ten years, he was released early from the Intermediate Reformatory for Young Men at Algoa, near Jefferson, Missouri on his twenty-first birthday in 1947.
  
===Career resurgence (1963-1965)===
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Berry had been playing [[blues music|the blues]] since his teens and inherited some of both the guitar riffs and grandstanding done earlier by jump-blues player [[T. Bone Walker]]. By early 1953, he performed with the Johnnie Johnson Trio at a popular club called The Cosmopolitan, in [[East St. Louis]]. He also played [[country music]], sometimes provoking comments from his predominantly black audiences about the "that black [[hillbilly]] at the Cosmo."
When Berry was released from prison in 1963, his musical career enjoyed a resurgence due to many of the [[British invasion]] acts of the 1960s &mdash; most notably the [[Beatles]] and the [[Rolling Stones]] &mdash; releasing cover versions of Berry's songs. Additionally, The [[Beach Boys]]' hit "[[Surfin' USA (song)|Surfin' USA]]," while originally credited as composed by [[Brian Wilson]], is in large part a direct copy of Berry's "[[Sweet Little Sixteen]]." Berry has since been given full writer credit (both lyrics and music) on the track.
 
  
In 1964&ndash;65 Berry resumed recording and placed six singles in the U.S. Hot 100, including "[[No Particular Place To Go]]" (#10), "[[You Never Can Tell (song)|You Never Can Tell]]" (#14), and "[[Nadine]]" (#23).
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Berry's calculated showmanship soon began luring larger white audiences to the club. Included in his repertoire were songs ranging from [[Nat "King" Cole]] to [[Muddy Waters]].
  
===Exit and return to Chess (1966-1972)===
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===Ascent to stardom===  
In 1966 Berry left Chess Records, moving to the [[Mercury Records|Mercury]] label.<ref name="Rock and Roll Hall of Fame">[http://www.rockhall.com/inductee/chuck-berry Chuck Berry<!-- Bot generated title —>]</ref> During his brief time at Mercury, he recorded several albums, including an album of re-recordings of his Chess hits, and an album dominated by an 18-minute-long instrumental, "Concerto in B. Goode."  
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In May 1955, Berry traveled to [[Chicago]] where he met Waters himself, who suggested he contact [[Leonard Chess]] of [[Chess Records]]. Berry thought his blues material would be of most interest to Chess. To his surprise it was an old [[country-and-western]] recording by [[Bob Wills]], entitled "Ida Red," that got Chess's attention. Chess had seen the blues market shrink and was looking to move beyond the [[rhythm and blues]] market, and he thought Berry might be the artist who could do it. The result was the "Ida Red"-inspired "[[Maybellene]]," with [[Johnny Johnson]] on [[piano]], [[Jerome Green]] (from [[Bo Diddley]]'s band) on [[maracas]], Jasper Thomas on drums, and blues legend [[Willie Dixon]] on [[bass]]. "Maybellene" sold over a million copies, reaching number one on Billboard's [[Rhythm and Blues]] chart and number five on the pop "Hot 100".
For a variety of reasons&mdash;including changing musical tastes and different production techniques&mdash;the hits dried up for Chuck during the Mercury era.  
 
  
He was still a top concert draw, however, and in July 1969 Berry was the headliner of the [[Schaefer Music Festival]] in [[New York City]]'s [[Central Park]], along with [[The Byrds]], [[Miles Davis]], [[Fleetwood Mac]], [[Led Zeppelin]], [[B.B. King]], [[The Beach Boys]], [[Frank Zappa]] and [[Patti LaBelle]].
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At the end of June 1956, Berry's song "[[Roll Over Beethoven]]" reached number 29 on the ''[[Billboard]] Top 100'' chart, and his touring show was one of the nation's top acts. When he and [[rockabilly]] artist [[Carl Perkins]] toured together, Perkins discovered that Berry truly liked country music and that [[Jimmie Rodgers]] was one of his favorites. "Chuck knew every Blue Yodel" and most of [[Bill Monroe]]'s songs as well, Perkins said.
  
After a hitless four-year stint at Mercury, Berry returned to Chess from 1970 to 1973. Although his 1970 Chess effort ''Back Home'' yielded no hit singles, in 1972 Chess released a new live recording of "[[My Ding-a-Ling]]," a song Berry had initially recorded years earlier as a novelty track. The track became Berry's only No. 1 single, and it remains popular today. A live recording of "[[Reelin' And Rockin']]" was also issued as a follow-up single that same year and would prove to be Berry's final top-40 hit in both the U.S. and the UK. Both singles were featured on the part-live/part-studio album "[[The London Chuck Berry Sessions]]" which was part of a series of several albums by that title which included other Chess mainstay artists [[Muddy Waters]] and [[Howlin' Wolf]].
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In the autumn of 1957, Berry joined the [[Everly Brothers]], [[Buddy Holly]], and other rising stars of [[rock and roll]] to tour the [[United States]]. His hits continued from 1957 to 1959, with Berry scoring over a dozen chart singles during this period, including the Top-10 U.S. hits "[[School Days]]," "[[Rock and Roll Music]]," "[[Sweet Little Sixteen]]," and "[[Johnny B. Goode]]."
  
Berry's second tenure with Chess ended with the 1973 album ''Bio'', after which he did not make a studio record for 6 years.
+
Berry appeared in two early rock movies. The first was ''Rock Rock Rock,'' released in 1956, where he is shown singing "You Can't Catch Me." He had a speaking role as himself in the 1959 film ''Go, Johnny, Go!'' along with [[Alan Freed]], and is also shown performing his songs "Johnny B. Goode," "Memphis, Tennessee," and "Little Queenie."
  
===Touring as Chuck Berry, the legend (1970s)===
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===Prison and resurgence===
In the 1970s Berry toured on the basis of his earlier successes. He was on the road for many years, carrying only his [[Gibson Guitar Corporation|Gibson]] guitar, confident that he could hire a band that already knew his music no matter where he went. The All Music Guide has said that in this period his "live performances became increasingly erratic, [...] working with terrible backup bands and turning in sloppy, out-of-tune performances" which "tarnished his reputation with younger fans and oldtimers" alike. [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:hifyxqw5ldse~T1]
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[[Image:Chuck Berry51.JPG|thumb||200px|Berry in Deauville France in 1987]]
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By the end of the 1950s, Berry was an established star. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand.
  
Among the many bandleaders performing this backup role were [[Bruce Springsteen]] and [[Steve Miller (musician)|Steve Miller]] when each was just starting their careers. Springsteen related in the video ''[[Hail! Hail! Rock 'n' Roll]]'' that Berry did not even give the band a set list and just expected the musicians to follow his lead after each guitar intro. Neither did he either speak to or thank the band after the show. Nevertheless, Springsteen backed Berry again when he appeared at the concert for the [[Rock and Roll Hall of Fame]] in 1995.  
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In December 1959, however, he encountered serious legal problems after he invited a 14-year-old [[Apache]] waitress whom he met in [[Mexico]] to work as a hat-check girl at his club. After being fired from the club, the girl was arrested on a [[prostitution]] charge, and Berry was arrested under the [[Mann Act]]. After two trials, Berry was convicted, fined $5000, and sentenced to five years in [[prison]]. This event, coupled with other early rock-and-roll scandals such as [[Jerry Lee Lewis]]'s marriage to his 13-year-old cousin and [[Alan Freed|Alan Freed's]] [[payola]] conviction contributed to rock and roll's image problem that limited its acceptance into mainstream U.S. society.
  
===Third jail term, White House performance and final studio album  (1979)===
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When Berry was released from [[prison]] in 1963, his musical career enjoyed a resurgence due his songs being covered by many of the [[British invasion]] acts of the 1960s &mdash; most notably the [[Beatles]] and the [[Rolling Stones]]. Additionally, The [[Beach Boys]]' hit "[[Surfin' USA (song)|Surfin' USA]]" also paid homage to Berry's by borrowing the melody to "[[Sweet Little Sixteen]]."
Berry's type of touring style, traveling the "oldies" circuit in the 1970s &mdash; where he was often paid in cash by local promoters &mdash; added ammunition to the [[Internal Revenue Service]]'s accusations that Berry was a chronic [[income tax]] evader. Facing criminal sanction for the third time, Berry pleaded guilty to [[tax evasion]] and was sentenced to four months imprisonment and 1,000 hours of community service &mdash; doing [[benefit concert]]s &mdash; in 1979.
 
  
At the request of [[Jimmy Carter]], Chuck Berry performed at [[The White House]] on June 1, 1979. <ref name="Rock and Roll Hall of Fame">[http://www.rockhall.com/inductee/chuck-berry Chuck Berry<!-- Bot generated title —>]</ref>  Also in 1979, Berry released ''Rockit'' for [[Atco Records]], his last studio album to date.
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In 1964&ndash;65 Berry resumed recording and placed six singles in the U.S. Hot 100, including "[[No Particular Place To Go]]" (number 10), "[[You Never Can Tell (song)|You Never Can Tell]]" (number 14), and "[[Nadine]]" (number 23).
  
===The post-studio era (1980-2000)===
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In 1966, Berry left Chess Records, moving to the [[Mercury Records|Mercury]] label. The hits stopped coming during the Mercury era, but he was still a top concert draw. In July 1969 Berry was the headliner of the [[Schaefer Music Festival]] in [[New York City]]'s [[Central Park]], along with [[The Byrds]], [[Miles Davis]], [[Fleetwood Mac]], [[Led Zeppelin]], [[B.B. King]], [[The Beach Boys]], [[Frank Zappa]], and [[Patti LaBelle]].
Berry continued to play 70 to 100 one-nighters per year in the 1980s, still travelling solo and requiring a local band to back him at each stop.  
 
  
[[Image:ChuckBerry1997.jpg|right|thumb|200px|Berry performing live in 1997]]In 1986, [[Taylor Hackford]] made a [[documentary film]], ''[[Hail! Hail! Rock 'n' Roll]]'', of a celebration concert for Berry's sixtieth birthday. [[Keith Richards]] was the musical leader. [[Eric Clapton]], [[Etta James]], [[Julian Lennon]], [[Robert Cray]] and [[Linda Ronstadt]], among others, appeared with Berry on stage and film. During the concert, Berry played a [[Gibson ES-335#ES-355|Gibson ES-355]], the luxury version of the [[Gibson ES-335|ES-335]] which he favored on his 1970s tours. Richards played a black Fender [[Telecaster]]  Custom, Cray a Fender [[Stratocaster]] and Clapton a Gibson ES 350T, the same guitar Berry used on his early recordings.  
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After a four-year hitless stint, Berry returned to Chess from 1970 to 1973. His 1970 Chess effort ''Back Home'' yielded no hit singles. However, in 1972 Chess released a new live recording of "[[My Ding-a-Ling]]," a song Berry had initially recorded years earlier as a novelty track. The track became Berry's only number one single, and it remains popular today. A live recording of "[[Reelin' And Rockin']]" was also issued as a follow-up single that same year and would prove to be Berry's final top-40 hit in both the US and the UK. Both singles were featured on the part-live/part-studio album "[[The London Chuck Berry Sessions]]." Berry's second tenure with Chess ended with the 1973 album ''Bio,'' after which he did not make a studio record for six years.
  
One of the highlights in the film version was a testy exchange between Richards and Berry on how to set an amplifier for a guitar. [[Image Entertainment]] released a new version of the film in June 2006, which contains the original movie and bonus material such as rehearsals and documentaries.
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===Touring===
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In the 1970s, Berry toured without a traveling band, confident that he could hire musicians that already knew his music no matter where he went. Among the many bandleaders performing this backup role were [[Bruce Springsteen]] and [[Steve Miller (musician)|Steve Miller]], when each was just starting their careers. Springsteen related that Berry did not even give the band a set list and expected the musicians to follow his lead after each guitar intro. This resulted in erratic quality, but audiences were nearly always pleased by Berry's charisma, stage antics, and his classic songs.
  
===Berry's business enterprises (1980s-1990s)===
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Berry's type of touring style, traveling the "oldies" circuit in the 1970s &mdash; where he was often paid in cash by local promoters &mdash; added ammunition to the [[Internal Revenue Service]]'s accusations that Berry was a chronic [[income tax]] evader. Facing criminal sanction for the third time, Berry pleaded guilty to [[tax evasion]] and was sentenced to four months imprisonment and 1000 hours of [[community service]] &mdash; doing [[benefit concert]]s &mdash; in 1979.
In the late 1980s, Berry owned a restaurant in [[Wentzville, Missouri|Wentzville]], Missouri, called The Southern Air.<ref name="History of Rock">[http://www.history-of-rock.com/berrytwo.htm Chuck Berry<!-- Bot generated title —>]</ref> He also owns a custom built estate in Wentzville, which he dubbed Berry Park. For many years, Berry hosted rock concerts throughout the summer at Berry Park. However, he eventually closed the estate to the public due to the riotous behaviour of many of the guests.  
 
  
In 1990 Berry was sued by several women who claimed that he had installed a [[video camera]] in the ladies' bathrooms at two of his [[St. Louis, Missouri|St. Louis]] restaurants. A class action settlement was eventually reached with 59 women on the complaint. Berry's biographer, Bruce Pegg, estimated that it cost Berry over $1.2 million plus legal fees. It was during this time that he began using Wayne T. Schoeneberg as his legal counsel.
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[[Image:ChuckBerry1997.jpg|right|thumb|225px|Berry performing live in 1997]]
  
===Writing credit dispute (2000)===
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At the request of [[Jimmy Carter]], Chuck Berry performed at [[The White House]] on June 1, 1979. In the same year, he released ''Rockit'' for [[Atco Records]], his last studio album to date. Berry continued to play 70 to 100 one night stands per year in the 1980s, still traveling solo and requiring a local band to back him at each stop. In 1986, Berry starred in the [[documentary film]], ''[[Hail! Hail! Rock 'n' Roll]],'' featuring a celebration concert for Berry's sixtieth birthday and produced by [[Taylor Hackford]]. [[Keith Richards]] was the musical leader of the tribute, while [[Eric Clapton]], [[Etta James]], [[Julian Lennon]], [[Robert Cray]], and [[Linda Ronstadt]], among others, appeared with Berry on stage and film.
In November 2000, Berry was sued by his former pianist [[Johnnie Johnson (musician)|Johnnie Johnson]], who claimed that he co-wrote over 50 songs, including "No Particular Place to Go," "Sweet Little Sixteen" and "Roll Over Beethoven," that credit Berry alone. The case was dismissed when the judge ruled that too much time had passed since the songs were written. <ref>{{cite web|author=|title=Rock pioneer Johnson dies aged 80 |publisher=[[BBC News]] Online |url=http://news.bbc.co.uk/1/hi/entertainment/music/4443831.stm|date=2005-04-14|accessdate=2007-11-27}}</ref>
 
  
===Current activities===
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In the spring of 2008, Berry toured Europe, with stops in Sweden, England, Ireland, Switzerland, and Spain. He also played in the Virgin Mobile Music Festival 2008 in Baltimore, Maryland.
Currently, Berry usually performs one Wednesday each month at [[Blueberry Hill (restaurant)|Blueberry Hill]], a restaurant and bar located in the [[Delmar Loop]] neighborhood in [[St. Louis, Missouri|St. Louis]]. In the spring of 2008, Berry toured Europe, with stops in Sweden, England, Ireland, Switzerland and Spain. Was recently announced to play in the Virgin Mobile Music Festival 2008 in Baltimore, MD.
 
  
==Influence==
+
==Last years==
A pioneer of rock and roll, Chuck Berry was a significant influence on the development of early rock and roll guitar techniques and a major catalyst in the [[rhythm and blues]] to [[rock and roll]] transition. He was the first to define the classic subjects of rock and roll in his songwriting; cars, girls and school. His guitar style is legendary and many later guitar musicians acknowledge him as a major influence in their own style. When Keith Richards inducted Berry into the Hall of Fame he said, "It's hard for me to induct Chuck Berry, because I lifted every lick he ever played!." [[Richard Berry]] (no relation) drew on Chuck Berry's "[[Havana Moon]]" as an inspiration for his own song, the now classic "[[Louie Louie]]." John Lennon borrowed a line from Berry's "[[You Can't Catch Me]]" for his song "[[Come Together]]," and was subsequently sued by Berry's [[Music publisher (popular music)|music publisher]] [[Morris Levy]]. Nevertheless, they became good friends and played together on more than one occasion, famously on the [[Mike Douglas]] Show.  
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Berry lived in Ladue, [[Missouri]], approximately 10 miles (16 km) west of St. Louis. He also had a home at "Berry Park," near Wentzville, Missouri, where he lived part-time since the 1950s, and was the home in which he died. This home, with the guitar-shaped swimming pool, is seen in scenes near the end of the film "Hail! Hail! Rock 'n' Roll". He regularly performed one Wednesday each month at Blueberry Hill, a restaurant and bar located in the Delmar Loop neighborhood of St. Louis, from 1996 to 2014.
  
[[Jerry Garcia]], of [[The Grateful Dead]], cited Chuck Berry as a major influence along with other musicians such as [[Wes Montgomery]] and [[Bill Monroe]]. The Grateful Dead have played and recorded "[[Johnny B. Goode]]," "[[Around and Around]]" - AKA - Reelin' and Rockin' and "[[Promised Land]]," at least and possibly others. Jerry Garcia performed "[[Let It Rock]]" on his **''[[Compliments (Jerry Garcia album)|Compliments]]''** - 1974. Both his and the Dead's efforts may have been a little more laid-back, because of the nature of their improvisational approach, but musically they were pretty much bang on the head of the nail.
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Berry announced on his 90th birthday that his first new studio album since ''Rockit'' in 1979, entitled Chuck, would be released in 2017. His first new record in 38 years, it includes his children, Charles Berry Jr. and Ingrid, on guitar and harmonica and is dedicated to his beloved wife of 68 years, Toddy.<ref> Christina Beck, [https://www.csmonitor.com/The-Culture/2016/1018/Chuck-Berry-to-release-new-studio-album-at-90 Chuck Berry to release new studio album at 90] ''Christian Science Monitor'', October 18, 2016. Retrieved August 9, 2019.</ref>
  
[[Angus Young]], of [[AC/DC]], who has cited Berry as one of his biggest influences, is famous for using Berry's [[duck walk]] as one of his gimmicks.  
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==Death==
 +
On March 18, 2017, police in St. Charles County, Missouri, were called to Berry's house, near Wentzville, Missouri, where he was found unresponsive. He was pronounced dead at the scene, aged 90, by his personal physician.  
  
<!-- Deleted image removed: [[Image:Duckwalk.jpg|thumb|left|180px| Chuck Berry's famous [[duckwalk]], often used by [[Angus Young]] of [[AC/DC]] and many other rock guitarists.]] —>Berry was also a large influence on such second generation rockers as [[The Who]] and [[Bob Dylan]]. [[The Beach Boys]]' hit "[[Surfin' USA (song)|Surfin' USA]]" resembled Berry's "[[Sweet Little Sixteen]]" so closely that they were forced to give Berry a co-writing credit in order to avoid a lawsuit. In the 1980s, [[George Thorogood]] created a reasonable career out of what was essentially a Chuck Berry tribute show. Covering a number of Chuck Berry songs and appropriating the duckwalk, Thorogood toured relentlessly as a high-energy, rock and roll revival act.
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His funeral was held on April 9, 2017, at The Pageant, in Berry's hometown of St. Louis, Missouri. He was remembered with a public viewing by family, friends, and fans in The Pageant, a music club where he often performed, with his cherry-red guitar bolted to the inside lid of the coffin and with flower arrangements that included one sent by the Rolling Stones in the shape of a guitar. Afterwards a private service was held in the club celebrating Berry's life and musical career, with the Berry family inviting 300 members of the public into the service.
  
While there is debate about who recorded the [[first rock and roll record]], Chuck Berry's early recordings, including his cover of the 1938 country hit [["Ida Red"]], entitled "[[Maybellene]]" (1955), are among the first fully synthesized [[rockabilly]] singles, combining blues and [[country music]] with lyrics about girls and cars.  
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==Legacy==
 +
Beyond his catalog of classic hits that defined the genre as much as any other performer, Chuck Berry was a significant influence on the development of early rock-and-roll [[guitar]] techniques and a major catalyst in the transition from [[rhythm and blues]] and [[rockabilly]] to [[rock and roll]].  
  
Most of his famous recordings were on Chess Records with pianist [[Johnnie Johnson (musician)|Johnnie Johnson]] from Berry's own band and legendary [[record producer]] Willie Dixon on [[bass guitar|bass]], [[Fred Below]] on [[drums]], and Berry's guitar. It should be noted, however, that [[Lafayette Leake]], not Johnnie Johnson, played the piano on "[[Johnny B. Goode]]," "[[Reelin' and Rockin']]," "[[Sweet Little Sixteen]]," and "[[Rock and Roll Music]]." Additionally, [[Otis Spann]] played the piano on "[[You Can't Catch Me]]" and "[[No Money Down]]."
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He was the first to define the classic subjects of rock and roll in his songwriting: cars, girls, and school. His [[guitar]] style is legendary and many later guitar musicians acknowledge him as a major influence in their own style: "it's not an exaggeration to say that he's the most influential figure on modern rock & roll: Name any major band—the Beatles, the Rolling Stones, Aerosmith—and they'll have cited Berry as an inspiration."<ref>[https://www.rockhall.com/inductees/chuck-berry Chuck Berry] ''Rock & Roll Hall of Fame''. Retrieved August 9, 2019.</ref> [[The Beach Boys]]' hit "[[Surfin' USA (song)|Surfin' USA]]" resembled Berry's "[[Sweet Little Sixteen]]" so closely that they eventually gave Berry a co-writing credit in order to avoid a lawsuit.
  
As quoted in the liner notes of Berry's album ''[[28 Greatest hits]]'', [[Leonard Chess]] recalled:
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Berry was awarded the [[Grammy Lifetime Achievement Award]] in 1984. In 2003, ''Rolling Stone'' named him number six on their list of [[the 100 Greatest Guitarists of All Time]].
  
:"I told Chuck to give it a bigger beat. History, the rest, you know? The kids wanted the big beat, cars and young love. It was a trend and we jumped on it."
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His compilation album ''[[The Great Twenty-Eight]]'' was also named twenty-first on the magazine's list of [[the 500 Greatest Albums of All Time]]. In 2004, six of his songs were included in ''[[Rolling Stones]]'' "[[The 500 Greatest Songs of All Time]]" list, namely "[[Johnny B. Goode]]" (number seven), "[[Maybellene]]" (number 18), "[[Roll Over Beethoven]]" (number 97), "[[Rock and Roll Music]]" (number 128), "[[Sweet Little Sixteen]]" (number 272) and "[[Brown Eyed Handsome Man]]" (number 374). Also in 2004, Berry was rated number five in ''Rolling Stones'' 100 Greatest Artists of All Time feature.
 
 
[[Clive Anderson]] wrote for the compilation ''Chuck Berry &mdash; Poet of Rock 'n' Roll'':
 
 
 
:While Elvis was a country boy who sang "black" to some degree ... Chuck Berry provided the mirror image where country music was filtered through an R&B sensibility.
 
 
 
Throughout his career Berry recorded both smooth ballads like "[[Havana Moon]]" and blues tunes like "[[Wee Wee Hours]]." He recorded more than a dozen Top Ten R&B chart hits, crossed over to have a strong impact on the pop charts with seven top ten U.S. pop hits and four top ten pop hits in the UK and he found his songs being covered by hundreds of blues, country and rock and roll performers.
 
 
 
Berry was awarded the [[Grammy Lifetime Achievement Award]] in 1984.
 
 
 
In 2003, ''Rolling Stone'' named him number six on their list of [[the 100 Greatest Guitarists of All Time]]. <ref>[http://www.rollingstone.com/news/story/5937559/the_100_greatest_guitarists_of_all_time The 100 Greatest Guitarists of All Time : Rolling Stone<!-- Bot generated title —>]</ref>
 
 
 
His compilation album ''[[The Great Twenty-Eight]]'' was also named 21st on the magazine's list of [[the 500 Greatest Albums of All Time]]. <ref>[http://www.rollingstone.com/news/story/5938174/the_rs_500_greatest_albums_of_all_time/ The RS 500 Greatest Albums of All Time : Rolling Stone<!-- Bot generated title —>]</ref>.
 
 
 
In 2004 six of his songs were included in ''[[Rolling Stone]]'''s "[[The 500 Greatest Songs of All Time]]" list, namely "[[Johnny B. Goode]]" (# 7), "[[Maybellene]]" (# 18), "[[Roll Over Beethoven]]" (# 97), "[[Rock and Roll Music]]" (#128), "[[Sweet Little Sixteen]]" (# 272) and "[[Brown Eyed Handsome Man]]" (# 374). <ref>[http://www.rollingstone.com/news/story/6596661/500_greatest_songs/ The RS 500 Greatest Songs of All Time : Rolling Stone<!-- Bot generated title —>]</ref>
 
 
 
Also in 2004, Berry was rated #5 in ''Rolling Stone'''100 Greatest Artists of All Time feature.<ref>[http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty/ The Immortals: The First Fifty : Rolling Stone<!-- Bot generated title —>]</ref>
 
 
 
==Chuck Berry songs==
 
{{Cleanup|date=January 2008}}
 
Many of his songs are among the leading rock and roll anthems:
 
*"[[Johnny B. Goode]]" - the autobiographical saga of a country boy ("colored boy" in the original lyrics) who could "play a guitar just like ringing a bell." It was chosen as one of the greatest achievements of humanity for the [[Voyager Golden Record|Voyager I]] collection of artifacts. The song was also featured in the [[feature film]] ''[[Back to the Future]]''. The band [[The Grateful Dead]] recorded this song in the 1970s. [[Judas Priest]] did so as well in the 80's. ([[Johnny Winter]]'s version boasts "he could play a guitar like a bat out of Hell".)
 
*"[[Rock and Roll Music]]" - recorded by The Beatles on their 1964 album ''[[Beatles for Sale]]'' and by the Beach Boys on their 1976 album ''[[15 Big Ones]]''.
 
*"[[Sweet Little Sixteen]]" - with new lyrics, became a hit for [[The Beach Boys]] as "[[Surfin' USA]]"
 
*"[[Roll Over Beethoven]]" - and "tell [[Pyotr Ilyich Tchaikovsky|Tchaikovsky]] the news" a battle yell for rock and roll. In 1973, new owners of New York City [[classical music]] station [[WAXQ|WNCN]] announced a change of format to [[rock and roll]] by interrupting a performance of the ''[[Mozart Requiem]]'' with "Roll Over Beethoven." The station's classical audience was so outraged they successfully petitioned the [[FCC]] to force a return to the previous format. [http://www.stereophile.com/news/10323/]. The song is referred to in AC/DC's "[[Let There Be Rock (song)|Let There Be Rock]]"; the Beatles recorded it on their 1963 album ''[[With the Beatles]]'' with [[George Harrison]] singing the lead; [[Jeff Lynne]]'s [[Electric Light Orchestra]] made an 8-minute version of this song for their 1973 album's ''[[ELO 2]]''. [[The Sonics]] also covered the song on their album ''[[Here Are the Sonics]]''.
 
*"[[School Days (song)|School Days]]" - its chorus, "[[Hail! Hail! Rock 'n' Roll]]," was chosen as the title of the documentary [[concert film]] organized by [[Keith Richards]] of [[The Rolling Stones]] as his tribute to Chuck, who appears in the film with many others. It was also recorded by "hard" rock & roll band [[AC/DC]] on their second album, [[T.N.T. (album)|T.N.T.]] (Australia). Also, on an album by Matt Groenings "The Simpsons" called "The Simpsons Sing the Blues," a cover is made of this song as Bart Sing/Rapping.
 
*"Let It Rock" - fantasia of gambling railroad workers that lives up to the title, written under the [[pseudonym]] E. Anderson. It is a rare performer who can turn a line like "There's an off-schedule train comin’ two miles out" into a [[Dionysus|Dionysian]] cry. It was famously covered by the Rolling Stones during their 1971 UK Tour and by Yardbirds on their Live at Craw Daddy Club album. Motorhead and the Jerry Garcia Band have also performed it.
 
*"[[Around and Around]]" - describes how "the joint was rockin', goin' 'round and 'round." This song has been recorded by [[David Bowie]], [[The Animals]], [[The Rolling Stones]], [[The Grateful Dead]], and [[Maureen Tucker]] of [[The Velvet Underground]].
 
*"Little Queenie" - covered by many artists, notably the Rolling Stones on the live album ''[[Get Yer Ya-Yas Out]]'' and in 2007 as a duet with [[Jerry Lee Lewis]] and [[Kid Rock]] on the Lewis DVD ''[[Last Man Standing Live]]''. T. Rex borrows the line, "Meanwhile I'm still thinkin," at the conclusion of "Bang A Gong." David Bowie paraphrases the song in his tune The Jean Genie - Go, Go, Go, Little Genie. The British rock supergroup [[Queen (band)|Queen]] references the song (and themselves) in the song "[[Now I'm Here]]" with the line "Go! Go! Go! Little Queenie!"
 
 
 
His other hits, many of them novelty narratives, include:
 
*"[[Maybellene]]" - car, girl, rival, jealousy &mdash; tune based on the traditional [[bluegrass music|Bluegrass]] standard "Ida Red." (Berry was familiar with the 1938 recording of "Ida Red" by [[western swing]] band [[Bob Wills|Bob Wills & his Texas Playboys]].)
 
*"[[Too Much Monkey Business]]" - teenage attitudes, predecessor to [[rapping|rap]], "Same thing every day, gettin' up, goin' to school, no need of me complaining, my objection's overruled." Also inspired the [[Bob Dylan]] song, "[[Subterranean Homesick Blues]]." [[Johnny Thunders]]' "Too Much Junky Business" is a play on the title
 
*"Promised Land" - Cross country journey in song, from [[Norfolk, Virginia]], to the Promised Land, California
 
*"[[Brown Eyed Handsome Man]]" - adult attitudes, [[racism]], "arrested on charges of unemployment"
 
*"[[Back in the U.S.A.]]" - which inspired The Beatles' "[[Back in the USSR]]," covered by the [[MC5]], the [[Modern Lovers]] and [[Linda Ronstadt]], which in turn inspired [[Industrial music|Industrial]] rock band [[KMFDM]]'s song "[[Boots (KMFDM song)|Back in the U.S.S.A.]]" .
 
*"[[No Particular Place To Go]]" - car, girl, "parking way out on the ko-ko-mo."
 
*"[[Memphis, Tennessee (song)|Memphis, Tennessee]]" - unique beat, sweet story with a twist. [[Lonnie Mack]]'s biggest hit single was an instrumental take-off on this tune that started the [[blues-rock]] guitar style in 1963. A few months later, [[Johnny Rivers]] recorded his second-biggest hit single with a version that included both Berry's lyrics and some of Mack's improvisations. [[Izzy Stradlin]] also recorded a version on his album [[117 (album)|117°]], calling it 'Memphis.'
 
*"[[My Ding-a-Ling]]" - his only #1, a [[New Orleans]] novelty song that he had been singing for years and included on a live recording in Coventry in February, 1972.
 
*"[[Run, Run Rudolph]]" - his top [[Christmas song]]
 
*"[[You Never Can Tell (song)|You Never Can Tell]]" - song included in the movie ''[[Pulp Fiction (film)|Pulp Fiction]]''. Also recorded by [[Emmylou Harris]], and [[Bob Seger]] on his ''Greatest Hits'' album, under the title "C'est la Vie."
 
 
 
Among his blues tributes:
 
*"Come On"—recorded by the Rolling Stones and was their first song and single ever released.
 
*"Confessing the Blues" - signature tune of the famed [[Kansas City, Missouri]] [[jazz]] band of [[Jay McShann]]
 
*"Worried Life Blues"—originally by Chicago piano man [[Big Maceo Merriweather]]
 
*"Merry Christmas, Baby" - originally by [[Charles Brown (musician)|Charles Brown]]
 
*"[[Route 66 (song)|Route 66]]" - written by [[Bobby Troup]] and originally performed by [[Nat King Cole]]. Similar to Berry's "Come On," the Rolling Stones recorded a cover of it, which appeared as the first track on their first album.
 
*"[[The Things That I Used to Do]]" by Louisiana's [[Guitar Slim]]
 
*"Wee Wee Hours," his own blues song, B-side to "Maybellene."
 
 
 
His songs are collected on albums like:
 
*''[[The Great Twenty-Eight]]'' is Berry's definitive greatest hits album, but the two-CD ''[[Anthology (Chuck Berry album)|Anthology]]'' set has better sound and provides a much more complete overview of his musical output.
 
 
 
==References in popular culture==
 
* In the 1985 film ''[[Back to the Future]]'', [[Marty McFly]] [[Anachronism|anachronistically]] performs "[[Johnny B. Goode]]" at a 1955 school concert. Marty also uses the same guitar as Berry, a cherry red [[Gibson ES-345]], even though the [[Gibson ES-335]], 345 and 355 were not produced until 1958.
 
 
 
*In [[Stephen King]]'s novel ''[[Christine]]'', many chapters open with lyric fragments from Berry's songs.
 
 
 
*In the ''[[Saturday Night Live]]'' broadcast of April 22, 1978, [[Steve Martin]] appeared as a psychic in a mock news show entitled "Next Week in Review." His psychic character revealed that next week, Earth will receive the first official message from extraterrestrials (responding to the [[Voyager Golden Record]]s). The message: "Send more Chuck Berry."
 
 
 
*In the [[American Broadcasting Company|ABC]] mini-series ''[[Kingdom Hospital]]'', the head maintenance person is named "Johnny B. Goode."
 
 
 
*[[Dar Williams]] references Chuck Berry in her song "I Won't Be Your Yoko Ono," singing "and when he whispered old Chuck Berry only then would Yoko set him free."
 
 
 
*[[The Toasters]] have a song called Chuck Berry about the musical genre [[ska]]. The lyrics say, "In their eyes where does Chuck Berry fit? Well he influences the Ska, that's the long and the short of it. He played his guitar and they heard it on the radio. And the rest is history, just as everybody knows...."
 
 
 
*[[Gilberto Gil]] created a song '''Chuck Berry Fields Forever''' about the creation of rock and roll.
 
 
 
* The Band [[Buckcherry]] is a play on Chuck Berry.
 
  
 
==Discography==
 
==Discography==
Line 558: Line 452:
 
*''[[Chuck Berry (1975 album)|Chuck Berry]]'' (1975)
 
*''[[Chuck Berry (1975 album)|Chuck Berry]]'' (1975)
 
*''[[Rock It]]'' (1979)
 
*''[[Rock It]]'' (1979)
*''[[Alive and Rockin']]'' (1981)
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*''Chuck'' (2017)
*''[["Retro Rock" - Chuck Berry - Broadcast Week]]'' (1982)
 
*''[[Chuck Berry (1982 album)|Chuck Berry]]'' (1982)
 
  
 
===Live albums===
 
===Live albums===
Line 567: Line 459:
 
*''[[The London Chuck Berry Sessions ]]'' (1972) (Side 2)
 
*''[[The London Chuck Berry Sessions ]]'' (1972) (Side 2)
 
*''[[Chuck Berry Live in Concert]]'' (1978)
 
*''[[Chuck Berry Live in Concert]]'' (1978)
 +
*''[[Alive and Rockin']]'' (1981)
 
*''[[Chuck Berry Live]]'' (1981)
 
*''[[Chuck Berry Live]]'' (1981)
 
*''[[Toronto Rock 'N' Roll Revival 1969 Vol. II]]'' (1982)
 
*''[[Toronto Rock 'N' Roll Revival 1969 Vol. II]]'' (1982)
Line 574: Line 467:
 
*''[[Live on Stage (Chuck Berry album)|Live on Stage]]'' (2000)
 
*''[[Live on Stage (Chuck Berry album)|Live on Stage]]'' (2000)
 
*''[[Chuck Berry - In Concert]]'' (2002)
 
*''[[Chuck Berry - In Concert]]'' (2002)
 
+
*''Oh Yeah! Live in Detroit'' (2009), 1963 Concert at Walled Lake Casino in Novi MI
===Anthologies===
 
*''[[Chuck Berry's Golden Decade]]'' (1967)
 
*''[[Chuck Berry's Golden Decade|Chuck Berry's Golden Decade Vol. 2]]'' (1973)
 
*''[[Chuck Berry's Golden Decade|Chuck Berry's Golden Decade Vol. 3]]'' (1974)
 
*''[[Chuck and His Friends]]'' (1974) (Disc 1 w/ 2 discs other artists)
 
*''[[Chuck Berry's Greatest Hits]]'' (1976)
 
*''[[The Best of the Best of Chuck Berry]]'' (1978)
 
*''[[Chuck Berry's 16 Greatest Hits]]'' (1978)
 
*''[[Chuck Berry All-Time Hits]]'' (1979)
 
*''[[The Great Twenty-Eight]]'' (1982)
 
*''[[20 Hits]]'' (1983)
 
*''[[Reelin' Rockin' Rollin']]'' (1983)
 
*''[[The Great Twenty-Eight]]'' (1984)
 
*''[[Rock 'N' Roll Rarities]]'' (1986)
 
*''[[The Chess Box (Box Set)]]'' (1988)
 
*''[[On the Blues Side]]'' (1994)
 
*''[[Roll Over Beethoven (album)|Roll Over Beethoven]]'' (1996)
 
*''[[Let It Rock]]'' (1996)
 
*''[[The Best of Chuck Berry]]'' (1996)
 
*''[[Guitar Legends]]'' (1997)
 
*''[[Chuck Berry - His Best, Vol. 1]]'' (1997)
 
*''[[Chuck Berry - His Best, Vol. 2]]'' (1997)
 
*''[[The Latest & The Greatest / You Can Never Tell]]'' (1998)
 
*''[[Live: Roots of Rock 'N' Roll]]'' (1998)
 
*''[[Rock & Roll Music]]'' (1998)
 
*''[[20th Century Masters: The Millennium Collection: The Best of Chuck Berry]]'' (1999)
 
*''[[Johnny B. Goode (Legacy)]]'' (2000)
 
*''[[Anthology (Chuck Berry album)|Anthology]]'' (2000)
 
*''[[Blast from the Past: Chuck Berry]]'' (2001)
 
*''[[Johnny B. Goode (Columbia River)]]'' (2001)
 
*''[[Crown Prince of Rock N Roll]] (2003)
 
*''[[Anthology (Chuck Berry album)|Gold]]'' (2005) - Simply 2000's ''Anthology'' Repackaged
 
*''[[Volume 2 (Chuck Berry)]]''
 
 
 
==See also==
 
*[[List of artists who reached number one in Ireland]]
 
*[[Guitar Moves]]
 
*[[Chicago Blues Festival]]
 
  
 
==References==
 
==References==
{{Reflist}}
+
* Berry, Chuck. ''Chuck Berry: The Autobiography''. New York: Harmony Books, 1987. ISBN 978-0517566664
 +
* Collis, John. ''Chuck Berry: The Biography''. London: Aurum, 2002. ISBN 978-1854108739
 +
* Pegg, Bruce. ''Brown-eyed Handsome Man: The Life and Hard Times of Chuck Berry: An Unauthorized Biography''. New York: Routledge, 2002. ISBN 978-0415937481
 +
*Perkins, Carl, and David McGee. ''Go, Cat, Go!'' Hyperion Press, 1996. ISBN 0786860731
  
 
==External links==
 
==External links==
{{Commonscat}}
+
All links retrieved December 10, 2023.
 
*[http://www.chuckberry.com/ Official website]
 
*[http://www.chuckberry.com/ Official website]
 
*[http://www.crlf.de/ChuckBerry/index.html Chuck Berry Collector's Guide] - Most complete discography.
 
*[http://www.crlf.de/ChuckBerry/index.html Chuck Berry Collector's Guide] - Most complete discography.
*{{imdb name|0001946|Chuck Berry}}
 
*[http://www.gilbertogil.com.br/audio/501.mp3 Chuck Berry Fields for ever, ministry of Brazil] on [[Gilberto Gil]]'s website
 
*[http://www.rollingstone.com/artists/chuckberry/biography Chuck Berry] at ''Rolling Stone''
 
*[http://www.umsl.edu/~whmc/guides/whm0196.htm Chuck Berry Project] at Western Historical Manuscript Collection ([[University of Missouri-St. Louis]])
 
 
{{DEFAULTSORT:Berry, Chuck}}
 
  
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[[category:music]]
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[[category:art, music, literature, sports and leisure]]
 
[[Category:biography]]
 
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Latest revision as of 21:56, 10 December 2023

Chuck Berry
Berry in Örebro, Sweden on July 18, 2007.
Berry in Örebro, Sweden on July 18, 2007.
Background information
Birth name Charles Edward Anderson Berry
Born October 18 1926(1926-10-18)
St. Louis, Missouri, USA
Died March 18 2017 (aged 90)
Genre(s) Rock and roll
Occupation(s) Guitarist, Songwriter
Instrument(s) Guitar, Vocals
Years active 1955 - 20017
Label(s) Chess
Mercury
Atco
Website http://www.chuckberry.com/
Notable instrument(s)
Gibson ES-335
Gibson ES-125

Charles Edward Anderson "Chuck" Berry (October 18, 1926 - March 18, 2017) was an American guitarist, singer, and songwriter. In terms of performance, song-writing, and guitar playing, Berry is considered one of, if not the greatest of the pioneer rock-and-roll artists. His catalog of early rock hits includes some of the most iconic songs of the genre, many of which became hits again when covered by later artists. The Rock and Roll Hall of Fame includes three of Berry's songs—"Johnny B. Goode," "Maybellene," and "Rock & Roll Music"—among its "500 Songs that Shaped Rock and Roll." Other classic hits for Berry include "Roll Over Beethoven," "Sweet Little Sixteen," School Days, and "Memphis, Tennessee."

Known as the "Poet Laureate of Rock and Roll," Berry's string of hits in the mid-late 1950s came to an end when he ran afoul of the law in 1959 and spent the next several years in a youth reformatory. He continued to reach high on the pop charts after his release in 1963 with songs like "No Particular Place To Go," "You Never Can Tell," and "Nadine." In 1972, he reached number one with a live recording of "My Ding-a-Ling." A perennial favorite as a live performer, he toured constantly in the 1970s and 1980s except for another break to serve time in prison in 1979.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986. He received Kennedy Center Honors in 2000. In 2004, Rolling Stone ranked him number five on their list of "The Immortals: The First Fifty." He was also ranked sixth on Rolling Stone's list of 100 Greatest Guitarists of All Time.

Biography

Early life and career

Born in St. Louis, Missouri, USA, Berry was the third child in a family of six. He grew up in the north St. Louis neighborhood known as "The Ville," where many middle-class blacks lived at the time. His father was a contractor and a deacon of a nearby Baptist church, while his mother worked as a school principal. His middle-class upbringing allowed him to pursue his interest in music from an early age, and he made his first public performance while still in high school.

However, in 1944, before he could graduate, Berry was arrested and convicted of armed robbery in a car-jacking episode with two friends. Sentenced to ten years, he was released early from the Intermediate Reformatory for Young Men at Algoa, near Jefferson, Missouri on his twenty-first birthday in 1947.

Berry had been playing the blues since his teens and inherited some of both the guitar riffs and grandstanding done earlier by jump-blues player T. Bone Walker. By early 1953, he performed with the Johnnie Johnson Trio at a popular club called The Cosmopolitan, in East St. Louis. He also played country music, sometimes provoking comments from his predominantly black audiences about the "that black hillbilly at the Cosmo."

Berry's calculated showmanship soon began luring larger white audiences to the club. Included in his repertoire were songs ranging from Nat "King" Cole to Muddy Waters.

Ascent to stardom

In May 1955, Berry traveled to Chicago where he met Waters himself, who suggested he contact Leonard Chess of Chess Records. Berry thought his blues material would be of most interest to Chess. To his surprise it was an old country-and-western recording by Bob Wills, entitled "Ida Red," that got Chess's attention. Chess had seen the blues market shrink and was looking to move beyond the rhythm and blues market, and he thought Berry might be the artist who could do it. The result was the "Ida Red"-inspired "Maybellene," with Johnny Johnson on piano, Jerome Green (from Bo Diddley's band) on maracas, Jasper Thomas on drums, and blues legend Willie Dixon on bass. "Maybellene" sold over a million copies, reaching number one on Billboard's Rhythm and Blues chart and number five on the pop "Hot 100".

At the end of June 1956, Berry's song "Roll Over Beethoven" reached number 29 on the Billboard Top 100 chart, and his touring show was one of the nation's top acts. When he and rockabilly artist Carl Perkins toured together, Perkins discovered that Berry truly liked country music and that Jimmie Rodgers was one of his favorites. "Chuck knew every Blue Yodel" and most of Bill Monroe's songs as well, Perkins said.

In the autumn of 1957, Berry joined the Everly Brothers, Buddy Holly, and other rising stars of rock and roll to tour the United States. His hits continued from 1957 to 1959, with Berry scoring over a dozen chart singles during this period, including the Top-10 U.S. hits "School Days," "Rock and Roll Music," "Sweet Little Sixteen," and "Johnny B. Goode."

Berry appeared in two early rock movies. The first was Rock Rock Rock, released in 1956, where he is shown singing "You Can't Catch Me." He had a speaking role as himself in the 1959 film Go, Johnny, Go! along with Alan Freed, and is also shown performing his songs "Johnny B. Goode," "Memphis, Tennessee," and "Little Queenie."

Prison and resurgence

Berry in Deauville France in 1987

By the end of the 1950s, Berry was an established star. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand.

In December 1959, however, he encountered serious legal problems after he invited a 14-year-old Apache waitress whom he met in Mexico to work as a hat-check girl at his club. After being fired from the club, the girl was arrested on a prostitution charge, and Berry was arrested under the Mann Act. After two trials, Berry was convicted, fined $5000, and sentenced to five years in prison. This event, coupled with other early rock-and-roll scandals such as Jerry Lee Lewis's marriage to his 13-year-old cousin and Alan Freed's payola conviction contributed to rock and roll's image problem that limited its acceptance into mainstream U.S. society.

When Berry was released from prison in 1963, his musical career enjoyed a resurgence due his songs being covered by many of the British invasion acts of the 1960s — most notably the Beatles and the Rolling Stones. Additionally, The Beach Boys' hit "Surfin' USA" also paid homage to Berry's by borrowing the melody to "Sweet Little Sixteen."

In 1964–65 Berry resumed recording and placed six singles in the U.S. Hot 100, including "No Particular Place To Go" (number 10), "You Never Can Tell" (number 14), and "Nadine" (number 23).

In 1966, Berry left Chess Records, moving to the Mercury label. The hits stopped coming during the Mercury era, but he was still a top concert draw. In July 1969 Berry was the headliner of the Schaefer Music Festival in New York City's Central Park, along with The Byrds, Miles Davis, Fleetwood Mac, Led Zeppelin, B.B. King, The Beach Boys, Frank Zappa, and Patti LaBelle.

After a four-year hitless stint, Berry returned to Chess from 1970 to 1973. His 1970 Chess effort Back Home yielded no hit singles. However, in 1972 Chess released a new live recording of "My Ding-a-Ling," a song Berry had initially recorded years earlier as a novelty track. The track became Berry's only number one single, and it remains popular today. A live recording of "Reelin' And Rockin'" was also issued as a follow-up single that same year and would prove to be Berry's final top-40 hit in both the US and the UK. Both singles were featured on the part-live/part-studio album "The London Chuck Berry Sessions." Berry's second tenure with Chess ended with the 1973 album Bio, after which he did not make a studio record for six years.

Touring

In the 1970s, Berry toured without a traveling band, confident that he could hire musicians that already knew his music no matter where he went. Among the many bandleaders performing this backup role were Bruce Springsteen and Steve Miller, when each was just starting their careers. Springsteen related that Berry did not even give the band a set list and expected the musicians to follow his lead after each guitar intro. This resulted in erratic quality, but audiences were nearly always pleased by Berry's charisma, stage antics, and his classic songs.

Berry's type of touring style, traveling the "oldies" circuit in the 1970s — where he was often paid in cash by local promoters — added ammunition to the Internal Revenue Service's accusations that Berry was a chronic income tax evader. Facing criminal sanction for the third time, Berry pleaded guilty to tax evasion and was sentenced to four months imprisonment and 1000 hours of community service — doing benefit concerts — in 1979.

Berry performing live in 1997

At the request of Jimmy Carter, Chuck Berry performed at The White House on June 1, 1979. In the same year, he released Rockit for Atco Records, his last studio album to date. Berry continued to play 70 to 100 one night stands per year in the 1980s, still traveling solo and requiring a local band to back him at each stop. In 1986, Berry starred in the documentary film, Hail! Hail! Rock 'n' Roll, featuring a celebration concert for Berry's sixtieth birthday and produced by Taylor Hackford. Keith Richards was the musical leader of the tribute, while Eric Clapton, Etta James, Julian Lennon, Robert Cray, and Linda Ronstadt, among others, appeared with Berry on stage and film.

In the spring of 2008, Berry toured Europe, with stops in Sweden, England, Ireland, Switzerland, and Spain. He also played in the Virgin Mobile Music Festival 2008 in Baltimore, Maryland.

Last years

Berry lived in Ladue, Missouri, approximately 10 miles (16 km) west of St. Louis. He also had a home at "Berry Park," near Wentzville, Missouri, where he lived part-time since the 1950s, and was the home in which he died. This home, with the guitar-shaped swimming pool, is seen in scenes near the end of the film "Hail! Hail! Rock 'n' Roll". He regularly performed one Wednesday each month at Blueberry Hill, a restaurant and bar located in the Delmar Loop neighborhood of St. Louis, from 1996 to 2014.

Berry announced on his 90th birthday that his first new studio album since Rockit in 1979, entitled Chuck, would be released in 2017. His first new record in 38 years, it includes his children, Charles Berry Jr. and Ingrid, on guitar and harmonica and is dedicated to his beloved wife of 68 years, Toddy.[1]

Death

On March 18, 2017, police in St. Charles County, Missouri, were called to Berry's house, near Wentzville, Missouri, where he was found unresponsive. He was pronounced dead at the scene, aged 90, by his personal physician.

His funeral was held on April 9, 2017, at The Pageant, in Berry's hometown of St. Louis, Missouri. He was remembered with a public viewing by family, friends, and fans in The Pageant, a music club where he often performed, with his cherry-red guitar bolted to the inside lid of the coffin and with flower arrangements that included one sent by the Rolling Stones in the shape of a guitar. Afterwards a private service was held in the club celebrating Berry's life and musical career, with the Berry family inviting 300 members of the public into the service.

Legacy

Beyond his catalog of classic hits that defined the genre as much as any other performer, Chuck Berry was a significant influence on the development of early rock-and-roll guitar techniques and a major catalyst in the transition from rhythm and blues and rockabilly to rock and roll.

He was the first to define the classic subjects of rock and roll in his songwriting: cars, girls, and school. His guitar style is legendary and many later guitar musicians acknowledge him as a major influence in their own style: "it's not an exaggeration to say that he's the most influential figure on modern rock & roll: Name any major band—the Beatles, the Rolling Stones, Aerosmith—and they'll have cited Berry as an inspiration."[2] The Beach Boys' hit "Surfin' USA" resembled Berry's "Sweet Little Sixteen" so closely that they eventually gave Berry a co-writing credit in order to avoid a lawsuit.

Berry was awarded the Grammy Lifetime Achievement Award in 1984. In 2003, Rolling Stone named him number six on their list of the 100 Greatest Guitarists of All Time.

His compilation album The Great Twenty-Eight was also named twenty-first on the magazine's list of the 500 Greatest Albums of All Time. In 2004, six of his songs were included in Rolling Stones "The 500 Greatest Songs of All Time" list, namely "Johnny B. Goode" (number seven), "Maybellene" (number 18), "Roll Over Beethoven" (number 97), "Rock and Roll Music" (number 128), "Sweet Little Sixteen" (number 272) and "Brown Eyed Handsome Man" (number 374). Also in 2004, Berry was rated number five in Rolling Stones 100 Greatest Artists of All Time feature.

Discography

Singles

Release date Title Chart Positions
US Hot 100 US R&B UK
1955 "Maybellene" (A-Side) #5 #1
→ "Wee Wee Hours" (B-Side) #10
1955 "Thirty Days" #2
1955 "No Money Down" #8
1956 "Roll Over Beethoven" #29 #2
1956 "Too Much Monkey Business" #4
→ "Brown Eyed Handsome Man" (B-Side) #5
1956 "You Can't Catch Me"
1957 "School Days" #3 #1 #24
1957 "Oh Baby Doll" #57 #12
1957 "Rock and Roll Music" #8 #6
1958 "Sweet Little Sixteen" #2 #1 #16
1958 "Johnny B. Goode" #8 #2
1958 "Beautiful Delilah" #81
1958 "Carol" #18 #9
1958 "Sweet Little Rock and Roller" (A-Side) #47 #13
→ "Jo Jo Gunne" (B-Side) #83
1958 "Merry Christmas Baby" (A-Side) #71
→ "Run Rudolph Run" (B-Side) #69 #36
1959 "Anthony Boy" #60
1959 "Almost Grown" (A-Side) #32 #3
→ "Little Queenie" (B-Side) #80
1959 "Back in the U.S.A." (A-Side) #37 #16
→ "Memphis, Tennessee" (B-Side) #6
1959 "Broken Arrow" #108
1960 "Too Pooped To Pop (Casey)" (A-Side) #42 #18
→ "Let It Rock" (B-Side) #64 #6
1960 "Bye Bye Johnny"
1960 "I Got To Find My Baby"
1960 "Jaguar and Thunderbird" #109
1961 "I'm Talking About You"
1961 "Come On" (A-Side)
→"Go Go Go" (B-Side) #38
1963 "Diploma For Two"
1964 "Nadine (Is It You?)" #23 #27
1964 "No Particular Place To Go" #10 #3
1964 "You Never Can Tell" #14 #23
1964 "Little Marie" #54
1964 "Promised Land" #41 #26
1965 "Dear Dad" #95
1965 "It Wasn't Me"
1966 "Ramona Say Yes"
1967 "Laugh and Cry"
1967 "Back to Memphis"
1967 "Feelin' It"
1968 "Louie to Frisco"
1969 "Good Looking Woman"
1970 "Tulane"
1972 "My Ding-A-Ling" (live) #1 #42 #1
1972 "Reelin' and Rockin'" (live) #27 #18
1973 "Bio"
1975 "Shake, Rattle and Roll"
1979 "California"

Note that not all of Berry's UK singles were released in the same year as the initial US release, and not all of Berry's UK singles featured the same A-Side/B-Side configurations as in the US.

Billboard did not publish a separate R&B singles chart in 1964, hence Berry's absence from the R&B charts for the singles "Nadine" through "Promised Land".

Studio albums

  • Rock, Rock, Rock (with The Moonglows and The Flamingos) (1956)
  • After School Session (1958)
  • One Dozen Berrys (1958)
  • Chuck Berry Is on Top (1959)
  • Rockin' at the Hops (1960)
  • New Juke-Box Hits (1961)
  • Chuck Berry Twist (1962)
  • Chuck Berry's Greatest Hits (1964)
  • Two Great Guitars (with Bo Diddley) (1964)
  • St. Louis to Liverpool (1964)
  • Chuck Berry in London (1965)
  • Fresh Berry's (1965)
  • Chuck Berry's Golden Hits (1967) - re-recordings
  • In Memphis (1967)
  • From St. Louie to Frisco (1968)
  • Concerto In B. Goode (1969)
  • Back Home (1970)
  • San Francisco Dues (1971)
  • The London Chuck Berry Sessions (1972)
  • Bio (1973)
  • Sweet Little Rock and Roller (1973)
  • Wild Berrys (1974)
  • Flashback (1974)
  • Chuck Berry (1975)
  • Rock It (1979)
  • Chuck (2017)

Live albums

  • Chuck Berry on Stage (1963) (Actually studio recordings with overdubbed M.C. and audience.)
  • Live at the Fillmore Auditorium (1967) (bonus tracks included on 1994 re-release)
  • The London Chuck Berry Sessions (1972) (Side 2)
  • Chuck Berry Live in Concert (1978)
  • Alive and Rockin' (1981)
  • Chuck Berry Live (1981)
  • Toronto Rock 'N' Roll Revival 1969 Vol. II (1982)
  • Toronto Rock 'N' Roll Revival 1969 Vol. III (1982)
  • Hail! Hail! Rock 'N' Roll (1987)
  • Live! (2000)
  • Live on Stage (2000)
  • Chuck Berry - In Concert (2002)
  • Oh Yeah! Live in Detroit (2009), 1963 Concert at Walled Lake Casino in Novi MI

References
ISBN links support NWE through referral fees

  • Berry, Chuck. Chuck Berry: The Autobiography. New York: Harmony Books, 1987. ISBN 978-0517566664
  • Collis, John. Chuck Berry: The Biography. London: Aurum, 2002. ISBN 978-1854108739
  • Pegg, Bruce. Brown-eyed Handsome Man: The Life and Hard Times of Chuck Berry: An Unauthorized Biography. New York: Routledge, 2002. ISBN 978-0415937481
  • Perkins, Carl, and David McGee. Go, Cat, Go! Hyperion Press, 1996. ISBN 0786860731

External links

All links retrieved December 10, 2023.

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  1. Christina Beck, Chuck Berry to release new studio album at 90 Christian Science Monitor, October 18, 2016. Retrieved August 9, 2019.
  2. Chuck Berry Rock & Roll Hall of Fame. Retrieved August 9, 2019.