Difference between revisions of "Billy Rose" - New World Encyclopedia

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'''Billy Rose''' ([[September 6]], [[1899]] – [[February 10]], [[1966]]) was an [[United States|American]] theatrical showman.  
 
'''Billy Rose''' ([[September 6]], [[1899]] – [[February 10]], [[1966]]) was an [[United States|American]] theatrical showman.  
  
 +
==Early life==
 
Born '''William Samuel Rosenberg''' to a [[Jewish]] family in [[New York City]], he began his career as a stenographic clerk to [[Bernard Baruch]] of the [[War Industries Board]] during [[World War I]].  Later he became a lyricist. In this role, he is best known as the credited writer or co-writer of the lyrics to ''[[Me and My Shadow]]'', ''Great Day'' (with Edward Eliscu), ''Does the Spearmint Lose Its Flavor on the Bedpost Overnight'' (with Marty Bloom), ''[[I Found a Million Dollar Baby]]'' (with Mort Dixon) and ''[[It's Only a Paper Moon]]'' (with E. Y. Harburg).  
 
Born '''William Samuel Rosenberg''' to a [[Jewish]] family in [[New York City]], he began his career as a stenographic clerk to [[Bernard Baruch]] of the [[War Industries Board]] during [[World War I]].  Later he became a lyricist. In this role, he is best known as the credited writer or co-writer of the lyrics to ''[[Me and My Shadow]]'', ''Great Day'' (with Edward Eliscu), ''Does the Spearmint Lose Its Flavor on the Bedpost Overnight'' (with Marty Bloom), ''[[I Found a Million Dollar Baby]]'' (with Mort Dixon) and ''[[It's Only a Paper Moon]]'' (with E. Y. Harburg).  
  
−
Most of Rose's lyrical credits were collaborations. Biographer Earl Conrad said, "Nobody clearly knew what he wrote or didn't write ... Publishers tend to credit him with writing the songs known to bear his name as a lyricist...But tales rumble on...that Billy could feed and toss in a remark and monkey around, but that others did most of the writing." Lyricists might have been willing to tolerate a Rose credit grab because Rose was very successful at promoting "his" songs.
+
==Career and later life==
−
 
 
 
He went on to become a [[Broadway theatre|Broadway]] producer, and a theatre/nightclub owner. In June 1934, he opened The Billy Rose Music Hall at 52nd and Broadway in New York with the first Benny Goodman Orchestra. He produced "[[Jumbo (musical)|Jumbo]]," starring [[Jimmy Durante]] at the New York [[Hippodrome Theatre]]. For [[Fort Worth, Texas|Fort Worth Frontier Days]], he constructed the huge elaborate dinner theatre, "Casa Manana," featuring stripper [[Sally Rand]] and the world's largest revolving stage. He presented a show at the [[Great Lakes Exposition]] in [[Cleveland, Ohio]] in 1936.
 
He went on to become a [[Broadway theatre|Broadway]] producer, and a theatre/nightclub owner. In June 1934, he opened The Billy Rose Music Hall at 52nd and Broadway in New York with the first Benny Goodman Orchestra. He produced "[[Jumbo (musical)|Jumbo]]," starring [[Jimmy Durante]] at the New York [[Hippodrome Theatre]]. For [[Fort Worth, Texas|Fort Worth Frontier Days]], he constructed the huge elaborate dinner theatre, "Casa Manana," featuring stripper [[Sally Rand]] and the world's largest revolving stage. He presented a show at the [[Great Lakes Exposition]] in [[Cleveland, Ohio]] in 1936.
  
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At the [[1939 New York World's Fair]], [[Billy Rose's Aquacade]] starred Olympian [[Eleanor Holm]] in what the fair program called "a brilliant girl show of spectacular size and content." He married Holm shortly after divorcing his first wife, comedian [[Fanny Brice]]. Future [[MGM]] star [[Esther Williams]] and [[Tarzan]] star [[Johnny Weissmuller]] were both Aquacade headliners.
 
At the [[1939 New York World's Fair]], [[Billy Rose's Aquacade]] starred Olympian [[Eleanor Holm]] in what the fair program called "a brilliant girl show of spectacular size and content." He married Holm shortly after divorcing his first wife, comedian [[Fanny Brice]]. Future [[MGM]] star [[Esther Williams]] and [[Tarzan]] star [[Johnny Weissmuller]] were both Aquacade headliners.
  
−
Following the Fair, Rose asked [[John Murray Anderson]], who had staged the Aquacade, to recommend a choreographer for a new show at the Horseshoe. Anderson recommended [[Gene Kelly]], then performing in [[William Saroyan]]'s ''One for the Money''. Rose objected that he wanted someone who could choreograph "tits and asses," not "soft-soap from a crazy [[Armenians|Armenian]]." (Yudkoff, 2001). However, after seeing Kelly's performance, he gave Kelly the job, an important step in Kelly's career.  
+
Following the Fair, Rose asked [[John Murray Anderson]], who had staged the Aquacade, to recommend a choreographer for a new show at the Horseshoe. Anderson recommended [[Gene Kelly]], then performing in [[William Saroyan]]'s ''One for the Money''. Rose objected that he wanted someone who could choreograph "tits and asses," not "soft-soap from a crazy [[Armenians|Armenian]]." <ref>Alvin Yudkoff, ''Gene Kelly'' (New York: Watson-Guptill, 2001), 65.</ref> However, after seeing Kelly's performance, he gave Kelly the job, an important step in Kelly's career.  
  
 
[[Image:Billy Rose 800.jpg|thumb|300px|Billy Rose's mausoleum in [[Westchester Hills Cemetery]]]] In 1943, he produced ''[[Carmen Jones]]'' with an all-black cast. An adaptation of [[Georges Bizet]]'s opera ''[[Carmen]],'' the story was transplanted to World War II America by lyricist and [[librettist]] [[Oscar Hammerstein II]]. It was an instant hit. The New York ''Telegraph'' called it "far and away the best show in New York," the New York ''Times'' said it was "beautifully done ... just call it wonderful." The New York ''Herald Tribune'' said that [[Oscar Hammerstein II]] "must be considered one of the greatest librettists of our day" and that ''Carmen Jones'' was "a masterly tour de force." It was made into a motion picture in 1954, for which [[Dorothy Dandridge]] received an [[Academy Award]] nomination.  
 
[[Image:Billy Rose 800.jpg|thumb|300px|Billy Rose's mausoleum in [[Westchester Hills Cemetery]]]] In 1943, he produced ''[[Carmen Jones]]'' with an all-black cast. An adaptation of [[Georges Bizet]]'s opera ''[[Carmen]],'' the story was transplanted to World War II America by lyricist and [[librettist]] [[Oscar Hammerstein II]]. It was an instant hit. The New York ''Telegraph'' called it "far and away the best show in New York," the New York ''Times'' said it was "beautifully done ... just call it wonderful." The New York ''Herald Tribune'' said that [[Oscar Hammerstein II]] "must be considered one of the greatest librettists of our day" and that ''Carmen Jones'' was "a masterly tour de force." It was made into a motion picture in 1954, for which [[Dorothy Dandridge]] received an [[Academy Award]] nomination.  
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Billy Rose founded the Billy Rose Sculpture Garden in [[Jerusalem]].
 
Billy Rose founded the Billy Rose Sculpture Garden in [[Jerusalem]].
  
 +
==Death==
 
Rose died in [[1966]] in [[New York City]], aged 66. At the time of his death, his fortune was estimated at about 42 million dollars, which he left entirely to a foundation named after him, disowning both of his sisters. He is interred at [[Westchester Hills Cemetery]] in [[Hastings-on-Hudson, New York|Hastings-on-Hudson]], [[Westchester County]], [[New York]].  
 
Rose died in [[1966]] in [[New York City]], aged 66. At the time of his death, his fortune was estimated at about 42 million dollars, which he left entirely to a foundation named after him, disowning both of his sisters. He is interred at [[Westchester Hills Cemetery]] in [[Hastings-on-Hudson, New York|Hastings-on-Hudson]], [[Westchester County]], [[New York]].  
  
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From 1949 until 1955, Rose was the owner/operator of the [[Ziegfeld Theatre]]. During that time, the theater housed four [[Musical theater|musicals]] and five plays. From 1959 until his death in 1966, he was also the owner/operator of the [[Billy Rose Theater]]. During that time the theater housed four plays, one musical, one [[revue]], three ballets, and twenty-nine concert performances. After his death, the theater retained its name, and remained in the ownership if his estate until 1978, when it was renamed. Today it is the [[Nederlander Theater]], currently housing [[Rent (musical)|Rent]].
 
From 1949 until 1955, Rose was the owner/operator of the [[Ziegfeld Theatre]]. During that time, the theater housed four [[Musical theater|musicals]] and five plays. From 1959 until his death in 1966, he was also the owner/operator of the [[Billy Rose Theater]]. During that time the theater housed four plays, one musical, one [[revue]], three ballets, and twenty-nine concert performances. After his death, the theater retained its name, and remained in the ownership if his estate until 1978, when it was renamed. Today it is the [[Nederlander Theater]], currently housing [[Rent (musical)|Rent]].
 +
 +
==Legacy==
 +
Rose was a popular Broadway lyricist in his time. He was known for his work on several plays. His work was highly acclaimed during the era. Rose penned the lyrics to popular songs, as well. He also ran various nightclubs. These were likewise very popular and successful.
 +
 +
Interestingly, most of Rose's lyrical credits were collaborations. Biographer Earl Conrad said, "Nobody clearly knew what he wrote or didn't write ... Publishers tend to credit him with writing the songs known to bear his name as a lyricist...But tales rumble on...that Billy could feed and toss in a remark and monkey around, but that others did most of the writing." Lyricists might have been willing to tolerate a Rose credit grab because Rose was very successful at promoting "his" songs.<ref>Earl Conrad,
 +
''Billy Rose, Manhattan Primitive'' (New York: World Publishing Company, 1968).</ref>
  
 
==Notes==
 
==Notes==
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==External links==
 
==External links==
 
* [http://www.ibdb.com/person.asp?ID=16019 Billy Rose] at the [[Internet Broadway Database]] Retrieved November 2, 2007.
 
* [http://www.ibdb.com/person.asp?ID=16019 Billy Rose] at the [[Internet Broadway Database]] Retrieved November 2, 2007.
 +
* [http://www.mariairenefornes.com/billyrosetheatre.html Billy Rose Theatre] Retrieved November 15, 2007.
 +
* [http://thinkexist.com/quotes/billy_rose/ Billy Rose Quotes] Retrieved November 15, 2007.
  
 
[[Category:History]]
 
[[Category:History]]
  
 
{{Credits|162964900}}
 
{{Credits|162964900}}

Revision as of 03:22, 15 November 2007

Billy Rose (September 6, 1899 – February 10, 1966) was an American theatrical showman.

Early life

Born William Samuel Rosenberg to a Jewish family in New York City, he began his career as a stenographic clerk to Bernard Baruch of the War Industries Board during World War I. Later he became a lyricist. In this role, he is best known as the credited writer or co-writer of the lyrics to Me and My Shadow, Great Day (with Edward Eliscu), Does the Spearmint Lose Its Flavor on the Bedpost Overnight (with Marty Bloom), I Found a Million Dollar Baby (with Mort Dixon) and It's Only a Paper Moon (with E. Y. Harburg).

Career and later life

He went on to become a Broadway producer, and a theatre/nightclub owner. In June 1934, he opened The Billy Rose Music Hall at 52nd and Broadway in New York with the first Benny Goodman Orchestra. He produced "Jumbo," starring Jimmy Durante at the New York Hippodrome Theatre. For Fort Worth Frontier Days, he constructed the huge elaborate dinner theatre, "Casa Manana," featuring stripper Sally Rand and the world's largest revolving stage. He presented a show at the Great Lakes Exposition in Cleveland, Ohio in 1936.

Rose was diminutive in stature. When he attended a show, his practice was to book four seats: one for himself, one for his date, and the two in front of those so he would have an unobstructed view.

In 1938, he opened "Billy Rose's Diamond Horseshoe" nightclub in New York City in the basement of the Paramount Hotel off Times Square. It initially opened with a version of his Fort Worth show. The Diamond Horseshoe operated under that name until 1951.

At the 1939 New York World's Fair, Billy Rose's Aquacade starred Olympian Eleanor Holm in what the fair program called "a brilliant girl show of spectacular size and content." He married Holm shortly after divorcing his first wife, comedian Fanny Brice. Future MGM star Esther Williams and Tarzan star Johnny Weissmuller were both Aquacade headliners.

Following the Fair, Rose asked John Murray Anderson, who had staged the Aquacade, to recommend a choreographer for a new show at the Horseshoe. Anderson recommended Gene Kelly, then performing in William Saroyan's One for the Money. Rose objected that he wanted someone who could choreograph "tits and asses," not "soft-soap from a crazy Armenian." [1] However, after seeing Kelly's performance, he gave Kelly the job, an important step in Kelly's career.

Billy Rose's mausoleum in Westchester Hills Cemetery

In 1943, he produced Carmen Jones with an all-black cast. An adaptation of Georges Bizet's opera Carmen, the story was transplanted to World War II America by lyricist and librettist Oscar Hammerstein II. It was an instant hit. The New York Telegraph called it "far and away the best show in New York," the New York Times said it was "beautifully done ... just call it wonderful." The New York Herald Tribune said that Oscar Hammerstein II "must be considered one of the greatest librettists of our day" and that Carmen Jones was "a masterly tour de force." It was made into a motion picture in 1954, for which Dorothy Dandridge received an Academy Award nomination.

Billy Rose founded the Billy Rose Sculpture Garden in Jerusalem.

Death

Rose died in 1966 in New York City, aged 66. At the time of his death, his fortune was estimated at about 42 million dollars, which he left entirely to a foundation named after him, disowning both of his sisters. He is interred at Westchester Hills Cemetery in Hastings-on-Hudson, Westchester County, New York.

Work on Broadway

  • Charlot Revue (1925) - revue - featured co-lyricist for "A Cup of Coffee, a Sandwich and You" with Al Dubin, music by Joseph Meyer
  • Padlocks of 1927 (1927) - revue - lyricist
  • Harry Delmar's Revels (1927) - revue - co-lyricist
  • Sweet and Low (1930) - revue - composer, lyricist, and producer
  • Billy Rose's Crazy Quilt (1931) - revue - producer, librettist, and director
  • The Great Magoo (1932) - play - producer
  • Ziegfeld Follies of 1934 (1934) - revue - featured lyricist for "Soul Saving Sadie," "Suddenly," "Countess Dubinsky," and "Sarah, the Sunshine Girl"
  • Jumbo (1935) - musical - producer
  • Clash by Night (1941) - play - producer
  • Carmen Jones (1943) - musical - producer
  • Seven Lively Arts (1944) - revue - producer
  • Concert Varieties (1945) - vaudeville - producer
  • Interplay (1945) - ballet - producer
  • The Immoralist (1954) - play - producer
  • The Wall (1960) - play - co-producer

Posthumous Credits

  • Ain't Misbehavin' (1978) - revue - featured lyricist for "I've Got a Feeling I'm Falling" from Applause
  • Big Deal (1986) - musical - featured lyricist for "Me and My Shadow"
  • Fosse (1999) - revue - featured lyricist for "Dancin' Dan (Me and My Shadow)"

From 1949 until 1955, Rose was the owner/operator of the Ziegfeld Theatre. During that time, the theater housed four musicals and five plays. From 1959 until his death in 1966, he was also the owner/operator of the Billy Rose Theater. During that time the theater housed four plays, one musical, one revue, three ballets, and twenty-nine concert performances. After his death, the theater retained its name, and remained in the ownership if his estate until 1978, when it was renamed. Today it is the Nederlander Theater, currently housing Rent.

Legacy

Rose was a popular Broadway lyricist in his time. He was known for his work on several plays. His work was highly acclaimed during the era. Rose penned the lyrics to popular songs, as well. He also ran various nightclubs. These were likewise very popular and successful.

Interestingly, most of Rose's lyrical credits were collaborations. Biographer Earl Conrad said, "Nobody clearly knew what he wrote or didn't write ... Publishers tend to credit him with writing the songs known to bear his name as a lyricist...But tales rumble on...that Billy could feed and toss in a remark and monkey around, but that others did most of the writing." Lyricists might have been willing to tolerate a Rose credit grab because Rose was very successful at promoting "his" songs.[2]

Notes

  1. ↑ Alvin Yudkoff, Gene Kelly (New York: Watson-Guptill, 2001), 65.
  2. ↑ Earl Conrad, Billy Rose, Manhattan Primitive (New York: World Publishing Company, 1968).

References
ISBN links support NWE through referral fees

  • Conrad, Earl. Billy Rose, Manhattan Primitive. New York: World Publishing Company, 1968.
  • Jones, Jan. Billy Rose Presents Casa Mañana. Fort Worth, TX: TCU Press, 1999.
  • Yudkoff, Alvin. Gene Kelly. New York: Watson-Guptill, 2001. ISBN 0-8230-8819-7

External links

Credits

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