Difference between revisions of "Art Deco" - New World Encyclopedia

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After the [[Exposition Universelle (1900)|Universal Exposition of 1900]], various French artists formed a formal collective. This was known as ''La Société des artistes décorateurs'' (the society of the decorator artists). Founders included [[Hector Guimard]], [[Eugène Grasset]], Raoul Lachenal, Paul Follot, Maurice Dufrene, and Emile Decour. These artists heavily influenced the principles of Art Deco as a whole. This society's purpose was to demonstrate French decorative art's leading position and evolution internationally. Naturally, they organized the 1925 ''[[Exposition Internationale des Arts Décoratifs et Industriels Modernes]]'' (International Exposition of Modern Industrial and Decorative Art), which would feature French art and business interests.  Russian artist [[Vadim Meller]]  was awarded there a gold medal for his [[scenic design]].  
 
After the [[Exposition Universelle (1900)|Universal Exposition of 1900]], various French artists formed a formal collective. This was known as ''La Société des artistes décorateurs'' (the society of the decorator artists). Founders included [[Hector Guimard]], [[Eugène Grasset]], Raoul Lachenal, Paul Follot, Maurice Dufrene, and Emile Decour. These artists heavily influenced the principles of Art Deco as a whole. This society's purpose was to demonstrate French decorative art's leading position and evolution internationally. Naturally, they organized the 1925 ''[[Exposition Internationale des Arts Décoratifs et Industriels Modernes]]'' (International Exposition of Modern Industrial and Decorative Art), which would feature French art and business interests.  Russian artist [[Vadim Meller]]  was awarded there a gold medal for his [[scenic design]].  
  
The initial movement was called Style Moderne. The term ''Art Deco'' was derived from the [[Exposition Internationale des Arts Décoratifs et Industriels Modernes|Exposition of 1925]], though it wasn't until the late 1960s that this term was coined by art historian [[Bevis Hillier]], and popularized by his 1968 book ''Art Deco of the 20s and 30s''.  In the summer of 1969, Hillier conceived organizing an exhibition called Art Deco at the [[Minneapolis Institute of Arts]], which took place from July to September 1971.  After this, interest in Art Deco peaked with the publication of Hillier's 1971 book ''The World of Art Deco'', a record of the exhibition.<ref> Hillier, Bevis ''The World of Art Deco'' New York:1971—E.P. Dutton & Co., Inc. ISBN 9780525482383  ISBN 0525482385</ref>
+
The initial movement was called Style Moderne. The term ''Art Deco'' was derived from the [[Exposition Internationale des Arts Décoratifs et Industriels Modernes|Exposition of 1925]], though it wasn't until the late 1960s that this term was coined by art historian [[Bevis Hillier]], and popularized by his 1968 book ''Art Deco of the 20s and 30s''.  In the summer of 1969, Hillier conceived organizing an exhibition called Art Deco at the [[Minneapolis Institute of Arts]], which took place from July to September 1971.  After this, interest in Art Deco peaked with the publication of Hillier's 1971 book ''The World of Art Deco'', a record of the exhibition.<ref name="hillier">Bevis Hillier. ''The World of Art Deco''. (New York: Dutton, 1971, ISBN 0525473106</ref>
  
 
== Sources and attributes ==
 
== Sources and attributes ==
It was widely considered to be an eclectic form of elegant and stylish modernism, being influenced by a variety of sources. Among them were the, so called, "primitive" arts of [[Africa]], [[Ancient Egypt]], and [[Aztec]] [[Mexico]], as well as [[Machine Age]] or [[streamliner|streamline]] technology such as modern [[aviation]], electric [[lighting]], the [[radio]], the [[ocean liner]] and the [[skyscraper]]. These design influences were expressed in fractionated, crystalline, faceted forms of decorative [[Cubism]] and [[Futurism (art)|Futurism]], in [[Fauvism]]'s palette. Other popular themes in art deco were trapezoidal, zigzagged, geometric, and jumbled shapes, which can be seen in many early pieces.  Two brilliant examples of these themes and styles are in [[Detroit]], [[Michigan]]: the [[Fisher Building]] and the [[Guardian Building]].<ref> Savage, Rebecca Binno and Greg Kowalski (2004). ''Art Deco in Detroit (Images of America)''. Arcadia. ISBN 0-7385-3228-2.</ref>
+
It was widely considered to be an eclectic form of elegant and stylish modernism, being influenced by a variety of sources. Among them were the, so called, "primitive" arts of [[Africa]], [[Ancient Egypt]], and [[Aztec]] [[Mexico]], as well as [[Machine Age]] or [[streamliner|streamline]] technology such as modern [[aviation]], electric [[lighting]], the [[radio]], the [[ocean liner]] and the [[skyscraper]]. These design influences were expressed in fractionated, crystalline, faceted forms of decorative [[Cubism]] and [[Futurism (art)|Futurism]], in [[Fauvism]]'s palette. Other popular themes in art deco were trapezoidal, zigzagged, geometric, and jumbled shapes, which can be seen in many early pieces.  Two brilliant examples of these themes and styles are in [[Detroit]], [[Michigan]]: the [[Fisher Building]] and the [[Guardian Building]].<ref>Rebecca Binno Savage, and Greg Kowalski. ''Art deco in Detroit''. (Charleston, SC: Arcadia, ,2004, ISBN 0738532282)</ref>
  
 
Corresponding to these influences, Art Deco is characterized by use of materials such as [[aluminium]], [[stainless steel]], lacquer, inlaid wood, sharkskin ([[shagreen]]), and zebraskin. The bold use of stepped forms and sweeping curves (unlike the sinuous, natural curves of the [[Art Nouveau]]), [[Chevron (insigne)|chevron]] patterns, and the [[sunburst]] motif are typical of Art Deco. Some of these motifs were ubiquitous—for example, sunburst motifs were used in such varied contexts as ladies' shoes, radiator grilles, the auditorium of the [[Radio City Music Hall]], and the spire of the [[Chrysler Building]].
 
Corresponding to these influences, Art Deco is characterized by use of materials such as [[aluminium]], [[stainless steel]], lacquer, inlaid wood, sharkskin ([[shagreen]]), and zebraskin. The bold use of stepped forms and sweeping curves (unlike the sinuous, natural curves of the [[Art Nouveau]]), [[Chevron (insigne)|chevron]] patterns, and the [[sunburst]] motif are typical of Art Deco. Some of these motifs were ubiquitous—for example, sunburst motifs were used in such varied contexts as ladies' shoes, radiator grilles, the auditorium of the [[Radio City Music Hall]], and the spire of the [[Chrysler Building]].
 
   
 
   
Art Deco was an opulent style, and its lavishness is attributed to reaction to the forced austerity imposed by [[World War I]].  Its rich, festive character fitted it for "modern" contexts, including the [[Golden Gate Bridge]], interiors of cinema theaters (a prime example being the [[Paramount Theater (Oakland, California)|Paramount Theater]] in [[Oakland]], [[California]]) and [[ocean liner]]s such as the ''[[SS Île de France|Île de France]]'', the ''[[RMS_Queen_Mary|Queen Mary]]'', and ''[[SS Normandie|Normandie]]''. Art Deco was employed extensively throughout America's train stations in the 1930s<ref>(nd) [http://www.agilitynut.com/train.html "Art Deco Train Stations"]. Retrieved 7/16/07.</ref>, designed to reflect the modernity and efficiency of the train. The first Art Deco train station in the United States was the [[Union Station (Omaha)|Union Station]] in [[Omaha, Nebraska]].<ref>Johnson, C. (2001) ''[http://www.southplattepress.com/current/unionstation.html Union Pacific and Omaha Union Station:A History pf Union Pacific Railroad Passenger Station in Omaha, Nebraska 1866-1971.]'' South Platte Press.  pp. 24. Retrieved 7/8/07.</ref> <ref>Durham Western Heritage Museum. (nd) [http://www.dwhm.org/MuseumExterior.asp Museum Exterior Architecture.] Retrieved 7/14/07.</ref> The unveiling of Streamline trains paralleled the construction of the Art Deco stations.
+
Art Deco was an opulent style, and its lavishness is attributed to reaction to the forced austerity imposed by [[World War I]].  Its rich, festive character fitted it for "modern" contexts, including the [[Golden Gate Bridge]], interiors of cinema theaters (a prime example being the [[Paramount Theater (Oakland, California)|Paramount Theater]] in [[Oakland]], [[California]]) and [[ocean liner]]s such as the ''[[SS Île de France|Île de France]]'', the ''[[RMS_Queen_Mary|Queen Mary]]'', and ''[[SS Normandie|Normandie]]''. Art Deco was employed extensively throughout America's train stations in the 1930s<ref>[http://www.agilitynut.com/train.html "Art Deco Train Stations"] - Retrieved December 12, 2007.</ref>, designed to reflect the modernity and efficiency of the train. The first Art Deco train station in the United States was the [[Union Station (Omaha)|Union Station]] in [[Omaha, Nebraska]].<ref>[http://www.southplattepress.com/current/unionstation.html Union Pacific and Omaha Union Station:A History pf Union Pacific Railroad Passenger Station in Omaha, Nebraska 1866-1971.] - Retrieved December 12, 2007.</ref> <ref>[http://www.dwhm.org/MuseumExterior.asp Museum Exterior Architecture.] - Retrieved December 12, 2007.</ref> The unveiling of Streamline trains paralleled the construction of the Art Deco stations.
  
 
[[Image:Nash_Ambassador_Slipstream_4-door_sedan.jpg|thumb|[[Nash Ambassador]] Slipstream sedan]]
 
[[Image:Nash_Ambassador_Slipstream_4-door_sedan.jpg|thumb|[[Nash Ambassador]] Slipstream sedan]]
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Art Deco slowly lost patronage in the West after reaching mass production, when it began to be derided as gaudy and presenting a false image of luxury. Eventually, the style was cut short by the austerities of [[World War II]]. In colonial countries such as India and the [[Philippines]], it became a gateway for Modernism and continued to be used well into the 1960s. Before destruction in World War II, [[Manila]] demonstrated many Art Deco buildings; a symbol of the American colonial past. Theatres and Office Buildings have been lost in the war and recently demolished and abandoned for new development. A resurgence of interest in Art Deco came with [[graphic design]] in the 1980s, where its association with [[film noir]] and 1930s glamour led to its use in ads for jewelry and fashion. [[South Beach]] in [[Miami Beach, Florida]] has the largest collection of Art Deco architecture remaining in North America, as well as a section of [[Tulsa, Oklahoma]]. [[Napier, New Zealand]] has an almost entirely Art Deco town centre, rebuilt after [[1931 Hawke's Bay earthquake|a devastating earthquake]], and mostly left unchanged since then.
 
Art Deco slowly lost patronage in the West after reaching mass production, when it began to be derided as gaudy and presenting a false image of luxury. Eventually, the style was cut short by the austerities of [[World War II]]. In colonial countries such as India and the [[Philippines]], it became a gateway for Modernism and continued to be used well into the 1960s. Before destruction in World War II, [[Manila]] demonstrated many Art Deco buildings; a symbol of the American colonial past. Theatres and Office Buildings have been lost in the war and recently demolished and abandoned for new development. A resurgence of interest in Art Deco came with [[graphic design]] in the 1980s, where its association with [[film noir]] and 1930s glamour led to its use in ads for jewelry and fashion. [[South Beach]] in [[Miami Beach, Florida]] has the largest collection of Art Deco architecture remaining in North America, as well as a section of [[Tulsa, Oklahoma]]. [[Napier, New Zealand]] has an almost entirely Art Deco town centre, rebuilt after [[1931 Hawke's Bay earthquake|a devastating earthquake]], and mostly left unchanged since then.
  
Appropriate to the rich diversity of sources, some of the finest surviving examples of Art Deco art and architecture are found in [[Cuba]], especially in [[Havana]]. Just as the 1950s automobiles from the U.S. have been preserved and restored, so has the Office of the Historian of Havana has been restoring these buildings for the past ten years. The [[Bacardi Building]] is the best known of these; however, the style is found throughout all the districts of the city of Havana and in all the cities of Cuba. The style is expressed in the architecture of residences, businesses, hotels, and many pieces of decorative art, furniture, and utensils in these public buildings, as well as in private homes.<ref> Hillier, Bevis ''The World of Art Deco'' New York: Dutton) 1971 ISBN 9780525482383  ISBN 0525482385, ''passim''.</ref>
+
Appropriate to the rich diversity of sources, some of the finest surviving examples of Art Deco art and architecture are found in [[Cuba]], especially in [[Havana]]. Just as the 1950s automobiles from the U.S. have been preserved and restored, so has the Office of the Historian of Havana has been restoring these buildings for the past ten years. The [[Bacardi Building]] is the best known of these; however, the style is found throughout all the districts of the city of Havana and in all the cities of Cuba. The style is expressed in the architecture of residences, businesses, hotels, and many pieces of decorative art, furniture, and utensils in these public buildings, as well as in private homes.<ref name="hillier"/>
  
 
==Modern applications==
 
==Modern applications==
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Image:Ss paris stairs.jpg|The grand staircase aboard the ''[[SS Paris]].
 
Image:Ss paris stairs.jpg|The grand staircase aboard the ''[[SS Paris]].
 
Image:Phul Cinema.jpg|Phul Cinema in [[Patiala]], [[India]].
 
Image:Phul Cinema.jpg|Phul Cinema in [[Patiala]], [[India]].
Image:P&Ltower.png| [[Kansas City Power and Light Building]], in [[Kansas City, Missouri]].
+
Image:P&Ltower.png|[[Kansas City Power and Light Building]], in [[Kansas City, Missouri]].
Image:IMG 9136.jpg| The [[Griffith Observatory]] in [[Los Angeles, California]], April 2007
+
Image:IMG 9136.jpg|The [[Griffith Observatory]] in [[Los Angeles, California]], April 2007
Image:Coittower1.jpg| [[Coit Tower]] in [[San Francisco, California]]
+
Image:Coittower1.jpg|[[Coit Tower]] in [[San Francisco, California]]
Image:Cincimuseum.jpg| [[Cincinnati Union Terminal|Union Terminal]] in [[Cincinnati, Ohio]].
+
Image:Cincimuseum.jpg|[[Cincinnati Union Terminal|Union Terminal]] in [[Cincinnati, Ohio]].
 
Image:Delano National MiamiBeach.JPG|Delano, National hotel fronts on Collins Ave. - [[Miami Beach]]
 
Image:Delano National MiamiBeach.JPG|Delano, National hotel fronts on Collins Ave. - [[Miami Beach]]
 
Image:Town Hall - Coronel Pringles.jpg|Town hall in [[Coronel Pringles]], [[Argentina]] by [[Francisco Salamone]].
 
Image:Town Hall - Coronel Pringles.jpg|Town hall in [[Coronel Pringles]], [[Argentina]] by [[Francisco Salamone]].
Line 72: Line 72:
 
</gallery>
 
</gallery>
  
==References==
+
==Notes==
 
{{reflist}}
 
{{reflist}}
  
Line 94: Line 94:
 
*[[Wirt C. Rowland]]
 
*[[Wirt C. Rowland]]
  
==Bibliography and further reading==
+
==References==
  
 
* Applegate, Judith. Intro. by Elayne H. Varian, ''Art Deco'' (New York Finch College Museum Of Art).
 
* Applegate, Judith. Intro. by Elayne H. Varian, ''Art Deco'' (New York Finch College Museum Of Art).
 
 
* Bayer, Patricia, ''Art Deco Architecture Design, Decoration and Detail from the Twenties and Thirties''. (London: Thames & Hudson, 1999) ISBN 0500281491, ISBN 978-0500281499.
 
* Bayer, Patricia, ''Art Deco Architecture Design, Decoration and Detail from the Twenties and Thirties''. (London: Thames & Hudson, 1999) ISBN 0500281491, ISBN 978-0500281499.
 
 
* Benton, Charlotte (Author), Tim Benton (Author), Ghislaine Wood (Author), Oriana Baddeley (Collaborator). ''Art Deco: 1910-1939'' (Little Brown & Co., 2003). ISBN 9780821228340 ISBN 082122834X.
 
* Benton, Charlotte (Author), Tim Benton (Author), Ghislaine Wood (Author), Oriana Baddeley (Collaborator). ''Art Deco: 1910-1939'' (Little Brown & Co., 2003). ISBN 9780821228340 ISBN 082122834X.
 
 
* Breeze, Carla, ''American Art Deco: Modernistic Architecture and Regionalism'' (Norton, WW & Co., 2003).  ISBN 0500281491; ISBN 978-0500281499.
 
* Breeze, Carla, ''American Art Deco: Modernistic Architecture and Regionalism'' (Norton, WW & Co., 2003).  ISBN 0500281491; ISBN 978-0500281499.
 
 
* Gallagher, Fiona, ''Christie's Art Deco'' (Watson Guptill Publications, 2002) ISBN 1862055092.
 
* Gallagher, Fiona, ''Christie's Art Deco'' (Watson Guptill Publications, 2002) ISBN 1862055092.
 
 
* Hillier, Bevis ''The World of Art Deco'' (New York, E.P. Dutton & Co., Inc., 1971) ISBN 9780525482383  ISBN 0525482385.
 
* Hillier, Bevis ''The World of Art Deco'' (New York, E.P. Dutton & Co., Inc., 1971) ISBN 9780525482383  ISBN 0525482385.
 
 
* Ray, Gordon N.; Tansell, G. Thomas, Ed., ''The Art Deco Book In France''. The Bibliographical Society of The University of Virginia, Charlottesville, 2005) ISBN 1883631122.
 
* Ray, Gordon N.; Tansell, G. Thomas, Ed., ''The Art Deco Book In France''. The Bibliographical Society of The University of Virginia, Charlottesville, 2005) ISBN 1883631122.
 
 
* Savage, Rebecca Binno and Greg Kowalski. ''Art Deco in Detroit (Images of America)''. (Arcadia, 2004). ISBN 0-7385-3228-2.
 
* Savage, Rebecca Binno and Greg Kowalski. ''Art Deco in Detroit (Images of America)''. (Arcadia, 2004). ISBN 0-7385-3228-2.
  
 
==External links (alphabetical by geographic location)==
 
==External links (alphabetical by geographic location)==
 +
All links retrieved December 12, 2007.
 
{{Commonscat|Art Deco}}
 
{{Commonscat|Art Deco}}
 
*[http://www.artdecoworld.com/gallery03.htm Anzac Memorial article with photos]
 
*[http://www.artdecoworld.com/gallery03.htm Anzac Memorial article with photos]
Line 130: Line 124:
 
*[http://lcweb2.loc.gov/ammem/wpaposters/wpahome.html USA—Posters from the Works Projects Administration (WPA), Library of Congress]
 
*[http://lcweb2.loc.gov/ammem/wpaposters/wpahome.html USA—Posters from the Works Projects Administration (WPA), Library of Congress]
 
*[http://www.artdecowa.org.au/ Western Australia Art Deco Society]  
 
*[http://www.artdecowa.org.au/ Western Australia Art Deco Society]  
*{{cite web |publisher= [[Victoria and Albert Museum]]
+
*[http://www.vam.ac.uk/vastatic/microsites/1157_art_deco/about/starobjects/ Art Deco objects in detail]
|url= http://www.vam.ac.uk/vastatic/microsites/1157_art_deco/about/starobjects/
 
|title= Art Deco objects in detail
 
|accessdate= 2007-06-07}}
 
  
 
{{Westernart}}
 
{{Westernart}}

Revision as of 23:07, 12 December 2007

The Art Deco spire of the Chrysler Building in New York, built 1928–1930
City Hall of Buffalo, New York, an Art Deco building

Art Deco was a popular international design movement from 1920 until 1939, affecting the decorative arts such as architecture, interior design, and industrial design, as well as the visual arts such as fashion, painting, the graphic arts, and film. This movement was, in a sense, an amalgam of many different styles and movements of the early 20th century, including Constructivism, Cubism, Modernism, Bauhaus, Art Nouveau, and Futurism. Its popularity peaked during the Roaring Twenties. Although many design movements have political or philosophical roots or intentions, Art Deco was purely decorative. At the time, this style was seen as elegant, functional, and ultra modern.

History

After the Universal Exposition of 1900, various French artists formed a formal collective. This was known as La Société des artistes décorateurs (the society of the decorator artists). Founders included Hector Guimard, Eugène Grasset, Raoul Lachenal, Paul Follot, Maurice Dufrene, and Emile Decour. These artists heavily influenced the principles of Art Deco as a whole. This society's purpose was to demonstrate French decorative art's leading position and evolution internationally. Naturally, they organized the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Industrial and Decorative Art), which would feature French art and business interests. Russian artist Vadim Meller was awarded there a gold medal for his scenic design.

The initial movement was called Style Moderne. The term Art Deco was derived from the Exposition of 1925, though it wasn't until the late 1960s that this term was coined by art historian Bevis Hillier, and popularized by his 1968 book Art Deco of the 20s and 30s. In the summer of 1969, Hillier conceived organizing an exhibition called Art Deco at the Minneapolis Institute of Arts, which took place from July to September 1971. After this, interest in Art Deco peaked with the publication of Hillier's 1971 book The World of Art Deco, a record of the exhibition.[1]

Sources and attributes

It was widely considered to be an eclectic form of elegant and stylish modernism, being influenced by a variety of sources. Among them were the, so called, "primitive" arts of Africa, Ancient Egypt, and Aztec Mexico, as well as Machine Age or streamline technology such as modern aviation, electric lighting, the radio, the ocean liner and the skyscraper. These design influences were expressed in fractionated, crystalline, faceted forms of decorative Cubism and Futurism, in Fauvism's palette. Other popular themes in art deco were trapezoidal, zigzagged, geometric, and jumbled shapes, which can be seen in many early pieces. Two brilliant examples of these themes and styles are in Detroit, Michigan: the Fisher Building and the Guardian Building.[2]

Corresponding to these influences, Art Deco is characterized by use of materials such as aluminium, stainless steel, lacquer, inlaid wood, sharkskin (shagreen), and zebraskin. The bold use of stepped forms and sweeping curves (unlike the sinuous, natural curves of the Art Nouveau), chevron patterns, and the sunburst motif are typical of Art Deco. Some of these motifs were ubiquitous—for example, sunburst motifs were used in such varied contexts as ladies' shoes, radiator grilles, the auditorium of the Radio City Music Hall, and the spire of the Chrysler Building.

Art Deco was an opulent style, and its lavishness is attributed to reaction to the forced austerity imposed by World War I. Its rich, festive character fitted it for "modern" contexts, including the Golden Gate Bridge, interiors of cinema theaters (a prime example being the Paramount Theater in Oakland, California) and ocean liners such as the Île de France, the Queen Mary, and Normandie. Art Deco was employed extensively throughout America's train stations in the 1930s[3], designed to reflect the modernity and efficiency of the train. The first Art Deco train station in the United States was the Union Station in Omaha, Nebraska.[4] [5] The unveiling of Streamline trains paralleled the construction of the Art Deco stations.

Nash Ambassador Slipstream sedan

A parallel movement called Streamline Moderne, or simply Streamline, followed close behind. Streamline was influenced by the modern aerodynamic designs emerging from advancing technologies in aviation, ballistics, and other fields requiring high velocity. The attractive shapes resulting from scientifically applied aerodynamic principles were enthusiastically adopted within Art Deco, applying streamlining techniques to other useful objects in everyday life, such as the automobile. Although the Chrysler Airflow design of 1933 was commercially unsuccessful, it provided the lead for more conservatively designed pseudo-streamlined vehicles. These "streamlined" forms began to be used even for mundane and static objects such as pencil sharpeners and refrigerators.

The Art Deco style celebrates the Machine Age through explicit use of man-made materials (particularly glass and stainless steel), symmetry, repetition, modified by Asian influences such as the use of silks and Middle Eastern designs. It was strongly adopted in the United States during the Great Depression for its practicality and simplicity, while still portraying a reminder of better times and the "American Dream."

Decorative arts

File:Revista Vida por Santiago Martinez Delgado Art Deco.jpg
”Illustration for Vida Magazine by Santiago Martinez Delgado (1939)”

Among the decorative arts during this period, architecture and sculpture are easier to recognize than other forms of Art Deco, for they experienced the greatest popularity and with greater longevity than others, such as lacquering, glass work, and industrial design. Popular sculptors include (in alphetical order): Rene Paul Chambellan, Marshall Fredericks, C. Paul Jennewein, and Joseph Kiselewski. Lee Lawrie, Paul Manship.

Architects of this time include Albert Anis, Ernest Cormier, Banister Flight Fletcher, Bruce Goff, Charles Holden, Raymond Hood, Ely Jacques Kahn, Edwin Lutyens, William van Alen, Wirt C. Rowland, Giles Gilbert Scott, Joseph Sunlight, Ralph Walker, Thomas Wallis, and Owen Williams.

Other forms of decorative art were very focused on elegance, dynamic design, and bright colours, while expressing practical modernity. Many popular interior designers of this period were also furniture designers. Artists like Santiago Martinez Delgado, Tamara de Lempicka, Eileen Gray, Jules Leleu, and Émile-Jacques Ruhlmann all fit into this category.

A select few industrial designers were extremely popular, such as Walter Dorwin Teague, Maurice Ascalon, and Donald Deskey. Other notable artists were Georg Jensen (silversmith), Jean Dunand (lacquer), Edgar Brandt (wrought iron), Harry Clarke (stained glass) and Cartier (clocks and jewelry).

Decline

Art Deco slowly lost patronage in the West after reaching mass production, when it began to be derided as gaudy and presenting a false image of luxury. Eventually, the style was cut short by the austerities of World War II. In colonial countries such as India and the Philippines, it became a gateway for Modernism and continued to be used well into the 1960s. Before destruction in World War II, Manila demonstrated many Art Deco buildings; a symbol of the American colonial past. Theatres and Office Buildings have been lost in the war and recently demolished and abandoned for new development. A resurgence of interest in Art Deco came with graphic design in the 1980s, where its association with film noir and 1930s glamour led to its use in ads for jewelry and fashion. South Beach in Miami Beach, Florida has the largest collection of Art Deco architecture remaining in North America, as well as a section of Tulsa, Oklahoma. Napier, New Zealand has an almost entirely Art Deco town centre, rebuilt after a devastating earthquake, and mostly left unchanged since then.

Appropriate to the rich diversity of sources, some of the finest surviving examples of Art Deco art and architecture are found in Cuba, especially in Havana. Just as the 1950s automobiles from the U.S. have been preserved and restored, so has the Office of the Historian of Havana has been restoring these buildings for the past ten years. The Bacardi Building is the best known of these; however, the style is found throughout all the districts of the city of Havana and in all the cities of Cuba. The style is expressed in the architecture of residences, businesses, hotels, and many pieces of decorative art, furniture, and utensils in these public buildings, as well as in private homes.[1]

Modern applications

File:Marlin Hotel Art Deco.jpg
Marlin Hotel - Art Deco architecture on Collins Ave. - Miami Beach

Although Art Deco fell out of vogue in the 1940s, it has had small rebirths over subsequent decades. Its designs frequently appear in modern architecture, entertainment, and media when a "classic retro" look is sought. In media, such examples are obvious in Batman: The Animated Series from the early 1990s in which the show's creators used Art Deco styling fused with a deliberate darkness to create an Art Deco variant style often referred to as Dark Deco. Films such as Sky Captain and the World of Tomorrow, Dick Tracy, and King Kong have various Art Deco elements as well. In Marilyn Manson's The Golden Age of Grotesque, he demonstrates an Art Deco style mixed with his Gothic trademark.

In Long Beach, California, much of the recent city development has been presented in an Art Deco-like, postmodern style. Similarly, Downtown Disney in Anaheim, California has an Art Deco-themed section. A section of the planned community of Ladera Ranch, California, has a shopping center themed to Art Deco.

Similarly in Santa Ana, California, new development has looked to replicate and complement the historical Art Deco structures already there.

In Singapore, the Parkview Square building , completed in 2002, is built in an Art Deco style and includes an Art Deco styled lobby.

Art Deco can also be seen in the graphic design of various video games, such as BioShock and the Fallout series, which use it to give their high tech settings a retro-futuristic feel. The film noir-type adventure game Grim Fandango largely takes place in a very pronounced Art Deco environment, and the strategy game Sim City 4 has similar influences as well.

Shanghai had a distinct Art Deco style. Today, some Shanghainese are attempting to save that architecture.

Gallery

Notes

  1. 1.0 1.1 Bevis Hillier. The World of Art Deco. (New York: Dutton, 1971, ISBN 0525473106
  2. Rebecca Binno Savage, and Greg Kowalski. Art deco in Detroit. (Charleston, SC: Arcadia, ,2004, ISBN 0738532282)
  3. "Art Deco Train Stations" - Retrieved December 12, 2007.
  4. Union Pacific and Omaha Union Station:A History pf Union Pacific Railroad Passenger Station in Omaha, Nebraska 1866-1971. - Retrieved December 12, 2007.
  5. Museum Exterior Architecture. - Retrieved December 12, 2007.

See also

  • 1933 Chicago World's Fair Century of Progress
  • 1939 New York World's Fair
  • Aleksandra Ekster
  • Corrado Parducci
  • Durban Art Deco
  • Fisher Building
  • Francisco Salamone
  • Guardian Building
  • International style
  • List of Art Deco architecture
  • List of Art Deco buildings in Melbourne
  • List of Art Deco buildings in Tasmania
  • Napier, New Zealand
  • Oliver Percy Bernard
  • Streamline Moderne
  • Vadim Meller
  • Wirt C. Rowland

References
ISBN links support NWE through referral fees

  • Applegate, Judith. Intro. by Elayne H. Varian, Art Deco (New York Finch College Museum Of Art).
  • Bayer, Patricia, Art Deco Architecture Design, Decoration and Detail from the Twenties and Thirties. (London: Thames & Hudson, 1999) ISBN 0500281491, ISBN 978-0500281499.
  • Benton, Charlotte (Author), Tim Benton (Author), Ghislaine Wood (Author), Oriana Baddeley (Collaborator). Art Deco: 1910-1939 (Little Brown & Co., 2003). ISBN 9780821228340 ISBN 082122834X.
  • Breeze, Carla, American Art Deco: Modernistic Architecture and Regionalism (Norton, WW & Co., 2003). ISBN 0500281491; ISBN 978-0500281499.
  • Gallagher, Fiona, Christie's Art Deco (Watson Guptill Publications, 2002) ISBN 1862055092.
  • Hillier, Bevis The World of Art Deco (New York, E.P. Dutton & Co., Inc., 1971) ISBN 9780525482383 ISBN 0525482385.
  • Ray, Gordon N.; Tansell, G. Thomas, Ed., The Art Deco Book In France. The Bibliographical Society of The University of Virginia, Charlottesville, 2005) ISBN 1883631122.
  • Savage, Rebecca Binno and Greg Kowalski. Art Deco in Detroit (Images of America). (Arcadia, 2004). ISBN 0-7385-3228-2.

External links (alphabetical by geographic location)

All links retrieved December 12, 2007.

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