Leon Bakst
Léon Samoilovitch Bakst (May 10, 1866 - December 28,1924) was a Russian painter and scene- and costume designer who revolutionized the arts he worked in. Born as Lev (Leib) Rosenberg, he was also known as Leon (Lev) Nikolayevich Bakst (Леон (Лев) Николаевич Бакст). "Bakst" is his pseudonym derived from his grandmother's family name, Bakster (Baxter).
Early life
Leon was born in Grodno (currently Belarus) in a middle-class Jewish family. After graduating from gymnasium, he studied in St. Petersburg Academy of Arts as a noncredit student, working part-time as a book illustrator.
On his first exhibition (1889) he took the name of Bakst based on his maternal grandmother's family name Baxter. At the beginning of the 1890s he exhibited his works with Society of watercolorists. During 1893 - 1897 he lived in Paris, where he studied at the Académie Julian while still visiting Saint Petersburg often. After the mid-1890s he became a member of the circle of writers and artists formed by Sergei Diaghilev and Alexandre Benois, which later became the Mir Iskusstva art movement.
In 1899, he co-founded with Sergei Diaghilev the influential periodical World of Art. His graphics for the World of Art magazine brought him international fame.
Mir Iskusstva
Мир Искусства (Mir Iskusstva, or World of Art) was a Russian magazine and the artistic movement it inspired and embodied. The group helped revolutionize European art during the first decade of the 20th century. From 1909, many of the miriskusniki (i.e., members of the Mir Iskusstva movement) also contributed to the Ballets Russes company operating in Paris. Paradoxically, few Western Europeans actually saw issues of the magazine itself.
The artistic group was founded in 1898 by a group of students that included Bakst as well as Alexandre Benois, Konstantin Somov, Dmitry Filosofov, and Eugene Lansere. The starting moments for the new artistic group was organization of the Exhibition of Russian and Finnish Artists in the Stieglitz Museum of Applied Arts in Saint-Petersburg.
The magazine was cofounded in 1899 in St. Petersburg by Bakst, Alexandre Benois, and Sergei Diaghilev (the Chief Editor). They aimed at assailing low artistic standards of the obsolescent Peredvizhniki school and promoting artistic individualism and other principles of Art Nouveau.
Apart from three founding fathers, active members of the World of Art included Mstislav Dobuzhinsky, Eugene Lansere, and Konstantin Somov. Exhibitions organized by the World of Art attracted many illustrious painters from Russia and abroad, notably Mikhail Vrubel, Mikhail Nesterov, and Isaac Levitan.
In its "classical period" (1898-1904) the art group organized six exhibitions: 1899 (International), 1900, 1901 (At the Imperial Academy of Arts, Saint Petersburg), 1902 (Moscow and Saint Petersburg), 1903, 1906 (Saint Petersburg).
Art
Like the English pre-Raphaelites before them, Benois and his friends were disgusted with anti-aesthetic nature of modern industrial society and sought to consolidate all Neo-Romantic Russian artists under the banner of fighting Positivism in art.
Like the Romantics before them, the miriskusniki promoted understanding and conservation of the art of previous epochs, particularly traditional folk art and the 18th-century rococo. Antoine Watteau was probably the single artist whom they admired the most.
Such Revivalist projects were treated by the miriskusniki humorously, in a spirit of self-parody. They were fascinated with masks and marionettes, with carnaval and puppet theater, with dreams and fairy-tales. Everything grotesque and playful appealed to them more than the serious and emotional. Their favorite city was Venice, so much so that Diaghilev and Stravinsky selected it as the place of their burial.
As for media, the miriskusniki preferred the light, airy effects of watercolor and gouache to full-scale oil paintings. Seeking to bring art into every house, they often designed interiors and books. Bakst and Benois revolutionized theatrical design with their ground-breaking decor for Cléopâtre (1909), Carnaval (1910), Petrushka (1911), and L'après-midi d'un faune (1912).
Rise to fame
He continued easel painting as well producing portraits of Filipp Malyavin (1899), Vasily Rozanov (1901), Andrei Bely (1905), Zinaida Gippius (1906). He also worked as an art teacher for children of Grand Duke Vladimir Alexandrovich. In 1902 he took a commission from Tsar Nicholas II to paint Meeting of Russian sailors in Paris.
In 1898 he showed his works in the Diaghilev-organized First exhibition of Russian and Finnish Artists; in World of Art exhibitions, as well as the Munich Secession, exhibitions of the Union of Russian Artists, etc.
During the Russian Revolution of 1905 Bakst worked for magazines Zhupel, Adskaja Pochta, Satyricon, then for art magazine Apollon.
Stage design
Beginning in 1909 Bakst worked mostly as a stage-designer, designing sets for Greek tragedies, and in 1908 made a name as a scene-painter for Diaghilev with the Ballets Russes (Cleopatra (1909), Scheherazade (1910), Carnaval (1910), Narcisse (1911), Le Spectre de la rose (1911), Daphnis et Chloé (1912)). All that time he lived in Europe because as a Jew he did not have the right to live permanently outside the Pale of Settlement.
During his visits to Saint Petersburg he taught in Zvantseva's school. One of his students was Marc Chagall (1908-1910). In 1910 they broke. Bakst advised Chagall not to go to Paris as, according to Bakst, it would be harmful for Chagall's art and financially would probably cause him to die of starvation. Chagall moved there anyway, did not die and actually found his style.
In 1914 Bakst was elected a member of the Imperial Academy of Arts.
In 1922 he broke his relationship with Diaghilev and the Ballets Russes. He died in 1924 in Paris from lung problems.
Selected works
Supper. 1902
Model, 1905
Andrei Bely, 1905
Zinaida Gippius, 1906
Elisium, 1906
Terror Antiquus, 1908
Costume of Cléopatre for Ida Rubinstein1909
The Firebird, Ballet costume 1910
Nijinsky in the ballet L'après-midi d'un faune 1912
Ballet Russes principal productions
- See also: Category of Ballets Russes productions
| Year | Title | Composer | Choreographer | Set and costume |
| 1909 | Le Pavillon d'Armide | Nikolai Tcherepnin | Michel Fokine | Alexandre Benois |
| 1909 | Prince Igor | Alexander Borodin | Michel Fokine | Nicholas Roerich |
| 1909 | Cléopatre | Anton Arensky | Michel Fokine | Léon Bakst |
| 1910 | The Firebird | Igor Stravinsky | Michel Fokine | Alexandre Golovine, Léon Bakst |
| 1910 | Schéhérazade | Rimsky-Korsakov | Michel Fokine | Léon Bakst |
| 1910 | Carnaval | Robert Schumann | Michel Fokine | Léon Bakst |
| 1911 | Petrushka | Igor Stravinsky | Michel Fokine | Alexandre Benois |
| 1911 | Le Spectre de la Rose | Carl Maria von Weber | Michel Fokine | Léon Bakst |
| 1912 | L'après-midi d'un faune | Claude Debussy | Michel Fokine, Vaslav Nijinsky | Léon Bakst, Odilon Redon |
| 1912 | Daphnis et Chloé | Maurice Ravel | Michel Fokine | Léon Bakst |
| 1912 | Le Dieu Bleu | Reynaldo Hahn | Michel Fokine | Léon Bakst |
| 1912 | Thamar | Mily Balakirev | Michel Fokine | Léon Bakst |
| 1913 | Jeux | Claude Debussy | Vaslav Nijinsky | Léon Bakst |
| 1913 | Le sacre du printemps | Igor Stravinsky | Vaslav Nijinsky | Nicholas Roerich |
| 1913 | Tragédie de Salomè | Florent Schmitt | Boris Romanov | Sergey Sudeykin |
| 1914 | La légende de Joseph | Richard Strauss | Michel Fokine | Léon Bakst |
| 1914 | Le Coq d'Or | Rimsky-Korsakov | Michel Fokine | Natalia Goncharova |
| 1915 | Soleil de Nuit | Rimsky-Korsakov | Léonide Massine | Mikhail Larionov |
| 1917 | Parade | Erik Satie | Léonide Massine | Pablo Picasso |
| 1919 | La Boutique fantasque | Gioachino Rossini, Ottorino Respighi | Léonide Massine | André Derain |
| 1919 | El Sombrero de Tres Picos (aka Le Tricorne) | Manuel de Falla | Léonide Massine | Pablo Picasso |
| 1920 | Le chant du rossignol | Igor Stravinsky | Léonide Massine | Henri Matisse |
| 1920 | Pulcinella | Igor Stravinsky | Léonide Massine | Pablo Picasso |
| 1921 | Chout | Sergei Prokofiev | Mikhail Larionov | Mikhail Larionov |
| 1921 | Sleeping Princess | Pyotr Tchaikovsky | Marius Petipa | Léon Bakst
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