Difference between revisions of "John F. Kennedy Center for the Performing Arts" - New World Encyclopedia

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Because the [[National Cultural Center Act]] stated that the institution was to be self-sustaining and privately funded, a massive fundraising campaign began immediately. Fundraising was led by the National Cultural Center Board of Trustees, which was set-up by Eisenhower on [[January 29]], [[1959]].<ref name=meersman/> Fundraising efforts were not successful, with only $13,425 raised in the first three years.<ref name=meersman/> President John F. Kennedy was interested in bringing [[culture]] to the nation's capital, and provided leadership and support for the project, greatly encouraging and aiding the fundraising aspect of the project.<ref name="nyt-09061971">Christopher Lydon, Kennedy Arts Center Primps for Opening and Hopes to Make Profit, ''The New York Times'' September 6, 1971.</ref>  In 1961, President Kennedy asked [[Roger L. Stevens (producer)|Roger L. Stevens]] to help develop the National Cultural Center, and serve as chairman of the Board of Trustees. Stevens recruited First Lady [[Jacqueline Kennedy Onassis|Jacqueline Kennedy]] as Honorary Chairman of the Center, and former First Lady [[Mamie Eisenhower]] as co-chairman.<ref name=meersman/> The National Cultural Center was renamed as the Kennedy Center in 1964, following the [[John F. Kennedy assassination|assassination of President Kennedy]], in large part in gratitude for Kennedy's support.<ref name="nyt-robertson">Nan C. Robertson, At Last, the Performances Begin, ''The New York Times'' September 6, 1971.</ref>
 
Because the [[National Cultural Center Act]] stated that the institution was to be self-sustaining and privately funded, a massive fundraising campaign began immediately. Fundraising was led by the National Cultural Center Board of Trustees, which was set-up by Eisenhower on [[January 29]], [[1959]].<ref name=meersman/> Fundraising efforts were not successful, with only $13,425 raised in the first three years.<ref name=meersman/> President John F. Kennedy was interested in bringing [[culture]] to the nation's capital, and provided leadership and support for the project, greatly encouraging and aiding the fundraising aspect of the project.<ref name="nyt-09061971">Christopher Lydon, Kennedy Arts Center Primps for Opening and Hopes to Make Profit, ''The New York Times'' September 6, 1971.</ref>  In 1961, President Kennedy asked [[Roger L. Stevens (producer)|Roger L. Stevens]] to help develop the National Cultural Center, and serve as chairman of the Board of Trustees. Stevens recruited First Lady [[Jacqueline Kennedy Onassis|Jacqueline Kennedy]] as Honorary Chairman of the Center, and former First Lady [[Mamie Eisenhower]] as co-chairman.<ref name=meersman/> The National Cultural Center was renamed as the Kennedy Center in 1964, following the [[John F. Kennedy assassination|assassination of President Kennedy]], in large part in gratitude for Kennedy's support.<ref name="nyt-robertson">Nan C. Robertson, At Last, the Performances Begin, ''The New York Times'' September 6, 1971.</ref>
  
The total cost of construction ended up around $70 million.<ref name="nyt-robertson"/> Congress allocated $43 million for construction costs, including $23 million as an outright [[Grant (money)|grant]] and the other $20 million in [[Bond (finance)|bonds]].<ref name="nyt-09061971"/>  Funding was also provided through donations, including $5 million from the [[Ford Foundation]], and approximately $500,000 from the Kennedy family.<ref name=meersman/> Other major donors included [[J. Willard Marriott]], [[Marjorie Merriweather Post]], [[John D. Rockefeller III]], and [[Robert W. Woodruff]], as well as many corporate donors.<ref name=kc>John F. Kennedy Center for the Performing Arts, [http://www.kennedy-center.org/about/history.html History of the Living Memorial.] Retrieved July 7, 2008.</ref>  Gifts were also provided to the Kennedy Center from foreign countries, including a gift of 3,700 tons of [[Carrara]] [[marble]] from [[Italy]] (worth $1.5 million) from the [[government of Italy|Italian government]], which was used in the building's construction.<ref name="nyt-gifts">New York Times, $3-Million in Gifts Adorn Center. September 6, 1971.</ref>
+
The total cost of construction ended up around $70 million.<ref name="nyt-robertson"/> Congress allocated $43 million for construction costs, including $23 million as an outright [[Grant (money)|grant]] and the other $20 million in [[Bond (finance)|bonds]].<ref name="nyt-09061971"/>  Funding was also provided through donations, including $5 million from the [[Ford Foundation]], and approximately $500,000 from the Kennedy family.<ref name=meersman/> Other major donors included [[J. Willard Marriott]], [[Marjorie Merriweather Post]], [[John D. Rockefeller III]], and [[Robert W. Woodruff]], as well as many corporate donors.<ref name=kc>John F. Kennedy Center for the Performing Arts, [http://www.kennedy-center.org/about/history.html History of the Living Memorial.] Retrieved July 7, 2008.</ref>  Gifts were also provided to the Kennedy Center from foreign countries, including a gift of 3,700 tons of [[Carrara]] [[marble]] from [[Italy]] (worth $1.5 million) from the [[government of Italy|Italian government]], which was used in the building's construction.<ref name="nyt-gifts">New York Times, $3-Million in Gifts Adorn Center. September 6, 1971.</ref> In 1988, newly appointed chairman Ralph P. Davidson helped secure an ongoing Japanese endowment that helps the Kennedy Center operate from year to year.<ref name=kc/>
  
 
===Construction===
 
===Construction===

Revision as of 15:05, 7 July 2008

File:Kennedy Center at Sunset.jpg
Kennedy Center at Sunset

The John F. Kennedy Center for the Performing Arts (on the building itself called the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is a performing arts center located on the Potomac River, adjacent to the Watergate Complex in Washington, D.C. It opened in 1971.

It represents a unique public-private partnership, since it is both the nation's living memorial to President John F. Kennedy and the "national center for the performing arts", which includes educational and outreach initiatives, almost entirely paid for through ticket sales and gifts from individuals, corporations, and private foundations.

Designed by architect Edward Durrell Stone, it was built by Philadelphia contractor John McShain and is administered by a bureau of the Smithsonian Institution. It receives federal funding each year to pay for the maintenance and operation of the building.

History

The idea for the center dates back to 1933, when First Lady Eleanor Roosevelt discussed ideas for the Emergency Relief and Civil Works Administration to create employment for unemployed actors during the Great Depression.[1] In 1935, Congress held hearings on plans to establish a new Department of Science, Art, and Literature and to build a monumental theater and arts building on Capitol Hill near the Supreme Court building. A small auditorium was added at the Library of Congress, but it had restrictions on its use. A congressional resolution, in 1938, called for construction of a "public building which shall be known as the National Cultural Center" near Judiciary Square, but nothing materialized.[1]

In 1950, the idea for a national theater resurfaced when U.S. Representative Arthur George Klein of New York introduced a bill to authorize funds to plan and build a cultural center as a memorial to President Franklin D. Roosevelt. The bill included provisions that the center would prohibit any discrimination of cast or audience. From 1955 to 1958, the idea was debated in Congress, amidst much controversy. In the summer of 1958, a bill was finally passed in Congress and on September 4, 1958, President Dwight D. Eisenhower signed into law the National Cultural Center Act which provided momentum for the project.[1]

This was the first time in history that the United States federal government helped finance a structure dedicated to the performing arts. The legislation required a portion of the costs, estimated at $10-25 million, to be raised within five years of passage of the bill.[1] Edward Durrell Stone was selected as architect for the project in June 1959.[1] He presented preliminary designs to the President's Music Committee in October 1959, along with estimated costs of $50 million, double the original estimates of $25-30 million.[1] By November 1959, estimated costs had escalated to $61 million.[1] Despite this, Stone's design was well-received in editorials in The Washington Post, Washington Star, and quickly approved by the United States Commission of Fine Arts, National Capital Planning Commission, and the National Park Service.[1]

Fundraising

Because the National Cultural Center Act stated that the institution was to be self-sustaining and privately funded, a massive fundraising campaign began immediately. Fundraising was led by the National Cultural Center Board of Trustees, which was set-up by Eisenhower on January 29, 1959.[1] Fundraising efforts were not successful, with only $13,425 raised in the first three years.[1] President John F. Kennedy was interested in bringing culture to the nation's capital, and provided leadership and support for the project, greatly encouraging and aiding the fundraising aspect of the project.[2] In 1961, President Kennedy asked Roger L. Stevens to help develop the National Cultural Center, and serve as chairman of the Board of Trustees. Stevens recruited First Lady Jacqueline Kennedy as Honorary Chairman of the Center, and former First Lady Mamie Eisenhower as co-chairman.[1] The National Cultural Center was renamed as the Kennedy Center in 1964, following the assassination of President Kennedy, in large part in gratitude for Kennedy's support.[3]

The total cost of construction ended up around $70 million.[3] Congress allocated $43 million for construction costs, including $23 million as an outright grant and the other $20 million in bonds.[2] Funding was also provided through donations, including $5 million from the Ford Foundation, and approximately $500,000 from the Kennedy family.[1] Other major donors included J. Willard Marriott, Marjorie Merriweather Post, John D. Rockefeller III, and Robert W. Woodruff, as well as many corporate donors.[4] Gifts were also provided to the Kennedy Center from foreign countries, including a gift of 3,700 tons of Carrara marble from Italy (worth $1.5 million) from the Italian government, which was used in the building's construction.[5] In 1988, newly appointed chairman Ralph P. Davidson helped secure an ongoing Japanese endowment that helps the Kennedy Center operate from year to year.[4]

Construction

President Lyndon B. Johnson was present at the groundbreaking for the Kennedy Center on December 2, 1964.[1] Though, debate continued for another year over the Foggy Bottom site, with some advocating for another location on Pennsylvania Avenue.[1] Excavation of the site got underway on December 11, 1965, and the site was cleared by January 1967.[1] The first performance was on September 5, 1971, with 2,200 members of the general public in attendance to see a premiere of Leonard Bernstein's Mass in the Opera House,[3] while the Center's official opening took place on September 8, 1971, with a formal gala and premiere performance of the Bernstein Mass.[6] The Concert Hall was inaugurated on September 9, 1971, in a performance by the National Symphony Orchestra conducted by Antal Dorati.[6] On Friday, September 10, 1971, Alberto Ginastera's opera, Beatrix Cenci, debuted at the Kennedy Center's Opera House.

Architecture

The Kennedy Center was designed by architect Edward Durrell Stone.[7] Overall, the building is 100 feet (30 m) high, 630 feet (190 m) long, and 300 feet (91 m) wide. The Kennedy Center features a 600-foot (180 m) long, 63-foot (19 m) high grand foyer, with 18 massive crystal chandeliers and red carpeting. The Hall of States and the Hall of Nations are both 250-foot (76 m) long, 63-foot (19 m) high corridors. The building has drawn criticism for its location (far away from Washington Metro stops), and for its scale and form,[7] although it has also drawn praise for its acoustics and its terrace overlooking the Potomac River.[7]

Cyril M. Harris designed the Kennedy Center's auditoriums and their acoustics.[8] A key consideration is that many aircraft fly along the Potomac River and overhead the Kennedy Center, as they take off and land at the nearby Ronald Reagan Washington National Airport. Helicopter traffic over the Kennedy Center is also fairly high. To keep out this noise, the Kennedy Center was designed as a box within a box, giving each auditorium an extra outer shell.[9]

Venues

File:000 0017.jpg
The Grand Foyer, at 60 feet (18 m) high and 630 feet (190 m) long, is one of the largest rooms in the world. If laid on its side, the Washington Monument would fit in this room with 75 feet (23 m) to spare.

The three main theaters at the Kennedy Center are the Opera House, Concert Hall, and the Eisenhower Theater.

Concert Hall

The Concert Hall, on the south side, seats 2,518. When it opened in 1971, the Concert Hall had a seating arrangement, similar to that used in many European halls such as Musikverein in Vienna.[6] The Concert Hall was renovated in 1997, and currently is state-of-the-art, with a high-tech acoustical canopy, and accessible locations on every level, and new seating sections (onstage boxes, chorister seats, and parterre seats). The Hadelands crystal chandeliers, a gift from Norway, were repositioned to provide a clearer view.[5] Behind the stage the 4,144-pipe organ is located. This was a gift from the Filene Foundation of Boston. The Concert Hall is the largest performance space in the Kennedy Center and is the home of the National Symphony Orchestra.

Opera House

The Opera House, in the middle, has 2,318 seats. Its interior features include much red velvet, as well as a distinctive red and gold silk curtain, which was a gift from Japan.[5] The Opera House also features a Lobmeyr crystal chandelier, which was gift from Austria.[5] It is the major opera, ballet, and large-scale musical venue of the Center, and was closed for the 2003/2004 season for extensive renovations which provided a revised seating arrangement at the orchestra level plus re-designed entrances to this level. It is the home of the Washington National Opera and the annual Kennedy Center Honors.

Eisenhower Theater

The Eisenhower Theater, on the north side, seats 1,142 and is named for President Dwight D. Eisenhower. It primarily hosts plays and musicals, smaller-scale operas, ballet and contemporary dance. The theater contains an orchestra pit for 40 musicians that is convertible to a forestage or additional seating space. The walls are of East Indian laurel wood. The red and black stage curtain of hand-woven wool was a gift from Canada.[5] The Theater is being renovated beginning in May 2007 and will re-open sometime in 2008.

Other performance venues

Other performance venues in the Center include:

  • The Family Theater, with 324 seats, was opened on 9 December 2005. It replaces what was once the American Film Institute Film Theater located off the Hall of States. The new Family Theater provides a home for world-class family theater performances for the nation's youth and continues the Kennedy Center's $125 million commitment to performing arts education for adults and children alike. Designed by the architectural firm Richter Cornbrooks Gribble, Inc. of Baltimore, the new theater incorporates the most modern theatrical innovations available, including: premium audio technologies; a computerized rigging system; and a digital video projection system.
  • The Terrace Theater, with 513 seats, was constructed on the roof terrace level in the late 1970s as a Bicentennial gift from the people of Japan to the United States. It is used for intimate performances of chamber music, ballet and contemporary dance, and theater.
  • The Theater Lab, with 399 seats plus cabaret-style tables for the current 18-year long run of the whodunit, Shear Madness.
  • The Millennium Stage. Part of the concept of "Performing Arts for Everyone" launched by then-Director James Johnson in the winter of 1997, the Millennium Stage provides free performances every evening at 6:00 pm on two specially created stages at either end of the Grand Foyer. A broad range of art forms are featured on the Millennium Stage. These include performing artists and groups from all 50 states and an Artist-in-Residence program featuring artists performing several evenings in a month. Every show on the Millennium Stage is available as a simulcast of the live show at 6:00 pm as well, and is archived for later viewing via the Kennedy Center's website.
  • The KC Jazz Club. On March 12, 2003 the space formerly known as the Education Resource Center was officially designated the Terrace Gallery. It is now home to the Kennedy Center Jazz Club.

"Performing Arts for Everyone" was designed to introduce the Kennedy Center and its programs to a far wider audience than ever before by providing a performance open to the public and free of charge 365 days a year. In addition, "Performing Arts for Everyone" initiatives include low- and no-cost tickets available to performances on every stage of the Kennedy Center, and several outreach programs designed to increase access to the Center's tickets and performances.

Events

Kennedy Center Honors

Wikinews
Wikinews has news related to this article:
Kennedy Center names 2007 honors recipients
Main article: Kennedy Center Honors

Since 1978, the Kennedy Center Honors have been awarded annually by the Center's Board of Trustees. Each year, five artists or groups are honored for their lifetime contributions to American culture and the performing arts, including dance, music, theater, opera, film, and television.[10] The Center has awarded the Mark Twain Prize for American Humor since 1998.

Regular performances

The Kennedy Center houses a number of groups and institutions, including:

  • National Symphony Orchestra, directed by Leonard Slatkin and principal guest conductor Iván Fischer
  • Washington National Opera
  • Washington Ballet
  • Washington Performing Arts Society, an organization which sponsors performances of all kinds
  • American College Theater Festival

Other events

During the American Bicentennial, numerous special events were held at the Kennedy Center throughout 1976, including six commissioned plays.[11] Free performances by groups from each state were also held at the Kennedy Center.[12] In December 1976, Mikhail Baryshnikov's version of The Nutcracker ballet played for two weeks.[13]

The Kennedy Center also hosts special inauguration events and galas.

In 1977, the Opera House hosted George Bernard Shaw's Caesar and Cleopatra with Rex Harrison and Elizabeth Ashley.[14] The American Ballet Theater has also frequently performed at the Kennedy Center.[15]

Productions of The Lion King musical, and Trevor Nunn's production of My Fair Lady choreographed by Matthew Bourne are slated for the 2007-2008 season.[16]

Renovations

File:Kennedy center at night.jpg
Kennedy Center at night

On June 16, 1971, Congress authorized appropriations for one year to the Board of Trustees for operating and maintenance expenses.[17] In following years, the appropriations were provided to the National Park Service for operations, maintenance, security, safety and other functions not directly related to the performing arts functions.[17] The National Park Service and the Kennedy Center signed a cooperative agreement requiring each party to pay a portion of the operating and maintenance costs based on what proportion of time the building was to be used for performing arts functions.[18] The agreement did not specify who was responsible for long-term capital improvement projects at the Kennedy Center, along with only periodic funding by Congress for one-time projects, the condition of the facility had deteriorated by 1990.[18]

In fiscal years 1991 and 1992, Congress recommended that $27.7 million be allocated for capital improvement projects at the Kennedy Center, including $12 million for structural repairs to the garage, and $15.7 for structural and mechanical repairs, as well as projects for improving handicapped access.[19] In 1994, Congress gave full responsibility to the Kennedy Center for capital improvement projects and facility management.[20] From 1995 to 2005, over $200 million of federal funds were allocated to the Kennedy Center for long-term capital projects, repairs, and to bring the center into compliance with modern fire safety and accessibility codes.[20] Improvements included renovation of the Concert Hall, Opera House, plaza-level public spaces, and a new fire alarm system.[21] The renovations projects were completed 13 to 50 percent over budget, due to modifications of plans during the renovations resulting in overtime and other penalties.[22] Renovations to the Eisenhower Theater are taking place into 2008.[16]

Management

Michael Kaiser, who came to the Center from the Royal Opera House Covent Garden in London with a reputation for major fundraising [23] is the current President. Earlier he headed the American Ballet Theatre, and founded a successful consulting firm called Kaiser Associates. He oversees all the artistic activities at the Kennedy Center, has increased the Center’s already broad educational efforts, established cross-disciplinary programming with opera, symphony and dance, established an Institute for Arts Management, created theater festivals[24] celebrating the works of Stephen Sondheim and Tennessee Williams, and arranged for continuing visits by Saint Petersburg’s Mariinsky Theater Opera, Ballet, and Orchestra, and the Royal Shakespeare Company.[25]

References
ISBN links support NWE through referral fees

  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 Roger Meersman, The Kennedy Center: From Dream to Reality, Records of the Columbia Historical Society 1980(50).
  2. 2.0 2.1 Christopher Lydon, Kennedy Arts Center Primps for Opening and Hopes to Make Profit, The New York Times September 6, 1971.
  3. 3.0 3.1 3.2 Nan C. Robertson, At Last, the Performances Begin, The New York Times September 6, 1971.
  4. 4.0 4.1 John F. Kennedy Center for the Performing Arts, History of the Living Memorial. Retrieved July 7, 2008.
  5. 5.0 5.1 5.2 5.3 5.4 New York Times, $3-Million in Gifts Adorn Center. September 6, 1971.
  6. 6.0 6.1 6.2 Harold C. Schonberg, Kennedy Hall Gets Acoustics Workout, The New York Times September 2, 1971.
  7. 7.0 7.1 7.2 Christopher Weeks, AIA Guide to the Architecture of Washington, D.C., 3rd edition (Johns Hopkins University Press, 1994).
  8. Leland M. Roth, A Concise History of American Architecture (Westview Press, 1982, ISBN 0064300862), p. 337.
  9. Daniel R. Raichel, The Science and Applications of Acoustics (Springer, 2000, ISBN 0387989072), p. 252.
  10. Boliek, Brooks. "Kennedy nods to Douglas, Gould", The Hollywood Reporter, September 8, 1994.
  11. Darling, Lynn. "Bicentennial Hailed for Its Legacies", The Washington Post, January 1, 1977.
  12. "Critics' Roundtable The Arts: Poised for 1977", The Washington Post, January 2, 1977.
  13. Kriegsman, Alan M.. "The New 'Nutcracker': An Artistic Coup", The Washington Post, January 2, 1977.
  14. Quinn, Sally. "Rex Harrison: 'The World Was A Rather Different Place Then'", The Washington Post, January 12, 1977.
  15. Kriegsman, Alan M.. "ABT's Final Weekend: Upbeat Performances", The Washington Post, April 11, 1977.
  16. 16.0 16.1 Smith, Tim. "Kennedy Center announces details of 2007-2008 season", Baltimore Sun, March 6, 2007.
  17. 17.0 17.1 General Accounting Office (February 1993). Kennedy Center: Information on the Capital Improvement Program pp. p. 2. GAO Report to Congress.
  18. 18.0 18.1 General Accounting Office (February 1993). Kennedy Center: Information on the Capital Improvement Program pp. p. 3. GAO Report to Congress.
  19. General Accounting Office (February 1993). Kennedy Center: Information on the Capital Improvement Program pp. p. 4. GAO Report to Congress.
  20. 20.0 20.1 General Account[ing Office (April 2005). Stronger Oversight of Fire Safety Issues, Construction Projects, and Financial Management Needed pp. p. 1. GAO Report to Congress.
  21. General Accounting Office (April 2005). Stronger Oversight of Fire Safety Issues, Construction Projects, and Financial Management Needed pp. p. 3. GAO Report to Congress.
  22. General Accounting Office (April 2005). Stronger Oversight of Fire Safety Issues, Construction Projects, and Financial Management Needed pp. p. 4. GAO Report to Congress.
  23. [1] Bruce B. Auster, "Turnaround Artist", profile in US News & World Report, March 2, 2003: "In 1993, he rescued the Alvin Ailey American Dance Theater from debt and departed for the American Ballet Theater, where things were so bad they unscrewed every second light bulb to save electricity"
  24. Tim Page, "Michael Kaiser: 2007 Impressario of the Year", Musical America, musicalamerica.com online, retieved 24 February 2008
  25. From Page article above: "Today, independent renting organizations are still welcome, but increasingly the Kennedy Center’s own productions are a key draw. Since 2001, both the Royal Shakespeare Company and the Kirov Opera and Ballet have been visiting every year, under Kennedy Center auspices"

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