Prose

From New World Encyclopedia

Prose is a form of written or spoken language that follows the natural flow of speech, uses a language's ordinary grammatical structures, or follows the conventions of formal academic writing. It differs from most traditional poetry, where the form consists of verse (writing in lines) based on rhythmic meter or rhyme. The word "prose" first appears in English in the 14th century. It is derived from the Old French prose, which in turn originates in the Latin expression prosa oratio (literally, straightforward or direct speech).[1] Works of philosophy, history, economics, etc., journalism, and most fiction (an exception is the verse novel), are examples of works written in prose. Developments in twentieth century literature, including free verse, concrete poetry, and prose poetry, have led to the idea of poetry and prose as two ends on a spectrum rather than firmly distinct from each other. The British poet T. S. Eliot noted, whereas "the distinction between verse and prose is clear, the distinction between poetry and prose is obscure."[2]

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    Chinese Prose

    Early Chinese prose was deeply influenced by the great philosophical writings of the Hundred Schools of Thought (770–221 B.C.E.). The works of Mo Zi (墨子), Mencius (孟子) and Zhuang Zi (莊子) contain well-reasoned, carefully developed discourses that reveal much stronger organization and style than their predecessors. Mo Zi's polemic prose was built on solid and effective methodological reasoning. Mencius contributed elegant diction and, like Zhuang Zi, relied on comparisons, anecdotes, and allegories. By the 3rd century B.C.E., these writers had developed a simple, concise and economical prose style that served as a model of literary form for over 2,000 years. They were written in Classical Chinese, the language spoken during the Spring and Autumn period.

    Wen Chang, a Chinese deity of literature.

    During the Tang period, the ornate, artificial style of prose developed in previous periods was replaced by a simple, direct, and forceful prose based on examples from the Hundred Schools (see above) and from the Han period, the period in which the great historical works of Sima Tan and Sima Qian were published. This neoclassical style dominated prose writing for the next 800 years. It was exemplified in the work of Han Yu 韓愈 (768–824), a master essayist and strong advocate of a return to Confucian orthodoxy; Han Yu was later listed as one of the "Eight Great Prose Masters of the Tang and Song".

    The Song dynasty saw the rise in popularity of "travel record literature" (youji wenxue). Travel literature combined both diary and narrative prose formats, it was practiced by such seasoned travelers as Fan Chengda (1126–1193) and Xu Xiake (1587–1641) and can be seen in the example of Su Shi's Record of Stone Bell Mountain.

    After the 14th century, vernacular fiction became popular, at least outside of court circles. Vernacular fiction covered a broader range of subject matter and was longer and more loosely structured than literary fiction. One of the masterpieces of Chinese vernacular fiction is the 18th-century domestic novel Dream of the Red Chamber (紅樓夢).



    Latin was a major influence on the development of prose in many European countries. Especially important was the great Roman orator Cicero (106 – 43 B.C.E.).[3] It was the lingua franca among literate Europeans until quite recent times, and the great works of Descartes (1596 – 1650), Francis Bacon (1561 – 1626), and Baruch Spinoza (1632 – 1677) were published in Latin. Among the last important books written primarily in Latin prose were the works of Swedenborg (d. 1772), Linnaeus (d. 1778), Euler (d. 1783), Gauss (d. 1855), and Isaac Newton (d. 1727).

    Qualities

    Prose usually lacks the more formal metrical structure of the verses found in traditional poetry. It comprises full grammatical sentences (other than in stream of consciousness narrative), and paragraphs, while poetry usually involves a metrical or rhyming scheme. Some works of prose make use of rhythm and verbal music. Verse is normally more systematic or formulaic, while prose is closer to both ordinary, and conversational speech.

    In Molière's play Le Bourgeois gentilhomme the character Monsieur Jourdain asked for something to be written in neither verse nor prose, to which a philosophy master replies: "there is no other way to express oneself than with prose or verse," for the simple reason that "everything that is not prose is verse, and everything that is not verse is prose."[4]

    American novelist Truman Capote, in an interview, commented on prose style as follows:

    <Blockquote<I believe a story can be wrecked by a faulty rhythm in a sentence— especially if it occurs toward the end—or a mistake in paragraphing, even punctuation. Henry James is the maestro of the semicolon. Hemingway is a first-rate paragrapher. From the point of view of ear, Virginia Woolf never wrote a bad sentence. I don't mean to imply that I successfully practice what I preach. I try, that's all.[5]

    Types

    Many types of prose exist, which include those used in works of nonfiction, prose poem,[6] alliterative prose and prose fiction.

    • A prose poem – is a composition in prose that has some of the qualities of a poem.[7]
    • Haikai prose – combines haiku and prose.
    • Prosimetrum – is a poetic composition which exploits a combination of prose and verse (metrum);[8] in particular, it is a text composed in alternating segments of prose and verse.[9] It is widely found in Western and Eastern literature.[9]
    • Purple prose – is prose that is so extravagant, ornate, or flowery as to break the flow and draw excessive attention to itself.[10]

    Divisions

    Prose is divided into two main divisions:

    • Fiction
    • Non fiction

    References
    ISBN links support NWE through referral fees

    1. prose (n.). Online Etymology Dictionary.
    2. Eliot, T. S. Poetry & Prose: The Chapbook, Poetry Bookshop London, 1921.
    3. "Literature", Encyclopaedia Britannica. online
    4. "Le Bourgeois Gentilhomme," |work=English translation accessible via Project Gutenberg
    5. Pati Hill, "Truman Capote, The Art of Fiction No. 17," The Paris Review (Spring-Summer 1957).
    6. Lehman, David (2008). Great American Prose Poems. Simon and Schuster. ISBN 978-1439105115. 
    7. Template:Cite dictionary
    8. Braund, Susanna. "Prosimetrum". In Cancil, Hubert, and Helmuth Schneider, eds. Brill's New Pauly. Brill Online, 2012. Retrieved 2 October 2015.
    9. 9.0 9.1 Brogan, T.V.F. "Prosimetrum". In Green et al., pp. 1115–1116.
    10. A Word a Day – purple prose.

    Further reading

    External links

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    Credits

    New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:

    The history of this article since it was imported to New World Encyclopedia:

    Note: Some restrictions may apply to use of individual images which are separately licensed.