National Museum of Korea
|National Museum of Korea|
The exterior of the National Museum of Korea (West wing).
The National Museum of Korea is the repository for the national and cultural treasures of Korea, both North and South. Although the museum envisions itself has a museum for all Korea, the lack of access to explore and recover artifacts in North Korea has severely limited the collection to the South since the Korean War. Still, artifacts gleened when Seoul ruled as the capital city for all Korea during the Joseon Dynasty grace the collection. The displays of National treasures within the museum provide a profound look into the soul of Korea through documents and artifacts revealing the art, religion, history, and science of Koreans over history.
The National Museum of Korea, the flagship museum of Korean history and art in South Korea, represents Korea culturally. Established in 1945, the museum opened in a new building in Yongsan Family Park in Seoul, October 2005. The museum's collection holds over 150,000 pieces with 11,000 on display at one time. The largest museum in Asia, and the sixth-largest museum in the world in terms of floor space, The National Museum covers 307,227 square feet.
Measures to protect the treasures inside the museum include engineering the building to withstand a magnitude 6.0 Richter Scale earthquake. The display cases for artifacts have been equipped with seismic-protective platforms to absorb shocks and trembles. An imported natural lighting system utilizes sunlight instead of artificial lights and an air purification system has been designed to protect the art and artifacts of the museum. The museum has been made with fire-resistant materials.
To design the new building, the Korean government held an international competition open to architects around the world to submit a proposal for the new building. Architects from 59 countries submitted 854 entries. Chang-Il Kim of Junglim Architects & Engineers Ltd. submitted the winning design, inspired by the idea of a traditional Korean fortress. Oblong in shape, the building looks like a Korean fortress, extending 404 meters in length, and six-stories in height; indigenous plants and gardens surround the building.
Emperor Sunjong established Korea's first museum, the Imperial Household Museum, in 1908 in the waning days of the Joseon Dynasty. The collection of the Imperial Household Museum at Changgyeonggung and the later Japanese Government General Museum, during the Japanese rule of Korea, became the nucleus of the National Museum's collection established when South Korea gained independence in 1945.
During the Korean War, the government safely moved the 20,000 of the museum's pieces to Busan to avoid destruction. When the artifacts came back to Seoul after the war, curators housed them in Gyeongbokgung and Deoksugung Palace. In 1972, the museum moved again to a new building on the grounds of the Gyeongbokgung palace. The museum moved again in 1986 to the Jungangcheong, the former Japanese General Government Building, which housed the museum until demolition in 1995.
Layout of the Museum
The museum has three levels. Symbolically, the left side of the museum represents the past while the right side of the museum represents the future. The first floor contains the Archaeological Gallery containing approximately 4,500 artifacts from the Paleolithic to the Balhae era. Ten exhibition rooms comprise the gallery: the Paleolithic Room, Neolithic Room, Bronze Age and Early Iron Age Room, Proto Three Kingdoms Room, Goguryeo Room, Baekje Room, Gaya Room, Silla Room, Unified Silla Room, and Balhae Room. The Neolithic and Bronze Age Rooms present artifacts and information from important prehistoric sites and settlements including the Bangudae Petroglyphs and Songgung-ni.
The Historical Gallery, containing recorded and historical documents such as Hangul inscriptions, maps, and other valuable documents resides on the first floor. The Historical Gallery has nine rooms: the Hangeul Room, Prints Room, Inscriptions Room, Documents Room, Map Room, King and His Reign Room, Socio-economic Life Room, Traditional Thoughts Room, and Foreign Relations Room. The second floor contains the Fine Arts Gallery I and the Donation Gallery hosting the Painting Room, Calligraphy Room, Buddhist Paintings Room, and Wooden Craft Room. The Fine Arts Gallery I contains 890 pieces of art in four rooms that explore the traditional and religious arts of Korea in line and color.
The Donation Gallery holds 1000 pieces of art from a wide variety of cultures donated from many private collections. The Donation Gallery hosts the following rooms: the Lee Hong-kun Collection Room, Other Collections Room, Kim Chong-hak Collection Room, Yu Kang-yul Collection Room, Park Young-sook Collection Room, Choi Young-do Collection Room, Park Byong-rae Collection Room, Yoo Chang-jong Collection Room, Kaneko Kazushige Collection Room, Hachiuma Tadasu Collection Room, and Luchi Isao Collection Room.
The third floor houses the Fine Arts Gallery II, containing 630 pieces that represent Korean Buddhist sculpture and craftwork. Highlights of the gallery include Goryeo Celadon wares and National Treasure of Korea No. 83, the world-renowned Bangasayusang (or meditating Maiterya). The gallery has five rooms: Metal Arts Room, Celadon Room, Buncheong Ware Room, White Porcelain Room, and Buddhist Sculpture Room.
Finally, also on the third floor, the Asian Arts Gallery contains 970 pieces exploring the similarities and divergences of Asian Art as well as the confluence of Asian and Western art via the Silk Road. Six rooms make up the gallery: Indonesian Art Room, Central Asian Art Room, Chinese Art Room, Relics from Sinan Seabed Room, Nangnang Remains Room, and Japanese Art Room. The grounds of the museum contain parks, gardens of indigenous plants, waterfalls and pools, a collection of pagodas and other outdoor Korean art.
National Treasures in the National Museum of Korea
The measure of the importance of the National Museum of Korea is the vast number and quality of National treasures housed in the collection. The following list of National Treasures among the 100 highlighted exhibits in the museum.
- King Jinheung (540-576) erected a stele on Mt. Bukhansan around the year 555 to mark expanded Silla territory.
- The lion-shaped cover indicated a Buddhist altar ritual object. Goryeo, twelfth century. H 21.1cm
- This Buddhist statue wears a tall crown with sun and moon decoration, originating from Sassanian Persia. Three Kingdoms period, Late sixth century Gilt bronze, H 83.2cm
- From the Pagoda at the Monastic site of Hwangboksa (Buddha).
- From the Pagoda at the Monastic site of Hwangboksa (Buddha). Made of pure gold, treasures 79 and 80 attracted much attention. Crafted in 692 and 706 respectively.
- Buddha's posture indicates contemplating on human being's life. Three Kingdoms period, Early senenth century H 93.5cm
- From the first century C.E., crafted from pure gold. A huge dragon decorates the center, around which six small dragons crowd. W 9.4cm
- From the Silla period, elaborate and magnificnet example of Silla craftsmanship. Silla, sixth century C.E., L 8.7cm
- Silla, sixth century C.E., H 26.8cm.
- Goryeo, twelfth century, H 37.5cm. A ritual ewer similar to those used by Brahmans and Buddhist monks in ancient Inda.
- Goryeo, twelfth century, H 22.7cm. Discovered in King Injong tomb.
- Goryeo, twelfth century, H 15.3cm. This incense burner has gained international admiration.
- Goryeo, twelfth century, H 43.9cm. This vase exemplies the beauty of Goryeo celadon.
- Goryeo, 12th century, H 19.8cm. This celadon displays rare, inlaid surfaces.
- Goryeo, twelfth century, H 31.4cm. The design and composition give thise celadon a contemporary feel.
- Goryeo, twelfth century, H 34.7cm. Inverse inlaying technique highlights this celadon.
- Goguryeo, 539, H 16.2cm. The skirt like a fin and slender face convey a Chinese influence.
- Unified Silla, eighth century, H 16.4cm. With the advent of Buddhism in Silla, cremation became widespread. This funeral urn is from the Silla period.
- Unified Silla, eighth century. The oldest wood printing block print in the world, found in the Seokgatap Pagoda at Bulguksa.
- Goryeo, 1390. The oldest paper document in the collection owned by the National Museum of Korea. The document has proven valuable in understanding the house registry during the Joseon Dynasty.
- Bronze Age, This artifact has the patterns of ritual tools used by a shaman; a mirror, a dagger, and bells.
- Baekje. Ornaments excavated from King Muryeong's tomb in Gongju. A queen wore this pair of gold diadem ornaments.
- Joseon, sixteenth century.
- Joseon, fifteenth-sixteenth century,
- One of the most beautiful inlaid white porcelains from Joseon period.
- Silla, fifth century. excavated form king's tomb glassware indicates high class.
- Silla, fifth century. Made of clay, shaped in the images of people, animals, daily life tools express the folk belief and emotion of the time.
- Goryeo, eleventh century. Daebojeokgyeong or Maharatnakuta Sutra contains an important collection of passages from Mahayana Buddhism.
- Joseon, fifteenth century. A masterpiece of beauty of Buncheong ware.
- Joseon, fifteenth century. a turtle-shaped bottle use for water and liquor in Joseon period.
- Goryeo, eleventh century. When Kitan invaded Gaegyeong in 1011, Goryeo King Hyeonjong ordered Chojo Tripitaka to be made. These are pages from that printing.
- Goryeo, 1010. Buddhist bell of Cheonheungsa is the most beautiful bell in Goryeo period.
Other National Treasures
Other National Treasures in the National Musuem collection follow:
- 61. Celadon wine pot in the shape of a dragon.
- 81. Standing stone maitreya statue of Gamsansa temple.
- 82. Standing stone amitabha statue of Gamsansa temple.
- 93. White porcelain jar with grape design in underglaze iron.
- 96. Celadon pitcher in the shape of a tortoise.
- 99. Galhangsa Temple three-Story stone pagoda.
- 100. Namgyewon Monastery seven-Story stone pagoda.
- 101. Memorial Stupa for the Most Reverend Jigwang of Beopcheonsa temple.
- 102. Memorial Stupa for the Most Reverend Hongbeop of Jeongtosa temple.
- 104. Stupa for Priest Yeomgeo from Heungbeopsa temple.
- 105. Three storied stone pagoda in Beomhak-ri, Sancheong.
- 110. Portrait of Yi Jehyeon.
- 114. Celadon bottle in the shape of a muskmelon with inlaid peony and chrysanthemum designs.
- 115. Celadon bowl with inlaid arabesque design.
- 124. Seated marble bodhisattva statue of Hansongsa temple.
- 127. Standing gilt-bronze avalokitesvara bodhisattva statue of Samyang-dong.
- 167. Celadon wine pot in the shape of a human figure.
- 168. White porcelain bottle with plum and chrysanthemum designs in underglaze iron.
- 185. Saddharmapundarika sutra, "The White Lotus of the Real Truth"
- 186. Standing gilt-bronze bodhisattva statue from Yangpyeong.
- 207. Saddle flap with 'heavenly horse' painting, from the Heavenly Horse Tomb, Kyongju.
- 239. Portrait of Song Siyeol.
- 245. Index of Tripitaka volume 20.
- 253. Celadon bowl inlaid peony design with relief lotus and arabesque designs.
- 271. Commentary on Yogacaryabhumi sutra volume 12.
- 273. Yogacaryabhumi sutra volume 15.
- 293. Standing Gilt-bronze Avalokitesvara Bodhisttva statue.
- 295. A crown of Baekje, Gilt-bronze crown from tumulus in Sinchon-ri, Naju.
Joseon Dynasty vase.
- List of Korea-related topics
- List of museums
- Wongaksa Pagoda
- National treasures of South Korea
- National treasures of North Korea
ReferencesISBN links support NWE through referral fees
- Kungnip Pangmulgwan (Korea). 1979. 5,000 years of Korean art: an exhibition = [Hanʼguk misul ochʻŏnnyŏn]. [San Francisco]: Asian Art Museum of San Francisco. OCLC: 5088619
- National Museum of Korea. 2005. The spirit of history , the power of culture: National Museum of Korea. Seoul: National Museum of Korea. OCLC: 150404124
- Yi, Park, and Suzanne Crowder Han. 2005. National Museum of Korea. Seoul: National Museum of Korea. OCLC: 71719875
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