Apep

An Egyptian deity wards off the snake-like Apep

In Egyptian mythology, Apep (also spelled Apepi, and Aapep, or Apophis in Greek) was a serpent demon who represented the forces of chaos, death, and disorder. As such, he was the mortal enemy (and polar opposite) of order, personified as the goddess Ma'at, and light, as incarnated in the form of Ra. This adversarial construal of the demon is evidenced in various surviving texts from the Middle Kingdom period onwards (ca. 2000-1650 B.C.E.), including the Book of the Dead and the Book of Gates—both of which are concerned with the geography and mythology of the underworld.

Although Apep was depicted in a serpentine form, this should not be extrapolated as signifying a general demonization of snakes within Egyptian culture. As counter-examples, one should note that the creator god Atum was occasionally represented as a serpent in religious iconography, and that many apotropaic talismans were fashioned in the form of reptiles.

Apep in an Egyptian Context

Apep in hieroglyphs

As an Egyptian demon, Apep belonged to a complex religious, mythological and cosmological belief system developed in the Nile river basin from earliest prehistory to 525 B.C.E. Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded. The cults within this framework, whose beliefs comprise the myths we have before us, were generally fairly localized phenomena, with different deities having the place of honor in different communities. Despite this apparently unlimited diversity, however, the gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “the Egyptian gods are imperfect as individuals. If we compare two of them … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.” One reason for this was the undeniable fact that the Egyptian gods were seen as utterly immanental—they represented (and were continuous with) particular, discrete elements of the natural world. Thus, those who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Also, this flexibility was what permitted the development of multipartite cults (i.e. the cult of Amun-Re, which unified the domains of Amun and Re), as the spheres of influence of these various deities were often complimentary.

The worldview engendered by ancient Egyptian religion was uniquely appropriate to (and defined by) the geographical and calendrical realities of its believer’s lives. Unlike the beliefs of the Hebrews, Mesopotamians and others within their cultural sphere, the Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it. The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was ultimately defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence. Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tended to be either creation accounts or depictions of the world of the dead, with a particular focus on the relationship between the gods and their human constituents.

Development

Apep formed part of the more complex cosmic system resulting from the identification of Ra as Atum, i.e. the creation of Atum-Ra, and the subsequent merging of the Ogdoad and Ennead systems. Consequently, since Atum-Ra, who was later referred to simply as Ra, was the solar deity, bringer of light, and thus the upholder of Ma'at, Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra.

As the personification of all that was evil, Apep was seen as a giant snake, crocodile, serpent, or in later years, in a few cases, as a dragon, leading to titles such as Serpent from the Nile, and Evil lizard. Some elaborations even said that he stretched 16 yards in length and had a head made of flint. It is to be noted that already on a Naqada I (ca. 4000 B.C.E.) C-ware dish (now in Cairo) a snake was painted combined with other desert and aquatic animals as a possible enemy of a solar god who is invisibly hunting in a big rowing vessel (C.Wolterman, in: Jaarbericht van Ex Oriente Lux, Leiden (Holland) Nr. 37 (2002)). Also, comparable hostile snakes as enemies of the sun god existed under other names (in the Pyramid Texts and Coffin Texts) already before the name Apep occurred. The etymology of his name ('pp) is perhaps to be sought in some west-semitic language where a word root "pp meaning 'to slither' existed. A verb root 'pp does at any rate not exist elsewhere in Ancient Egyptian. Apep's name much later came to be falsely connected etymologically in Egyptian with a different root meaning (he who was) spat out; the Romans referred to Apep by this translation of his name.

Apparently because of the spat out interpretation of the name Apep, it was said that he had been formed by Neith, who had been the deification of the primordial waters in the Ennead, from a length of spit she had spat at Nu, the deification of the primordial waters in the Ogdoad. Some subsequent commentators speculated that Apep must have been an earlier creator, and chief god, thus explaining why he had so much enmity towards Ra, but evidence for such a conclusion is slight.

After the end of the Middle Kingdom, the foreign Hyksos, now rulers over Egypt, chose Set, as their favorite deity, since he had been protector of Ra, and was associated with Lower Egypt, where their power base was. Consequently, because the foreign overlords were hated by nationalistic groups, Set became gradually demonised, and started being thought of as an evil god. Indeed, because of the extreme level of nationalism and xenophobia, Set eventually became thought of as the god of evil, and gradually took on all the characteristics of Apep. Consequently, Apep's identity was eventually entirely subsumed by that of Set.^{[citation needed]}

Battles with Ra

An Egyptian deity (likely Ra in his "Great Tom Cat" guise) slays the snake-like Apep

Tales of Apep's battles against Ra were elaborated during the New Kingdom. Since nearly everyone can see that the sun is not attacked by a giant snake during the day, every day, story tellers said that Apep must lie just below the horizon. This appropriately made him a part of the underworld, which attacked the sun each night. In some stories Apep waited for Ra in a western mountain called Bakhu, where the sun set, and in others Apep lurked just before dawn, in the Tenth region of the Night. The wide range of Apep's possible location gaining it the title World Encircler. It was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the previous chief god and suffered a coup d'etat by Ra, or because he was evil and had been imprisoned.

—Book of Gates (9th Division)—

When AFU-Ra has passed through, and the Gate is closed, the gods outside set up a wail, for they must abide in darkness until he re-appears. So soon as the god has entered the DIVISION four gods of the Tuat appear and take hold of the tow-line, but they cannot advance until a path is cleared for them. The obstacles in their way take the forms of the huge serpent APEP, and a great crocodile, the tail of which is in the form of a serpent's head and neck; the name of the latter monster is given both as SESHSESH and SESSI. These have taken up their positions at the end of the DIVISION, in that portion of the Tuat which is not very far from the place of sunrise, and a company of beings appear on behalf of AFU-RA, and proceed to remove the monsters by means of words of power and magical ceremonies.

...

Having taken up their positions for attacking Apep the men with the harpoons work the rope which is attached to AM, the goddesses and the apes shake out their rope nets over their heads, and recite their spells, and the men who know the proper words of power shake out their nets and recite the formulae which shall have the effect of throwing APEP and SESSI into the state of stupefaction wherein it will be easy to slay them. The spells and words of power have their proper effect, the monsters are fascinated and slain, and the path of AFU-RA is clear.

—Book of Gates (11th Division)—

Those who are in this scene [with] their weapons in their hand take their knives and hack [with them] at Apep; they make gashes in him and slaughter him, and they drive stakes whereby to fetter him in the regions which are in the upper height. The fetters of the REBEL are in the hands of the Children of Horus, who stand threateningly by this god with their chains between their fingers. This god reckoneth up his members after he whose arms are hidden hath opened [the door] to make a way for Ra.

—7th Hour—

The Majesty of this great god taketh up his abode in the Hall of Osiris, and the Majesty of this god

addresseth words to the Hall of the gods who dwell therein. This god performeth all the rites proper [for entering] this Hall, and he advanceth on his way against Apep by means of the words of power of Isis, and by means of the words of power of the Sovereign God.

<describe in context of the image> "The goddesses who hack at Apep in the Tuat, who repulse (or, bring to nought) the affairs (or, matters) of the enemies of Ra."

The great god maketh his way over it in his holy boat, and he passeth over this road which has no water, and none to tow. He maketh his way by means of the words of power of Isis, and by means of the words of power of SEMSU (?), and the utterances of this great god himself [act as] magical protectors, and perform the slaughters of APEP in the Tuat, in this Circle in his windings in the sky.

In his battles, Apep was thought to use a magical gaze to hypnotise Ra and his entourage, attempting to devour them whilst choking the river on which they travelled through the underworld with his coils. Sometimes Apep had assistance from other demons, named Sek and Mot. Ra was assisted by a number of defenders who travelled with him, the most powerful being Set, who sat at the helm. Other gods who feature in later tales as the defenders include fierce warriors such as Mehen, Serket, Maahes, and Bast, together with Shu.

In a bid to explain natural phenomena it was said that occasionally Apep got the upper hand. The damage to order caused thunderstorms and earthquakes. Indeed: it was even thought that sometimes Apep actually managed to swallow Ra during the day, causing a solar eclipse, but since Ra's defenders quickly cut him free of Apep, the eclipse always ended within a few minutes. On the occasions when Apep was said to have been killed, he was able to return each night (since he lived in the world of the dead already). In Atenism it is Aten who kills the monster, obviously, since Aten is the only god in the belief system.

Worship

Apep was not so much worshipped, as worshipped against. His defeat each night, in favour of Ra, was thought to be ensured by the prayers of the Egyptian priests and worshipers at temples. The Egyptians practiced a number of rituals and superstitions that were thought to ward off Apep, and aid Ra to continue his journey across the sky.

In an annual rite, called the Banishing of Apep, priests would build an effigy of Apep that was thought to contain all of the evil and darkness in Egypt, and burn it to protect everyone from Apep's influence for another year, in a similar manner to modern rituals such as Zozobra.

The Egyptian priests even had a detailed guide to fighting Apep, referred to as The Books of Overthrowing Apep or (in Greek) the Book of Apophis. The chapters described a gradual process of dismemberment and disposal, and include:

• Spitting Upon Apep
• Defiling Apep with the Left Foot
• Taking a Lance to Smite Apep
• Fettering Apep
• Taking a Knife to Smite Apep
• Putting Fire Upon Apep

In addition to stories about Apep's defeats, this guide had instructions for making wax models, or small drawings, of the serpent, which would be spat on, mutilated and burnt, whilst reciting spells that would aid Ra. Fearing that even the image of Apep could give power to the demon, any rendering would always include another deity to subdue the monster.

As Apep was thought to live in the underworld, he was sometimes thought of as an Eater-up of Souls. Thus the dead also needed protection, so they were sometimes buried with spells that could destroy Apep. The Book of the Dead frequently described occasions when Ra defeated Apep.

<individual religious observance —> how the worshiper was thought to take part in the nightly battle

The majesty of the god, who is to be feared, setteth forth and cometh unto the land of Manu; he maketh bright the earth at his birth each day; he cometh unto the place where he was yesterday. O mayest thou be at peace with me; may I behold thy beauties; may I advance upon the earth; may I smite the Ass; may I crush the evil one; may I destroy Apep in his hour...

<Personalized again —> Apep could interfere with an individual's quest for resurrection> The Snake's Head talisman (Illustration No. 42, Plate III) was worn to protect its wearer from the attacks of Rerek, or Apep, the servant of Set, who was typified as a terrible serpent, which when killed had the power of rising in new forms and who obstructed the passage to the heaven world. The serpent, although sometimes assumed to be a form of evil, was generally regarded as a protecting influence, and for this reason was usually sculptured on either side of the doorways to the tombs of kings, temples, and other sacred buildings to guard the dead from enemies of every kind, and to prevent the entrance of evil in any shape or form. It was also placed round the heads of divinities and round the crowns of their kings as a symbol of royal might and power, being one of the forms or types of Tem the son of Ptah, who is thought by some authorities to have been the first living man god of the Egyptians, and the god of the setting sun (in contrast to Horus, who was the god of the rising sun).

References

ISBN links support NWE through referral fees

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External links

• Apep, Water Snake-Demon of Chaos, Enemy of Ra... - Retrieved August 17, 2007
• ancient Egypt: The Mythology - Apep - Retrieved August 17, 2007

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