Difference between revisions of "Fauvism" - New World Encyclopedia
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[[Image:Matissedance.jpg|thumb|300px|[[Henri Matisse]], ''[[The Dance (painting)|La Danse]]'' (second version), 1909 [[Hermitage Museum]], [[St. Petersburg, Russia]]]]Fauvism got both its start and its name at a 1905 exhibition held at the [[Paris Salon]] d'Automne where it was heralded as a 'new style' under the unofficial leader of the group, [[Henri Matisse]] who was to become the most enduring Fauvist. The works of Fauvist artists, marked by audacious transpositions, forceful brushstrokes and the emotional use of color was inspired by [[Impressionism]] and the works of [[Vincent Van Gogh|Van Gogh]] and [[Paul Signac|Signac]]. | [[Image:Matissedance.jpg|thumb|300px|[[Henri Matisse]], ''[[The Dance (painting)|La Danse]]'' (second version), 1909 [[Hermitage Museum]], [[St. Petersburg, Russia]]]]Fauvism got both its start and its name at a 1905 exhibition held at the [[Paris Salon]] d'Automne where it was heralded as a 'new style' under the unofficial leader of the group, [[Henri Matisse]] who was to become the most enduring Fauvist. The works of Fauvist artists, marked by audacious transpositions, forceful brushstrokes and the emotional use of color was inspired by [[Impressionism]] and the works of [[Vincent Van Gogh|Van Gogh]] and [[Paul Signac|Signac]]. | ||
| − | Like other [[modernism|modernists]] such as [[Pablo Picasso]], they sought to break with traditional representations in art, however, their vigorous vision of discordant color groupings and bold shapes were meant to please the viewer and instill a sense of well being. | + | Like other [[modernism|modernists]] such as [[Pablo Picasso]], they sought to break with traditional representations in art. Rather than merely challenge, however, their vigorous vision of discordant color groupings and bold shapes were meant to please the viewer and instill a sense of well being. |
| − | Although the group was short-lived, Fauvists were among the first of 20th century artists to be inspired by non-Western art such as [[Japanese art|Japanese prints]], [[Near Eastern]] [[textiles]], pottery and paintings. [[Maurice de Vlaminck]] was quoted as saying, after their | + | Although the group was short-lived, Fauvists were among the first of 20th century artists to be inspired by non-Western art such as [[Japanese art|Japanese prints]], [[Near Eastern]] [[textiles]], pottery and paintings. [[Maurice de Vlaminck]], considered one of the boldest of the Fauvists, was quoted as saying, after their inaugural exhibition, that Fauvism "was not an invention, an attitude, but a manner of being, of acting, of thinking, of breathing." <ref>Rewald, John. The John Hay Whitney Collection, National Gallery of Art, Washington.</ref> |
Revision as of 12:50, 28 August 2007
Fauvism got both its start and its name at a 1905 exhibition held at the Paris Salon d'Automne where it was heralded as a 'new style' under the unofficial leader of the group, Henri Matisse who was to become the most enduring Fauvist. The works of Fauvist artists, marked by audacious transpositions, forceful brushstrokes and the emotional use of color was inspired by Impressionism and the works of Van Gogh and Signac.
Like other modernists such as Pablo Picasso, they sought to break with traditional representations in art. Rather than merely challenge, however, their vigorous vision of discordant color groupings and bold shapes were meant to please the viewer and instill a sense of well being.
Although the group was short-lived, Fauvists were among the first of 20th century artists to be inspired by non-Western art such as Japanese prints, Near Eastern textiles, pottery and paintings. Maurice de Vlaminck, considered one of the boldest of the Fauvists, was quoted as saying, after their inaugural exhibition, that Fauvism "was not an invention, an attitude, but a manner of being, of acting, of thinking, of breathing." [1]
'Les Fauves'
The name was given, humourously and not as a compliment, to the group by art critic Louis Vauxcelles. The French word, "Fauves" means "wild beasts." Gustave Moreau was the movement's inspirational teacher; a professor at the École des Beaux-Arts in Paris, and a Symbolist painter he pushed his students to think outside of the lines of formality and to follow their visions.
Influences
The leaders of the movement, Moreau's top students, were Henri Matisse and André Derain. Their paintings, for example Matisse's 1909 La Danse or Derain's The Two Barges,[1] use powerful blues, oranges, reds or other forceful colors to draw the eye. Their disciples included Albert Marquet, Charles Camoin, the Belgian painter Henri Evenepoel, Jean Puy, Maurice de Vlaminck, Raoul Dufy, Othon Friesz, Georges Rouault, the Dutch painter Kees van Dongen, the Swiss painter Alice Bailly and Picasso's partner in Cubism, Georges Braque.
Fauvism, as a movement, had no concrete theories, and was short lived, beginning in 1905 and ending in 1907, they only had three exhibitions. Matisse, the most enduring Fauvist has said that he that he wanted to create art to delight.
The French painter Emile Bellet cites Fauvism as an influence.
Fauve paintings
ReferencesISBN links support NWE through referral fees
- Rewald, John. The John Hay Whitney Collection, National Gallery of Art, Washington. ISBN 0894680668
- Tansey, Richard G. and Fred S. Kleiner,Gardner's Art Through the Ages Harcourt Brace, 1996. ISBN 0155011413
Further reading
- William H. Gerdts (1995). The Color of Modernism: The American Fauves. New York: Hollis Taggart Galleries.
- Sarah Whitfield (1991). Fauvism. London: Thames And Hudson.
External links
- Fauve Painting from the Permanent Collection at the National Gallery of Art
- Fauvism: The Wild Beasts of Early Twentieth Century Art
- Fauvism
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- ↑ Rewald, John. The John Hay Whitney Collection, National Gallery of Art, Washington.
