Shmuel Yosef Agnon
Shmuel Yosef Agnon (July 17, 1888 – February 17, 1970), born Shmuel Yosef Czaczkes, recipient of the 1966 Nobel Prize for Literature, was the first Hebrew writer awarded the prize, which he won jointly with poet Nelly Sachs. He was awarded the Bialik Prize twice, in 1934 and again in 1950 and the Israel Prize in 1954 and again in 1958. One of the central figures in modern Hebrew fiction, Agnon was born in Galicia, later immigrated as a Zionist to Israel, and died in Jerusalem.
Agnon, called by many "a man of unquestionable genius" and "one of the great storytellers of our time," is one of the most widely translated Hebrew authors. His stories dealt with the most important psychological and philosophical problems of his generation. Generations of writers have been influenced by his unique style and language.
An observant Jew throughout most of his life, Agnon was said to be able to capture "the hopelessness and spiritual desolation" of a world standing on the threshold of a new age. He was praised for his "peculiar tenderness and beauty," for his "comic mastery" and for the "richness and depth" of his writing. His contribution to the renewal of the language contributed greatly to all subsequent Hebrew writing.
Shmuel Yosef Agnon was born Shmuel Yosef Halevi Czaczkes, in Buczacz in Austrian Galicia, in what is now Ukraine. Although his birthdate on the Hebrew calendar is given as 18 Av 5648 (July 26) by some sources, he himself was known to state his birthdate as the ninth, the Tisha B'Av commemoration. (Historically, the only day of the year when Jews could enter the Holy City of Jerusalem and weep for the destruction of their city at the Temple's only remaining wall.)
He was born to an affluent and urbane family where traditional Jewish culture dwelt side by side with modern European culture. While his father taught him rabbinical legends, his mother read him German stories.
His father, Shalom Mordechai Halevy, was ordained as a rabbi, but dealt in the fur trade. Young Shmuel did not go to school; he was educated by his parents. When he was eight he began to write in Hebrew and Yiddish, and read extensively the works of the Jewish enlightenment, the Haskalah. At the age of fifteen his first creative work was published, a poem in Yiddish about the Kabbalist Joseph della Reina. He continued to produce poems and stories in Hebrew and Yiddish in manuscripts that were published in Galicia.
In 1908 he emigrated to Jaffa, Israel, which was then an Ottoman port. By doing so, he reached the land of Israel with the Zionists of the Second Aliyah. There he abandoned the Jewish religious way of life for a time, but came back to the religion and adhered to it for the rest of his life. By the time he had reached Israel, at 20 years of age, he had published some seventy pieces in Hebrew and Yiddish.
The first work that he released in Eretz Israel was "Agunot" (Forsaken Wives), published in the journal Ha`omer in 1908, using the pseudonym Agnon, derived from the name of the story. It became his literary name, and in 1924, his official surname. In 1910 this was translated into German. Since then, his works have been translated into numerous languages.
In 1912, at the initiative of Yosef Haim Brenner, he published the novella And the Crooked Shall Be Made Straight.
In 1913, drawn by Germany`s lively Jewish cultural life, Agnon left Eretz Israel. While there, in 1920, he married Esther Marx and the couple had two children. While first in Germany, Agnon gave private lessons and worked as an editor. Later, a wealthy Jewish businessman, Zalman Schocken, became his patron and published his works, freeing him from financial worries. From that time on, all of his works were published by Schocken Books. His short stories regularly appeared in the newspaper Haaretz, also owned by the Schocken family.
While In Germany he wrote several stories and collaborated with Martin Buber on a collection of Hasidic stories that influenced Neo-Hasidism. Agnon read German and French literature extensively, and became a member of a circle of Hebrew writers in Hamburg.
In 1924 fire swept through his home and destroyed all his books and manuscripts, including the novel, "In the Bond of Life," whose imminent publication had already been announced. This traumatic event appears occasionally in his stories. Later that year, he returned to Jerusalem permanently, establishing himself in the Talpiot neighborhood. In 1929 his library was destroyed again.
In 1931 the novel The Bridal Canopy was published, making Agnon a central figure in Hebrew literature. In 1935 the novella A Simple Story was published, set in Buczacz at the end of the nineteenth century.
In 1945 Yesteryear was published, a novel set in the Land of Israel at the beginning of the twentieth century.
Several of his works were published posthumously by his daughter, Emmuna Yaron.
Agnon was a deeply religious man and an observant Jew who was identified with the Zionist movement. His studies as a youth of the works of the Jewish enlightenment, the Haskalah, and its studies of religious texts and languages had a deep influence on his success in the literary world.
He won the Bialik Prize twice (1934 and 1950) and the Israel Prize twice (1954 and 1958). In 1966 he won the Nobel Prize in Literature. This award came with a degree of disappointment when, after the announcement of his award, it became clear that it was joint with the Jewish poet Nelly Sachs. Thus "half" of the world's adulation was taken from him. The awarding of the Nobel Prize in Literature to two winners is a rare occurrence, occurring only four times in the twentieth century. In his speech at the award ceremony, Agnon introduced himself in Hebrew, saying:
- "I belong to the Tribe of Levi; my forebears and I are of the minstrels that were in the Temple, and there is a tradition in my father's family that we are of the lineage of the Prophet Samuel, whose name I bear."
The following story shows how greatly Agnon, the author and the man, was revered. He complained that the traffic on the street next to his house, in the Talpiot neighborhood of Jerusalem, disturbed his writing activity. In response the city closed the street to vehicular traffic and posted a sign saying, "No entry to all vehicles, writer at work!"
Agnon died in Jerusalem on February 17, 1970. After his death his daughter, Emmuna Yaron, continued to work to publish writings from his legacy. More of his books were published posthumously than during his life.
Agnon's archive was transferred by his family to the National Library in Jerusalem. His house became property of the city of Jerusalem and is open to visitors. Agnon is considered the most researched author in Hebrew literature. A substantial number of books and articles dealing with his works have been published. Among his most outstanding scholars are Baruch Kurzweil, Dov Seden, and Dan Laor.
Agnon is depicted on the two designs for fifty-shekel notes that first appeared in 1985 and 1998.
His special language
Agnon's writing often used words and phrases that differed from what would become established modern Hebrew. His distinct language is based on traditional Jewish sources, such as the books of Moses and the Prophets, Midrashic literature, the Mishnah, and the rabbinic legends. Some examples include:
- bet kahava for modern bet kafe (coffee house / café)
- batei yadayim (lit. "hand-houses") for modern kfafot (gloves)
- yatzta (יצתה) rather than the modern conjugation yatz'a (יצאה) ("she went out")
Bar-Ilan University has made a computerized concordance of his works in order to study his language.
The wellspring of Agnon's works is Judaism in all of its aspects, such as customs, faith, and language. Agnon gives every aspect his own touch and a unique commentary, expressed in his writings which are unique in their content and language.
Agnon was also influenced by German literature and culture specifically and European literature in general, which he read in German translation. The budding Hebrew literature also influenced his works. Some of his protagonists are Zionists of the Second Aliyah.
The communities he passed through in his life are reflected in his works:
- Galicia: in the books The Bridal Canopy, A City and the Fullness Thereof, and A Guest for the Night.
- Germany: in the stories "Fernheim," "Thus Far," and "Between Two Cities."
- Jaffa: in the stories "Oath of Allegiance," "Yesteryear," and "The Dune."
- Jerusalem: "Prayer," "Yesteryear," "Ido ve-Inam," and "Shira."
Agnon's substantial selection of stories has been published in various collections. Some of his works, such as The Bridal Canopy, And the Crooked Shall Be Made Straight, and The Doctor and His Ex-Wife, have been adapted for theater and performed in Israeli theaters. Some of them have aired on Israeli television.
Writings published during his life
- The Bridal Canopy (1931), an epic describing Galician Judaism at the start of the nineteenth century. (Translated)
- Of Such and Of Such, (Translated) a collection of stories, including
- "And the Crooked Shall Be Made Straight"
- "Forsaken Wives"
- "In the Heart of the Seas"
- At the Handles of the Lock (1923), a collection of love stories, including
- "In the Prime of Her Life"
- "A Simple Story" (Translated)
- "The Dune"
- A Guest for the Night (1938), a novel (Translated)
- Yesteryear (1945), a novel (Translated)
- Near and Apparent, a collection of stories, including
- "The Two Sages Who Were In Our City"
- "Between Two Cities"
- "The Lady and the Peddler"
- the collection "The Book of Deeds" (Translated)
- the satire "Chapters of the National Manual"
- "Introduction to the Kaddish: After the Funerals of Those Murdered in the Land of Israel"
- Thus Far, a collection of stories, including
- "Thus Far"
- "Oath of Allegiance"
- "The Garment"
- "Ido ve-Inam" (Translated)
- The Fire and the Wood, a collection of Hasidic stories
- From Then and From Now, a collection, 1931
- Love Stories, a collection, 1931
- Peacefully, a collection, Shocken, 1935
- Betrothed, a novella, 1943 (Translated)
- The Outcast
- My Grandfather's Talmud
Writings published posthumously
- Shira (1971), a novel set in Jerusalem in the 1930s and 1940s.
- A City and the Fullness Thereof (1973), a collection of stories and legends about Buczacz, the town of Agnon's youth.
- In Mr. Lublin's Shop (1974), set in Germany of the First World War. (Translated)
- Within the Wall (1975), a collection of four stories.
- From Myself to Myself (1976), a collection of essays and speeches.
- Introductions (1977), stories.
- Book, Writer and Story (1978), stories about writers and books from the Jewish sources.
- The Beams of Our House (1979), two stories, the first about a Jewish family in Galicia, the second about the history of Agnon's family.
- Dear Esther: Letters 1924-1931 (1983), letters from Agnon to his wife.
- A Shroud of Stories (1985).
- The Correspondence between S.Y. Agnon and Z. Schocken (1991), letters between Agnon and his publisher.
- In 1977 the Hebrew University published Yiddish Works, a collection of stories and poems that Agnon wrote in Yiddish in the years 1903-1906.
- Days of Awe (1938), a book of customs, interpretations, and legends for the Jewish days of mercy and forgiveness: Rosh Hashanah, Yom Kippur, and the days between.
- Present at Sinai: The Giving of the Law (1959), an anthology for the festival of Shavuot.
- ↑ The American-Israeli Cooperative Enterprise - Jewish Virtual Library. 1988. Shmuel Yosef Agnon Retrieved January 21, 2008.
- ↑ The Institute for the Translation of Hebrew Literature Official Website. 2004. Shmuel Yosef Agnon.
- ↑ Liukkonen, Petri. 2002. Shmuel (Yosef) Agnon (1888-1970) Books and Writers Website. Retrieved January 21, 2008.
- ↑ The Institute for the Translation of Hebrew Literature Official Website. 2004. Shmuel Yosef Agnon Retrieved January 21, 2008.
ReferencesISBN links support NWE through referral fees
- Aberbach, David. "At the handles of the lock: themes in the fiction of S.J. Agnon." New York: Oxford University Press, 1984. ISBN 0-197-10040-6 OCLC: 10876829
- Band, Arnold J. "Nostalgia and nightmare; a study in the fiction of S.Y. Agnon." Berkeley, Calif.: University of California Press, 1968. OCLC: 505748
- Fisch, Harold. "S. Y. Agnon." New York: F. Ungar Publishing Co., 1975. ISBN 0-804-42197-8 OCLC: 1945161
- Golomb-Hoffman, Anne. "Between exile and return: S.Y. Agnon and the drama of writing." Albany, NY: State University of New York Press, 1991. ISBN 0-791-40540-0 OCLC: 21375887
- Hochman, Baruch. "The fiction of S. Y. Agnon." Ithaca, NY: Cornell University Press, 1970. ISBN 0-801-40558-0 OCLC: 65237
- Oz, Amos and Barbara Harshav. "The silence of heaven: Agnon's fear of God." Princeton, NJ, Princeton University Press, 2000. ISBN 0-691-03692-6 OCLC: 43615320
All links retrieved January 27, 2023.
- Shmuel Agnon - Biographical Nobel Prize Website
1951: Pär Lagerkvist | 1952: François Mauriac | 1953: Winston Churchill | 1954: Ernest Hemingway | 1955: Halldór Laxness | 1956: Juan Ramón Jiménez | 1957: Albert Camus | 1958: Boris Pasternak | 1959: Salvatore Quasimodo | 1960: Saint-John Perse | 1961: Ivo Andrić | 1962: John Steinbeck | 1963: Giorgos Seferis | 1964: Jean-Paul Sartre | 1965: Michail Aleksandrovich Sholokhov | 1966: Shmuel Yosef Agnon, Nelly Sachs | 1967: Miguel Ángel Asturias | 1968: Yasunari Kawabata | 1969: Samuel Beckett | 1970: Aleksandr Solzhenitsyn | 1971: Pablo Neruda | 1972: Heinrich Böll | 1973: Patrick White | 1974: Eyvind Johnson, Harry Martinson | 1975: Eugenio Montale
New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:
The history of this article since it was imported to New World Encyclopedia:
Note: Some restrictions may apply to use of individual images which are separately licensed.