Bellow,Saul

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[[Image:Bellow.JPG|frame|right|Bellow as depicted in his Nobel diploma.]]'''Saul Bellow''' (June 11, 1915 – April 5, 2005), was a writer who achieved world wide acclaim and recognition throughout his career. His awards and prizes are numerous, and his efforts in the written word are astounding. Although he was born in [[Canada|Canadian]], his nationality was [[United States|American]], but his writings traverse gender, race, and country. His novels echo the ideas of isolation, spiritual dissociation, and the importance of the human awakening. He remains one of the forerunners in sheading a positive light on writings about Jewish-American heritage, and his characters are humorous, charming, a bit disillusioned, and slightly neurotic. Thus his novels survive the passing of years as the universal themes continue to be applicable. Unpopular at the time, Bellow cherished Judeo-Christian religious values and he scorned such studies as absurdism and nihilism. He thought nothing was as important as simple, ordinary lives being lived as best the person could live.
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[[Image:Saul Bellow (Herzog portrait).jpg|thumb|200px|right|]]
  
Saul Bellow's best known work is ''[[The Adventures of Augie March]]'', however, he won the [[Nobel Prize in Literature]] in 1976  for ''Humboldt's Gift''.  
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'''Saul Bellow''' (June 11, 1915 – April 5, 2005) was a writer who achieved worldwide acclaim and recognition throughout his career. Although he was born in [[Canada]] and raised in [[United States|America]], his writings traverse gender, race, and country. His novels echo the ideas of isolation, spiritual dissociation, and the importance of the human awakening.
  
'''"I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, free style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent."''' ''(from The Adventures of Augie March, 1953)''
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He remains one of the forerunners in shedding a positive light on the Jewish-American heritage. His characters are humorous, charming, a bit disillusioned, and slightly neurotic. Thus, his novels survive the passing of years as the universal themes continue to be applicable. Bellow cherished and championed Judeo-Christian religious values and scorned such studies as [[absurdism]] and [[nihilism]]. He thought nothing was as important as simple, ordinary lives being lived as best the person could live.
  
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Saul Bellow's best known work is ''The Adventures of Augie March,'' however, he won many awards and prizes, including the [[Nobel Prize]] in Literature in 1976, for ''Humboldt's Gift''.
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{{toc}}
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He was known for creating a sense of place and for strong eccentric characters. He opened ''The Adventures of Augie March:''
  
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"I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, free style, and will make the record in my own way: First to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent."
  
 
==Early life==
 
==Early life==
Solomon (nicknamed 'Sollie') Bellows was born in [[Lachine, Quebec]] (now part of [[Montreal]]), in 1915. Bellows has customarily celebrated his birthday on June 10, but he was always a little doubtful of the actual date because his original birth certificate was burned when a fire destroyed Lachine's City Hall. Bellow's parents were both immigrants from [[Saint Petersburg|St. Petersburg]], [[Russia]] and had traveled to Canada in 1913. Bellow's father had imported Turkish figs and Egyptian onions while in Russia, but life proved to be very difficult in Canada. Thus Bellow's father resorted to bootlegging and other activities. The small family lived in the most impoverished section of the city of Montreal with other immigrant families from Poland, Greece, Italy, and Russia.
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Solomon (nicknamed "Sollie") Bellows was born in Lachine, Quebec (now part of Montreal), in 1915. Bellows has customarily celebrated his birthday on June 10, but he was always a little doubtful of the actual date because his original birth certificate was burned when a fire destroyed Lachine's City Hall. Bellow's parents were both immigrants from St. Petersburg, [[Russia]], and had traveled to Canada in 1913. Bellow's father had imported Turkish figs and Egyptian onions while in Russia, but life proved to be very difficult in Canada. Thus, Bellow's father resorted to bootlegging and other activities. The small family lived in the most impoverished section of the city of Montreal with other immigrant families from [[Poland]], [[Greece]], [[Italy]], and Russia.
  
In 1924, Bellow's father was beaten almost to death because of his dealings with questionable people. Thus the family decided it was best to leave Montreal and move to America. They moved south, settling in an equally impoverished region in the [[Chicago]] slums. Saul, already nine years old, began school for the first time. His childhood, far from innocent and serene, provided Bellow with so much to think about, he formed early ideas about society, America, and the world. These ideas provide the backdrop to many of his novels.
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In 1924, Bellow's father was beaten almost to death because of his dealings with nefarious, questionable people. Thus, the family decided to leave Montreal and move to America. They moved south, settling in an equally impoverished region in the Chicago slums. Bellow, already nine years old, began school for the first time. His childhood, far from innocent and serene, provided him with many of the ideas would become backdrops to many of his novels.
  
Although Bellow did not recieve the most academic of educations as a young man, he was a highly intelligent person. His mother, Lescha (Liza) was adamant that Bellow learn Hebrew and Yiddish, as well as English. She was very religious and the first book Saul remembers reading was the [[Bible]]. His desire to read was fed in his youth when he faced many different illnesses that kept him indoors, one particluar bout changed his life. Bellow decided that once he recovered, he would work harder at not becoming sick again. Although he was bookish by nature, he worked hard at his physical fitness and lived for optimum health. Along with the Bible, he loved other religious texts and they comforted him during many hard times. Bellow was very close to his mother, and when she died suddenly, he was emotionally distraught for many months. Liza Bellow died when Saul was only 17, and about this event he said, "My life was never the same after my mother died."
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A lot of Bellow's education took place at home. His mother, Lescha (Liza) was adamant that Bellow learn Hebrew and Yiddish, as well as English. She was very religious and the first book Saul remembers reading was the [[Bible]].
  
In 1933, Saul Bellow entered the [[University of Chicago]]. One of his fellow classmates, [[John Podhoretz]] said that Bellow and his good friend, [[Allan Bloom]] "inhaled books and ideas the way the rest of us breath air." Early on in his studies at Chicago, he found that he was accepted to [[Northwestern University]]. Bellow immedately transfered schools and began indepth studies in anthropology and sociology, graduating in 1937. Although his emphasis was not Literature, Bellow took many writing and English classes. During these studies, the English-department chairman told Bellow that "Now Jew could really grasp the tradition of English literature." And thus, he warned Bellow not to waste his time on Literature classes. Many, including the famous Professor Melville J. Herskovits, wanted Bellow to become a concert pianist. But, Bellow knew his first love, it was literature. He knew from a young age that he wanted to be a writer, during his youth when he was sick and he would laying bed ready ''[[Uncle Tom's Cabin]]'' and other great American novels, he just knew it was his destiny. While recounting these events of his education, Bellow said that his Jewish heritage is "a gift, a piece of good fortune with which one does not quarrel," but he also insisted that he was not a "Jewish" writer but an American writer who happens to be a Jew.
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His desire to read was further developed when he faced many different illnesses that kept him indoors. After one particular bout with sickness, Bellow decided that once he recovered, he would work harder at not becoming sick again. Although he was bookish by nature, he worked hard at his physical fitness and lived for optimum health. Along with the Bible, he loved other religious texts and they comforted him during many hard times.
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When Bellow's mother died suddenly, he was emotionally distraught for many months. Liza Bellow died when Saul was only 17, and about this event he said, "My life was never the same after my mother died."
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In 1933, Saul Bellow entered the [[University of Chicago]]. One of his fellow classmates, [[John Podhoretz]], said that Bellow and his good friend, [[Allan Bloom]], "inhaled books and ideas the way the rest of us breathe air." Early on in his studies at Chicago, he decided to transfer to [[Northwestern University]] and began studying [[anthropology]] and [[sociology]]. Although his emphasis was not Literature, Bellow took many writing and English classes. While at Northwestern, the English-department chairman told Bellow that "No Jew could really grasp the tradition of English literature," and suggested he not waste his time. Many, including the famous Professor Melville J. Herskovits, encouraged Bellow to become a concert pianist.
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Later Bellow would say that his Jewish heritage was "a gift, a piece of good fortune with which one does not quarrel," but he also insisted that he was not a "Jewish" writer, rather an American writer who happened to be a Jew.
  
 
==Career==
 
==Career==
After completion of his degree at Northwestern, Bellow went on immediately to his postgraduate studies at Wisconsin University. However, it was during his first Christmas break at Wisconsin that he fell in love and got married, all very impetuously. Because of his whirlwind romance, Bellow left his studies at the university and decided that since her now had a family to support, he woudl work immediatly on becoming a writer. When met with censure from his acquaintances, he often them that his writing was too stylistic tp pursue anything in a scientific field.
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After completion of his degree at Northwestern, Bellow did his postgraduate studies at Wisconsin University. During his first Christmas break at Wisconsin, he fell in love with [[Anita Goshkin]]. They married shortly after their first meeting. Because of his whirlwind romance, Bellow left his studies at the university and decided to begin his writing career immediately.  
  
Beginning a career as a writer was s low and difficult. It took several years before Saul Bellow had a novel published, and during this time he wrote book reviews for ten dollars apiece. He taught school at Pestalozzi-Froebel Teachers' College, Chicago,l from 1938-1942. After that he worked as an editor for the Encyclopedia Britannica from 1943 to 1944. These years were hard year for America, after the shock of Pearl Harbor, Bellow tried to enlist in the Army, but was rejected because he suffered from a hernia. After a few months of healing, he went to enlist again and served as a US Merchant Marine during the last year of [[World War II]]. It was while Bellow was serving in the Merchant Marines that he wrote his first full novel, ''Dangling Man''. The book dealt directly with emotions and struggles that Bellow saw around him in the various faces of the soldiers he served with, and no doubt, which existed in his own psyche. The main character in ''Dangling Man'' struggled with intellectual and spiritual questions while he waited to be drafted into the war. Bellow claims that the novel was loosely based on [[Fyodor Dostoevsky]]'s  ''Notes from the Underground'' (1864).
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It took several years before Bellow had a novel published, and during this time he wrote book reviews for ten dollars apiece. He taught school at Pestalozzi-Froebel Teachers' College in Chicago from 1938-1942. After that, he worked as an editor for the ''Encyclopedia Britannica,'' from 1943 to 1944.  
  
When his service ended, he returned to teaching, although his main love was writing, he was still not having much success getting anything published. This would all change. As he travled to various posts at the Universities of Minesota, New York, Princeton, and Puerto Rico, Bellow constantly worked on his own writing. Thus, in 1947, he followed his first novel with ''The Victim'', set in New York city, it was a story based on the paranoyia of doppelganger. The book more deeply addressed the issue of man's fate. Does man have a right to choose his fate, or is it choosen for him? This was a theme that has coursed through many of Bellows stories. After ''The Victim'', Bellow changed the settings of his future stories to a city he called home, a city that is typically associated with Saul Bellow, that city was Chicago. In the New York Times, July 6, 1980, Bellow was quoted as saying, "The people of Chicago are very proud of their wickedness. This is good old vulgar politics, despite the pretensions."
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After the [[attack on Pearl Harbor]], Bellow tried to enlist in the Army, but was rejected because he suffered from a [[hernia]]. After a few months of healing, he went to enlist again and served as a U.S. Merchant Marine during the last year of [[World War II]]. It was while Bellow was serving in the Merchant Marines that he wrote his first full novel, ''Dangling Man''. Published in 1944, it dealt directly with emotions and struggles that Bellow saw around him in the various faces of the soldiers he served with, and no doubt, which existed in his own psyche. The main character in ''Dangling Man'' struggled with intellectual and spiritual questions while he waited to be drafted into the war. Bellow claims that the novel was loosely based on [[Fyodor Dostoevsky]]'s  ''Notes from the Underground'' (1864).
  
Saul Bellow's most famous work, ''The Adventures of Augie March'' has topped many peoples list as one of the all time greatest books in history. It was this novel that Bellow freed himself. He let go of previous ideals and restrictions he had placed upon himself in his earlier writings. The novel deals with the lives of two brothers carried on different paths after similar childhoods. The brothers, Augie and Simon were raised in a fatherless household in the slums of Chicago. Though the novel is comedic in parts, and deftly entertaining, it also portrays Bellow's childhood world in tragic, specific detail. This would be the novel that immortalized Chicago in a specific time. However, Bellow began the book while living in Paris (1953) and finished it up while traveling to other places. He says that,  "not a single word of the book was composed in Chicago."
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When his service ended, he returned to teaching. As he traveled to various posts at the Universities of Minnesota, New York, Princeton, and Puerto Rico, Bellow constantly worked on his own writing. In 1947, he followed his first novel with ''The Victim''. Set in New York City, it was about the complex relationship that develops between a Jew and an anti-Semite. The book addressed the issue of humanity's fate. Does one have a right to choose his fate, or is it chosen for him? This was a theme that coursed through many of Bellow's stories. Most reviewers recognized the young author's potential and Bellow was awarded his first [[Guggenheim Fellowship]] in 1948. The fellowship allowed Bellow to give up teaching temporarily and travel to Europe
  
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Saul Bellow's most famous work, ''The Adventures of Augie March,'' is at the top many reviewers' lists of all-time great books in history. It was with this novel that Bellow let go of previous ideals and restrictions he had placed upon himself in his earlier writings. The novel deals with the lives of two brothers carried on different paths after similar childhoods. The brothers, Augie and Simon, were raised in a fatherless household in the slums of Chicago. Though the novel is comedic in parts, and deftly entertaining, it also portrays Bellow's childhood world in tragic, specific detail. This would be the novel that immortalized Chicago in a specific time. Bellow began the book while living in Paris (1953), and finished it up while traveling to other places. He says that, "not a single word of the book was composed in Chicago."
  
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With these three early novels, Bellow created a name for himself. His reputation grew and he was soon regarded as one of the foremost American novelists of the twentieth century. He found himself compared to [[Ernest Hemingway]] and [[William Faulkner]] even though he differed greatly from them in style and subject matter. Bellow fiercely rejected Hemingway's notorious "tough guy" model of American fiction. He focused on illustrating various cultures and traditions, with emphasis on his Russian-Jewish heritage, the deep ideas of [[Friedrich Nietzsche]], and Oedipal conflicts. Bellow relied heavily on the usage of the first-person narrator. He explored the relationship of author-character-narrator and explained his concept of his books, "No writer can take it for granted that the views of his characters will not be attributed to him personally," he once said. "It is generally assumed, moreover, that all the events and ideas of a novel are based on the life experiences and the opinions of the novelist himself" (Bellow, in The ''New York Times,'' March 10, 1994).
  
Before Bellow started his career as a writer he wrote book reviews for ten dollars apiece. His early works earned him the reputation as one of the foremost novelists of the [[20th century]], and by his death he was regarded by some as the greatest living novelist in English.  He was the first novelist to win the [[National Book Award]] three times.  His friend and protege [[Philip Roth]] has said of him, "The backbone of 20th-century American literature has been provided by two novelists—[[William Faulkner]] and Saul Bellow.  Together they are the [[Herman Melville|Melville]], [[Nathaniel Hawthorne|Hawthorne]], and [[Mark Twain|Twain]] of the 20th century." [[James Wood (critic)|James Wood]], in a eulogy of Bellow in ''[[The New Republic]]'', wrote:
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He became the first novelist to be awarded the [[National Book Award]] three times (in 1954 for ''The Adventures of Augie March,'' in 1965 for ''Herzog'' and in 1971 for ''Mr. Sammler’s Planet'').
  
:I judged all modern prose by his. Unfair, certainly, because he made even the fleet-footed—the [[John Updike|Updikes]], the [[Don DeLillo|DeLillos]], the [[Philip Roth|Roths]]—seem like [[Wiktionary:monopode|monopodes]]. Yet what else could I do? I discovered Saul Bellow's prose in my late teens, and henceforth, the relationship had the quality of a love affair about which one could not keep silent. Over the last week, much has been said about Bellow's prose, and most of the praise—perhaps because it has been overwhelmingly by men—has tended toward the robust: We hear about Bellow's mixing of high and low registers, his [[Herman Melville|Melvillean]] cadences jostling the jivey [[Yiddish]] rhythms, the great teeming democracy of the big novels, the crooks and frauds and intellectuals who loudly people the brilliant sensorium of the fiction. All of this is true enough; [[John Cheever]], in his journals, lamented that, alongside Bellow's fiction, his stories seemed like mere suburban splinters. [[Ian McEwan]] wisely suggested last week that British writers and critics may have been attracted to Bellow precisely because he kept alive a [[Charles Dickens|Dickensian]] amplitude now lacking in the English novel. [...] But nobody mentioned the beauty of this writing, its music, its high lyricism, its firm but luxurious pleasure in language itself. [...] [I]n truth, I could not thank him enough when he was alive, and I cannot now.<ref>Wood, James, 'Gratitude', ''New Republic'', 00286583, 4/25/2005, Vol. 232, Issue 15</ref>
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==Success brings praise==
  
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Saul Bellow is well-known for inspiring and guiding writers, such as [[Philip Roth]]. Roth, who worked closely with Bellow for several years, said, "The backbone of twentieth century American literature has been provided by two novelists—[[William Faulkner]] and Saul Bellow. Together they are the [[Herman Melville|Melville]], [[Nathaniel Hawthorne|Hawthorne]], and [[Mark Twain|Twain]] of the twentieth century." To add to this praise, [[James Wood (critic)|James Wood]], in his eulogy of Bellow in ''The New Republic,'' wrote:
  
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<blockquote>I judged all modern prose by his. Unfair, certainly, because he made even the fleet-footed—the [[John Updike|Updikes]], the [[Don DeLillo|DeLillos]], the [[Philip Roth|Roths]]—seem like [[Wiktionary:monopode|monopodes]]. Yet what else could I do? I discovered Saul Bellow's prose in my late teens, and henceforth, the relationship had the quality of a love affair about which one could not keep silent.</blockquote>
  
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During the 1960s, Bellow's major work, ''Herzog,'' focused on the life of a middle-aged Jewish intellectual, who, like Bellow's other characters, is dissatisfied with where his life has taken him. The main character, Moses E. Herzog, is contemplating ending his life. He writes letters to various friends and philosophers, including is ex-wife Madeleine, [[Martin Heidegger]], Neitzche, and God.
  
Bellow taught at the [[University of Minnesota]], [[New York University]], [[Princeton University|Princeton]], the [[University of Chicago]], [[Bard College]] and [[Boston University]] where he cotaught a class with [[James Wood (critic)|James Wood]] ('modestly absenting himself' when it was time to discuss ''Seize the Day'').  In order to take up his appointment at Boston, Bellow relocated in 1993 from [[Chicago]] to [[Brookline, Massachusetts]], where he died on April 5, 2005, at age 89. He is buried at the Jewish cemetery Shir he harim of [[Brattleboro]], [[Vermont]].
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From 1960 to 1962, Bellow was co-editor of the literary magazine ''The Noble Savage,'' and in 1962, he was appointed professor on the Committee of Social Thought at University of Chicago. In 1975, Bellow visited [[Israel]] and recorded his impressions in his first substantial non-fiction book, ''To Jerusalem and Back''.  
  
Bellow began his undergraduate studies at the [[University of Chicago]] but left after two years to complete his degree not in English, but in [[anthropology]] at [[Northwestern University]]. It has been suggested that the study of anthropology had an interesting influence on his literary style. He was married five times (his son by his first marriage, Adam, wrote [http://www.amazon.com/gp/product/0385493886/102-3747546-9668164?v=glance&n=283155 In Praise of Nepotism]).
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In 1975, Bellow won the Pulitzer Prize for Literature with his novel, ''Humboldt's Gift''. The protagonist, Charlie Citrine, is a wealthy writer, very successful to the world, but deep inside he fears that he has failed.
  
==Criticism==
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Charles Simic's response to ''Humboldt's Gift'' was;
Bellow's detractors considered his work conventional and old-fashioned, as if the author was trying to revive the 19th century European novel. The characters in his later novels did not ring true, his critics said. Herzog, Henderson, and the other "larger than life" characters in his later novels seemed to be fashioned from the author's philosophical obsessions, not from real life. His characters were seen as vehicles for his philosophical brooding or opportunities to display his erudition.  
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<blockquote>Bellow, too, is convinced that to have a conscience is, after a certain age, to live permanently in an epistemological hell. The reason his and Dostoevsky's heroes are incapable of ever arriving at any closure is that they love their own suffering above everything else. They refuse to exchange their inner torment for the peace of mind that comes with bourgeois propriety or some kind of religious belief. In fact, they see their suffering as perhaps the last outpost of the heroic in our day and age.<ref>''New York Review of Books,'' May 31, 2001.</ref></blockquote>
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Ian McEwan, a British writer, considers ''Herzog'' to be the most important post-war American novel.
  
Bellow's account of his own 1975 trip to Israel, ''[[To Jerusalem and Back: A Personal Account]]'', was criticized by [[Noam Chomsky]] in his 1983 book ''[[Fateful Triangle: the United States, Israel & the Palestinians]]''. Bellow, Chomsky wrote, "sees an Israel where ‘almost everyone is reasonable and tolerant, and rancor against the Arabs is rare,’ where the people ‘think so hard, and so much’ as they ‘farm a barren land, industrialize it, build cities, make a society, do research, philosophize, write books, sustain a great moral tradition, and finally create an army of tough fighters.’ He has also been criticized for having praised [[Joan Peters]]'s controversial book, ''[[From Time Immemorial]]'', which challenged the conventional mythology of the Palestinian people.
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Saul Bellow finished up his career as he had begun it, by teaching. His final position was at Boston University, where he co-taught a class with [[James Wood (critic)|James Wood]], senior editor at ''The New Republic''.  
  
In an interview in the March 7, 1988 ''[[The New Yorker|New Yorker]]'', Bellow sparked a controversy when he asked, concerning [[multiculturalism]], "Who is the [[Leo Tolstoy|Tolstoy]] of the [[Zulu]]s? The [[Marcel Proust|Proust]] of the [[New Guinea|Papuans]]?" The taunt was seen by some as a slight against non-Western literature. Bellow at first claimed to have been misquoted. Later, writing in his defense in the ''[[New York Times]]'', he said, "The scandal is entirely [[Journalism|journalistic]] in origin ...I may be one of the few people who have read a Papuan novel...  Always foolishly trying to explain and edify allcomers, I was speaking of the distinction between literate and preliterate societies. For I was once an anthropology student, you see."
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He died on April 5, 2005, at age 89. He is buried at the Jewish cemetery Shir he harim in Brattleboro, Vermont.
  
In his later years, Bellow could be very curmudgeonly, as for example when he said, "[[California]] is like an artificial limb the rest of the country doesn't really need. You can quote me on that."
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==Criticism==
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Many critics argued that his work was too conventional and old-fashioned for the modern world. Criticized for trying to revive the nineteenth century European novel, some thought his characters too inconceivable, "larger than life," and simply the mouthpieces used by Bellow to spout his philosophical views and obsessions.  
  
Despite his identification with Chicago, he kept aloof from some of that city's more conventional writers. [[Studs Terkel]] in a 2006 interview with ''Stop Smiling'' magazine said of Bellow: "I didn't know him too well. We disagreed on a number of things politically. In the protests in the beginning of [[Norman Mailer|Norman Mailer's]] ''Armies of the Night'', when Mailer, [[Robert Lowell]] and [[Paul Goodman (writer)|Paul Goodman]] were marching to protest the [[Vietnam War]], Bellow was invited to a sort of counter-gathering. He said, 'Of course I'll attend'. But he made a big thing of it. Instead of just saying OK, he was proud of it. So I wrote him a letter and he didn't like it. He wrote me a letter back. He called me a [[Stalinist]]. But otherwise, we were friendly. He was a brilliant writer, of course. I love ''Seize the Day''."
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Linguist [[Noam Chomsky]], heavily criticized Bellow's ''To Jerusalem and Back: A Personal Account'' (1975) in his 1983 book, ''Fateful Triangle: The United States, Israel & the Palestinians''. Chomsky wrote, "he sees an Israel where ‘almost everyone is reasonable and tolerant, and rancor against the Arabs is rare,’ where the people 'think so hard, and so much’ as they ‘farm a barren land, industrialize it, build cities, make a society, do research, philosophize, write books, sustain a great moral tradition, and finally create an army of tough fighters.’" He also angered Palestinians when he praised [[Joan Peters']] controversial book, ''From Time Immemorial,'' which challenged the conventional mythology of the Palestinian people.
  
==Quotations==
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Perhaps his most controversial moment came with the publication of his 13th novel, ''Ravelstein''. The story was of Abe Ravelstein, a university professor and intellect, as well as a closet homosexual who dies of an AIDS-related disease. It was no secret that Ravelstein's character was based on Bellow's close friend and colleague, [[Allan Bloom]], author of ''The Closing of the American Mind''(1987). When Bloom passed away in 1992, the officially announced cause of death was liver failure. But the novel sparked suspicion of a real-life drama. Bellow responded, "This is a problem that writers of fiction always have to face in this country. People are literal minded, and they say, 'Is it true? If it is true, is it factually accurate? If it isn't factually accurate, why isn't it factually accurate?' Then you tie yourself into knots, because writing a novel in some ways resembles writing a biography, but it really isn't. It is full of invention" (Bellow in ''Time,'' May 8, 2000)
  
"I feel that art has something to do with the achievement of stillness in the midst of chaos. A stillness which characterises prayer too, and the eye of the storm."
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In an interview in the March 7, 1988 ''New Yorker,'' Bellow sparked a controversy when he asked, concerning multiculturalism, "Who is the [[Leo Tolstoy|Tolstoy]] of the [[Zulu]]s? The [[Marcel Proust|Proust]] of the [[New Guinea|Papuans]]?" This nonchalant attitude towards the blacks met with public scorn. Many thought the comment was an unheralded criticism against non-Western literature. Bellow at first claimed to have been misquoted and decided to write his side of the story in the ''New York Times''. He wrote, "The scandal is entirely journalistic in origin …I may be one of the few people who have read a Papuan novel… Always foolishly trying to explain and edify allcomers, I was speaking of the distinction between literate and preliterate societies. For I was once an anthropology student, you see."
  
"A great deal of intelligence can be invested in ignorance when the need for illusion is deep."
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In his later years, Bellow became known for his curmudgeon behavior and his honest, curt responses. For example, he once said, "California is like an artificial limb the rest of the country doesn't really need. You can quote me on that."
  
"People can lose their lives in libraries. They ought to be warned."
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Even though Bellow identified deeply with the city of Chicago, he often kept his distance from the city's conventional writers. [[Studs Terkel]] in a 2006 interview with ''Stop Smiling'' magazine said of Bellow: "I didn't know him too well. We disagreed on a number of things politically. In the protests in the beginning of [[Norman Mailer|Norman Mailer's]] ''Armies of the Night,'' when Mailer, [[Robert Lowell]], and [[Paul Goodman (writer)|Paul Goodman]] were marching to protest the [[Vietnam War]], Bellow was invited to a sort of counter-gathering. He said, "Of course I'll attend." But he made a big thing of it. Instead of just saying OK, he was proud of it. So I wrote him a letter and he didn't like it. He wrote me a letter back. He called me a [[Stalinist]]. But otherwise, we were friendly. He was a brilliant writer, of course. I love ''Seize the Day''."
  
"Who is the Proust of the Papuans, the Tolstoy of the Zulus?"
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==Marriages==
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During his life, Saul Bellow married five times. He had three sons from his first four marriages. His first three wives were Jewish women from the Midwest. His fourth wife, Alexandra Tulcea, was 19 years younger than he. In 1989, he married Janis Freedman. She was 31 and he 74. The couple had one daughter, Naomi, born in 1999, when Bellow was 84. Bellow also reportedly had many mistresses.
  
 
==Bibliography==
 
==Bibliography==
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===Fiction===
 
===Fiction===
 
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*''Dangling Man'' (1944) ISBN 0140189351
*''Dangling Man'' (1944)
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*''The Victim'' (1947) ISBN 0140189386
*''The Victim'' (1947)  
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*''The Adventures of Augie March'' (1953) ISBN 0140189416
*''The Adventures of Augie March'' (1953)
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*''Seize the Day'' (1956) ISBN 0142437611
*''Seize the Day'' (1956)  
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*''Henderson the Rain King'' (1959) ISBN 0140189424
*''Henderson the Rain King'' (1959)  
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*''Herzog'' (1964) ISBN 0142437298
*''Herzog (novel)|Herzog'' (1964)
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*''Mosby's Memoirs'' (short stories also available in ''Collected Stories'') (1968) ISBN 0140189459
*''Mosby's Memoirs'' (short stories also available in ''Collected Stories'') (1968)
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*''Mr. Sammler's Planet'' (1970) ISBN 014018936X
*''Mr. Sammler's Planet'' (1970)  
+
*''Humboldt's Gift'' (1975), won the 1976 Pulitzer Prize ISBN 0140189440
*''Humboldt's Gift'' (1975), won the 1976 [[Pulitzer Prize Winners for Fiction|Pulitzer Prize]]
+
*''The Dean's December'' (1982) ISBN 0140189130
*''The Dean's December'' (1982)  
+
*''Him with His Foot in His Mouth'' (short stories also available in ''Collected Stories'') (1984) ISBN 0141180234
*''Him with His Foot in His Mouth'' (short stories also available in ''Collected Stories'') (1984)
+
*''More Die of Heartbreak''(1987) ISBN 0385318774
*''More Die of Heartbreak''(1987)  
+
*''A Theft'' (1989) ISBN 0140119698
*''A Theft'' (1989)  
+
*''The Bellarosa Connection'' (1989) ISBN 0140126864
*''The Bellarosa Connection'' (1989)
+
*''Something to Remember Me By: Three Tales'' (includes ''A Theft'' and ''The Bellarosa Connection'') (1991) ISBN 0436201178
*''Something to Remember Me By: Three Tales'' (collecting the eponymous short story, ''A Theft'' and ''The Bellarosa Connection'') (1991)
+
*''The Actual'' (1997) ISBN 0140274995
*''The Actual (book)|The Actual'' (1997)
+
*''Ravelstein'' (2000) ISBN 0141001763
*''Ravelstein'' (2000)
+
*''Collected Stories'' (2001) ISBN 0142001643
*''Collected Stories (Bellow)|Collected Stories'' (2001)
 
  
 
===Essays===
 
===Essays===
  
*''To Jerusalem and Back'' ([[1976]])
+
*''To Jerusalem and Back'' (1976) ISBN 0141180757
*''It All Adds Up'' ([[1994]])
+
*''It All Adds Up'' (1994) ISBN 0140233652
  
===Editorialship===
+
===Editor===
  
*''[[News from the Republic of Letters]]'' (from 1997)
+
*''News from the Republic of Letters,'' Literary Journal
*''Editors'' ([http://www.tobypress.com/books/editors.htm Publisher's information])
+
*''Editors,'' ISBN 1902881354
*''ANON''
+
*''ANON,'' Literary Journal
*''The Noble Savage''
+
*''The Noble Savage,'' Literary Journal
  
===On Bellow===
+
==Notes==
 +
<references/>
  
*''Saul Bellow'', [[Tony Tanner]] (1965) (see also his ''City of Words'' [1971])
+
==References==
*''Saul Bellow'', [[Malcolm Bradbury]] (1982)
+
*Amis, Martin. "Even Later" and "The American Eagle." In ''The War Against Cliché.'' 2001. ISBN 0786866748
*''Saul Bellow: Modern Critical Views'', [[Harold Bloom]] (Ed.) (1986)
+
*Atlas, James. ''Bellow: A Biography.'' 2000. ISBN 0394585011
*''Handsome Is: Adventures with Saul Bellow'', Harriet Wasserman (1997)
+
*Bloom, Harold, ed. ''Saul Bellow: Modern Critical Views.'' 1986. ISBN 0877546223
*''Bellow: A Biography'', James Atlas (2000)
+
*Bradbury, Malcom. ''Saul Bellow.'' 1982. ISBN 0141184876
*'Even Later' and 'The American Eagle' in [[Martin Amis]], ''The War Against Cliché'' (2001) are celebratory. The latter essay is also found in the [[Everyman's Library]] edition of ''Augie March''.
+
*Tanner, Tony. ''Saul Bellow.'' 1965. ISBN 0912378085
*'Saul Bellow's comic style': [[James Wood (critic)|James Wood]], ''The Irresponsible Self'' (2004).([http://www.tnr.com/111300/wood111300.html Online extract])
+
*Wasserman, Harriet. ''Handsome Is: Adventures with Saul Bellow.'' 1997. ISBN 0880641770
 
+
*Wood, James. ''Saul Bellow's Comic Style: The Irresponsible Self''. 2004. ISBN 0312424604
==In music==
 
*The [[2006 in music|2006]] album ''[[The Avalanche]]'' by [[Sufjan Stevens]] includes a tribute song, titled "Saul Bellow".
 
  
 
==External links==
 
==External links==
{{wikiquote}}
+
All links retrieved December 23, 2022.
*[http://nobelprize.org/literature/laureates/1976/index.html Nobel site with two speeches (one of which is an audio recording) & longer biography]
+
*[http://www.nybooks.com/articles/17110 JM Coetzee on the early novels].
*[http://saulbellow.org/NavigationBar/titlepage.html Annotated Bibliography of Criticism] by the Saul Bellow Society
+
*[http://www.litencyc.com/php/sworks.php?rec=true&UID=5743 Dangling Man Summary].  
*[http://www.nybooks.com/articles/17110 JM Coetzee on the early novels]
+
*[http://www.jewishvirtuallibrary.org/jsource/biography/bellow.html Jewish Virtual Library].  
*[http://slate.msn.com/id/2116446 ''Slate'''s assortment of other writers' takes on Bellow,] mostly eulogistic
 
*[http://jco.usfca.edu/onbellow.html Joyce Carol Oates on Saul Bellow]
 
*[http://www.the-ledge.com/flash/ledge.php?prsn=65&lan=UK Saul Bellow 'Bookweb' on literary website The Ledge, with suggestions for further reading.]
 
  
 
{{Nobel Prize in Literature Laureates 1976-2000}}
 
{{Nobel Prize in Literature Laureates 1976-2000}}
  
[[Category:History and biography]]
+
[[Category:Writers and poets]]
[[Category:Biography]]
 
[[Category:Art, Music, Literature, Sports, and Leisure]]
 
 
 
 
{{Credit|82743263}}
 
{{Credit|82743263}}

Latest revision as of 17:06, 23 December 2022


Saul Bellow (Herzog portrait).jpg

Saul Bellow (June 11, 1915 – April 5, 2005) was a writer who achieved worldwide acclaim and recognition throughout his career. Although he was born in Canada and raised in America, his writings traverse gender, race, and country. His novels echo the ideas of isolation, spiritual dissociation, and the importance of the human awakening.

He remains one of the forerunners in shedding a positive light on the Jewish-American heritage. His characters are humorous, charming, a bit disillusioned, and slightly neurotic. Thus, his novels survive the passing of years as the universal themes continue to be applicable. Bellow cherished and championed Judeo-Christian religious values and scorned such studies as absurdism and nihilism. He thought nothing was as important as simple, ordinary lives being lived as best the person could live.

Saul Bellow's best known work is The Adventures of Augie March, however, he won many awards and prizes, including the Nobel Prize in Literature in 1976, for Humboldt's Gift.

He was known for creating a sense of place and for strong eccentric characters. He opened The Adventures of Augie March:

"I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, free style, and will make the record in my own way: First to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent."

Early life

Solomon (nicknamed "Sollie") Bellows was born in Lachine, Quebec (now part of Montreal), in 1915. Bellows has customarily celebrated his birthday on June 10, but he was always a little doubtful of the actual date because his original birth certificate was burned when a fire destroyed Lachine's City Hall. Bellow's parents were both immigrants from St. Petersburg, Russia, and had traveled to Canada in 1913. Bellow's father had imported Turkish figs and Egyptian onions while in Russia, but life proved to be very difficult in Canada. Thus, Bellow's father resorted to bootlegging and other activities. The small family lived in the most impoverished section of the city of Montreal with other immigrant families from Poland, Greece, Italy, and Russia.

In 1924, Bellow's father was beaten almost to death because of his dealings with nefarious, questionable people. Thus, the family decided to leave Montreal and move to America. They moved south, settling in an equally impoverished region in the Chicago slums. Bellow, already nine years old, began school for the first time. His childhood, far from innocent and serene, provided him with many of the ideas would become backdrops to many of his novels.

A lot of Bellow's education took place at home. His mother, Lescha (Liza) was adamant that Bellow learn Hebrew and Yiddish, as well as English. She was very religious and the first book Saul remembers reading was the Bible.

His desire to read was further developed when he faced many different illnesses that kept him indoors. After one particular bout with sickness, Bellow decided that once he recovered, he would work harder at not becoming sick again. Although he was bookish by nature, he worked hard at his physical fitness and lived for optimum health. Along with the Bible, he loved other religious texts and they comforted him during many hard times.

When Bellow's mother died suddenly, he was emotionally distraught for many months. Liza Bellow died when Saul was only 17, and about this event he said, "My life was never the same after my mother died."

In 1933, Saul Bellow entered the University of Chicago. One of his fellow classmates, John Podhoretz, said that Bellow and his good friend, Allan Bloom, "inhaled books and ideas the way the rest of us breathe air." Early on in his studies at Chicago, he decided to transfer to Northwestern University and began studying anthropology and sociology. Although his emphasis was not Literature, Bellow took many writing and English classes. While at Northwestern, the English-department chairman told Bellow that "No Jew could really grasp the tradition of English literature," and suggested he not waste his time. Many, including the famous Professor Melville J. Herskovits, encouraged Bellow to become a concert pianist.

Later Bellow would say that his Jewish heritage was "a gift, a piece of good fortune with which one does not quarrel," but he also insisted that he was not a "Jewish" writer, rather an American writer who happened to be a Jew.

Career

After completion of his degree at Northwestern, Bellow did his postgraduate studies at Wisconsin University. During his first Christmas break at Wisconsin, he fell in love with Anita Goshkin. They married shortly after their first meeting. Because of his whirlwind romance, Bellow left his studies at the university and decided to begin his writing career immediately.

It took several years before Bellow had a novel published, and during this time he wrote book reviews for ten dollars apiece. He taught school at Pestalozzi-Froebel Teachers' College in Chicago from 1938-1942. After that, he worked as an editor for the Encyclopedia Britannica, from 1943 to 1944.

After the attack on Pearl Harbor, Bellow tried to enlist in the Army, but was rejected because he suffered from a hernia. After a few months of healing, he went to enlist again and served as a U.S. Merchant Marine during the last year of World War II. It was while Bellow was serving in the Merchant Marines that he wrote his first full novel, Dangling Man. Published in 1944, it dealt directly with emotions and struggles that Bellow saw around him in the various faces of the soldiers he served with, and no doubt, which existed in his own psyche. The main character in Dangling Man struggled with intellectual and spiritual questions while he waited to be drafted into the war. Bellow claims that the novel was loosely based on Fyodor Dostoevsky's Notes from the Underground (1864).

When his service ended, he returned to teaching. As he traveled to various posts at the Universities of Minnesota, New York, Princeton, and Puerto Rico, Bellow constantly worked on his own writing. In 1947, he followed his first novel with The Victim. Set in New York City, it was about the complex relationship that develops between a Jew and an anti-Semite. The book addressed the issue of humanity's fate. Does one have a right to choose his fate, or is it chosen for him? This was a theme that coursed through many of Bellow's stories. Most reviewers recognized the young author's potential and Bellow was awarded his first Guggenheim Fellowship in 1948. The fellowship allowed Bellow to give up teaching temporarily and travel to Europe

Saul Bellow's most famous work, The Adventures of Augie March, is at the top many reviewers' lists of all-time great books in history. It was with this novel that Bellow let go of previous ideals and restrictions he had placed upon himself in his earlier writings. The novel deals with the lives of two brothers carried on different paths after similar childhoods. The brothers, Augie and Simon, were raised in a fatherless household in the slums of Chicago. Though the novel is comedic in parts, and deftly entertaining, it also portrays Bellow's childhood world in tragic, specific detail. This would be the novel that immortalized Chicago in a specific time. Bellow began the book while living in Paris (1953), and finished it up while traveling to other places. He says that, "not a single word of the book was composed in Chicago."

With these three early novels, Bellow created a name for himself. His reputation grew and he was soon regarded as one of the foremost American novelists of the twentieth century. He found himself compared to Ernest Hemingway and William Faulkner even though he differed greatly from them in style and subject matter. Bellow fiercely rejected Hemingway's notorious "tough guy" model of American fiction. He focused on illustrating various cultures and traditions, with emphasis on his Russian-Jewish heritage, the deep ideas of Friedrich Nietzsche, and Oedipal conflicts. Bellow relied heavily on the usage of the first-person narrator. He explored the relationship of author-character-narrator and explained his concept of his books, "No writer can take it for granted that the views of his characters will not be attributed to him personally," he once said. "It is generally assumed, moreover, that all the events and ideas of a novel are based on the life experiences and the opinions of the novelist himself" (Bellow, in The New York Times, March 10, 1994).

He became the first novelist to be awarded the National Book Award three times (in 1954 for The Adventures of Augie March, in 1965 for Herzog and in 1971 for Mr. Sammler’s Planet).

Success brings praise

Saul Bellow is well-known for inspiring and guiding writers, such as Philip Roth. Roth, who worked closely with Bellow for several years, said, "The backbone of twentieth century American literature has been provided by two novelists—William Faulkner and Saul Bellow. Together they are the Melville, Hawthorne, and Twain of the twentieth century." To add to this praise, James Wood, in his eulogy of Bellow in The New Republic, wrote:

I judged all modern prose by his. Unfair, certainly, because he made even the fleet-footed—the Updikes, the DeLillos, the Roths—seem like monopodes. Yet what else could I do? I discovered Saul Bellow's prose in my late teens, and henceforth, the relationship had the quality of a love affair about which one could not keep silent.

During the 1960s, Bellow's major work, Herzog, focused on the life of a middle-aged Jewish intellectual, who, like Bellow's other characters, is dissatisfied with where his life has taken him. The main character, Moses E. Herzog, is contemplating ending his life. He writes letters to various friends and philosophers, including is ex-wife Madeleine, Martin Heidegger, Neitzche, and God.

From 1960 to 1962, Bellow was co-editor of the literary magazine The Noble Savage, and in 1962, he was appointed professor on the Committee of Social Thought at University of Chicago. In 1975, Bellow visited Israel and recorded his impressions in his first substantial non-fiction book, To Jerusalem and Back.

In 1975, Bellow won the Pulitzer Prize for Literature with his novel, Humboldt's Gift. The protagonist, Charlie Citrine, is a wealthy writer, very successful to the world, but deep inside he fears that he has failed.

Charles Simic's response to Humboldt's Gift was;

Bellow, too, is convinced that to have a conscience is, after a certain age, to live permanently in an epistemological hell. The reason his and Dostoevsky's heroes are incapable of ever arriving at any closure is that they love their own suffering above everything else. They refuse to exchange their inner torment for the peace of mind that comes with bourgeois propriety or some kind of religious belief. In fact, they see their suffering as perhaps the last outpost of the heroic in our day and age.[1]

Ian McEwan, a British writer, considers Herzog to be the most important post-war American novel.

Saul Bellow finished up his career as he had begun it, by teaching. His final position was at Boston University, where he co-taught a class with James Wood, senior editor at The New Republic.

He died on April 5, 2005, at age 89. He is buried at the Jewish cemetery Shir he harim in Brattleboro, Vermont.

Criticism

Many critics argued that his work was too conventional and old-fashioned for the modern world. Criticized for trying to revive the nineteenth century European novel, some thought his characters too inconceivable, "larger than life," and simply the mouthpieces used by Bellow to spout his philosophical views and obsessions.

Linguist Noam Chomsky, heavily criticized Bellow's To Jerusalem and Back: A Personal Account (1975) in his 1983 book, Fateful Triangle: The United States, Israel & the Palestinians. Chomsky wrote, "he sees an Israel where ‘almost everyone is reasonable and tolerant, and rancor against the Arabs is rare,’ where the people 'think so hard, and so much’ as they ‘farm a barren land, industrialize it, build cities, make a society, do research, philosophize, write books, sustain a great moral tradition, and finally create an army of tough fighters.’" He also angered Palestinians when he praised Joan Peters' controversial book, From Time Immemorial, which challenged the conventional mythology of the Palestinian people.

Perhaps his most controversial moment came with the publication of his 13th novel, Ravelstein. The story was of Abe Ravelstein, a university professor and intellect, as well as a closet homosexual who dies of an AIDS-related disease. It was no secret that Ravelstein's character was based on Bellow's close friend and colleague, Allan Bloom, author of The Closing of the American Mind(1987). When Bloom passed away in 1992, the officially announced cause of death was liver failure. But the novel sparked suspicion of a real-life drama. Bellow responded, "This is a problem that writers of fiction always have to face in this country. People are literal minded, and they say, 'Is it true? If it is true, is it factually accurate? If it isn't factually accurate, why isn't it factually accurate?' Then you tie yourself into knots, because writing a novel in some ways resembles writing a biography, but it really isn't. It is full of invention" (Bellow in Time, May 8, 2000)

In an interview in the March 7, 1988 New Yorker, Bellow sparked a controversy when he asked, concerning multiculturalism, "Who is the Tolstoy of the Zulus? The Proust of the Papuans?" This nonchalant attitude towards the blacks met with public scorn. Many thought the comment was an unheralded criticism against non-Western literature. Bellow at first claimed to have been misquoted and decided to write his side of the story in the New York Times. He wrote, "The scandal is entirely journalistic in origin …I may be one of the few people who have read a Papuan novel… Always foolishly trying to explain and edify allcomers, I was speaking of the distinction between literate and preliterate societies. For I was once an anthropology student, you see."

In his later years, Bellow became known for his curmudgeon behavior and his honest, curt responses. For example, he once said, "California is like an artificial limb the rest of the country doesn't really need. You can quote me on that."

Even though Bellow identified deeply with the city of Chicago, he often kept his distance from the city's conventional writers. Studs Terkel in a 2006 interview with Stop Smiling magazine said of Bellow: "I didn't know him too well. We disagreed on a number of things politically. In the protests in the beginning of Norman Mailer's Armies of the Night, when Mailer, Robert Lowell, and Paul Goodman were marching to protest the Vietnam War, Bellow was invited to a sort of counter-gathering. He said, "Of course I'll attend." But he made a big thing of it. Instead of just saying OK, he was proud of it. So I wrote him a letter and he didn't like it. He wrote me a letter back. He called me a Stalinist. But otherwise, we were friendly. He was a brilliant writer, of course. I love Seize the Day."

Marriages

During his life, Saul Bellow married five times. He had three sons from his first four marriages. His first three wives were Jewish women from the Midwest. His fourth wife, Alexandra Tulcea, was 19 years younger than he. In 1989, he married Janis Freedman. She was 31 and he 74. The couple had one daughter, Naomi, born in 1999, when Bellow was 84. Bellow also reportedly had many mistresses.

Bibliography

Fiction

Essays

Editor

  • News from the Republic of Letters, Literary Journal
  • Editors, ISBN 1902881354
  • ANON, Literary Journal
  • The Noble Savage, Literary Journal

Notes

  1. New York Review of Books, May 31, 2001.

References
ISBN links support NWE through referral fees

External links

All links retrieved December 23, 2022.

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