Odysseas Elytis


Odysseas Elytis (Greek: Οδυσσέας Ελύτης) (November 2, 1911 – March 18, 1996) was a Greek poet, considered as one of the most important representatives of modernism in Greece. Modernism, as a tendency, emerged in mid-nineteenth century Western Europe. It is rooted in the idea that the "traditional" forms of art, literature, religious faith, social organization, and daily life had become outdated—therefore it was essential to sweep them aside. In this it drew on previous revolutionary movements, including liberalism and communism.

Contents

Modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was "holding back" progress, and replacing it with new, and therefore better, ways of reaching the same end. In essence, the modernist movement argued that the new realities of the industrial and mechanized age were permanent and imminent, and that people should adapt their world view to accept that what was new was also good and pretty. In 1979 he was awarded the Nobel Prize in Literature.


Biography

Descendant of an old family of Lesbos, he was born in Heraklion (Candia) on the island of Crete, November 2, 1911. His family was later relocated to Athens permanently, where the poet completed his high school studies and later attended courses as a listener at the Law School at Athens University. The son of a prosperous businessman, he would write under the nom de plume of Elytis to distance himself from the family business. His original family name was Alepoudelis. In 1935, Elytis published his first poem in the journal New Letters (Νέα Γράμματα). His entry inaugurated a new era in Greek poetry and its subsequent reform after the Second World War.

The war

In 1937 he served his military requirements. Selected as an army cadet, he joined the National Military School in Corfu. During the war he was appointed Second Lieutenant, placed initially in the First Army Corps Headquarters, he was later transferred to the Twenty-forth Regiment, on the first-line of the battlefields. Elytis continuously published poetry anthologies and essays on contemporary poetry and art during the years of the German Occupation.

Programme director for ERT

Elytis was twice named Programme Director of the Elliniki Radiophonia Tileorasi (Greek National Radio Foundation) (1945-1946 and 1953-1954), Member of the Greek National Theater's Administrative Council, President of the Administrative Council of the Elliniki Radiophonia Tileorasi (Greek Radio and Television) as well as Member of the Consultative Committee of the Greek National Tourist's Organization on the Athens Festival. In 1960 he was awarded the First State Poetry Prize, in 1965 the Order of the Phoenix, and in 1975 he was awarded the Doctor Honoris Causa in the Faculty of Philosophy at the Thessaloniki University and received the Honorary Citizenship of the Town of Mytilene.

Travels

During the years 1948-1952 and 1969-1972 he settled in Paris. There, he audited philology and literature seminars at the Sorbonne and was well received by the pioneers of the world's avant-garde movement, including Reverdy, Breton, Tzara, Ungaretti, Matisse, Picasso, Chagall, Giacometti, as Teriade's most respected friend. Teriade was simultaneously in Paris publishing works with all the renowed artists and philosophers of the time—Kostas Axelos, Jean Paul Sartre, Rene Daumal. Elytis and Teriade had formed a strong friendship that solidified in 1939 with the publication of Elytis first book of poetry entitled "Orientations." Both Elytis and Teriade hailed from Lesbos and had a mutual love of the Greek painter Theophilos. Starting from Paris he travelled and subsequently visited Switzerland, England, Italy and Spain. In 1948 he was the representative of Greece at the International Meetings of Geneva, in 1949 at the Founding Congress of the International Art Critics Union in Paris and in 1962 at the Incontro Romano della Cultura in Rome.

In 1961, upon an invitation of the State Department, he traveled through the U.S.A.; he received similar invitations from the Soviet Union in 1963 and Bulgaria in 1965.

Death

Odysseas Elytis died on March 18, 1996.

The Poetry of Elytis

Elytis' poetry spanned a period of over forty years, covering a broad spectrum of trends. His early work was clearly influenced by the development of Surrealism, especially admiring Paul Eluard. During the war, his poem "Heroic and Elegiac Song for the Lost Second Lieutenant of the Albanian Campaign" was an important rallying cry for Greek patriots. After the war, he remained silent for a decade and a half. Unlike other contemporaries, he did not return to Ancient Greece or Byzantium for his poetic inspiration, but devoted himself exclusively to more modern Hellenistic concerns. Rather than return to the mythology of the past, he attempted to endow contemporary institutions with a new mythology, one which would rid his people's conscience of past remorse, to complement life's natural elements through human ethical powers, to achieve the highest possible transparency in expression and finally, to succeed in approaching the mystery of light, the metaphysics of the sun of which he was a self-confessed idolater. This new mythology, or inner architecture, is clearly perceptible in a great many works of his—mainly in the Worthy It Is (Το Άξιον Εστί). This work was set to music by Mikis Theodorakis, and was widely spread among all Greeks, growing into a kind of the people's new "gospel." Elytis' theoretical and philosophical ideas have been expressed in a series of essays under the title 'The Open Papers (Ανοιχτά Χαρτιά). In addition he applied himself to translating poetry and drama as well as creating a series of collage pictures. Translations of his poetry have been published as autonomous books, in anthologies or in periodicals in eleven languages.

Works

Poetry

  • Orientations (Προσανατολισμοί, 1940)
  • Sun The First (Ηλιος ο πρώτος, παραλλαγές πάνω σε μιαν αχτίδα, 1943)
  • An Heroic And Funeral Chant For The Lieutenant Lost In Albania (Άσμα ηρωικό και πένθιμο για τον χαμένο ανθυπολοχαγό της Αλβανίας, 1946)
  • To Axion Esti—It Is Worthy (Το Άξιον Εστί, 1959)
  • Six Plus One Remorses For The Sky (Έξη και μια τύψεις για τον ουρανό, 1960)
  • The Light Tree And The Fourteenth Beauty (Το φωτόδεντρο και η δέκατη τέταρτη ομορφιά, 1972)
  • The Sovereign Sun (Ο ήλιος ο ηλιάτορας, 1971)
  • The Trills Of Love (Τα Ρω του Έρωτα, 1973)
  • The Monogram (Το Μονόγραμμα, 1972)
  • Step-Poems (Τα Ετεροθαλή, 1974)
  • Signalbook (Σηματολόγιον, 1977)
  • Maria Nefeli (Μαρία Νεφέλη, 1978)
  • Three Poems under a Flag of Convenience (Τρία ποιήματα με σημαία ευκαιρίας 1982)
  • Diary of an Invisible April (Ημερολόγιο ενός αθέατου Απριλίου, 1984)
  • Krinagoras (Κριναγόρας, 1987)
  • The Little Mariner (Ο Μικρός Ναυτίλος, 1988)
  • The Elegies of Oxopetras (Τα Ελεγεία της Οξώπετρας, 1991)
  • West of Sadness (Δυτικά της λύπης, 1995)

Prose, essays

  • The True Face and Lyrical Bravery of Andreas Kalvos (Η Αληθινή φυσιογνωμία και η λυρική τόλμη του Ανδρέα Κάλβου, 1942)
  • 2x7 e (collection of small essays) (2χ7 ε (συλλογή μικρών δοκιμίων))
  • (Offering) My Cards To Sight (Ανοιχτά χαρτιά (συλλογή κειμένων), 1973)
  • The Painter Theophilos (Ο ζωγράφος Θεόφιλος, 1973)
  • The Magic Of Papadiamantis (Η μαγεία του Παπαδιαμάντη, 1975)
  • Reference to Andreas Empeirikos (Αναφορά στον Ανδρέα Εμπειρίκο, 1977)
  • The Public ones and the Private ones (Τα Δημόσια και τα Ιδιωτικά, 1990)
  • Private Way (Ιδιωτική Οδός, 1990)
  • «Εν λευκώ» (συλλογή κειμένων), (1992)
  • The Garden with the Illusions (Ο κήπος με τις αυταπάτες, 1995)

Translations

  • Second Writing (Δεύτερη γραφή, 1976)
  • Sapho (Σαπφώ)
  • The Apocalypse (by John) (Η αποκάλυψη, 1985)

Translations of Elytis' work

  • Poesie. Procedute dal Canto eroico e funebre per il sottotenente caduto in Albania. Trad. Mario Vitti (Roma. Il Presente. 1952)
  • 21 Poesie. Trad. Vicenzo Rotolo (Palermo. Istituto Siciliano di Studi Bizantini e Neoellenici. 1968)
  • Poèmes. Trad. Robert Levesque (1945)
  • Six plus un remords pourle ciel. Trad. F. B. Mache (Fata Morgana. Montpellier 1977)
  • Korper des Sommers. Übers. Barbara Schlörb (St. Gallen 1960)
  • Sieben nächtliche Siebenzeiler. Übers. Günter Dietz (Darmstadt 1966)
  • To Axion Esti - Gepriesen sei. Übers. Güinter Dietz (Hamburg 1969)
  • The Axion Esti. Trans. Edmund Keeley and G. Savidis (Pittsburgh, U.S.A. 1974)
  • The Sovereign Sun. Trans. Kinom Friar (Philadelphia, U.S.A. 1974)
  • Selected poems. Ed. E. Keeley and Ph. Sherrard (1981)

Reference works

  • Mario Vitti: Odysseus Elytis. Literature 1935-1971 (Icaros 1977)
  • Tasos Lignadis: Elytis' Axion Esti (1972)
  • Lili Zografos: Elytis - The Sun Drinker (1972); as well as the special issue of the American magazine Books Abroad dedicated to the work of Elytis (Autumn 1975. Norman, Oklahoma, U.S.A.)
  • Odysseas Elytis: Anthologies of Light. Ed. I. Ivask (1981)
  • A. Decavalles: Maria Nefeli and the Changeful Sameness of Elytis' Variations on a theme (1982)
  • E. Keeley: Elytis and the Greek Tradition (1983)
  • Ph. Sherrard: Odysseus Elytis and the Discovery of Greece, in Journal of Modern Greek Studies, 1(2), 1983
  • K. Malkoff: Eliot and Elytis: Poet of Time, Poet of Space, in Comparative Literature, 36(3), 1984
  • A. Decavalles: Odysseus Elytis in the 1980s, in World Literature Today, 62(l), 1988


External links

All links retrieved September 19, 2013.

From Nobel Lectures, Literature 1968-1980, Editor-in-Charge Tore Frängsmyr, Editor Sture Allén, World Scientific Publishing Co., Singapore, 1993


Credits

New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:

Note: Some restrictions may apply to use of individual images which are separately licensed.