Wayne, John
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| − | {{epname}}{{ | + | {{Copyedited}}{{Approved}}{{Images OK}}{{Submitted}}{{Paid}} |
| + | {{epname|Wayne, John}} | ||
| + | {{Infobox actor | ||
| + | | bgcolour = silver | ||
| + | | name = John Wayne | ||
| + | | image = John_Wayne_-_still_portrait_-2.jpg | ||
| + | | caption = Wayne, {{circa|1965}} | ||
| + | | birthname = Marion Robert Morrison | ||
| + | | birthdate = {{birth date|mf=y|1907|05|26}} | ||
| + | | location = [[Winterset, Iowa]], U.S. | ||
| + | | deathdate = {{death date and age|mf=y|1979|06|11|1907|05|26}} | ||
| + | | deathplace = [[Los Angeles, California]], U.S. | ||
| + | | yearsactive = 1934-1996 | ||
| + | | resting_place = [[Pacific View Memorial Park]], [[Newport Beach, California]] | ||
| + | | resting_place_coordinates = {{coord|33.60953|-117.85336|type:landmark|display=inline}} | ||
| + | | other_names = Marion Michael Morrison<br /> 'Duke' | ||
| + | | alma_mater = [[University of Southern California]] | ||
| + | | occupation = {{hlist|Actor|director|producer}} | ||
| + | | years_active = 1926–1976 | ||
| + | | party = [[Republican Party (United States)|Republican]] | ||
| + | | spouse = Josephine Saenz<br>(m. 1933; div. 1945) | ||
| + | Esperanza Baur<br>(m. 1946; div. 1954)<br> | ||
| + | Pilar Pallete<br>(m. 1954) | ||
| + | | children = 7, including [[Michael Wayne|Michael]], [[Patrick Wayne|Patrick]], and [[Ethan Wayne|Ethan]] | ||
| + | | homepage = {{Officialsite|johnwayne.com}} | ||
| + | | signature = John Wayne signature.svg | ||
| + | | signature_alt = John Wayne's signature | ||
| + | }} | ||
| − | '''John Wayne''' (May 26, 1907 – June 11, 1979), nicknamed "Duke," | + | '''John Wayne''' (May 26, 1907 – June 11, 1979), nicknamed "Duke," was an [[United States|American]] film [[actor]] whose career began in silent movies in the 1920s. He was a major star from the 1940s to the 1970s. Wayne is most famous for his work in one of America's greatest native art forms, the Western movie. In more than 200 films made over 50 years, he also made a surprising variety of other kinds of films. Wayne epitomized a certain kind of rugged individualistic masculinity, and has become an enduring icon in American culture. |
| − | In the last decades of his career, Wayne transformed into | + | In the last decades of his career, Wayne transformed into an American folk figure. He had become a hero to some, while he was a villain to others, for his outspoken, politically conservative views. Although Wayne carefully avoided political roles for himself, he was a highly enthusiastic supporter of [[Richard M. Nixon]], [[Barry Goldwater]], [[Spiro T. Agnew]], [[Ronald Reagan]], and others who, he felt, represented the best ideals of Americanism and [[anti-Communism]]. |
| + | {{toc}} | ||
| + | But for the vast throng of movie-going fans who idolized him on the big screen, Wayne as an icon of conservatism had little significance compared to Wayne as a movie star. Although he did not always play clean-cut "good guys," as other Western heroes such as [[Gene Autry]] did, he was a leader in casting the role of the Western hero who fought the conflict between [[good]] and [[evil]] on the Western Plains. Indeed, it was impossible to mention the word "Western" without thinking of "The Duke." | ||
| − | + | ==Life and early career== | |
| + | ===Early life=== | ||
| + | {{readout||right|250px|John Wayne was called "Duke" because his constant childhood companion was a [[dog]] called "Little Duke"}} | ||
| + | John Wayne was born '''Marion Robert Morrison''' in Winterset, [[Iowa]] in 1907, but the name became '''Marion Mitchell Morrison''' when his parents decided to name their next son Robert. However, in later life, Wayne often stated that his middle name was Michael. His family was [[Presbyterian]]; father Clyde Leonard Morrison was of [[Scotland|Scottish]] descent and the son of a [[Civil War]] veteran, while mother Mary Alberta Brown was of [[Irish people|Irish]] ancestry. Wayne's family moved to Glendale, [[California]] in 1911. It was his neighbors in Glendale who started calling him "Big Duke," because he never went anywhere without his Airedale terrier [[dog]], who was named “Little Duke.” He preferred "Duke" to "Marion," and the name stuck for the rest of his life.<ref>He was, and is, called ''"Duke"'' by his friends and when he was present, he was, and is, called ''"The Duke"'' when being referred to in third person on [[television]] shows, in [[magazine]]s, or by people in casual conversation.</ref> | ||
| − | + | John Wayne’s early life was marked by [[poverty]]. His father was a pharmacist, but did not manage money well. As a teen, Wayne worked in an ice cream shop for a person who shoed [[horse]]s for local [[Hollywood]] studios. He was also active as a member of the [[Order of DeMolay]], a youth organization associated with the [[Freemasonry|Freemasons]], that he joined when he came of age. He attended Wilson Middle School in Glendale. He played [[American football|football]] for the 1924 champion Glendale High School team. Duke was a good student and popular, but had a bad reputation as a drinker. Tall from an early age, he played football for his high school in Glendale and was recruited by the [[University of Southern California]] (USC). | |
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| − | + | After nearly gaining admission to the [[United States Naval Academy|U.S. Naval Academy]], he instead attended the USC, where he was a member of the Sigma Chi Fraternity. Wayne also played on the USC football team under legendary coach Howard Jones, however his football career and scholarship ended because of an injury. | |
| − | + | ===Beginning of film career === | |
| + | [[Image:Wayne-w-beard.jpg|thumb|300px|The young John Wayne]] | ||
| + | While at the university, Wayne began working around the local film studios. [[Western movie|Western]] star [[Tom Mix]] got him a summer job in the prop department in exchange for football tickets, and Wayne soon moved on to bit parts in the late 1920s in films by director [[John Ford]], with whom he established a longtime friendship. During the period from 1925 to 1929, Wayne appeared in nine silent films, including ''Brown of Harvard'' (1925), ''Great K&A Train Robbery'' (1926), ''The Drop Kick'' (1927), and ''Hangman's House'' (1928). Wayne's imposing presence and exaggerated mannerisms translated very effectively on the silent screen. | ||
| − | + | Wayne's first starring role, at the recommendation of Ford, was in the 1930 epic Western, ''The Big Trail.'' It was the director of that movie, [[Raoul Walsh]], who gave him the stage name "John Wayne," after [[American Revolutionary War|Revolutionary War]] general [[Anthony Wayne|"Mad Anthony" Wayne]]. His pay was raised from $35.00 a week to $75.00 a week, and he was tutored by the studio's stunt men in riding and other Western skills. | |
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| − | Wayne' | + | During the next nine years, Wayne occupied himself in a number of B-Westerns and serials, such as ''Shadow of the Eagle'' and ''The Three Musketeers'' series, with occasional bit parts in larger productions such as Warner Brothers' ''Baby Face,'' starring Barbara Stanwyck. But it was in roles that brought out his manliness that was to make Wayne a huge star with men and women, alike. |
| − | + | Although appearing in many [[war]] films and frequently being eulogized as an "American hero," Wayne never served in the armed forces. However, his friend [[Bob Hope]] speculated that Wayne did more for the [[WWII]] war effort as an actor than he ever could on the battlefield. Between 1940, when the military draft was reinstated, and the end of [[World War II]] in 1945, he remained in Hollywood and made 21 movies. He was of draft age (34) at the time of the [[Pearl Harbor]] attack in 1941, but asked for and received a deferral for family dependency, a classification of 3-A. This was later changed to a deferment in the national interest, 2-A. | |
| − | + | ==Major stardom== | |
| − | == | ||
===John Ford films=== | ===John Ford films=== | ||
| − | His friendship with [[John | + | [[Image:The searchers Ford Trailer screenshot (8).jpg|right|thumb|400px|Wayne in ''The Searchers'']] |
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| + | His friendship with [[John Ford]] led them to work together on films that featured some of Wayne's most iconic roles. Beginning with three minor parts in 1928, Wayne would appear in over 20 of Ford's films in the next 35 years, including ''Stagecoach'' (1939), ''She Wore a Yellow Ribbon'' (1949), ''The Quiet Man'' (1952), ''The Searchers'' (1956), ''The Wings of Eagles'' (1957), and ''The Man Who Shot Liberty Valance'' (1962). | ||
===Diversity of roles=== | ===Diversity of roles=== | ||
| − | Wayne played the male lead in 142 of his film appearances, an as-yet, unsurpassed record. However, he also had a down-to-earth sense of humor that allowed him to appear in a pink bunny suit for an episode of ''Rowan and Martin's Laugh-In'' | + | [[Image:John wayne challenge of ideas screenshot 3.jpg|thumb|right|400px|John Wayne in ''The Challenge of Ideas'' (1961)]] |
| + | Wayne played the male lead in 142 of his film appearances, an as-yet, unsurpassed record. However, he also had a down-to-earth sense of humor that allowed him to appear in a pink bunny suit for an episode of ''Rowan and Martin's Laugh-In,'' as well as in comedy movies. | ||
| − | One of Wayne's best roles was ironically in one of the few films he made that was not a Western or war picture, ''The High and the Mighty'' | + | One of Wayne's best roles was ironically in one of the few films he made that was not a Western or war picture, ''The High and the Mighty,'' released in 1954. Directed by William Wellman and based on a novel by Ernest K. Gann, the movie featured Wayne as "Whistling" Dan Roman, the first officer of a DC-4 civilian flight that develops serious engine problems traveling from Hawaii to San Francisco. His portrayal of the heroic airman won widespread acclaim. |
| − | + | Despite his prolific output, John Wayne won only a single Best Actor [[Academy Award|Oscar]], for the 1969 movie ''True Grit.'' He received a nomination for Best Actor in ''Sands of Iwo Jima,'' and another as the producer of Best Picture nominee ''The Alamo,'' which he also directed. In 1973, he released a best-selling spoken word album titled ''America, Why I Love Her,'' that was nominated for a [[Grammy Award|Grammy]]. | |
| − | + | ===Conservative views=== | |
| + | Wayne was well known for his pro-American, conservative political views. In 1968, he directed ''The Green Berets,'' the only feature film of the time to openly support the [[Vietnam War]]. It was produced in close collaboration with the armed forces. It was also ironic that he appeared in an episode of the TV series ''Maude,'' created by ultra-liberal [[Norman Lear]], and starred with the liberal actress [[Bea Arthur]], who stood five feet, nine inches, and to whom Wayne referred to as "little lady." Wayne seemed to enjoy acting with actresses of a liberal bent, such as [[Lauren Bacall]], [[Colleen Dewhurst]], and [[Katharine Hepburn]]. | ||
| − | == | + | ==Personal life== |
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===Family=== | ===Family=== | ||
| − | Wayne was married three times, always to Spanish-speaking Latina women: Josephine Alicia Saenz, Esperanza Baur, and Pilar Palette | + | Wayne was married three times, always to [[Spanish language|Spanish]]-speaking Latina women: Josephine Alicia Saenz, Esperanza Baur, and Pilar Palette. Wayne had seven children from his [[marriage]]s, the first two of which ended in [[divorce]], and more than 15 grandchildren. All but one of his children went on to have minor Hollywood careers. |
| − | Although Wayne had not managed his money carefully earlier in his career, later in his life he invested successfully in a | + | Although Wayne had not managed his money carefully earlier in his career, later in his life he invested successfully in a [[Panama]]nian [[shrimp]] business, among other ventures. He lived with his third wife, the [[Peru]]vian Pilar Palette Wayne, in an 11-room, seven-bathroom house in Newport Beach, [[California]], where he had docked a 135-foot yacht. He also owned cattle ranches in Stanfield and Springerville, [[Arizona]]. |
===Death=== | ===Death=== | ||
| − | John Wayne died of stomach [[cancer]] on June 11, 1979 at the age of 72 at the UCLA Medical Center. He was interred in the Pacific View Memorial Park cemetery in Corona del Mar, Orange County, California. Some trace his cancer back to his work in ''The Conqueror'' | + | John Wayne died of stomach [[cancer]] on June 11, 1979, at the age of 72 at the UCLA Medical Center. He was interred in the Pacific View Memorial Park [[cemetery]] in Corona del Mar, Orange County, [[California]]. Some trace his cancer back to his work in ''The Conqueror,'' filmed about 100 miles downwind of [[Nevada]] nuclear-weapons test sites. However, it should also be noted that until 1964 Wayne was a chain smoker, which was more likely to have caused his cancer. Other actors who worked on that movie and later died of cancer were also heavy smokers, including Dick Powell, Agnes Moorehead, Pedro Armendariz, Susan Hayward, and John Hoyt. |
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| + | Wayne converted to [[Roman Catholicism]] shortly before his death. At the time of his death, he resided in a bay front home in Newport Beach, California. His home remains a point of interest to tourists. | ||
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| + | ==Legacy== | ||
| − | + | Easily imitated, with his signature swaggered walk and the use of the word "pilgrim," Wayne has been both honored and mocked with great frequency by other actors, comics, writers, and musicians. | |
| − | + | The persona that Wayne often portrayed in his movies has become part of Americana. He set the cinematic standard for the steadfast, unflinching action hero, and many of his screen characterizations have taken on lives of their own. Wayne became an American icon: tough, rugged, taming the West, and saving [[democracy]] from [[fascism]]. His characters represented the spirit of the men who built the country. | |
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| − | + | John Wayne rose beyond the typical recognition for a famous actor to that of an enduring symbol who communicated American values and ideals. As his career progressed, he consciously selected roles that would not compromise his off-screen image. By the time of his last film, ''The Shootist'' (1976), Wayne refused to allow his character to shoot a man in the back, as was originally scripted. Wayne's status grew so large and legendary that when [[Japan]]ese Emperor [[Hirohito]] visited the [[United States]] in 1975, he asked to meet John Wayne, the symbolic representation of his country's former enemy. | |
| + | [[Image:Wayne-Vietnam.jpg|thumb|400px|John Wayne visits troops in Vietnam.]] | ||
| − | Wayne was | + | Wayne was a popular visitor to the [[war]] zones in [[World War II]], the [[Korean War]], and the [[Vietnam War]]. By the 1950s, in large part due to the military aspect of many of his films, Wayne had become an icon to all the branches of the U.S. military, despite his actual lack of military service. His name is attached unofficially to various pieces of military gear, such as the P-38 "John Wayne" can-opener, so named because "it can do anything." A paper towel unhappily used in place of "bathroom tissue" became known as "John Wayne toilet paper" because "it's rough and it's tough and don't take sh-t off no one." C-Ration crackers are called "John Wayne crackers" because presumably only someone as tough as Wayne could eat them. |
| − | John Wayne Airport in Orange County, California | + | Various public locations have been named in memory of John Wayne. They include John Wayne Airport in Orange County, [[California]], where his life-sized statue graces the entrance; the John Wayne Marina near Sequim, [[Washington]]; John Wayne Elementary School (P.S. 380) in Brooklyn, [[New York]], which boasts a 38-foot, mosaic-mural commission by New York artist Knox Martin entitled ''John Wayne and the American Frontier''; and a 100-plus-mile trail named the "John Wayne Pioneer Trail" in Washington state's Iron Horse State Park. |
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| + | In [[Los Angeles]], a larger than life-sized bronze statue of Wayne was erected at the corner of La Cienega and Wilshire boulevards; and a second such monument was placed in Beverly Hills at the offices of the Great Western Savings and Loan Corporation, for whom Wayne had done a number of commercials. Wayne was inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1974. | ||
==Filmography== | ==Filmography== | ||
| − | |||
===1920s=== | ===1920s=== | ||
| − | *'' | + | *''Brown of Harvard'' (1926) |
| − | *'' | + | *''Bardelys the Magnificent'' (1926) |
| − | *'' | + | *''The Great K & A Train Robbery'' (1926) |
| − | *'' | + | *''Annie Laurie'' (1927) |
| − | *'' | + | *''The Drop Kick'' (1927) |
| − | *'' | + | *''Mother Machree'' (1928) |
| − | *'' | + | *''Four Sons'' (1928) |
| − | *'' | + | *''Hangman's House'' (1928) |
| − | *'' | + | *''Speakeasy'' (1929) |
| − | *'' | + | *''The Black Watch'' (1929) |
| − | *'' | + | *''Noah's Ark'' (1929) |
| − | *'' | + | *''Words and Music'' (1929) |
| − | *'' | + | *''Salute'' (1929) |
| − | *'' | + | *''The Forward Pass'' (1929) |
===1930s=== | ===1930s=== | ||
| − | *'' | + | *''Men Without Women'' (1930) |
| − | *'' | + | *''Born Reckless'' (1930) |
| − | *'' | + | *''Rough Romance'' (1930) |
| − | *'' | + | *''Cheer Up and Smile'' (1930) |
| − | *'' | + | *''The Big Trail'' (1930) |
| − | *'' | + | *''Girls Demand Excitement'' (1931) |
| − | *'' | + | *''Three Girls Lost'' (1931) |
| − | *'' | + | *''Arizona'' (1931) |
| − | *'' | + | *''The Deceiver'' (1931) |
| − | *'' | + | *''Range Feud'' (1931) |
| − | *'' | + | *''Maker of Men'' (1931) |
| − | *'' | + | *''The Voice of Hollywood No. 13'' (1932) (short subject) |
| − | *'' | + | *''Running Hollywood'' (1932) (short subject) |
| − | *'' | + | *''The Shadow of the Eagle'' (1932) |
| − | *'' | + | *''Texas Cyclone'' (1932) |
| − | *'' | + | *''Two-Fisted Law'' (1932) |
| − | *'' | + | *''Lady and Gent'' (1932) |
| − | *'' | + | *''The Hurricane Express'' (1932) |
| − | *'' | + | *''The Hollywood Handicap'' (1932) (short subject) |
| − | *'' | + | *''Ride Him, Cowboy'' (1932) |
| − | *'' | + | *''That's My Boy'' (1932) |
| − | *'' | + | *''The Big Stampede'' (1932) |
| − | *'' | + | *''Haunted Gold'' (1932) |
| − | *'' | + | *''The Telegraph Trail'' (1933) |
| − | *'' | + | *''The Three Musketeers'' (1933) |
| − | *'' | + | *''Central Airport'' (1933) |
| − | *'' | + | *''Somewhere in Sonora'' (1933) |
| − | *'' | + | *''His Private Secretary'' (1933) |
| − | *'' | + | *''The Life of Jimmy Dolan'' (1933) |
| − | *'' | + | *''Baby Face'' (1933) |
| − | *'' | + | *''The Man From Monterey'' (1933) |
| − | *'' | + | *''Riders of Destiny'' (1933) |
| − | *'' | + | *''College Coach'' (1933) |
| − | *'' | + | *''Sagebrush Trail'' (1933) |
| − | *'' | + | *''The Lucky Texan'' (1934) |
| − | *'' | + | *''West of the Divide'' (1934) |
| − | *'' | + | *''Blue Steel'' (1934) |
| − | *'' | + | *''The Man from Utah'' (1934) |
| − | *'' | + | *''Randy Rides Alone'' (1934) |
| − | *'' | + | *''The Star Packer'' (1934) |
| − | *'' | + | *''The Trail Beyond'' (1934) |
| − | *'' | + | *''The Lawless Beyond'' (1934) |
| − | *'' | + | *'''Neath the Arizona Skies'' (1934) |
| − | *'' | + | *''Texas Terror'' (1935) |
| − | *'' | + | *''Rainbow Valley'' (1935) |
| − | *'' | + | *''The Desert Trail'' (1935) |
| − | *'' | + | *''The Dawn Rider'' (1935) |
| − | *'' | + | *''Paradise Canyon'' (1935) |
| − | *'' | + | *''Westward Ho'' (1935) |
| − | *'' | + | *''The New Frontier'' (1935) |
| − | *'' | + | *''Lawless Range'' (1935) |
| − | *'' | + | *''The Oregon Trail'' (1936) |
| − | *'' | + | *''The Lawless Nineties'' (1936) |
| − | *'' | + | *''King of the Pecos'' (1936) |
| − | *'' | + | *''The Lonely Trail'' (1936) |
| − | *'' | + | *''Winds of the Wasteland'' (1936) |
| − | *'' | + | *''Sea Spoilers'' (1936) |
| − | *'' | + | *''Conflict'' (1936) |
| − | *'' | + | *''California Straight Ahead!'' (1937) |
| − | *'' | + | *''I Cover the War'' (1937) |
| − | *'' | + | *''Idol of the Crowds'' (1937) |
| − | *'' | + | *''Adventure's End'' (1937) |
| − | *'' | + | *''Born to the West'' (1937) |
| − | *'' | + | *''Pals of the Saddle'' (1938) |
| − | *'' | + | *''Overland Stage Raiders'' (1938) |
| − | *'' | + | *''Santa Fe Stampede'' (1938) |
| − | *'' | + | *''Red River Range'' (1938) |
| − | *'' | + | *''Stagecoach'' (1939) |
| − | *'' | + | *''The Night Riders'' (1939) |
| − | *'' | + | *''Three Texas Steers'' (1939) |
| − | *'' | + | *''Wyoming Outlaw'' (1939) |
| − | *'' | + | *''New Frontier'' (1939) |
| − | *'' | + | *''Allegheny Uprising'' (1939) |
===1940s=== | ===1940s=== | ||
| − | *'' | + | *''Meet the Stars: Cowboy Jubilee'' (1940) (short subject) |
| − | *'' | + | *''Three Faces West'' (1940) |
| − | *'' | + | *''The Long Voyage Home'' (1940) |
| − | *'' | + | *''Seven Sinners'' (1940) |
| − | *'' | + | *''A Man Betrayed'' (1941) |
| − | *'' | + | *''Lady from Louisiana'' (1941) |
| − | *'' | + | *''The Shepherd of the Hills'' (1941) |
| − | *'' | + | *''Meet the Stars: Past and Present'' (1941) (short subject) |
| − | *'' | + | *''Lady for a Night'' (1942) |
| − | *'' | + | *''Reap the Wild Wind'' (1942) |
| − | *'' | + | *''The Spoilers'' (1942) |
| − | *'' | + | *''In Old California'' (1942) |
| − | *'' | + | *''Flying Tigers'' (1942) |
| − | *'' | + | *''Pittsburgh'' (1942) |
| − | *'' | + | *''Reunion in France'' (1942) |
| − | *'' | + | *''A Lady Takes a Chance'' (1943) |
| − | *'' | + | *''In Old Oklahoma'' (1943) |
| − | *'' | + | *''The Fighting Seabees'' (1944) |
| − | *'' | + | *''Tall in the Saddle'' (1944) |
| − | *'' | + | *''Flame of Barbary Coast'' (1945) |
| − | *'' | + | *''Back to Bataan'' (1945) |
| − | *'' | + | *''They Were Expendable'' (1945) |
| − | *'' | + | *''Dakota'' (1945) |
| − | *'' | + | *''Without Reservations'' (1946) |
| − | *'' | + | *''Angel and the Badman'' (1947) (also producer) |
| − | *'' | + | *''Tycoon'' (1947) |
| − | *'' | + | *''Red River'' (1948) |
| − | *'' | + | *''Fort Apache'' (1948) |
| − | *'' | + | *''3 Godfathers'' (1948) |
| − | *'' | + | *''Wake of the Red Witch'' (1948) |
| − | *'' | + | *''The Fighting Kentuckian'' (1949) (also producer) |
| − | *'' | + | *''She Wore a Yellow Ribbon'' (1949) |
| − | *'' | + | *''Screen Snapshots: Hollywood Rodeo'' (1949) (short subject) |
| − | *'' | + | *''Sands of Iwo Jima'' (1949) |
===1950s=== | ===1950s=== | ||
| − | *'' | + | *''Rio Grande'' (1950) |
| − | *'' | + | *''Screen Snapshots: Reno's Silver Spur Awards'' (1951) (short subjects) |
| − | *'' | + | *''Operation Pacific'' (1951) |
| − | *'' | + | *''The Screen Director'' (1951) (short subject) |
| − | *'' | + | *''Screen Snapshots: Hollywood Awards'' (1951) (short subject) |
| − | *'' | + | *''Flying Leathernecks'' (1951) |
| − | *'' | + | *''Miracle in Motion'' (1952) (short subject) (narrator) |
| − | *'' | + | *''The Quiet Man'' (1952) |
| − | *'' | + | *''Big Jim McLain'' (1952) (also producer) |
| − | *'' | + | *''Trouble Along the Way'' (1953) |
| − | *'' | + | *''Island in the Sky'' (1953) (also producer) |
| − | *'' | + | *''Hondo'' (1953) (also producer) |
| − | *'' | + | *''The High and the Mighty'' (1954) (also producer) |
| − | *'' | + | *''The Sea Chase'' (1955) |
| − | *'' | + | *''Screen Snapshots: The Great Al Jolson'' (1955) (short subject) |
| − | *'' | + | *''Blood Alley'' (1955) (also director and producer) |
| − | *'' | + | *''The Conqueror'' (1956) |
| − | *'' | + | *''The Searchers'' (1956) |
| − | *'' | + | *''The Wings of Eagles'' (1957) |
| − | *'' | + | *''Jet Pilot'' (1957) |
| − | *'' | + | *''Legend of the Lost'' (1957) |
| − | *'' | + | *''I Married a Woman'' (1958) (Cameo) |
| − | *'' | + | *''The Barbarian and the Geisha'' (1958) |
| − | *'' | + | *''Rio Bravo'' (1959) |
| − | *'' | + | *''The Horse Soldiers'' (1959) |
===1960s=== | ===1960s=== | ||
| − | *'' | + | *''The Alamo'' (1960) (also director and producer) |
| − | *'' | + | *''North to Alaska'' (1960) |
| − | *'' | + | *''The Challenge of Ideas'' (1961) (short subject) (narrator) |
| − | *'' | + | *''The Comancheros'' (1961) (also director) |
| − | *'' | + | *''The Man Who Shot Liberty Valance'' (1962) |
| − | *'' | + | *''Hatari!'' (1962) |
| − | *'' | + | *''The Longest Day'' (1962) |
| − | *'' | + | *''How the West Was Won'' (1962) |
| − | *'' | + | *''McLintock!'' (1963) |
| − | *'' | + | *''Donovan's Reef'' (1963) |
| − | *'' | + | *''Circus World'' (1964) |
| − | *'' | + | *''The Greatest Story Ever Told'' (1965) |
| − | *'' | + | *''In Harm's Way'' (1965) |
| − | *'' | + | *''The Sons of Katie Elder'' (1965) |
| − | *'' | + | *''Cast a Giant Shadow'' (1966) |
| − | *'' | + | *''El Dorado'' (1966) |
| − | *'' | + | *''A Nation Builds Under Fire'' (1967) (short subject) (narrator) |
| − | *'' | + | *''The War Wagon'' (1967) |
| − | *'' | + | *''The Green Berets'' (1968) (also director) |
| − | *'' | + | *''Hellfighters'' (1968) |
| − | *'' | + | *''True Grit'' (1969) |
| − | *'' | + | *''The Undefeated'' (1969) |
===1970s=== | ===1970s=== | ||
| − | *'' | + | *''No Substitute for Victory'' (1970) (documentary) |
| − | *'' | + | *''Chisum'' (1970) |
| − | *'' | + | *''Rio Lobo'' (1970) |
| − | *'' | + | *''Big Jake'' (1971) (also co-director) |
| − | *'' | + | *''Directed by John Ford'' (1971) (documentary) |
| − | *'' | + | *''The Cowboys'' (1972) |
| − | *'' | + | *''Cancel My Reservation'' (1972) (Cameo) |
| − | *'' | + | *''The Train Robbers'' (1973) |
| − | *'' | + | *''Cahill U.S. Marshall'' (1973) |
| − | *'' | + | *''McQ'' (1974) |
| − | *'' | + | *''Brannigan'' (1975) |
| − | *'' | + | *''Rooster Cogburn'' (1975) |
| − | *'' | + | *''Chesty: Tribute to a Legend'' (1976) (documentary) (narrator) |
| − | *'' | + | *''The Shootist'' (1976) |
| − | |||
| − | |||
| − | |||
| + | ==Notes== | ||
| + | <references/> | ||
==References== | ==References== | ||
| − | + | *Carey, Harry Jr. ''A Company of Heroes: My Life as an Actor in the John Ford Stock Company.'' Scarecrow Press, 1994. ISBN 0810828650 | |
| − | *Carey | + | *Clark, Donald, and Christopher Anderson. ''John Wayne's'' The Alamo: ''The Making of the Epic Film.'' Carol Publishing Group, 1995. ISBN 0806516259 |
| − | *Clark, Donald, | + | *Eyman, Scott. ''Print the Legend: The Life and Times of John Ford.'' Simon & Schuster, 1999. ISBN 0684811618 |
| − | *Eyman, Scott ''Print the Legend: The Life and Times of John Ford'' | + | *McCarthy, Todd. ''Howard Hawks: The Grey Fox of Hollywood.'' Grove Press, 1997. ISBN 0802115985 |
| − | *McCarthy, Todd. ''Howard Hawks: The Grey Fox of Hollywood'' | + | *Shepherd, Donald, and Robert Slatzer. ''Duke: The Life and Times of John Wayne.'' Doubleday, 1985. ISBN 038517893X |
| − | *Shepherd, Donald, | + | *Zolotow, Maurice. ''Shooting Star: A Biography of John Wayne.'' Pocket, 1975. ISBN 978-0671802110 |
| − | *Zolotow, Maurice. ''Shooting Star: A Biography of John Wayne'', | ||
==External links== | ==External links== | ||
| − | + | All links retrieved September 30, 2022. | |
| − | * [ | + | * [https://www.imdb.com/name/nm0000078/ John Wayne] ''Internet Movie Database''. |
| − | + | * [https://johnwayne.com/ John Wayne official site] | |
| − | + | * [https://www.johnwaynebirthplace.museum/ John Wayne Birthplace & Museum] | |
| − | + | * [https://www.findagrave.com/memorial/1079/john-wayne John Wayne] ''Find a Grave'' | |
| − | + | * [https://www.tcm.com/tcmdb/person/202933%7C87147/John-Wayne#overview John Wayne] ''Turner Classic Movies'' | |
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Latest revision as of 16:07, 1 October 2022
| John Wayne | |
 Wayne, c. 1965 | |
| Birth name: | Marion Robert Morrison |
|---|---|
| Date of birth: | May 26 1907 |
| Birth location: | Winterset, Iowa, U.S. |
| Date of death: | June 11 1979 (aged 72) |
| Death location: | Los Angeles, California, U.S. |
| Official site: | Template:Officialsite |
| Spouse: | Josephine Saenz (m. 1933; div. 1945) Esperanza Baur |
John Wayne (May 26, 1907 – June 11, 1979), nicknamed "Duke," was an American film actor whose career began in silent movies in the 1920s. He was a major star from the 1940s to the 1970s. Wayne is most famous for his work in one of America's greatest native art forms, the Western movie. In more than 200 films made over 50 years, he also made a surprising variety of other kinds of films. Wayne epitomized a certain kind of rugged individualistic masculinity, and has become an enduring icon in American culture.
In the last decades of his career, Wayne transformed into an American folk figure. He had become a hero to some, while he was a villain to others, for his outspoken, politically conservative views. Although Wayne carefully avoided political roles for himself, he was a highly enthusiastic supporter of Richard M. Nixon, Barry Goldwater, Spiro T. Agnew, Ronald Reagan, and others who, he felt, represented the best ideals of Americanism and anti-Communism.
But for the vast throng of movie-going fans who idolized him on the big screen, Wayne as an icon of conservatism had little significance compared to Wayne as a movie star. Although he did not always play clean-cut "good guys," as other Western heroes such as Gene Autry did, he was a leader in casting the role of the Western hero who fought the conflict between good and evil on the Western Plains. Indeed, it was impossible to mention the word "Western" without thinking of "The Duke."
Life and early career
Early life
John Wayne was born Marion Robert Morrison in Winterset, Iowa in 1907, but the name became Marion Mitchell Morrison when his parents decided to name their next son Robert. However, in later life, Wayne often stated that his middle name was Michael. His family was Presbyterian; father Clyde Leonard Morrison was of Scottish descent and the son of a Civil War veteran, while mother Mary Alberta Brown was of Irish ancestry. Wayne's family moved to Glendale, California in 1911. It was his neighbors in Glendale who started calling him "Big Duke," because he never went anywhere without his Airedale terrier dog, who was named “Little Duke.” He preferred "Duke" to "Marion," and the name stuck for the rest of his life.[1]
John Wayne’s early life was marked by poverty. His father was a pharmacist, but did not manage money well. As a teen, Wayne worked in an ice cream shop for a person who shoed horses for local Hollywood studios. He was also active as a member of the Order of DeMolay, a youth organization associated with the Freemasons, that he joined when he came of age. He attended Wilson Middle School in Glendale. He played football for the 1924 champion Glendale High School team. Duke was a good student and popular, but had a bad reputation as a drinker. Tall from an early age, he played football for his high school in Glendale and was recruited by the University of Southern California (USC).
After nearly gaining admission to the U.S. Naval Academy, he instead attended the USC, where he was a member of the Sigma Chi Fraternity. Wayne also played on the USC football team under legendary coach Howard Jones, however his football career and scholarship ended because of an injury.
Beginning of film career
While at the university, Wayne began working around the local film studios. Western star Tom Mix got him a summer job in the prop department in exchange for football tickets, and Wayne soon moved on to bit parts in the late 1920s in films by director John Ford, with whom he established a longtime friendship. During the period from 1925 to 1929, Wayne appeared in nine silent films, including Brown of Harvard (1925), Great K&A Train Robbery (1926), The Drop Kick (1927), and Hangman's House (1928). Wayne's imposing presence and exaggerated mannerisms translated very effectively on the silent screen.
Wayne's first starring role, at the recommendation of Ford, was in the 1930 epic Western, The Big Trail. It was the director of that movie, Raoul Walsh, who gave him the stage name "John Wayne," after Revolutionary War general "Mad Anthony" Wayne. His pay was raised from $35.00 a week to $75.00 a week, and he was tutored by the studio's stunt men in riding and other Western skills.
During the next nine years, Wayne occupied himself in a number of B-Westerns and serials, such as Shadow of the Eagle and The Three Musketeers series, with occasional bit parts in larger productions such as Warner Brothers' Baby Face, starring Barbara Stanwyck. But it was in roles that brought out his manliness that was to make Wayne a huge star with men and women, alike.
Although appearing in many war films and frequently being eulogized as an "American hero," Wayne never served in the armed forces. However, his friend Bob Hope speculated that Wayne did more for the WWII war effort as an actor than he ever could on the battlefield. Between 1940, when the military draft was reinstated, and the end of World War II in 1945, he remained in Hollywood and made 21 movies. He was of draft age (34) at the time of the Pearl Harbor attack in 1941, but asked for and received a deferral for family dependency, a classification of 3-A. This was later changed to a deferment in the national interest, 2-A.
Major stardom
John Ford films
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His friendship with John Ford led them to work together on films that featured some of Wayne's most iconic roles. Beginning with three minor parts in 1928, Wayne would appear in over 20 of Ford's films in the next 35 years, including Stagecoach (1939), She Wore a Yellow Ribbon (1949), The Quiet Man (1952), The Searchers (1956), The Wings of Eagles (1957), and The Man Who Shot Liberty Valance (1962).
Diversity of roles
Wayne played the male lead in 142 of his film appearances, an as-yet, unsurpassed record. However, he also had a down-to-earth sense of humor that allowed him to appear in a pink bunny suit for an episode of Rowan and Martin's Laugh-In, as well as in comedy movies.
One of Wayne's best roles was ironically in one of the few films he made that was not a Western or war picture, The High and the Mighty, released in 1954. Directed by William Wellman and based on a novel by Ernest K. Gann, the movie featured Wayne as "Whistling" Dan Roman, the first officer of a DC-4 civilian flight that develops serious engine problems traveling from Hawaii to San Francisco. His portrayal of the heroic airman won widespread acclaim.
Despite his prolific output, John Wayne won only a single Best Actor Oscar, for the 1969 movie True Grit. He received a nomination for Best Actor in Sands of Iwo Jima, and another as the producer of Best Picture nominee The Alamo, which he also directed. In 1973, he released a best-selling spoken word album titled America, Why I Love Her, that was nominated for a Grammy.
Conservative views
Wayne was well known for his pro-American, conservative political views. In 1968, he directed The Green Berets, the only feature film of the time to openly support the Vietnam War. It was produced in close collaboration with the armed forces. It was also ironic that he appeared in an episode of the TV series Maude, created by ultra-liberal Norman Lear, and starred with the liberal actress Bea Arthur, who stood five feet, nine inches, and to whom Wayne referred to as "little lady." Wayne seemed to enjoy acting with actresses of a liberal bent, such as Lauren Bacall, Colleen Dewhurst, and Katharine Hepburn.
Personal life
Family
Wayne was married three times, always to Spanish-speaking Latina women: Josephine Alicia Saenz, Esperanza Baur, and Pilar Palette. Wayne had seven children from his marriages, the first two of which ended in divorce, and more than 15 grandchildren. All but one of his children went on to have minor Hollywood careers.
Although Wayne had not managed his money carefully earlier in his career, later in his life he invested successfully in a Panamanian shrimp business, among other ventures. He lived with his third wife, the Peruvian Pilar Palette Wayne, in an 11-room, seven-bathroom house in Newport Beach, California, where he had docked a 135-foot yacht. He also owned cattle ranches in Stanfield and Springerville, Arizona.
Death
John Wayne died of stomach cancer on June 11, 1979, at the age of 72 at the UCLA Medical Center. He was interred in the Pacific View Memorial Park cemetery in Corona del Mar, Orange County, California. Some trace his cancer back to his work in The Conqueror, filmed about 100 miles downwind of Nevada nuclear-weapons test sites. However, it should also be noted that until 1964 Wayne was a chain smoker, which was more likely to have caused his cancer. Other actors who worked on that movie and later died of cancer were also heavy smokers, including Dick Powell, Agnes Moorehead, Pedro Armendariz, Susan Hayward, and John Hoyt.
Wayne converted to Roman Catholicism shortly before his death. At the time of his death, he resided in a bay front home in Newport Beach, California. His home remains a point of interest to tourists.
Legacy
Easily imitated, with his signature swaggered walk and the use of the word "pilgrim," Wayne has been both honored and mocked with great frequency by other actors, comics, writers, and musicians.
The persona that Wayne often portrayed in his movies has become part of Americana. He set the cinematic standard for the steadfast, unflinching action hero, and many of his screen characterizations have taken on lives of their own. Wayne became an American icon: tough, rugged, taming the West, and saving democracy from fascism. His characters represented the spirit of the men who built the country.
John Wayne rose beyond the typical recognition for a famous actor to that of an enduring symbol who communicated American values and ideals. As his career progressed, he consciously selected roles that would not compromise his off-screen image. By the time of his last film, The Shootist (1976), Wayne refused to allow his character to shoot a man in the back, as was originally scripted. Wayne's status grew so large and legendary that when Japanese Emperor Hirohito visited the United States in 1975, he asked to meet John Wayne, the symbolic representation of his country's former enemy.
Wayne was a popular visitor to the war zones in World War II, the Korean War, and the Vietnam War. By the 1950s, in large part due to the military aspect of many of his films, Wayne had become an icon to all the branches of the U.S. military, despite his actual lack of military service. His name is attached unofficially to various pieces of military gear, such as the P-38 "John Wayne" can-opener, so named because "it can do anything." A paper towel unhappily used in place of "bathroom tissue" became known as "John Wayne toilet paper" because "it's rough and it's tough and don't take sh-t off no one." C-Ration crackers are called "John Wayne crackers" because presumably only someone as tough as Wayne could eat them.
Various public locations have been named in memory of John Wayne. They include John Wayne Airport in Orange County, California, where his life-sized statue graces the entrance; the John Wayne Marina near Sequim, Washington; John Wayne Elementary School (P.S. 380) in Brooklyn, New York, which boasts a 38-foot, mosaic-mural commission by New York artist Knox Martin entitled John Wayne and the American Frontier; and a 100-plus-mile trail named the "John Wayne Pioneer Trail" in Washington state's Iron Horse State Park.
In Los Angeles, a larger than life-sized bronze statue of Wayne was erected at the corner of La Cienega and Wilshire boulevards; and a second such monument was placed in Beverly Hills at the offices of the Great Western Savings and Loan Corporation, for whom Wayne had done a number of commercials. Wayne was inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1974.
Filmography
1920s
- Brown of Harvard (1926)
- Bardelys the Magnificent (1926)
- The Great K & A Train Robbery (1926)
- Annie Laurie (1927)
- The Drop Kick (1927)
- Mother Machree (1928)
- Four Sons (1928)
- Hangman's House (1928)
- Speakeasy (1929)
- The Black Watch (1929)
- Noah's Ark (1929)
- Words and Music (1929)
- Salute (1929)
- The Forward Pass (1929)
1930s
- Men Without Women (1930)
- Born Reckless (1930)
- Rough Romance (1930)
- Cheer Up and Smile (1930)
- The Big Trail (1930)
- Girls Demand Excitement (1931)
- Three Girls Lost (1931)
- Arizona (1931)
- The Deceiver (1931)
- Range Feud (1931)
- Maker of Men (1931)
- The Voice of Hollywood No. 13 (1932) (short subject)
- Running Hollywood (1932) (short subject)
- The Shadow of the Eagle (1932)
- Texas Cyclone (1932)
- Two-Fisted Law (1932)
- Lady and Gent (1932)
- The Hurricane Express (1932)
- The Hollywood Handicap (1932) (short subject)
- Ride Him, Cowboy (1932)
- That's My Boy (1932)
- The Big Stampede (1932)
- Haunted Gold (1932)
- The Telegraph Trail (1933)
- The Three Musketeers (1933)
- Central Airport (1933)
- Somewhere in Sonora (1933)
- His Private Secretary (1933)
- The Life of Jimmy Dolan (1933)
- Baby Face (1933)
- The Man From Monterey (1933)
- Riders of Destiny (1933)
- College Coach (1933)
- Sagebrush Trail (1933)
- The Lucky Texan (1934)
- West of the Divide (1934)
- Blue Steel (1934)
- The Man from Utah (1934)
- Randy Rides Alone (1934)
- The Star Packer (1934)
- The Trail Beyond (1934)
- The Lawless Beyond (1934)
- 'Neath the Arizona Skies (1934)
- Texas Terror (1935)
- Rainbow Valley (1935)
- The Desert Trail (1935)
- The Dawn Rider (1935)
- Paradise Canyon (1935)
- Westward Ho (1935)
- The New Frontier (1935)
- Lawless Range (1935)
- The Oregon Trail (1936)
- The Lawless Nineties (1936)
- King of the Pecos (1936)
- The Lonely Trail (1936)
- Winds of the Wasteland (1936)
- Sea Spoilers (1936)
- Conflict (1936)
- California Straight Ahead! (1937)
- I Cover the War (1937)
- Idol of the Crowds (1937)
- Adventure's End (1937)
- Born to the West (1937)
- Pals of the Saddle (1938)
- Overland Stage Raiders (1938)
- Santa Fe Stampede (1938)
- Red River Range (1938)
- Stagecoach (1939)
- The Night Riders (1939)
- Three Texas Steers (1939)
- Wyoming Outlaw (1939)
- New Frontier (1939)
- Allegheny Uprising (1939)
1940s
- Meet the Stars: Cowboy Jubilee (1940) (short subject)
- Three Faces West (1940)
- The Long Voyage Home (1940)
- Seven Sinners (1940)
- A Man Betrayed (1941)
- Lady from Louisiana (1941)
- The Shepherd of the Hills (1941)
- Meet the Stars: Past and Present (1941) (short subject)
- Lady for a Night (1942)
- Reap the Wild Wind (1942)
- The Spoilers (1942)
- In Old California (1942)
- Flying Tigers (1942)
- Pittsburgh (1942)
- Reunion in France (1942)
- A Lady Takes a Chance (1943)
- In Old Oklahoma (1943)
- The Fighting Seabees (1944)
- Tall in the Saddle (1944)
- Flame of Barbary Coast (1945)
- Back to Bataan (1945)
- They Were Expendable (1945)
- Dakota (1945)
- Without Reservations (1946)
- Angel and the Badman (1947) (also producer)
- Tycoon (1947)
- Red River (1948)
- Fort Apache (1948)
- 3 Godfathers (1948)
- Wake of the Red Witch (1948)
- The Fighting Kentuckian (1949) (also producer)
- She Wore a Yellow Ribbon (1949)
- Screen Snapshots: Hollywood Rodeo (1949) (short subject)
- Sands of Iwo Jima (1949)
1950s
- Rio Grande (1950)
- Screen Snapshots: Reno's Silver Spur Awards (1951) (short subjects)
- Operation Pacific (1951)
- The Screen Director (1951) (short subject)
- Screen Snapshots: Hollywood Awards (1951) (short subject)
- Flying Leathernecks (1951)
- Miracle in Motion (1952) (short subject) (narrator)
- The Quiet Man (1952)
- Big Jim McLain (1952) (also producer)
- Trouble Along the Way (1953)
- Island in the Sky (1953) (also producer)
- Hondo (1953) (also producer)
- The High and the Mighty (1954) (also producer)
- The Sea Chase (1955)
- Screen Snapshots: The Great Al Jolson (1955) (short subject)
- Blood Alley (1955) (also director and producer)
- The Conqueror (1956)
- The Searchers (1956)
- The Wings of Eagles (1957)
- Jet Pilot (1957)
- Legend of the Lost (1957)
- I Married a Woman (1958) (Cameo)
- The Barbarian and the Geisha (1958)
- Rio Bravo (1959)
- The Horse Soldiers (1959)
1960s
- The Alamo (1960) (also director and producer)
- North to Alaska (1960)
- The Challenge of Ideas (1961) (short subject) (narrator)
- The Comancheros (1961) (also director)
- The Man Who Shot Liberty Valance (1962)
- Hatari! (1962)
- The Longest Day (1962)
- How the West Was Won (1962)
- McLintock! (1963)
- Donovan's Reef (1963)
- Circus World (1964)
- The Greatest Story Ever Told (1965)
- In Harm's Way (1965)
- The Sons of Katie Elder (1965)
- Cast a Giant Shadow (1966)
- El Dorado (1966)
- A Nation Builds Under Fire (1967) (short subject) (narrator)
- The War Wagon (1967)
- The Green Berets (1968) (also director)
- Hellfighters (1968)
- True Grit (1969)
- The Undefeated (1969)
1970s
- No Substitute for Victory (1970) (documentary)
- Chisum (1970)
- Rio Lobo (1970)
- Big Jake (1971) (also co-director)
- Directed by John Ford (1971) (documentary)
- The Cowboys (1972)
- Cancel My Reservation (1972) (Cameo)
- The Train Robbers (1973)
- Cahill U.S. Marshall (1973)
- McQ (1974)
- Brannigan (1975)
- Rooster Cogburn (1975)
- Chesty: Tribute to a Legend (1976) (documentary) (narrator)
- The Shootist (1976)
Notes
- ↑ He was, and is, called "Duke" by his friends and when he was present, he was, and is, called "The Duke" when being referred to in third person on television shows, in magazines, or by people in casual conversation.
ReferencesISBN links support NWE through referral fees
- Carey, Harry Jr. A Company of Heroes: My Life as an Actor in the John Ford Stock Company. Scarecrow Press, 1994. ISBN 0810828650
- Clark, Donald, and Christopher Anderson. John Wayne's The Alamo: The Making of the Epic Film. Carol Publishing Group, 1995. ISBN 0806516259
- Eyman, Scott. Print the Legend: The Life and Times of John Ford. Simon & Schuster, 1999. ISBN 0684811618
- McCarthy, Todd. Howard Hawks: The Grey Fox of Hollywood. Grove Press, 1997. ISBN 0802115985
- Shepherd, Donald, and Robert Slatzer. Duke: The Life and Times of John Wayne. Doubleday, 1985. ISBN 038517893X
- Zolotow, Maurice. Shooting Star: A Biography of John Wayne. Pocket, 1975. ISBN 978-0671802110
External links
All links retrieved September 30, 2022.
- John Wayne Internet Movie Database.
- John Wayne official site
- John Wayne Birthplace & Museum
- John Wayne Find a Grave
- John Wayne Turner Classic Movies
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