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'''Yun Tong-ju''' (December 30, 1917 - February 16, 1945) was a [[Korea]]n poet active during the [[Korea under Japanese rule|period of Japanese rule]] (1932 – 1945). Known for his writing of [[lyric poetry]] as well as [[Korean independence movement|resistance]] poetry, he was born in what is now “Yanbian,” an [[autonomous prefecture]] in [[Jilin]] province with a large Korean resident population, in the northeastern part of [[People's Republic of China|China]]. The area was then the base of the Korean movement for independence from Japan. Yun Tong-ju began writing poetry as a boy, and argued with his father, who wanted him to study medicine instead of literature. While studying at Yeonhui Technical School (now Yonsei University) in Seoul, he prepared a collection of nineteen poems, but his professor advised him to delay its publication because of Japanese censorship. In 1942, Yun went to Japan to study English literature. In 1943, as he was traveling home for the summer holidays, he was arrested as a “[[thought criminal]]” by the Japanese police and sentenced to two years of prison on the charge of having participated in the independence movement. He died in prison on February 16, 1945.
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'''Yun Tong-ju''' (December 30, 1917 - February 16, 1945) was a [[Korea]]n poet active during the [[Korea under Japanese rule|period of Japanese rule]] (1932–1945). Known for his writing of [[lyric poetry]] as well as [[Korean independence movement|resistance]] poetry, he was born in what is now “Yanbian,” an [[autonomous prefecture]] in [[Jilin]] province with a large Korean resident population, in the northeastern part of [[People's Republic of China|China]]. The area was then the base of the Korean movement for independence from [[Japan]]. Yun Tong-ju began writing poetry as a boy, and argued with his father, who wanted him to study medicine instead of literature. While studying at Yeonhui Technical School (now Yonsei University) in [[Seoul]], he prepared a collection of nineteen poems, but his professor advised him to delay its publication because of Japanese censorship. In 1942, Yun went to Japan to study English literature. In 1943, as he was traveling home for the summer holidays, he was arrested as a “[[thought criminal]]” by the Japanese police and sentenced to two years of prison on the charge of having participated in the independence movement. He died in prison on February 16, 1945.  
 
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His collected works, published by his family posthumously in 1948 as “''Sky, wind, stars, and poems'',” has become a perennial best-seller in Korea, and he is currently the  national poet of the Republic of Korea. His poetry is characterized by contrast between qualities of defiance and humility, depth and simplicity, and passion and self-discipline.
 
His collected works, published by his family posthumously in 1948 as “''Sky, wind, stars, and poems'',” has become a perennial best-seller in Korea, and he is currently the  national poet of the Republic of Korea. His poetry is characterized by contrast between qualities of defiance and humility, depth and simplicity, and passion and self-discipline.
  
 
==Life==
 
==Life==
Yun Tong-ju was born December 30, 1917, in [[Hwaryong-hyeon]], [[Jiandao]], in what is now “Yanbian,” an [[autonomous prefecture]] in [[Jilin]] province with a large Korean resident population, in the northeastern part of [[People's Republic of China|China]]. Yanbian is south of [[Heilongjiang]], east of Jilin's [[Baishan]] City, north of [[North Korea]]'s [[North Hamgyong]] Province, and west of [[Russia]]. The name "Yanbian" was created in the [[1920s]], because the area stretches (''yan'') on the boundary (''bian'') of three nations. During the [[Manchukuo]] period (1932 – 1945), it was called Kan-do (間島) Province. His family’s legal domicile was Ch'ŏngjin (Ch'ŏngjin-s;i청진시; 淸津市), North Hamgyŏng (Hamgyŏng-pukto; 함경 북도; 咸鏡北道), a province of North Korea. In 1886 his great-grandfather had migrated with his family to the north of Kan-do (間島). Yun Tong-ju was therefore the descendant of a group of Korean settlers in [[Manchuria]].
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Yun Tong-ju was born December 30, 1917, in [[Hwaryong-hyeon]], [[Jiandao]], in what is now “Yanbian,” an [[autonomous prefecture]] in [[Jilin]] province with a large Korean resident population, in the northeastern part of [[People's Republic of China|China]]. Yanbian is south of [[Heilongjiang]], east of Jilin's [[Baishan]] City, north of [[North Korea]]'s [[North Hamgyong]] Province, and west of [[Russia]]. The name "Yanbian" was created in the 1920s, because the area stretches ''(yan)'' on the boundary ''(bian)'' of three nations. During the [[Manchukuo]] period (1932–1945), it was called Kan-do (間島) Province. His family’s legal domicile was Ch'ŏngjin (Ch'ŏngjin-s;i청진시; 淸津市), North Hamgyŏng (Hamgyŏng-pukto; 함경 북도; 咸鏡北道), a province of North Korea. In 1886, his great-grandfather had migrated with his family to the north of Kan-do (間島). Yun Tong-ju was therefore the descendant of a group of Korean settlers in [[Manchuria]].
  
Yun Tong-ju was the eldest son among four children born to his father Yun Yeong-seok and his mother Kim Yong. As a child he was called "Haehwan" (해환, 海煥). Yun Tong-ju was raised in north Kan-do (間島), which was then the base of the Korean movement for independence from Japan. His mother’s brother was a well-known leader of the Korean independence movement, and an educator who built schools and taught  the racial ethos. Yun Tong-ju grew up under the influence of his Presbyterian grandfather. He studied at the middle school in Lóngjǐng (龍井). Today, near the school, there is a stone monument at the house where Yun Tong-ju was born.
+
Yun Tong-ju was the eldest son among four children born to his father Yun Yeong-seok and his mother Kim Yong. As a child he was called "Haehwan" (해환, 海煥). Yun Tong-ju was raised in north Kan-do (間島), which was then the base of the Korean movement for independence from Japan. His mother’s brother was a well-known leader of the Korean independence movement, and an educator who built schools and taught  the racial ethos. Yun Tong-ju grew up under the influence of his Presbyterian grandfather. He studied at the middle school in Lóngjǐng (龍井). Today, near the school, there is a stone monument at the house where Yun Tong-ju was born.  
  
As a boy, Yun Tong-ju was reserved and diffident, but had a chivalrous spirit. In a recent interview, his sister described him: “As a young man, my brother was really an elegant dresser. The color of the school uniform was yellow, but if it did not suit him, he made his own uniform on a sewing machine. More than by his style, I was always attracted by the way in which he was surrounded by many books. He was always creating (poems).He used a copying machine and I was given some of his printed papers.”
+
As a boy, Yun Tong-ju was reserved and diffident, but had a chivalrous spirit. In a recent interview, his sister described him: “As a young man, my brother was really an elegant dresser. The color of the school uniform was yellow, but if it did not fit him, he made his own uniform on a sewing machine. More than by his style, I was always attracted by the way in which he was surrounded by many books. He was always creating (poems).He used a copying machine and I was given some of his printed papers.”
  
Yun Tong-ju was six years older than this sister. She added “Even now I can see, in my mind’s eye, my brother catching dragonflies for me.” <ref>http://www.searchnavi.com/~hp/chosenzoku/history/71.htm</ref>
+
Yun Tong-ju was six years older than this sister. She added “Even now I can see, in my mind’s eye, my brother catching dragonflies for me.”<ref>[http://www.searchnavi.com/~hp/chosenzoku/history/71.htm 朝鮮族近現代史], 朝鮮族ネット. Retrieved October 16, 2007.</ref>
  
Yun Tong-ju loved his brothers and sisters, and taught them songs and told them stories. As a student in middle school he had various hobbies; he was active in soccer and sometimes worked until midnight to publish the school magazine. He also won a prize in a speech contest. He had excellent mathematical skills and his favorite subject was geometry. As his classmates and cousins moved to other schools, one in Beijin and another in Pyongyang, Yun Tong-ju also moved to the middle school in Pyongyang in September, 1935. However because the students refused to bow to a Japanese Shinto shrine, the school was closed down, and Yun Tong-ju returned home. In those days he published children’s songs and poems in a Catholic boy’s magazine, K’at’ollic Sōnyon (Catholic Youth).
+
Yun Tong-ju loved his brothers and sisters, and taught them songs and told them stories. As a student in middle school he had various hobbies; he was active in soccer and sometimes worked until midnight to publish the school magazine. He also won a prize in a speech contest. He had excellent mathematical skills and his favorite subject was geometry. As his classmates and cousins moved to other schools, one in Beijin and another in Pyongyang, Yun Tong-ju also moved to the middle school in Pyongyang in September, 1935. However because the students refused to bow to a Japanese Shinto shrine, the school was closed down, and Yun Tong-ju returned home. In those days he published children’s songs and poems in a [[Catholic]] boy’s magazine, K’at’ollic Sōnyon (Catholic Youth).
  
After he graduated from middle school, Yun Tong-ju struggled with the problem of proceeding to the next stage of education because of his father’s desire for him to go to medical school. However, Yun Tong-ju had a strong love for literature, and he could not abandon this ambition. The strife was so serious that he even went on a hunger strike. On April 9, 1938, Yung Tong-ju entered Yeonhui Technical School, which later became Yonsei University in Seoul. His cousin宋夢奎 , who had studied in Beijin, entered Yeonhui Technical School with him. Yung Tong-ju loved the natural areas around Yeonhui Technical School and liked to go for walks. Through meditation and thinking in silence, he shaped each of his poems, some of which were published in the youth section of Chosōn Ilbo.  
+
After he graduated from middle school, Yun Tong-ju struggled with the problem of proceeding to the next stage of education because of his father’s desire for him to go to medical school. However, Yun Tong-ju had a strong love for literature, and he could not abandon this ambition. The strife was so serious that he even went on a hunger strike. On April 9, 1938, Yung Tong-ju entered Yeonhui Technical School, which later became Yonsei University in [[Seoul]]. His cousin 宋夢奎 , who had studied in Beijin, entered Yeonhui Technical School with him. Yung Tong-ju loved the natural areas around Yeonhui Technical School and liked to go for walks. Through meditation and thinking in silence, he shaped each of his poems, some of which were published in the youth section of Chosōn Ilbo.  
  
Yung Tong-ju was a taciturn person, who always kept his dignity but warmly embraced his friends with a beaming smile. Yun Tong-ju was influenced not only by the world-famous literature, but by history, culture, art and music, all of which served also enhanced his appreciation of his Korean heritage. After school he used to ride an electric train to the station in front of the Bank of Joseon and visit several famous book shops in present-day Myeongdong or Myeongdong (명동 明洞). After that, he was fond of sitting the music cafes, reading books. He loved to read not only the literature of Korea, but Miyoshi Tatsuji’s poems and Ogawa Mimei’s fairy tales. In those days he was most affected by Kierkegaard. <ref>Ibid.</ref>
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Yung Tong-ju was a taciturn person, who always kept his dignity but warmly embraced his friends with a beaming smile. Yun Tong-ju was influenced not only by the world-famous literature, but by history, culture, art and music, all of which served also enhanced his appreciation of his Korean heritage. After school he used to ride an electric train to the station in front of the Bank of Joseon and visit several famous book shops in present-day Myeongdong or Myeongdong (명동 明洞). After that, he was fond of sitting the music cafes, reading books. He loved to read not only the literature of Korea, but Miyoshi Tatsuji’s poems and Ogawa Mimei’s fairy tales. In those days he was most affected by Kierkegaard.<ref>[http://www.searchnavi.com/~hp/chosenzoku/history/71.htm 朝鮮族近現代史], 朝鮮族ネット. Retrieved October 16, 2007.</ref>
  
On December 27, 1941, Yung Tong-ju graduated from Yeonhui Technical School . He had been writing poetry from time to time, and chose nineteen poems for a collection he intended to call "''Heaven, Wind, Stars, and Poetry''" (하늘과 바람과 별과 시), but he was unable to get it published. At first, he called this collection of poems “''the Hospital''.” The last poem in the collection, “''Counting the Stars at Night''”  was written on November 5, 1941. The introductory poem , which became the most popular, was written on November 20. He presented this collection to his professor Yi, and explained the meaning of its title: “Before completing this collection, I thought the title should be “the Hospital” because there are so many patients.” His professor suggested that he wait to publish it because several poems would be subjected to censorship . His professor worried that, as Yun Tong-ju was soon going to Japan to study, publication of his poems  might jeopardize his opportunities there.  
+
On December 27, 1941, Yung Tong-ju graduated from Yeonhui Technical School . He had been writing poetry from time to time, and chose nineteen poems for a collection he intended to call "''Heaven, Wind, Stars, and Poetry''" (하늘과 바람과 별과 시), but he was unable to get it published. At first, he called this collection of poems “''the Hospital''.” The last poem in the collection, “''Counting the Stars at Night''”  was written on November 5, 1941. The introductory poem, which became the most popular, was written on November 20. He presented this collection to his professor Yi, and explained the meaning of its title: “Before completing this collection, I thought the title should be “the Hospital” because there are so many patients.” His professor suggested that he wait to publish it because several poems would be subjected to censorship . His professor worried that, as Yun Tong-ju was soon going to Japan to study, publication of his poems  might jeopardize his opportunities there.  
  
In 1942, he went to Japan and entered the English literature department of [[Rikkyo University]] in [[Tokyo]], before moving to [[Doshisha University]] in [[Kyoto]] six months later. On July 14, 1943, as he was traveling home for the summer holidays, he was arrested as a “[[thought criminal]]” by the Japanese police and detained at the Kamogawa Police Station in Kyoto. The following year, the [[Kyoto]] regional court sentenced him to two years of prison on the charge of having participated in the independence movement. He was imprisoned in [[Fukuoka Prefecture|Fukuoka]], where he died in February, 1945. The following month, he was buried in [[Yongjeong]] in Jiandao.
+
In 1942, he went to Japan and entered the English literature department of [[Rikkyo University]] in [[Tokyo]], before moving to [[Doshisha University]] in [[Kyoto]] six months later. On July 14, 1943, as he was traveling home for the summer holidays, he was arrested as a “[[thought criminal]]” by the Japanese police and detained at the Kamogawa Police Station in Kyoto. The following year, the Kyoto regional court sentenced him to two years of prison on the charge of having participated in the independence movement. He was imprisoned in [[Fukuoka Prefecture|Fukuoka]], where he died in February, 1945. The following month, he was buried in [[Yongjeong]] in Jiandao.
  
 
== Posthumous Fame ==
 
== Posthumous Fame ==
  
In January 1948, his family collected thirty-one of his poems and had them published by Jeongeumsa, together with an introduction by [[Chong Ji-yong]]; this work was also titled ''Heaven, Wind, Stars, and Poetry''. His poems became very popular, and Yun Tong-ju came to be a much-beloved poet of tragedy and lyrical patriotism.
+
In January 1948, his family collected thirty-one of his poems and had them published by Jeongeumsa, together with an introduction by [[Chong Ji-yong]]; this work was also titled ''Heaven, Wind, Stars, and Poetry''. His poems became very popular, and Yun Tong-ju came to be a much-beloved poet of tragedy and lyrical [[patriotism]].
  
 
In November 1968, [[Yonsei University]] and others established an endowment for the [[Yun Tong-ju Poetry Prize]]. A monument to the memory of Yun Tongju is erected  at Yonsei University.
 
In November 1968, [[Yonsei University]] and others established an endowment for the [[Yun Tong-ju Poetry Prize]]. A monument to the memory of Yun Tongju is erected  at Yonsei University.
  
Since 1980, Yun Tongju has won the most points in an annual poll to determine “the most loved poet” and “the most favorite poet” in Korea. His collection of poems is a perennial best-seller in Korea, and hundreds of literature students have earned Masters degrees and PhDs by studying his poems. Yun Tongju is currently the national poet of the Republic of Korea, and even in the Democratic People’s Republic of Korea (North Korea) he is widely admired.  
+
Since 1980, Yun Tongju has won the most points in an annual poll to determine “the most loved poet” and “the most favorite poet” in [[Korea]]. His collection of poems is a perennial best-seller in Korea, and hundreds of literature students have earned Masters degrees and [[PhD]]s by studying his poems. Yun Tongju is currently the national poet of the [[Republic of Korea]], and even in the Democratic People’s Republic of Korea ([[North Korea]]) he is widely admired.  
  
 
== ''Sky, Wind and Stars''==  
 
== ''Sky, Wind and Stars''==  
  
<blockquote>Wishing not to have so much as a speck of shame toward heaven until the day I die, I suffered, even when the wind stirred the leaves. From the Foreword to “Sky, wind, stars, and poems” by Tong-Ju Yun, Kyung-Nyun Kim Richards (Translator) </blockquote>
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<blockquote>Wishing not to have so much as a speck of shame toward heaven until the day I die, I suffered, even when the wind stirred the leaves.<ref>Yoon Dong Joo, Tong-Ju Yun, and Kyung-Nyun Kim Richards (trans.), ''Sky, wind, stars, and poems'', Jain Publishing Company, 2003. ISBN 9780895818263</ref></blockquote>
  
The poetry of Yun Tongju, who was a witness to Korea's national humiliation, expresses sorrow in response to relentless tyranny with defiance but without violence or hatred. His poetry became the voice of Korean people during a dark period in their history.
+
The poetry of Yun Tongju, who was a witness to Korea's national humiliation, expresses sorrow in response to relentless tyranny with defiance but without violence or hatred. His poetry became the voice of Korean people during a dark period in their history.  
  
Yun Dong-ju was a poet of purity, beauty, and sincerity, and his collection of poems, posthumously published under the title “''Sky, wind, stars, and poems'',” is one of the all-time favorites of Korean readers. His poems express his love for his people, his compassion for the poor and destitute, and his hopes for freedom and independence, themes which still resonate deeply with Korean people. His imprisonment and eventual death in 1945 in a Japanese prison lend great poignancy to his work.<ref>http://www.alibris.com/search/search.cfm?chunk=25&mtype=&qisbn=9780895818263&page=1&matches=6&qsort=r&browse=1&full=1</ref>
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Yun Dong-ju was a poet of purity, beauty, and sincerity, and his collection of poems, posthumously published under the title “''Sky, wind, stars, and poems'',” is one of the all-time favorites of Korean readers. His poems express his love for his people, his compassion for the poor and destitute, and his hopes for freedom and independence, themes which still resonate deeply with Korean people. His imprisonment and eventual death in 1945 in a Japanese prison lend great poignancy to his work.<ref>[http://www.alibris.com/search/search.cfm?chunk=25&mtype=&qisbn=9780895818263&page=1&matches=6&qsort=r&browse=1&full=1 Sky, Wind and Stars], Alibris. Retrieved October 16, 2007.</ref>
  
“Some of the poetic attributes that give Yun's work the inexhaustibility of significant poetry are seemingly conflicting tendencies that become complementary through the power of his art: natural syntax and rhythms that are nonetheless carefully devised; an authoritative passivity; humility achieved through audacity; and capacity at once to give multiple meanings to words and to see the limitations of words. “ Choi, Christy. "Approaching the Translation of Yun Tong-Ju's Poetry"  Harvard University [http://www.fas.harvard.edu/~korea/ksgsc/ksgsc1999a.html]
+
“Some of the poetic attributes that give Yun's work the inexhaustibility of significant poetry are seemingly conflicting tendencies that become complementary through the power of his art: natural syntax and rhythms that are nonetheless carefully devised; an authoritative passivity; humility achieved through audacity; and capacity at once to give multiple meanings to words and to see the limitations of words.“ Christy Choi Choi, [http://www.fas.harvard.edu/~korea/ksgsc/ksgsc1999a.html ''Approaching the Translation of Yun Tong-Ju's Poetry''], Harvard University. Retrieved April 16, 2008.</ref>
  
 
From ''The Sorrowful Race'':
 
From ''The Sorrowful Race'':
Line 52: Line 52:
 
:White rubber shoes are hung on rough feet.
 
:White rubber shoes are hung on rough feet.
 
:White blouses and skirts cloak sorrowful frames,
 
:White blouses and skirts cloak sorrowful frames,
:And white belts tightly tie gaunt waists. <ref>(Shaffer 1999: 26) [http://www.bookrags.com/Korean_poetry]</ref>
+
:And white belts tightly tie gaunt waists.<ref>[http://www.bookrags.com/Korean_poetry Korean poetry], BookRags. Retrieved October 16, 2007.</ref>
  
 
From ''Counting the Stars at Night'':
 
From ''Counting the Stars at Night'':
Line 73: Line 73:
 
:poetry for another star,
 
:poetry for another star,
 
:and oh! mother for another star.
 
:and oh! mother for another star.
::Translated by Insoo Lee <ref>http://myhome.naver.com/woomi9/poem/ydj307.htm</ref>
+
::Translated by Insoo Lee <ref>[http://myhome.naver.com/woomi9/poem/ydj307.htm Counting The Stars At Night]. Retrieved October 16, 2007.</ref>
 +
 
 +
== See also ==
 +
* [[Korean literature]]
  
 
== Notes ==
 
== Notes ==
{{cite book|title=Who's who in Korean literature|chapter=Yun, Tong-ju|pages=554-555|author=Yu, Jong-ho|year=1996|publisher=Hollym|location=Seoul|id=ISBN 1-56591-066-4}}
 
 
<references/>
 
<references/>
 +
 
==References==
 
==References==
 
*Lee, Peter Hacksoo. 1964. ''Anthology of Korean poetry from the earliest era to the present''. New York: Day.
 
*Lee, Peter Hacksoo. 1964. ''Anthology of Korean poetry from the earliest era to the present''. New York: Day.
* Lee, Peter H. 1974. ''Poems from Korea; a historical anthology.'' UNESCO collection of representative works. Honolulu: University Press of Hawaii. ISBN:0824802632 9780824802639
+
* Lee, Peter H. 1974. ''Poems from Korea; a historical anthology.'' UNESCO collection of representative works. Honolulu: University Press of Hawaii. ISBN 0824802632 ISBN 9780824802639
* McCann, David R. 2004. ''The Columbia anthology of modern Korean poetry.'' New York: Columbia University Press. ISBN:0231111282 9780231111287 0231111290 9780231111294
+
* McCann, David R. 2004. ''The Columbia anthology of modern Korean poetry.'' New York: Columbia University Press. ISBN 0231111282 ISBN 9780231111287 ISBN 0231111290 ISBN 9780231111294
*Pratt, Keith L., Richard Rutt, and James Hoare. 1999. ''Korea: a historical and cultural dictionary''. Durham East-Asia series. Richmond, Surrey: Curzon Press. ISBN:0700704647 9780700704644 0700704639 9780700704637
+
*Pratt, Keith L., Richard Rutt, and James Hoare. 1999. ''Korea: a historical and cultural dictionary''. Durham East-Asia series. Richmond, Surrey: Curzon Press. ISBN 0700704647 ISBN 9780700704644 ISBN 0700704639 ISBN 9780700704637
* Yun, Tong-ju, Kyungnyun K. Richards, and Steffen F. Richards. 2003. ''Sky, wind, and stars.'' Fremont, Calif: Asian Humanities Press. ISBN:0895818264 9780895818263
+
*Yu, Jong-ho. 1996. "Yun, Tong-ju," ''Who's who in Korean literature.'' Seoul: Hollym, 554-555. ISBN 1565910664.
 
+
* Yun, Tong-ju, Kyungnyun K. Richards, and Steffen F. Richards. 2003. ''Sky, wind, and stars.'' Fremont, Calif: Asian Humanities Press. ISBN 0895818264 ISBN 9780895818263
== See also ==
 
* [[List of Korean language poets]]
 
* [[Korean independence movement]]
 
* [[Korean literature]]
 
 
 
== External links ==
 
* [http://100.naver.com/100.nhn?docid=123552 Naver Encyclopedia entry  in Korean]
 
 
 
 
 
 
 
 
 
[[Category:Literature of Korea under Japanese rule]]
 
[[Category:Manchurians]]
 
[[Category:Korean poets]]
 
  
 +
[[Category:Art, music, literature, sports and leisure]]
 +
[[Category:Writers and poets]]
 +
[[Category:Korea]]
  
 
{{credits|Yun_Tong-ju|152500553}}
 
{{credits|Yun_Tong-ju|152500553}}

Latest revision as of 21:07, 19 August 2014

Yun Tong-ju
Hangul 윤동주
Hanja 尹東柱
Revised Romanization Yun Dong-ju
McCune-Reischauer Yun Tongju


Yun Tong-ju (December 30, 1917 - February 16, 1945) was a Korean poet active during the period of Japanese rule (1932–1945). Known for his writing of lyric poetry as well as resistance poetry, he was born in what is now “Yanbian,” an autonomous prefecture in Jilin province with a large Korean resident population, in the northeastern part of China. The area was then the base of the Korean movement for independence from Japan. Yun Tong-ju began writing poetry as a boy, and argued with his father, who wanted him to study medicine instead of literature. While studying at Yeonhui Technical School (now Yonsei University) in Seoul, he prepared a collection of nineteen poems, but his professor advised him to delay its publication because of Japanese censorship. In 1942, Yun went to Japan to study English literature. In 1943, as he was traveling home for the summer holidays, he was arrested as a “thought criminal” by the Japanese police and sentenced to two years of prison on the charge of having participated in the independence movement. He died in prison on February 16, 1945.

His collected works, published by his family posthumously in 1948 as “Sky, wind, stars, and poems,” has become a perennial best-seller in Korea, and he is currently the national poet of the Republic of Korea. His poetry is characterized by contrast between qualities of defiance and humility, depth and simplicity, and passion and self-discipline.

Life

Yun Tong-ju was born December 30, 1917, in Hwaryong-hyeon, Jiandao, in what is now “Yanbian,” an autonomous prefecture in Jilin province with a large Korean resident population, in the northeastern part of China. Yanbian is south of Heilongjiang, east of Jilin's Baishan City, north of North Korea's North Hamgyong Province, and west of Russia. The name "Yanbian" was created in the 1920s, because the area stretches (yan) on the boundary (bian) of three nations. During the Manchukuo period (1932–1945), it was called Kan-do (間島) Province. His family’s legal domicile was Ch'ŏngjin (Ch'ŏngjin-s;i청진시; 淸津市), North Hamgyŏng (Hamgyŏng-pukto; 함경 북도; 咸鏡北道), a province of North Korea. In 1886, his great-grandfather had migrated with his family to the north of Kan-do (間島). Yun Tong-ju was therefore the descendant of a group of Korean settlers in Manchuria.

Yun Tong-ju was the eldest son among four children born to his father Yun Yeong-seok and his mother Kim Yong. As a child he was called "Haehwan" (해환, 海煥). Yun Tong-ju was raised in north Kan-do (間島), which was then the base of the Korean movement for independence from Japan. His mother’s brother was a well-known leader of the Korean independence movement, and an educator who built schools and taught the racial ethos. Yun Tong-ju grew up under the influence of his Presbyterian grandfather. He studied at the middle school in Lóngjǐng (龍井). Today, near the school, there is a stone monument at the house where Yun Tong-ju was born.

As a boy, Yun Tong-ju was reserved and diffident, but had a chivalrous spirit. In a recent interview, his sister described him: “As a young man, my brother was really an elegant dresser. The color of the school uniform was yellow, but if it did not fit him, he made his own uniform on a sewing machine. More than by his style, I was always attracted by the way in which he was surrounded by many books. He was always creating (poems).He used a copying machine and I was given some of his printed papers.”

Yun Tong-ju was six years older than this sister. She added “Even now I can see, in my mind’s eye, my brother catching dragonflies for me.”[1]

Yun Tong-ju loved his brothers and sisters, and taught them songs and told them stories. As a student in middle school he had various hobbies; he was active in soccer and sometimes worked until midnight to publish the school magazine. He also won a prize in a speech contest. He had excellent mathematical skills and his favorite subject was geometry. As his classmates and cousins moved to other schools, one in Beijin and another in Pyongyang, Yun Tong-ju also moved to the middle school in Pyongyang in September, 1935. However because the students refused to bow to a Japanese Shinto shrine, the school was closed down, and Yun Tong-ju returned home. In those days he published children’s songs and poems in a Catholic boy’s magazine, K’at’ollic Sōnyon (Catholic Youth).

After he graduated from middle school, Yun Tong-ju struggled with the problem of proceeding to the next stage of education because of his father’s desire for him to go to medical school. However, Yun Tong-ju had a strong love for literature, and he could not abandon this ambition. The strife was so serious that he even went on a hunger strike. On April 9, 1938, Yung Tong-ju entered Yeonhui Technical School, which later became Yonsei University in Seoul. His cousin 宋夢奎 , who had studied in Beijin, entered Yeonhui Technical School with him. Yung Tong-ju loved the natural areas around Yeonhui Technical School and liked to go for walks. Through meditation and thinking in silence, he shaped each of his poems, some of which were published in the youth section of Chosōn Ilbo.

Yung Tong-ju was a taciturn person, who always kept his dignity but warmly embraced his friends with a beaming smile. Yun Tong-ju was influenced not only by the world-famous literature, but by history, culture, art and music, all of which served also enhanced his appreciation of his Korean heritage. After school he used to ride an electric train to the station in front of the Bank of Joseon and visit several famous book shops in present-day Myeongdong or Myeongdong (명동 明洞). After that, he was fond of sitting the music cafes, reading books. He loved to read not only the literature of Korea, but Miyoshi Tatsuji’s poems and Ogawa Mimei’s fairy tales. In those days he was most affected by Kierkegaard.[2]

On December 27, 1941, Yung Tong-ju graduated from Yeonhui Technical School . He had been writing poetry from time to time, and chose nineteen poems for a collection he intended to call "Heaven, Wind, Stars, and Poetry" (하늘과 바람과 별과 시), but he was unable to get it published. At first, he called this collection of poems “the Hospital.” The last poem in the collection, “Counting the Stars at Night” was written on November 5, 1941. The introductory poem, which became the most popular, was written on November 20. He presented this collection to his professor Yi, and explained the meaning of its title: “Before completing this collection, I thought the title should be “the Hospital” because there are so many patients.” His professor suggested that he wait to publish it because several poems would be subjected to censorship . His professor worried that, as Yun Tong-ju was soon going to Japan to study, publication of his poems might jeopardize his opportunities there.

In 1942, he went to Japan and entered the English literature department of Rikkyo University in Tokyo, before moving to Doshisha University in Kyoto six months later. On July 14, 1943, as he was traveling home for the summer holidays, he was arrested as a “thought criminal” by the Japanese police and detained at the Kamogawa Police Station in Kyoto. The following year, the Kyoto regional court sentenced him to two years of prison on the charge of having participated in the independence movement. He was imprisoned in Fukuoka, where he died in February, 1945. The following month, he was buried in Yongjeong in Jiandao.

Posthumous Fame

In January 1948, his family collected thirty-one of his poems and had them published by Jeongeumsa, together with an introduction by Chong Ji-yong; this work was also titled Heaven, Wind, Stars, and Poetry. His poems became very popular, and Yun Tong-ju came to be a much-beloved poet of tragedy and lyrical patriotism.

In November 1968, Yonsei University and others established an endowment for the Yun Tong-ju Poetry Prize. A monument to the memory of Yun Tongju is erected at Yonsei University.

Since 1980, Yun Tongju has won the most points in an annual poll to determine “the most loved poet” and “the most favorite poet” in Korea. His collection of poems is a perennial best-seller in Korea, and hundreds of literature students have earned Masters degrees and PhDs by studying his poems. Yun Tongju is currently the national poet of the Republic of Korea, and even in the Democratic People’s Republic of Korea (North Korea) he is widely admired.

Sky, Wind and Stars

Wishing not to have so much as a speck of shame toward heaven until the day I die, I suffered, even when the wind stirred the leaves.[3]

The poetry of Yun Tongju, who was a witness to Korea's national humiliation, expresses sorrow in response to relentless tyranny with defiance but without violence or hatred. His poetry became the voice of Korean people during a dark period in their history.

Yun Dong-ju was a poet of purity, beauty, and sincerity, and his collection of poems, posthumously published under the title “Sky, wind, stars, and poems,” is one of the all-time favorites of Korean readers. His poems express his love for his people, his compassion for the poor and destitute, and his hopes for freedom and independence, themes which still resonate deeply with Korean people. His imprisonment and eventual death in 1945 in a Japanese prison lend great poignancy to his work.[4]

“Some of the poetic attributes that give Yun's work the inexhaustibility of significant poetry are seemingly conflicting tendencies that become complementary through the power of his art: natural syntax and rhythms that are nonetheless carefully devised; an authoritative passivity; humility achieved through audacity; and capacity at once to give multiple meanings to words and to see the limitations of words.“ Christy Choi Choi, Approaching the Translation of Yun Tong-Ju's Poetry, Harvard University. Retrieved April 16, 2008.</ref>

From The Sorrowful Race:

White towels are wrapped around black heads,
White rubber shoes are hung on rough feet.
White blouses and skirts cloak sorrowful frames,
And white belts tightly tie gaunt waists.[5]

From Counting the Stars at Night:

Up where the seasons pass,
the sky is filled with autumn.
In this untroubled quietude
I could almost count these autumn-couched stars.
But why I cannot now enumerate
those one or two stars in my breast
is because the dawn is breaking soon,
and I have tomorrow night in store,
and because my youth is not yet done.
Memory for one star,
love for another star,
sorrow for another star,
longing for another star,
poetry for another star,
and oh! mother for another star.
Translated by Insoo Lee [6]

See also

Notes

  1. 朝鮮族近現代史, 朝鮮族ネット. Retrieved October 16, 2007.
  2. 朝鮮族近現代史, 朝鮮族ネット. Retrieved October 16, 2007.
  3. Yoon Dong Joo, Tong-Ju Yun, and Kyung-Nyun Kim Richards (trans.), Sky, wind, stars, and poems, Jain Publishing Company, 2003. ISBN 9780895818263
  4. Sky, Wind and Stars, Alibris. Retrieved October 16, 2007.
  5. Korean poetry, BookRags. Retrieved October 16, 2007.
  6. Counting The Stars At Night. Retrieved October 16, 2007.

References
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