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[[Image:cronus.jpg|right|200px|thumb|[[Goya]]'s distressing image of [[Cronus]] devouring his children.]]
 
[[Image:cronus.jpg|right|200px|thumb|[[Goya]]'s distressing image of [[Cronus]] devouring his children.]]
 
'''''Theogony''''' ([[Greek language|Greek]]: Θεογονία, ''theogonia'' =  the birth of God(s)) is a [[poem]] by [[Hesiod]] describing the origins and [[genealogy|genealogies]] of the [[polytheism|gods]] of the ancient Greeks, composed circa 700 B.C.E.  The title of the work comes from the Greek words for "god" and "seed".
 
'''''Theogony''''' ([[Greek language|Greek]]: Θεογονία, ''theogonia'' =  the birth of God(s)) is a [[poem]] by [[Hesiod]] describing the origins and [[genealogy|genealogies]] of the [[polytheism|gods]] of the ancient Greeks, composed circa 700 B.C.E.  The title of the work comes from the Greek words for "god" and "seed".

Revision as of 17:30, 29 October 2007

Goya's distressing image of Cronus devouring his children.

Theogony (Greek: Θεογονία, theogonia = the birth of God(s)) is a poem by Hesiod describing the origins and genealogies of the gods of the ancient Greeks, composed circa 700 B.C.E. The title of the work comes from the Greek words for "god" and "seed".

Although it is often used as a sourcebook for Greek mythology,[1] the Theogony is both more and less than that. In formal terms it is a hymn invoking Zeus and the Muses: parallel passages between it and the much shorter Homeric Hymn to the Muses make it clear that the Theogony developed out of a tradition of hymnic preludes with which an ancient Greek rhapsode (a Hellenic bard) would begin his performance at poetic competitions. It is necessary to see the Theogony not as the definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition that happened to crystallize when Hesiod formulated the myths he knew — and to remember that the traditions have continued evolving since that time.

Overview

Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. In many cultures, narratives about the origin of the cosmos and about the gods that shaped it are a way for society to reaffirm its native cultural traditions. Specifically, theogonies tend to affirm kingship as the natural embodiment of society. What makes the Theogony of Hesiod unique is that it affirms no historical royal line. Such a gesture would have sited the Theogony in one time and one place. Rather, the Theogony affirms the kingship of the god Zeus himself over all the other gods and over the whole cosmos.

Contents

Introduction

The poem begins by affirming the sovereignty of Zeus, as attested to in the song of his daughters, the Muses:

Come thou, let us begin with the Muses who gladden the great spirit of their father Zeus in Olympus with their songs, telling of things that are and that shall be and that were aforetime with consenting voice. ... Then, next, the goddesses sing of Zeus, the father of gods and men, as they begin and end their strain, how much he is the most excellent among the gods and supreme in power. And again, they chant the race of men and strong giants, and gladden the heart of Zeus within Olympus, — the Olympian Muses, daughters of Zeus the aegis-holder.[2]

These introductory verses also feature an authorial inclusion depicting Hesiod's instruction in divine lineages at the hands of the Muses: "And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me — the Muses of Olympus, daughters of Zeus who holds the aegis."[3] Later in this section, in the oft-debated "Kings and Singers" passage (80-103), Hesiod is depicted appropriating the authority usually reserved for sacred kings when he declares that the Muses have bestowed two gifts onto him: a scepter and an authoritative voice.[4] These are both fair obvious symbols of kingship. However, it is not that this gesture was literally meant to depict Hesiod a king. Instead, it seems likely that the point was to state that the authority of kingship now belonged to the poetic voice, the voice that is declaiming the Theogony..[5]

Genesis and the First Generation

After the speaker declares that he has received the blessings of the Muses, and thanks them for giving him inspiration, he explains the process that allowed Chaos to spontaneously spring into existence. Chaos then gave birth to Eros and Gaia (Earth), though the more orderly material world was not generated until afterwards.[6] Tartarus (both a place below the earth as well as a deity) and (Desire) also came into existence from nothing. After this point, Eros serves an important role in sexual reproduction, before which children had to be produced by means of parthenogenesis. From Chaos came Erebos (Darkness) and Nyx (Night). However, Erebos and Nyx reproduced to make Aither (Brightness) and Hemera (Day). From Gaia came Ouranos (Sky), the Ourea (Mountains), and Pontus (Sea).

Ouranos mated with Gaia to create twelve Titans: Okeanos, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea, Themis, Mnemosyne, Phoebe, Tethys, and Kronos; three Kyklopes (Cyclops): Brontes, Steropes, and Arges; and three Hecatonchires: Kottos, Briareos, and Gyges.

Second Generation

Because Ouranos foresaw that one of his children would overthrow him, he tried to imprison each of the children in Gaia, which greatly discomforted her. She asked her children to punish their father. Only Kronos was willing to do so. During Ouranos' attempt to mate with Gaia as he does every night, Kronos castrated his father with a sickle from Gaia: "Then the son from his ambush stretched forth his left hand and in his right took the great long sickle with jagged teeth, and swiftly lopped off his own father's members and cast them away to fall behind him."[7] The blood from Ouranos splattered onto the earth producing Erinyes (the Furies), Giants, and Meliai. Kronos takes the severed testicles and throws them into the Sea (Thalassa), around which foams developed and they transformed into the goddess of Love, Aphrodite (which is why in some myths, Aphrodite was daughter of Ouranos and the goddess Thalassa).

Meanwhile, Nyx, though she mated with Erebos, produced children parthenogenically: Moros (Doom), Oneiroi (Dreams), Ker and the Keres (Destinies), Eris (Discord), Momos (Blame), Philotes (Love), Geras (Old Age), Thanatos (Death), Moirai (Fates), Nemesis (Retribution), Hesperides (Daughters of Night), Hypnos (Sleep), Oizys (Hardship), and Apate (Deceit).

From Eris, following her mother's footstep, came Ponos (Pain), Hysmine (Battles), the Neikea (Quarrels), the Phonoi (Murders), Lethe (Oblivion), Makhai (Fight), Pseudologos (Lies), Amphilogia (Disputes), Limos (Famine), Androktasia (Manslaughters), Ate (Ruin), Dysnomia (Anarchy and Disobedience), the Algea (Illness), Horkos (Oaths), and Logoi (Stories).

After Ouranos had been castrated, Gaia mated with Pontos to create a descendent line consisting of sea deities, sea nymphs, and hybrid monsters. One child of Gaia and Pontos is Nereus (Old Man of the Sea), who marries Doris, a daughter of Okeanos and Tethys, to produce the Nereids, the fifty nymphs of the sea. Another child of Gaia and Pontos is Thaumas, who marries Electra, a sister of Doris, to produce Iris (Rainbow) and three Harpies.

Phorkys and Keto, two siblings, marry each other and produce the Graiae, the Gorgons, Echidna, and Ophion. Medusa, one of the Gorgons, produced two children with Poseidon, the winged-horse Pegasus and giant Chrysaor, at the instant of her decapitation by Perseus. Chrysaor marries Callirhoe, another daughter of Okeanos, to make three-headed Geryon.

Gaia also mates with Tartaros to produce Typhoeus, whom Echidna marries to produce Orthos, Kerberos, Hydra, and Chimera. From Orthos and either Chimera or Echidna were born the Sphinx and the Nemean Lion.

In the family of the Titans, Okeanos and Tethys marry to make three thousand rivers and three thousand Okeanid Nymphs. Theia and Hyperion marry to bear Helios (Sun), Selene (Moon), and Eos (Dawn). Kreios and Eurybia marry to bear Astraios, Pallas, and Perses. Eos and Astraios would later marry to produce Zephyros, Boreas, Notos, Eosphoros, Hesperos, Phosphoros and the Stars (foremost of which Phaenon, Phaethon, Pyroeis, Stilbon, those of the Zodiac and those three acknowledged before). From Pallas and Styx (another Okeanid) came Zelos (Zeal), Nike (Victory), Cratos (Strength), and Bia (Force). Koios and Phoibe marry to make Leto, Asteria (who later marries Perses to produce Hekate). Iapetos marries Klymene (an Okeanid Nymph) to sire Atlas, Menoetius, Prometheus, and Epimetheus.

Third and Final Generation

Kronos, having taken control of the Cosmos, wanted to ensure that he maintained power. He asked the advice of the Delphi Oracle, who told him a son would overthrow him. When he married Rhea, he made sure to swallow each of the children she birthed: Hestia, Demeter, Hera, Hades, Poseidon, Zeus (in that order). However, Rhea asked Gaia and Ouranos for help in saving Zeus by sending Rhea to Crete to nurture Zeus and giving Kronos a huge stone to swallow thinking that it was another of Rhea's children. Rhea then sets Zeus on a tree that sat on a ledge (between sky, earth and sea, making him invisible) with the Curetes constantly clanging their swords on their shield to keep Kronos from hearing the infant Zeus's crying.

After Zeus had grown up, he consults Metis, who concocts a potion which forces Kronos to disgorge his siblings and thereafter waged a great war on the Titans for control of the Cosmos. The war lasted ten years, with the Olympian gods, Cyclopes, Prometheus and Epimetheus, the children of Pallas on one side, and the Titans and the Giants on the other (with only Oceanos as a neutral force). Eventually Zeus releases the Hundred-Handed ones to shake the earth, allowing him to gain the upper hand, cast the fury of his thunderbolts and throw the Titans into Tartaros. Zeus later must battle Typhoeus, a son of Gaia and Tartaros created because Gaia was angry that the Titans were defeated, and is victorious again.

Because Prometheus helped Zeus, he was not sent to Tartaros like the other Titans. However, he later stole fire from the Olympian gods to give to mortals, along with other knowledge, which angered Zeus. Zeus punishes Prometheus by chaining him to a column and invokes a long-winged eagle that would feed on his ever-regenerating liver. Prometheus would not be freed until Heracles, a son of Zeus, comes to free him and encourage him to tell Zeus the prophecy of who would overthrow Zeus. (A digression: It would later turn out that Thetis, a nymph that Zeus was chasing, would have a son that would be greater than his father. Zeus promptly married her off to Peleus, who ended up fathering Achilleus. At the wedding, Eris, who resented not being invited, rolled a golden apple inscribed "For the Fairest". The apple rolled between the three loveliest goddesses (Hera, Aphrodite, and Athene). The three goddesses asked Zeus to decide who was loveliest, but he was afraid of what either of them might do if they were not chosen. So he gave the responsibility to the Trojan Prince Paris. He chose Aphrodite over Athena and Hera to get the most beautiful woman in the world, Helen, and start the Trojan War. Another trickery Prometheus made was to divide an animal sacrifice, giving meat to humans and bone and skin to the gods. It forms the origin of sacrificing animals to a deity.

Zeus, because of the loss of fire, would later punish the men on earth by making a woman with Hephaistos and Athena, Pandora, who, through her good charms and beauty, would bring about all the miseries of diseases and deaths into the world by opening a box from Zeus, but she closed the box before Elpis (Hope) was released. It would not be until Prometheus came and opened the box to free Elpis (Hope).

Zeus marries seven wives. The first is the Oceanid Metis, whom he swallowed to avoid getting a son that, as what happened with Kronos and Ouranos, would overthrow him, as well as to absorb her wisdom so that she can advise him in the future. He would later "give birth" to Athena from his head, which would anger Hera enough for her to produce her own son parthenogenetically, Typhaon, the part snake,part dragon sea monster. The second wife is Themis, who bears the three Horae (Hours) – Eunomia (Order), Dike (Justice), Eirene (Peace) and the three Moirae (Fates) – Klotho (Spinner), Lachesis (Alotter), Atropos (Unturned), as well as Tyche. Zeus then married his third wife Eurynome, who bears the three Charites (Graces). The fourth wife is his sister Demeter, who bears Persephone. Persephone would later marry Hades, and bear Melinoe, Goddess of Ghosts, and Zagreus, God of the Orphic Mysteries, and Macaria, Goddess of the Blessed Afterlife. The fifth wife of Zeus is another aunt, Mnemosyne, from whom came the nine Muses – Kleio, Euterpe, Thaleia, Melpomene, Terpsikhore, Erato, Polymnia, Urania, and Kalliope. The sixth wife is Leto, who gives birth to Apollo and Artemis. The seventh and final wife is Hera, who gives birth to Hebe, Ares, Enyo, Hephastios,and Eileithyia. Of course, though Zeus no longer marries, he still has affairs with many other women, such as Semele, who would give birth to Dionysus, and Alkmene, the mother of Heracles, who marries Hebe.

Poseidon marries Amphitrite and produces Triton. Ares and Aphrodite would marry to make Phobos (Fear), Deimos (Cowardice), and Harmonia (Harmony), who would later marry Kadmos to sire Ino (who with her son, Melicertes would become a sea deity) Semele (Mother of Dionysos), Agaue (Mother of Actaeon), Polydorus, and Autonoe (who would later be driven in to perpetual Bacchic Frenzy by her nephew, Dionysos). Helios and Perseis birth Kirke (Circe), who with Poseidon would mother Phaunos, God of the Forest, and with Dionysos mother Comos, God of Revelry and Festivity . And with Odysseus, she would later give birth to Agrius. Atlas' daughter Kalypso would give birth to Odysseus' children Telegonos, Teledamus, Latinus, Nausithoos, and Nausinous.


Notes

  1. Herodotus (II.53) cited it simply as an authoritative list of divine names, attributes and functions.
  2. Theogony 36-52.
  3. Theogony 1-25.
  4. Hesiod, Theogony 30-3.
  5. Kathryn B. Stoddard, "The Programmatic Message of the "Kings and Singers" Passage: Hesiod, 'Theogony' 80-103"Transactions of the American Philological Association 133.1 (Spring 2003), pp. 1-16.
  6. Bulfinch's Age of Fable or Beauties of Mythology by Thomas Bulfinch Publisher: S W Tilton (1894). ASIN: B000JWAT00 pg 19.
  7. Theogony 177-178.

References
ISBN links support NWE through referral fees

  • Brown, Norman O. "Introduction" to Hesiod's Theogony. New York: Liberal Arts Press, 1953.
  • Bulfinch, Thomas. Bulfinch's Age of Fable or Beauties of Mythology. London: S. W. Tilton, 1894.
  • Mondi, Robert. "ΧΑΟΣ and the Hesiodic Cosmogony." Harvard Studies in Classical Philology 92 (1989). 1-41.
  • Powell, Barry B. Classical Myth (Second Edition). Upper Saddle River, NJ: Prentice Hall, 1998. ISBN 0-13-716714-8.

External links

All links retrieved October 25, 2007


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