Silverstein, Shel

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'''Sheldon Alan "Shel" Silverstein''' (September 25, 1930 – May 10, 1999) was an [[United States|American]] [[poet]], [[songwriter]], [[musician]], [[composer]], [[cartoonist]], [[screenwriter]] and [[author]] of children's books. He sometimes styled himself as '''Uncle Shelby''' especially for his early children's books.  
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{{epname|Silverstein, Shel}} [[Category:Image wanted]]{{Approved}}{{Images OK}}{{Submitted}}{{copyedited}}
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'''Sheldon Alan "Shel" Silverstein''' (September 25, 1930 – May 10, 1999) was an [[United States|American]] [[poet]], [[songwriter]], [[music]]ian, [[composer]], [[cartoon]]ist, [[screenwriter]], and [[Writing|author]] of [[children's book]]s.  
  
Silverstein confirmed he never studied the poetry of others, and therefore developed his own style: laid-back and conversational, occasionally employing profanity, and slang.
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His books for children are perennially on booksellers shelves. He won a [[Grammy Award]] in 1984, for Best Children’s Album for ''Where the Sidewalk Ends.'' His book, ''A Light in the Attic,'' in 1981, and ''Falling Up,'' in 1996, both dominated bestseller lists for months, with ''A Light in the Attic'' breaking all previous records for its 182-week stay on the ''[[New York Times]]'' list. His poetry books are widely used in schools as a child’s first introduction to poetry.<ref>Famous Poets and Poems, [http://famouspoetsandpoems.com/poets/shel_silverstein/biography Famous Poets and Poems.] Retrieved July 21, 2008.</ref> In a list that first appeared in the December 17, 2002, issue of ''Publishers Weekly,'' Shel Silverstein had three children's books in the top 50 all-time bestselling children's books. With totals from just these three books, he had sales of over 16 million books.<ref>home.comcast.net, 50 All-Time Bestselling children's Books.</ref>
  
==Biography==
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While Silverstein wrote over 400 children's poems, he also created nearly 800 songs for the adult market that included several songs for several [[film]]s and [[TV]] specials. His song, "A Boy named Sue" won the [[Grammy Award]] for Best Country Song in 1969. The songs he wrote for ''[[Doctor Hook and the Medicine Show]]'' made the band famous and the tunes he crafted for [[Bobby Bare]] provided the [[Country music|country]] singer a fresh commercial run, and [[Johnny Cash]]'s late 1960s comeback was fueled by his now classic rendition of "A Boy Named Sue."<ref>Muiscian Guide, [http://www.musicianguide.com/biographies/1608004321/Shel-Silverstein.html Musician's Guide Biography.] Retrieved July 21, 2008.</ref>
Silverstein's skill in writing was already largely developed by the time he served in the U.S. army. Silverstein was stationed in [[Japan]] and [[Korea]] in the 1950s, and while in the military, he was a cartoonist for the Pacific edition of the military newspaper, ''[[Stars and Stripes (newspaper)|Stars and Stripes.]]
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{{toc}}
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Silverstein was a creative genius who was difficult to categorize. While he was a family friendly author of children's books he was also an irreverent and sometimes raunchy writer for adults. His talent ranged across such a wide spectrum of fields and perspectives that he garnered fans from a broad range of humanity.
  
His name is most commonly known for writing and illustrating his [[children's literature]] including ''[[The Missing Piece (book)|The Missing Piece]]'', ''[[A Light In The Attic]]'', ''[[Lafcadio: The Lion Who Shot Back|Lafcadio]],'' ''[[Where the Sidewalk Ends (book)|Where the Sidewalk Ends]]'', ''[[Falling Up (book)|Falling Up]]'', ''[[The Giving Tree]]'', ''A Giraffe and a Half'', and ''The Missing Piece Meets the Big O''.  
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==Life==
For adults he wrote ''[[Uncle Shelby's ABZ Book]]'', a satirical mock children's book, and created ''Different Dances'', a [[coffee table book]] of wordless, adult-themed cartoons. He continued to write colloquial poetry on occasion throughout his life, including a [[rap music|rap]] version of [[William Shakespeare|Shakespeare]]'s ''[[Hamlet]]'' that was published (on yellow-beige specialty paper) in [[Playboy]] magazine in 1998. He also co-wrote the screenplay ''[[Things Change]]'' with [[David Mamet]].
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Sheldon Allan Silverstein was born in [[Chicago]], [[Illinois]], in 1930, and grew up with athletic aspirations before pursuing more artistic endeavors. In his 1975 interview with Jean F. Mercier for ''[[Publishers Weekly]],'' he described his childhood:
  
In 2005, Silverstein's last book, ''[[Runny Babbit|Runny Babbit: A Billy Sook]]'', was published posthumously. As the title suggests, every poem and illustration in the book consists of [[spoonerism]]s. In an [[NPR]] interview, Mitch Myers, Shel Silverstein's nephew, who wrote the liner notes for a "Best of Shel Silverstein" CD and helped compile the new collection of poems, said, "I think he wasn't sure about how it would be received. It is and was very different. And it's not easy, even for adults to read. I think, actually, younger children have a better time at it because they're not so preconceived in their notions of how words work. And the playfulness of it really comes across." Silverstein said "I did not have any inspirations, my talent formed, because that was what I loved to do....(and forever will)"  
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<blockquote>
"Many kids should know their talents from in their heart and soul."
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When I was a kid&mdash;12, 14, around there&mdash;I would much rather have been a good [[baseball]] player or a hit with the girls. But I couldn't play ball, I couldn't dance. Luckily, the girls didn't want me; not much I could do about that. So, I started to draw and to write. I was also lucky that I didn't have anybody to copy, be impressed by. I had developed my own style, I was creating before I knew there was a [[James Thurber|Thurber]], a [[Robert Benchley|Benchley]], a [[George Price (New Yorker cartoonist)|Price]], and a [[Saul Steinberg|Steinberg]]. I never saw their work till I was around 30. By the time I got to where I was attracting girls, I was already into work, and it was more important to me.<ref>Jean F. Mercier, "Shel Silverstein," ''Publishers Weekly,'' February 24, 1975.</ref>
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</blockquote>
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Silverstein had two children. His first child, with Susan Hastings, was daughter Shoshanna (Shanna), born June 30, 1970. Hastings died five years later, on June 29, 1975, in [[Baltimore]], [[Maryland]]. Shoshanna was raised by her aunt and uncle, Meg and Curtis Marshall, from age five until her death of a [[cerebral aneurysm]] in Baltimore on April 24, 1982, at the age of 11. Shanna was attending the [[Bryn Mawr School]] in Baltimore at the time of her death. Silverstein dedicated his 1983 reprint of ''Who Wants a Cheap Rhinoceros'' to the Marshalls. Silverstein’s ''A Light in the Attic'' was dedicated to Shanna, and he drew the sign with a flower attached; Shoshanna means "lily" or "rose" in [[Hebrew languages|Hebrew]]. Silverstein’s second child, Matthew, was born on November 10, 1983. Matthew's mother is alleged to be the "Sarah" mentioned in the acknowledgments in ''Falling Up,'' which was dedicated to Matthew.  
  
==Writings==
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Silverstein was fond of spending time in [[Greenwich Village]], [[Key West]], [[Martha’s Vineyard]], and [[Sausalito, California|Sausalito]]. He died in Key West in May 1999, of a [[myocardial infarction|heart attack]]. His body was found by two housekeepers on Monday, May 10. It was reported that he had most likely died on either May 8 or May 9.
Silverstein's goals did not include writing for children when he first began his career, but his [[editing|editor]] and friend Ursula Nordstrom encouraged Silverstein to write children's poetry. After having used his clever, silly ideas in his first book, Silverstein decided that he enjoyed the product and wanted to do it again.
 
  
A blurb by Otto Penzler from his crime anthology ''Murder for Revenge'' (1998) states:
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==Work==
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In the 1950s Silverstein served in the [[Korean War]]. During this period, he contributed his cartoon artwork to ''Pacific Stars and Stripes,'' a [[U. S. military]] publication. The experience allowed him to transition into a new role as staff [[cartoon]]ist for ''[[Playboy]]'' magazine in 1956. In the late 1950s and 1960s, Playboy sent him around the world to draw a travel journal. His 23 dispatches hailed from such far-flung locales as [[Japan]], [[Moscow]], [[London]], [[Paris]], and [[Africa]], and various [[United States]] locales. Most of the cartoons' gags played against cultural [[stereotype]]s. 
  
<blockquote>
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As the staff cartoonist for ''Playboy,'' Silverstein took the opportunity to publish several poems in the magazine, such as "The Winner," "Rosalie's Good Eats Cafe," and "The Smoke-off." It was not until 1963, when he met [[Ursula Nordstrom]] through his illustrator colleague [[Tomi Ungerer]] that he was encouraged to seriously pursue writing for children.  
"The phrase "[[Polymath|Renaissance man]]" tends to get overused these days, but apply it to Shel Silverstein and it practically begins to seem inadequate. Not only has he produced with seeming ease [[country music]] hits and popular songs, but he's been equally successful at turning his hand to poetry, [[Short story|short stories]], plays, and children's books. Moreover, his whimsically hip fables, beloved by readers of all ages, have made him a stalwart of bestseller lists. ''A Light in the Attic,'' most remarkably, showed the kind of staying power on the [[New York Times Best Seller list|''New York Times'' chart]]&mdash;two years, to be precise&mdash;that most of the biggest names ([[John Grisham]], [[Stephen King]], and [[Michael Crichton]]) have never equaled for their own blockbusters.
 
<p>
 
And there's still more: his unmistakable illustrative style is another crucial element to his appeal. Just as no writer sounds like Shel, no other artist's vision is as delightfully, sophisticatingly cockeyed.
 
<p>
 
One can only marvel that he makes the time to respond so kindly to his friends' requests. In the following work, let's be glad he did. Drawing on his characteristic passion for list making, he shows how the deed is not just in the wish but in the sublimation."
 
</blockquote>
 
  
This anthology was the second in a series, which also included ''Murder for Love'' (1996) and ''Murder and Obsession'' (1999). All three anthologies included contributions by Shel Silverstein.
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The result was the publication of ''Uncle Shelby’s Story of Lafcadio, the Lion Who Shot Back''. After his clever and silly ideas met acclaim, Silverstein decided that he enjoyed this type of writing. The following year brought the release of his classic children’s book, ''[[The Giving Tree]]''. The tale, about a [[tree]]’s fondness for a boy, was initially rejected by publishers because it seemed too childish for adults and yet too grown-up for children. The book would eventually bring Silverstein vast recognition and become one of his most popular creations. Thirty years after it first came out, it was listed in the top 15 books on a list of children's best sellers over a six-week period in March and April of 1994, in the category of picture books and storybooks.<ref>Sarah Lyall, [http://query.nytimes.com/gst/fullpage.html?res=9407E0DD1E3AF930A25755C0A962958260&sec=&spon=&pagewanted=1  The Media Business; Publishing.] Retrieved July 20, 2008.</ref>
  
==As a songwriter==
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Another notable work, ''Where the Sidewalk Ends'' (1974), was a collection of often [[humor]]ous poems for children. His whimsical style compelled readers and critics to draw connections between him and [[Dr. Seuss]]. Also popular was a 1981 collection of poems that followed, titled ''A Light In The Attic''.
Silverstein's passion for music was clear early on as he studied briefly at the [[Chicago College of Performing Arts]] at [[Roosevelt University]]. As a songwriter, Silverstein tended to shun [[publicity]] and even photographers. Nonetheless, his musical output included many songs which were hits for other artists.  
 
  
Most notably, he wrote the music and lyrics for "[[A Boy Named Sue]]" that was performed by [[Johnny Cash]] (for which Silverstein won a [[Grammy Award for Best Country Song|Grammy]] in 1970), "[[One's on the Way]]" (which was a hit for [[Loretta Lynn]]), and "[[The Unicorn]]," which, despite having nothing to do with [[Ireland]] nor [[Irish culture]], became the signature piece for [[The Irish Rovers]] in 1968 and is popular in [[Irish pub#Irish public houses|Irish pubs]] all over the world to this day. Another Silverstein song recorded by Cash is "[[25 Minutes to Go]]," sung from the point of view of a man facing his last 25 minutes on Death Row, with each line of the song counting down one minute closer. He wrote the lyrics and music for most of the [[Dr. Hook & The Medicine Show]] songs, including "[[The Cover of the Rolling Stone]]," "Freakin' at the Freakers' Ball," "[[Sylvia's Mother]]," and the cautionary song about [[venereal disease]], "Don't Give a Dose To the One You Love Most." He also wrote many of the songs performed by [[Bobby Bare]], including "Rosalie's Good Eats Cafe," "[[The Mermaid (song)|The Mermaid]]," "The Winner," "Tequila Sheila," and a co-write with [[Baxter Taylor]] for the song "[[Marie Laveau]]" for which the songwriters received a BMI Award in 1975. "The Mermaid" was also covered in 2005 by [[Great Big Sea]], who released their version on their CD ''[[The Hard and the Easy]]''. The song "[[The Ballad of Lucy Jordan]]," recorded in 1979 by [[Marianne Faithfull]] and later featured in the films ''[[Montenegro (film)|Montenegro]]'' and ''[[Thelma & Louise]]'', was also by Silverstein, as was "Queen of the Silver Dollar," which appeared on [[Emmylou Harris]]' 1975 album ''Pieces of the Sky'' and was also covered by "[[Dave & Sugar]]." He was nominated for an [[Academy Awards|Oscar]] for his music for the film ''[[Postcards from the Edge]]''. He also composed original music for several other films, and displayed a musical versatility in these projects, playing [[guitar]], [[piano]], [[saxophone]], and [[trombone]].  
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In 1976, ''The Missing Piece'' was published. It chronicles the adventures of a circle with a wedge of itself missing, who goes along singing and searching for that missing part. But after the circle finds the right wedge, he decides he was happier on the search—without the missing piece--than he is with it. A sequel, called ''The Missing Piece Meets the Big O,'' was published in 1981, and was written from the perspective of the missing piece, who discovered the value of self-sufficiency.
  
Silverstein also had a popular following on [[Dr. Demento]]'s radio show. Among his best-known comedy songs were "Sarah Cynthia Sylvia Stout (Would Not Take The Garbage Out)," "The Smoke Off" (a tale of a contest to determine who could roll&mdash;or smoke&mdash;marijuana joints faster), and "I Got Stoned and I Missed It." He also wrote "[[The Father of a Boy Named Sue]]," in which he tells the story from the original song from the father's point of view, and the 1962 song "Boa Constrictor" that is sung by a man who is being progressively swallowed whole by a snake, although it is now better known as a children's playground chant.
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''Falling Up: Poems and Drawings'' marked Silverstein’s return to poetry for children in 1996, after a fifteen year hiatus from the genre. It was met with widespread critical praise.
  
A longtime friend of American singer and songwriter Pat Dailey, Silverstein collaborated with Dailey on the (posthumously released) 2002 ''Underwater Land'' album. It contains 17 children's songs written and produced by Silverstein and sung by Dailey. Silverstein also appears along with Dailey on a few tracks. The album also contains artwork by Silverstein.
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In 2005, Silverstein's last book, ''Runny Babbit: A Billy Sook,'' was published posthumously. As the title suggests, every poem and illustration in the book consists of [[spoonerism]]s. In an interview with [[National Public Radio]], Mitch Myers, Shel Silverstein's nephew, who wrote the liner notes for a ''Best of Shel Silverstein'' CD and helped compile the new collection of poems, said, "I think he wasn't sure about how it would be received. It is and was very different. And it's not easy, even for adults to read. I think, actually, younger children have a better time at it because they're not so preconceived in their notions of how words work. And the playfulness of it really comes across."<ref>Melissa Black, [http://www.npr.org/templates/story/story.php?storyId=4787324 Shel Silverstein's "Runny Babbit" Tales,] ''NPR''. August 5, 2005. Retrieved July 23, 2008.</ref>
  
Silverstein was [[posthumous recognition|posthumous]]ly inducted into the [[Nashville Songwriters Hall of Fame]] in 2002.
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===Writing awards===
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*1974 New York Times Outstanding Book Award for ''Where The Sidewalk Ends''
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*1981 Michigan Young Readers' Award for ''Where The Sidewalk Ends''
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*1981 School Library Journal Best Books award for ''A Light In The Attic''
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*1982 International Reading Association's Children's Choice award for ''The Missing Piece Meets The Big O''
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*1983 Buckeye award for ''A Light In The Attic''
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*1984 George G. Stone award for ''A Light In The Attic'' and ''Where The Sidewalk Ends''
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*1984 William Allen White award for ''A Light In The Attic''
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*1985 Buckeye award for ''A Light In The Attic''<ref>Geocities.com, [http://www.geocities.com/SunsetStrip/Club/6166/ss/ssbio.html Shel Silverstein Biography.] Retrieved July 20, 2008.</ref>
  
==As a playwright==
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===Stage and film===
 
[[Image:Lifeboat.JPG|frame|The [[Rising Sun Performance Company]]'s production of "The Lifeboat is Sinking" ''An Adult Evening of '''Shel Silverstein''']]
 
[[Image:Lifeboat.JPG|frame|The [[Rising Sun Performance Company]]'s production of "The Lifeboat is Sinking" ''An Adult Evening of '''Shel Silverstein''']]
''[[An Adult Evening of Shel Silverstein]]'' was produced by the [[Atlantic Theater Company]] in [[New York City]] in September 2001. The collection of short sketches, directed by Karen Kohlhaas, comprised the following:
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Though his fame was heavily tied to his children’s works, Silverstein also wrote for the stage and film. In 1981, Silverstein devoted more time to writing plays. One of his most well-known was a one-act play called ''The Lady or the Tiger Show,'' a [[satire]] that featured contestants having to choose between two doors—one which opened to a beautiful woman, and another which opened to a [[tiger]]. It was about a television producer who will do anything to get his ratings up. He also co-wrote the [[screenplay]] for the 1988 film, ''Things Change,'' with [[David Mamet]]. The 1989 production of another Silverstein play, ''The Devil and Billy Markham,'' debuted with David Mamet’s ''Bobby Gould in Hill'' at the [[Lincoln Center]] in [[New York City]]. Together, the plays were billed under the title ''Oh, Hell! Two One-Act Plays''.
*"One Tennis Shoe" - Harvey claims that his wife, Sylvia, is becoming a bag lady, but his wife claims that he is just overreacting.
 
*"Bus Stop" - Irwin stands on a street corner with a sign reading "bust stop" and uses the opportunity to soliloquize on the subject.
 
*"Going Once" - A monologue in which an auctioneer shows off a woman, who is putting herself up for auction to the highest bidder.
 
*"The Best Daddy" - Lisa's got the best daddy in the world. After all he bought her a pony for her birthday. Too bad he shot it dead.
 
*"The Lifeboat is Sinking" - Jen and Sherwin sit safely on their bed playing a game of Who-Would-You-Save-If... the family was drowning.
 
*"Smile" - Bender and his henchmen have found the man responsible for the phrase "Have a nice day." and they're going to make him pay.
 
*"Wash and Dry" - Marianne stops by the laundromat, but she's horrified to discover that her laundry hasn't been cleaned.
 
*"Thinking Up a New Name for the Act" - Pete hits on the phrase "Meat and Potatoes" as the perfect name for their vaudeville act.
 
*"Buy One, Get One Free" - Two hookers are offering the deal of the century, offering a golden opportunity to passersby in rhyme.
 
*"Blind Willie and the Talking Dog" - Blind Willie panhandles as his dog argues that they could use his talent to make some real money.
 
  
''Shel's Shorts'' was produced in repertory as two separate evenings under the titles ''Signs of Trouble'' and ''Shel Shocked'' by the Market Theater in [[Cambridge, Massachusetts]] in December 2001. ''Signs of Trouble'' was directed by Wesley Savick, and ''Shel Shocked'' was directed by Larry Coen.
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After Silverstein’s death, a celebration of his collective work was presented as ''An Adult Evening of Shel Silverstein''. The production was a collection of short sketches, directed by Karen Kohlhaas, and produced by the [[Atlantic Theater Company]] in [[New York City]] in September 2001. David Mamet, Silverstein’s once-collaborator, was a co-founder of the company. In December of the same year, ''Shel's Shorts'' was produced in repertory as two separate evenings under the titles ''Signs of Trouble'' and ''Shel Shocked'' by the Market Theater in [[Cambridge]], [[Massachusetts]]. ''Signs of Trouble'' was directed by Wesley Savick, and ''Shel Shocked'' was directed by Larry Coen.
  
==Personal life==
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==Songwriting==
Silverstein had two children. His first child was daughter Shoshanna (Shanna), born June 30, 1970, with Susan Hastings. Susan Hastings died 5 years later, on June 29, 1975, in [[Baltimore]], [[Maryland]]. Shoshanna's aunt and uncle, Meg and Curtis Marshall, raised Shanna from the age of 5 until her death of a [[cerebral aneurysm]] in Baltimore on April 24, 1982 at the age of 11. Shanna was attending the [[Bryn Mawr School]] in Baltimore at the time of her death. Silverstein dedicated his 1983 reprint of ''Who Wants a Cheap Rhinoceros'' to the Marshalls. Had Shanna lived, she would have been 28 at the time of Silverstein's death. ''A Light in the Attic'' was dedicated to Shanna, and Silverstein drew the sign with a flower attached. Shoshanna means ''lily'' or ''rose'' in [[Hebrew languages|Hebrew]].
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Silverstein’s talents extended to [[music]] as well. He studied briefly at the [[Chicago College of Performing Arts]] at [[Roosevelt University]] and later found success as both songwriter and [[composer]].
  
Silverstein's other child was his son Matthew, born on November 10, 1983. Silverstein's 1996 ''Falling Up'' was dedicated to Matt. Matthew's mother is alleged to be the "Sarah" mentioned in the other thanks for ''Falling Up''.  
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Most notably, he wrote the music and lyrics for "A Boy Named Sue," made a classic by [[Johnny Cash]]. The song won Silverstein a [[Grammy Award for Best Country Song|Grammy Award]] in 1970. Other popular songs by Silverstein included "One's on the Way," a hit for [[Loretta Lynn]], "25 Minutes to Go," a song also sung by Cash about a man on [[death row]], and "The Unicorn," which despite having nothing to do with [[Ireland]] nor Irish culture, became the signature piece for [[The Irish Rovers]] in 1968, and is popular in Irish [[pub]]s all over the world to this day.  
  
Shel Silverstein died sometime during the weekend of May 8, 1999, in [[Key West, Florida]], of a [[myocardial infarction|heart attack]]. His body was found by two housekeepers the following Monday, May 10. It was reported that he could have died on either day that weekend (Saturday or Sunday).
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He wrote the lyrics and music for most of the ''[[Dr. Hook & The Medicine Show]]'' songs, including "Sylvia's Mother." He also wrote many of the songs performed by [[country music]] star [[Bobby Bare]], including one song co-written with [[Baxter Taylor]] called "Marie Laveau," which scored the duo a [[BMI]] Award in 1975.  
  
==Interviews==
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Silverstein’s songs and compositions were featured in film as well. The song "The Ballad of Lucy Jordan," recorded in 1979, by [[Marianne Faithfull]] and later featured in the films ''Montenegro'' and ''Thelma & Louise,'' was also by Silverstein, as was "Queen of the Silver Dollar," which appeared on [[Emmylou Harris]]' 1975 album, ''Pieces of the Sky'' and was also covered by [[Dave & Sugar]]. He was nominated for an [[Academy Awards|Oscar]] for his music for the film ''Postcards from the Edge''. He also composed original music for several other films, and displayed a musical versatility in these projects, playing [[guitar]], [[piano]], [[saxophone]], and [[trombone]].
Silverstein had his own view of how his life started out:
 
  
<blockquote>
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Silverstein also had a popular following on [[Dr. Demento]]'s [[radio]] show. Among his best-known [[comedy]] songs were "Sarah Cynthia Sylvia Stout (Would Not Take The Garbage Out)," "The Smoke Off," and "On the Cover of Rolling Stone." He also wrote "The Father of a Boy Named Sue," in which he tells the story from the original song from the father's point of view, and the 1962 song "Boa Constrictor" that is sung by a man who is being progressively swallowed whole by a [[snake]], although it is now better known as a children's playground chant.
"When I was a kid&mdash;12, 14, around there&mdash;I would much rather have been a good baseball player or a hit with the girls. But I couldn't play ball, I couldn't dance. Luckily, the girls didn't want me; not much I could do about that. So, I started to draw and to write. I was also lucky that I didn't have anybody to copy, be impressed by. I had developed my own style, I was creating before I knew there was a [[James Thurber|Thurber]], a [[Robert Benchley|Benchley]], a [[George Price (New Yorker cartoonist)|Price]] and a [[Saul Steinberg|Steinberg]]. I never saw their work till I was around 30. By the time I got to where I was attracting girls, I was already into work, and it was more important to me. Not that I wouldn't rather make love, but the work has become a habit."
 
</blockquote>
 
  
—(Jean F. Mercier. "Shel Silverstein," ''[[Publishers Weekly]]'', February 24, 1975).
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Silverstein was a longtime friend of American singer and songwriter [[Pat Dailey]], with whom he collaborated on the ''Underwater Land'' album, posthumously released in 2002. It contains 17 children's songs written and produced by Silverstein and sung by Dailey. Silverstein contributed his artwork to the album and also appears along with Dailey on a few tracks.
  
Silverstein did not really care to conform to any sort of norm, but he did want to leave his mark for others to be inspired by:
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==Legacy==
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Shel Silverstein's legacy is the voluminous library of books and records that will forever reach out to people of all ages.
  
<blockquote>
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Upon his death in 1999, an obituary in ''Publishers Weekly'' quoted Robert Warren, Silverstein’s editor, who said that Silverstein "had a genius that transcended age and gender, and his work probably touched the lives of more people than any writer in the second half of the twentieth century."
"I would hope that people, no matter what age, would find something to identify with in my books, pick up one and experience a personal sense of discovery. That's great. But for them, not for me. I think that if you're creative person, you should just go about your business, do your work and not care about how it's received. I never read reviews because if you believe the good ones you have to believe the bad ones too. Not that I don't care about success. I do, but only because it lets me do what I want. I was always prepared for success but that means that I have to be prepared for failure too.  
 
  
I have an ego, I have ideas, I want to be articulate, to communicate but in my own way. People who say they create only for themselves and don't care if they are published...I hate to hear talk like that. If it's good, it's too good not to share. That's the way I feel about my work.
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In 2002, Silverstein was [[posthumous recognition|posthumous]]ly inducted into the [[Nashville Songwriters Hall of Fame]].
So I'll keep on communicating, but only my way. Lots of things I won't do. I won't go on television because who am I talking to? [[Johnny Carson]]? The camera? Twenty million people I can't see? Uh-uh. And I won't give any more interviews."
 
</blockquote>
 
—Shel Silverstein, from ''Publishers Weekly'', February 24, 1975
 
  
The few interviews he did give throughout his life gave insight to his thinking patterns. One example of these interviews:
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==Works==
<blockquote>
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===Selected bibliography===
Question: "Why do you have a beard?" Shel: "I don't have a beard. It's just the light; it plays funny tricks." Question: "How do you think your present image as world traveler, bawdy singer, etc. combines with your image as a writer of children's books?"  Shel: "I don't think about my image." Question: "Do you admit that your songs and drawings have a certain amount of vulgarity in them?" Shel: "No, but I hope they have a certain amount of realism in them."  Question: "Do you shave your head for effect or to be different, or to strike back at the long-haired styles of today? Shel: "I don't explain my head."
 
</blockquote>
 
—(1965) from the album ''I'm So Good That I Don't Have to Brag''.
 
 
 
==Books==
 
 
* ''Grab Your Socks!'' (1956)
 
* ''Grab Your Socks!'' (1956)
 
* ''Now Here's My Plan'' (1960)
 
* ''Now Here's My Plan'' (1960)
* ''[[Uncle Shelby's ABZ Book]]'' (1961)
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* ''[[Uncle Shelby's ABZ Book]]'' (1961). ISBN 067121148X.
* ''A Playboy's Teevee Jeebies oh la la'' (1961)
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* ''A Playboy's Teevee Jeebies oh la la'' (1961). ISBN 0743290240.
* ''[[Lafcadio: The Lion Who Shot Back|(Uncle Shelby's story of) Lafcadio: The Lion Who Shot Back]]'' (1963)
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* ''[[Lafcadio: The Lion Who Shot Back|(Uncle Shelby's story of) Lafcadio: The Lion Who Shot Back]]'' (1963). ISBN 0060256753.
* ''A Giraffe and a Half'' (1964)
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* ''A Giraffe and a Half'' (1964). ISBN 0060256559.
* ''[[The Giving Tree]]'' (1964)
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* ''[[The Giving Tree]]'' (1964). ISBN 0060586753.
* ''Who Wants a Cheap Rhinoceros?'' (1964)
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* ''Who Wants a Cheap Rhinoceros?'' (1964). ISBN 0027826902.
 
* ''Uncle Shelby's Zoo'' (1964)
 
* ''Uncle Shelby's Zoo'' (1964)
 
* ''More Playboy's Teevee Jeebies'' (1965)
 
* ''More Playboy's Teevee Jeebies'' (1965)
* ''[[Where the Sidewalk Ends (book)|Where the Sidewalk Ends]]'' (1974)
+
* ''[[Where the Sidewalk Ends (book)|Where the Sidewalk Ends]]'' (1974). ISBN 0060572345.
* ''The Missing Piece'' (1976)
+
* ''The Missing Piece'' (1976). ISBN 0060256710.
* ''Different Dances'' (1979)
+
* ''Different Dances'' (1979). ISBN 0060554304.
* ''[[A Light in the Attic]]'' (1981)
+
* ''[[A Light in the Attic]]'' (1981). ISBN 0066236177.
* ''The Missing Piece Meets the Big O'' (1984)
+
* ''The Missing Piece Meets the Big O'' (1984). ISBN 0060256710.
* ''[[Falling Up (book)|Falling Up]]'' (1996)
+
* ''[[Falling Up (book)|Falling Up]]'' (1996). ISBN 0060248025.
 
* ''Draw a Skinny Elephant'' (1998)
 
* ''Draw a Skinny Elephant'' (1998)
* ''[[Runny Babbit]]''  (2005) (published posthumously)
+
* ''[[Runny Babbit]]''  (2005) (published posthumously). ISBN 0060256532.
* ''[[Don't Bump the Glump|Don't Bump the Glump! and Other Fantasies]]'' (2008, originally published in 1964)
+
* ''[[Don't Bump the Glump|Don't Bump the Glump! and Other Fantasies]]'' (2008, originally published in 1964). ISBN 0061493384.
  
Silverstein believed that written works needed to be read on paper – the correct paper for the particular work. He usually would not allow his poems or stories to be published unless he could choose the type, size, shape and color of the paper himself. Being a [[book collector]], he took seriously the feel of the paper, the look of the book from the inside and out, the fonts for each poem, and the binding of his books. He did not allow his books to be published in [[paperback]] as he did not want his work to diminish in any way.
+
===Music anthology===
 
 
==Albums==
 
 
* ''Hairy Jazz'' ([[Elektra Records]]) (1959)
 
* ''Hairy Jazz'' ([[Elektra Records]]) (1959)
 
* ''Inside Folk Songs'' ([[Atlantic Records]]) (1962)
 
* ''Inside Folk Songs'' ([[Atlantic Records]]) (1962)
Line 116: Line 99:
 
* ''A Boy Named Sue And Other Country Songs'' ([[RCA Records]]) (1969)
 
* ''A Boy Named Sue And Other Country Songs'' ([[RCA Records]]) (1969)
 
* ''[[Freakin' At The Freakers Ball (album) | Freakin' At The Freakers Ball]]'' ([[Columbia Records]]) (1972)
 
* ''[[Freakin' At The Freakers Ball (album) | Freakin' At The Freakers Ball]]'' ([[Columbia Records]]) (1972)
* ''Crouchin' On The Outside'' ([[Janus Records]]), collection of ''I'm So Good...'' and ''Drain My Brain'' (1973)
+
* ''Crouchin' On The Outside'' ([[Janus Records]]), collection of ''I'm So Good…'' and ''Drain My Brain'' (1973)
 
* ''Songs & Stories'' ([[Parachute Records]]) (1978)
 
* ''Songs & Stories'' ([[Parachute Records]]) (1978)
 
* ''The Great Conch Train Robbery'' ([[Flying Fish Records]]) (1980)
 
* ''The Great Conch Train Robbery'' ([[Flying Fish Records]]) (1980)
Line 122: Line 105:
 
* ''[[A Light In The Attic]]'' (Columbia Records) (1985)
 
* ''[[A Light In The Attic]]'' (Columbia Records) (1985)
 
* ''Underwater Land'' (with Pat Dailey) (Olympia Records) (2002) (released posthumously)
 
* ''Underwater Land'' (with Pat Dailey) (Olympia Records) (2002) (released posthumously)
* ''The Best of Shel Silverstein: His Words His Songs His Friends'' ([[Columbia Records]]/[[Legacy Recordings]]) (2005) (released posthumously)
+
* ''The Best of Shel Silverstein: His Words, His Songs, His Friends'' ([[Columbia Records]]/[[Legacy Recordings]]) (2005) (released posthumously)
 
 
Shel Silverstein also recorded numerous unreleased songs. Some were found at A&R Recording Studio in [[New York]], but never officially released&mdash;though [[Bootleg recording|bootleg]] albums of these exist. These songs are generally more vulgar than his other material. Most are thought to have been recorded around 1969-1970, although they resemble the ''Songs & Stories'' musical and lyrical style of 1978.Shel also sung poems.
 
 
 
==Popular culture references==
 
{{Trivia|date=October 2007}}
 
*Canadian [[post-hardcore]] band [[Silverstein (band)|Silverstein]] takes their name from Shel Silverstein, and also recites ''[[Where the Sidewalk Ends (book)|Where the Sidewalk Ends]]'' in its entirety at the end of their song "Forever and a Day." The band's bassist, [[Billy Hamilton (singer)|Billy Hamilton]], has a tattoo with a picture from Silverstein's poem ''Hug O' War''.
 
  
*In [[Fox Broadcasting|Fox]]'s ''[[Family Guy]]'' episode "[[Barely Legal (Family Guy episode)|Barely Legal]]," [[Glen Quagmire|Quagmire]] helps [[Meg Griffin|Meg]] overcome her obsession with [[Brian Griffin|Brian]] by giving her a copy of Silverstein's ''The Missing Piece''.
+
==Notes==
 +
<references/>
  
*In the book, ''Diary of a Wimpy Kid'', it is said that Shel Silverstein "looks more like a criminal or pirate than a guy who writes poems for kids."
 
 
*A drawing from Shel Silverstein's poem "Hug O' War" can be found in the liner notes of Background by [[New Jersey]] [[hardcore punk]] band [[Lifetime (band)|Lifetime]].
 
 
*In an episode of ''[[Mystery Science Theater 3000]]'', there was a fight scene involving a bald, bearded man—and one of the MST3K robots quipped "Damn you, Shel Silverstein!" when the bald man got punched out.
 
 
==Legacy==
 
 
==References==
 
==References==
===Book===
+
*Flippo, Chet. "Shel Silverstein." In Kingsbury, Paul. 1998.'' The Encyclopedia of Country Music: The Ultimate Guide to the Music.'' New York: Oxford University Press. ISBN 0195116712.
* Lisa Rogak: A Boy Named Shel. The Life and Times of Shel Silverstein (2007). ISBN 0312353596
+
*MacDonald, Ruth K. 1997. ''Shel Silverstein.'' New York: Twayne Publishers. ISBN 0805716068.
* Flippo, Chet. (1998). "Shel Silverstein." In ''The Encyclopedia of Country Music''. Paul Kingsbury, Editor. New York: Oxford University Press. p. 484.
+
*Pond, Steve. "The Magical World of Shel Silverstein." ''Playboy (US Edition),'' 1/2006.  
* Steve Pond: The Magical World of Shel Silverstein. PLAYBOY (US Edition) 1/2006. pp74-78 & pp 151-153.
+
*Rogak, Lisa. 2007. ''A Boy Named Shel: The Life & Times of Shel Silverstein.'' New York: Thomas Dunne Books. ISBN 0312353596.
 +
*Silverstein, Shel. 2007. ''Playboy's Silverstein Around the World.'' New York: Simon & Schuster. ISBN 0743290240.
  
===Audio===
+
==External links==
*[http://wfmu.org/playlists/shows/15974 WFMU: Unreleased demo: Shel Silverstein: "Terrible Thing"]
+
All links retrieved January 27, 2023.
  
===German-language sites===
+
*{{imdb name|id=0799060|name=Shel Silverstein}} ''Imbd.com.''
* Andreas Weigel: [http://oe1.orf.at/highlights/58733.html Die überdrehte Welt des Shel Silverstein]. Leben, Lieder und Texte. [[ORF (broadcaster)|ORF]], "Spielräume spezial" (2006).
+
*[http://www.famouspoetsandpoems.com/poets/shel_silverstein Shel Silverstein] ''Famouspoetsandpoems.com.''
* Pop-Alphabet: [http://www.le-musterkoffer.de/alpha/drhook01.html Dr. Hook & The Medicine Show & Shel Silverstein].
+
*[http://shelsilverstein.tripod.com/aardvark.html The Aardvark Interview] ''Shelsilverstein.tripod.com.''
* Bernd Glodek: [http://groups.yahoo.com/group/shelsilverstein/message/757 Shel Silverstein]. Was macht dieser Mann eigentlich nicht? (1977).
+
*[http://www.curtainup.com/adulteveningofshelsilverstein.html An Adult Evening of Shel Silverstein: A CurtainUp Review]'' Curtainup.com.''
* [http://www.wienerzeitung.at/Desktopdefault.aspx?TabID=3946&Alias=wzo&lexikon=Auto&letter=A&cob=199939 Zum 75. Geburtstag des Kinderbuchautors und Songwriters Shel Silverstein]. "Wiener Zeitung, Extra" (2005).
+
*[http://www.npr.org/templates/story/story.php?storyId=4787324 Shel Silverstein's 'Runny Babbit' Tales] ''Npr.org.''
 +
*[http://www.secondstartotheright.com/books/column/c799.htm Fare Thee Well, Shel] ''Secondstartotheright.com.''
  
==External links==
 
*[http://www.shelsilverstein.com/indexSite.html Shel Silverstein's site]
 
*{{imdb name|id=0799060|name=Shel Silverstein}}
 
*[http://www.famouspoetsandpoems.com/ Shel Silverstein and other famous poets, their poems, photos, biography.]
 
*[http://www.legacyrecordings.com/Shel-Silverstein.aspx Shel Silverstein's Music (Legacy Recordings)]
 
*[http://www.kruegerbooks.com/books/sig/silverstein-shel.html Signature of Shel Silverstein]
 
  
{{DEFAULTSORT:Silverstein, Shel}}
 
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[[Category:Musicians]]
 
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{{Credit|208184860}}
 
{{Credit|208184860}}

Latest revision as of 19:56, 21 April 2023

Sheldon Alan "Shel" Silverstein (September 25, 1930 – May 10, 1999) was an American poet, songwriter, musician, composer, cartoonist, screenwriter, and author of children's books.

His books for children are perennially on booksellers shelves. He won a Grammy Award in 1984, for Best Children’s Album for Where the Sidewalk Ends. His book, A Light in the Attic, in 1981, and Falling Up, in 1996, both dominated bestseller lists for months, with A Light in the Attic breaking all previous records for its 182-week stay on the New York Times list. His poetry books are widely used in schools as a child’s first introduction to poetry.[1] In a list that first appeared in the December 17, 2002, issue of Publishers Weekly, Shel Silverstein had three children's books in the top 50 all-time bestselling children's books. With totals from just these three books, he had sales of over 16 million books.[2]

While Silverstein wrote over 400 children's poems, he also created nearly 800 songs for the adult market that included several songs for several films and TV specials. His song, "A Boy named Sue" won the Grammy Award for Best Country Song in 1969. The songs he wrote for Doctor Hook and the Medicine Show made the band famous and the tunes he crafted for Bobby Bare provided the country singer a fresh commercial run, and Johnny Cash's late 1960s comeback was fueled by his now classic rendition of "A Boy Named Sue."[3]

Silverstein was a creative genius who was difficult to categorize. While he was a family friendly author of children's books he was also an irreverent and sometimes raunchy writer for adults. His talent ranged across such a wide spectrum of fields and perspectives that he garnered fans from a broad range of humanity.

Life

Sheldon Allan Silverstein was born in Chicago, Illinois, in 1930, and grew up with athletic aspirations before pursuing more artistic endeavors. In his 1975 interview with Jean F. Mercier for Publishers Weekly, he described his childhood:

When I was a kid—12, 14, around there—I would much rather have been a good baseball player or a hit with the girls. But I couldn't play ball, I couldn't dance. Luckily, the girls didn't want me; not much I could do about that. So, I started to draw and to write. I was also lucky that I didn't have anybody to copy, be impressed by. I had developed my own style, I was creating before I knew there was a Thurber, a Benchley, a Price, and a Steinberg. I never saw their work till I was around 30. By the time I got to where I was attracting girls, I was already into work, and it was more important to me.[4]

Silverstein had two children. His first child, with Susan Hastings, was daughter Shoshanna (Shanna), born June 30, 1970. Hastings died five years later, on June 29, 1975, in Baltimore, Maryland. Shoshanna was raised by her aunt and uncle, Meg and Curtis Marshall, from age five until her death of a cerebral aneurysm in Baltimore on April 24, 1982, at the age of 11. Shanna was attending the Bryn Mawr School in Baltimore at the time of her death. Silverstein dedicated his 1983 reprint of Who Wants a Cheap Rhinoceros to the Marshalls. Silverstein’s A Light in the Attic was dedicated to Shanna, and he drew the sign with a flower attached; Shoshanna means "lily" or "rose" in Hebrew. Silverstein’s second child, Matthew, was born on November 10, 1983. Matthew's mother is alleged to be the "Sarah" mentioned in the acknowledgments in Falling Up, which was dedicated to Matthew.

Silverstein was fond of spending time in Greenwich Village, Key West, Martha’s Vineyard, and Sausalito. He died in Key West in May 1999, of a heart attack. His body was found by two housekeepers on Monday, May 10. It was reported that he had most likely died on either May 8 or May 9.

Work

In the 1950s Silverstein served in the Korean War. During this period, he contributed his cartoon artwork to Pacific Stars and Stripes, a U. S. military publication. The experience allowed him to transition into a new role as staff cartoonist for Playboy magazine in 1956. In the late 1950s and 1960s, Playboy sent him around the world to draw a travel journal. His 23 dispatches hailed from such far-flung locales as Japan, Moscow, London, Paris, and Africa, and various United States locales. Most of the cartoons' gags played against cultural stereotypes.

As the staff cartoonist for Playboy, Silverstein took the opportunity to publish several poems in the magazine, such as "The Winner," "Rosalie's Good Eats Cafe," and "The Smoke-off." It was not until 1963, when he met Ursula Nordstrom through his illustrator colleague Tomi Ungerer that he was encouraged to seriously pursue writing for children.

The result was the publication of Uncle Shelby’s Story of Lafcadio, the Lion Who Shot Back. After his clever and silly ideas met acclaim, Silverstein decided that he enjoyed this type of writing. The following year brought the release of his classic children’s book, The Giving Tree. The tale, about a tree’s fondness for a boy, was initially rejected by publishers because it seemed too childish for adults and yet too grown-up for children. The book would eventually bring Silverstein vast recognition and become one of his most popular creations. Thirty years after it first came out, it was listed in the top 15 books on a list of children's best sellers over a six-week period in March and April of 1994, in the category of picture books and storybooks.[5]

Another notable work, Where the Sidewalk Ends (1974), was a collection of often humorous poems for children. His whimsical style compelled readers and critics to draw connections between him and Dr. Seuss. Also popular was a 1981 collection of poems that followed, titled A Light In The Attic.

In 1976, The Missing Piece was published. It chronicles the adventures of a circle with a wedge of itself missing, who goes along singing and searching for that missing part. But after the circle finds the right wedge, he decides he was happier on the search—without the missing piece—than he is with it. A sequel, called The Missing Piece Meets the Big O, was published in 1981, and was written from the perspective of the missing piece, who discovered the value of self-sufficiency.

Falling Up: Poems and Drawings marked Silverstein’s return to poetry for children in 1996, after a fifteen year hiatus from the genre. It was met with widespread critical praise.

In 2005, Silverstein's last book, Runny Babbit: A Billy Sook, was published posthumously. As the title suggests, every poem and illustration in the book consists of spoonerisms. In an interview with National Public Radio, Mitch Myers, Shel Silverstein's nephew, who wrote the liner notes for a Best of Shel Silverstein CD and helped compile the new collection of poems, said, "I think he wasn't sure about how it would be received. It is and was very different. And it's not easy, even for adults to read. I think, actually, younger children have a better time at it because they're not so preconceived in their notions of how words work. And the playfulness of it really comes across."[6]

Writing awards

  • 1974 New York Times Outstanding Book Award for Where The Sidewalk Ends
  • 1981 Michigan Young Readers' Award for Where The Sidewalk Ends
  • 1981 School Library Journal Best Books award for A Light In The Attic
  • 1982 International Reading Association's Children's Choice award for The Missing Piece Meets The Big O
  • 1983 Buckeye award for A Light In The Attic
  • 1984 George G. Stone award for A Light In The Attic and Where The Sidewalk Ends
  • 1984 William Allen White award for A Light In The Attic
  • 1985 Buckeye award for A Light In The Attic[7]

Stage and film

The Rising Sun Performance Company's production of "The Lifeboat is Sinking" An Adult Evening of Shel Silverstein

Though his fame was heavily tied to his children’s works, Silverstein also wrote for the stage and film. In 1981, Silverstein devoted more time to writing plays. One of his most well-known was a one-act play called The Lady or the Tiger Show, a satire that featured contestants having to choose between two doors—one which opened to a beautiful woman, and another which opened to a tiger. It was about a television producer who will do anything to get his ratings up. He also co-wrote the screenplay for the 1988 film, Things Change, with David Mamet. The 1989 production of another Silverstein play, The Devil and Billy Markham, debuted with David Mamet’s Bobby Gould in Hill at the Lincoln Center in New York City. Together, the plays were billed under the title Oh, Hell! Two One-Act Plays.

After Silverstein’s death, a celebration of his collective work was presented as An Adult Evening of Shel Silverstein. The production was a collection of short sketches, directed by Karen Kohlhaas, and produced by the Atlantic Theater Company in New York City in September 2001. David Mamet, Silverstein’s once-collaborator, was a co-founder of the company. In December of the same year, Shel's Shorts was produced in repertory as two separate evenings under the titles Signs of Trouble and Shel Shocked by the Market Theater in Cambridge, Massachusetts. Signs of Trouble was directed by Wesley Savick, and Shel Shocked was directed by Larry Coen.

Songwriting

Silverstein’s talents extended to music as well. He studied briefly at the Chicago College of Performing Arts at Roosevelt University and later found success as both songwriter and composer.

Most notably, he wrote the music and lyrics for "A Boy Named Sue," made a classic by Johnny Cash. The song won Silverstein a Grammy Award in 1970. Other popular songs by Silverstein included "One's on the Way," a hit for Loretta Lynn, "25 Minutes to Go," a song also sung by Cash about a man on death row, and "The Unicorn," which despite having nothing to do with Ireland nor Irish culture, became the signature piece for The Irish Rovers in 1968, and is popular in Irish pubs all over the world to this day.

He wrote the lyrics and music for most of the Dr. Hook & The Medicine Show songs, including "Sylvia's Mother." He also wrote many of the songs performed by country music star Bobby Bare, including one song co-written with Baxter Taylor called "Marie Laveau," which scored the duo a BMI Award in 1975.

Silverstein’s songs and compositions were featured in film as well. The song "The Ballad of Lucy Jordan," recorded in 1979, by Marianne Faithfull and later featured in the films Montenegro and Thelma & Louise, was also by Silverstein, as was "Queen of the Silver Dollar," which appeared on Emmylou Harris' 1975 album, Pieces of the Sky and was also covered by Dave & Sugar. He was nominated for an Oscar for his music for the film Postcards from the Edge. He also composed original music for several other films, and displayed a musical versatility in these projects, playing guitar, piano, saxophone, and trombone.

Silverstein also had a popular following on Dr. Demento's radio show. Among his best-known comedy songs were "Sarah Cynthia Sylvia Stout (Would Not Take The Garbage Out)," "The Smoke Off," and "On the Cover of Rolling Stone." He also wrote "The Father of a Boy Named Sue," in which he tells the story from the original song from the father's point of view, and the 1962 song "Boa Constrictor" that is sung by a man who is being progressively swallowed whole by a snake, although it is now better known as a children's playground chant.

Silverstein was a longtime friend of American singer and songwriter Pat Dailey, with whom he collaborated on the Underwater Land album, posthumously released in 2002. It contains 17 children's songs written and produced by Silverstein and sung by Dailey. Silverstein contributed his artwork to the album and also appears along with Dailey on a few tracks.

Legacy

Shel Silverstein's legacy is the voluminous library of books and records that will forever reach out to people of all ages.

Upon his death in 1999, an obituary in Publishers Weekly quoted Robert Warren, Silverstein’s editor, who said that Silverstein "had a genius that transcended age and gender, and his work probably touched the lives of more people than any writer in the second half of the twentieth century."

In 2002, Silverstein was posthumously inducted into the Nashville Songwriters Hall of Fame.

Works

Selected bibliography

Music anthology

  • Hairy Jazz (Elektra Records) (1959)
  • Inside Folk Songs (Atlantic Records) (1962)
  • I'm So Good That I Don't Have To Brag (Cadet Records) (1965)
  • Drain My Brain (Cadet Records) (1967)
  • A Boy Named Sue And Other Country Songs (RCA Records) (1969)
  • Freakin' At The Freakers Ball (Columbia Records) (1972)
  • Crouchin' On The Outside (Janus Records), collection of I'm So Good… and Drain My Brain (1973)
  • Songs & Stories (Parachute Records) (1978)
  • The Great Conch Train Robbery (Flying Fish Records) (1980)
  • Where the Sidewalk Ends (book) (Columbia Records) (1984)
  • A Light In The Attic (Columbia Records) (1985)
  • Underwater Land (with Pat Dailey) (Olympia Records) (2002) (released posthumously)
  • The Best of Shel Silverstein: His Words, His Songs, His Friends (Columbia Records/Legacy Recordings) (2005) (released posthumously)

Notes

  1. Famous Poets and Poems, Famous Poets and Poems. Retrieved July 21, 2008.
  2. home.comcast.net, 50 All-Time Bestselling children's Books.
  3. Muiscian Guide, Musician's Guide Biography. Retrieved July 21, 2008.
  4. Jean F. Mercier, "Shel Silverstein," Publishers Weekly, February 24, 1975.
  5. Sarah Lyall, The Media Business; Publishing. Retrieved July 20, 2008.
  6. Melissa Black, Shel Silverstein's "Runny Babbit" Tales, NPR. August 5, 2005. Retrieved July 23, 2008.
  7. Geocities.com, Shel Silverstein Biography. Retrieved July 20, 2008.

References
ISBN links support NWE through referral fees

  • Flippo, Chet. "Shel Silverstein." In Kingsbury, Paul. 1998. The Encyclopedia of Country Music: The Ultimate Guide to the Music. New York: Oxford University Press. ISBN 0195116712.
  • MacDonald, Ruth K. 1997. Shel Silverstein. New York: Twayne Publishers. ISBN 0805716068.
  • Pond, Steve. "The Magical World of Shel Silverstein." Playboy (US Edition), 1/2006.
  • Rogak, Lisa. 2007. A Boy Named Shel: The Life & Times of Shel Silverstein. New York: Thomas Dunne Books. ISBN 0312353596.
  • Silverstein, Shel. 2007. Playboy's Silverstein Around the World. New York: Simon & Schuster. ISBN 0743290240.

External links

All links retrieved January 27, 2023.


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