Difference between revisions of "National Museum of Korea" - New World Encyclopedia

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image=[[Image:National Museum of Korea.jpg|400px]]<br/>''The exterior of the National Museum of Korea (West wing).'' |
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image=[[Image:National Museum of Korea.jpg|300px]]<br/>''The exterior of the National Museum of Korea (West wing).'' |
  
 
hangul=국립중앙박물관 | hanja=國立中央博物館 | rr=Gungnip Jung-ang Bangmulgwan | mr=Kungnip Chung'ang Pangmulgwan}}
 
hangul=국립중앙박물관 | hanja=國立中央博物館 | rr=Gungnip Jung-ang Bangmulgwan | mr=Kungnip Chung'ang Pangmulgwan}}
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The '''National Museum of Korea''' is the repository for the national and cultural treasures of [[Korea]], both [[North Korea|North]] and [[South Korea|South]]. Although the museum envisions itself has a museum for all Korea, the lack of access to explore and recover artifacts in North Korea has severely limited the collection to the South since the [[Korean War]]. Still, artifacts gleened when [[Seoul]] ruled as the capital city for all Korea during the [[Joseon Dynasty]] grace the collection. The displays of [[National treasures of South Korea|National treasures]] within the museum provide a profound look into the soul of Korea through documents and artifacts revealing the [[Korean Art|art]], [[Korean Religions|religion]], [[Korean History|history]], and science of Koreans over history.
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{{toc}}
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==Introduction==
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The National Museum of Korea, the flagship museum of [[Korean history]] and [[Korean art|art]] in [[South Korea]], represents [[Korea]] culturally. Established in 1945, the museum opened in a new building in [[Yongsan Family Park]] in [[Seoul]], October 2005. The museum's collection holds over 150,000 pieces with 11,000 on display at one time. The largest museum in [[Asia]], and the sixth-largest museum in the world in terms of floor space, The National Museum covers 307,227 square feet.
  
The '''National Museum of Korea''', the flagship museum of Korean history and art in South Korea, represents [[Korea]] culturally. Established in 1945,  the museum opened in a new building in Yongsan Family Park in [[Seoul]], October 2005. The museum's collection holds  over 150,000 pieces with 11,000 on display at one time. The largest museum in Asia, and the sixth-largest museum in the world in terms of floor space, The National Museum covers 307,227 square feet.  
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Measures to protect the treasures inside the museum include engineering the building to withstand a magnitude 6.0 [[Richter Scale]] [[earthquake]]. The display cases for artifacts have been equipped with seismic-protective platforms to absorb shocks and trembles. An imported natural lighting system utilizes sunlight instead of artificial lights and an air purification system has been designed to protect the art and artifacts of the museum. The museum has been made with fire-resistant materials.
  
Measures to protect the treasures inside the museum include engineering the building to withstand a magnitude 6.0 [[Richter Scale]] earthquake. The display cases for artifacts have been equipped with seismic-protective platforms to absorb shocks and trembles. A imported natural lighting system utilizes sunlight instead of artificial lights and an air purification system has been designed to protect the art and artifacts of the museum.  The museum has been made with fire resistant materials.
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To design the new building, the Korean government held an international competition open to architects around the world to submit a proposal for the new building. Architects from 59 countries submitted 854 entries. Chang-Il Kim of Junglim Architects & Engineers Ltd. submitted the winning design, inspired by the idea of a traditional Korean fortress. Oblong in shape, the building looks like a Korean fortress, extending 404 meters in length, and six-stories in height; indigenous plants and gardens surround the building.
  
To design the new building, the Korean government held an international competition open to architects around the world to submit a proposal for the new building.  Architects from fifty nine countries submitted 854 entries . Chang-Il Kim of Junglim Architects & Engineers Ltd. submitted the winning design, inspired by the idea of a traditional Korean fortress. Oblong in shape, the building looks like a Korean fortress. 404 meters in length, and six-stories in height, indigenous plants and gardens surround the building.
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== History ==
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[[Image:Japanese General Government Building 1995.jpg|thumb|left|200px|Site of the National Museum of Korea, 1995]]
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Emperor [[Sunjong of Korea|Sunjong]] established Korea's first museum, the Imperial Household Museum, in 1908 in the waning days of the [[Joseon Dynasty]]. The collection of the Imperial Household Museum at [[Changgyeonggung]] and the later Japanese Government General Museum, during the [[Korea under Japanese rule|Japanese rule of Korea]], became the nucleus of the National Museum's collection established when [[South Korea]] gained independence in 1945.  
  
== History ==
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During the [[Korean War]], the government safely moved the 20,000 of the museum's pieces to [[Busan]] to avoid destruction. When the artifacts came back to Seoul after the war, curators housed them in [[Gyeongbokgung]] and [[Deoksugung]] Palace. In 1972, the museum moved again to a new building on the grounds of the Gyeongbokgung palace. The museum moved again in 1986 to the [[Jungangcheong]], the former [[Japanese General Government Building, Seoul|Japanese General Government Building]], which housed the museum until demolition in 1995.
Emperor [[Sunjong of Korea|Sunjong]] established Korea's first museum, the Imperial Household Museum, in 1908 C.E. in the waning days of the [[Joseon Dynasty]].  The collection of the Imperial Household Museum at [[Changgyeonggung]] and the later Japanese Government General Museum, during the [[Korea under Japanese rule|Japanese rule of Korea]], became the nucleus of the National Museum's collection established when South Korea gained independence in 1945 C.E.  During the [[Korean War]], the government safely moved the 20,000 of the museum's pieces to [[Busan]] to avoid destruction. When the artifacts came back to Seoul after the war, curators housed them in [[Gyeongbokgung]] and [[Deoksugung]] Palace. In 1972, the museum moved again to a new building on the grounds of the [[Gyeonbokgung]] palace. In 1986, the museum moved again in 1986 to the [[Jungangcheong]], the former [[Japanese General Government Building, Seoul|Japanese General Government Building]], which housed the museum until demolition in 1995.
 
  
 
== Layout of the Museum ==
 
== Layout of the Museum ==
The museum has three floors. Symbolically, the left of the museum represents the past while the right side of the museum represents the future.
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[[Image:Hall-of-National-Museum-of-Korea.jpg|thumb|right|250px|Hall of the National Museum of Korea]]
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The museum has three levels. Symbolically, the left side of the museum represents the past while the right side of the museum represents the future. The first floor contains the Archaeological Gallery containing approximately 4,500 artifacts from the [[Paleolithic]] to the [[Balhae]] era. Ten exhibition rooms comprise the gallery: the Paleolithic Room, [[Jeulmun Pottery Period|Neolithic]] Room, [[Mumun Pottery Period|Bronze Age]] and Early Iron Age Room, [[Proto Three Kingdoms]] Room, [[Goguryeo]] Room, [[Baekje]] Room, [[Gaya]] Room, [[Silla]] Room, [[Unified Silla]] Room, and Balhae Room. The Neolithic and Bronze Age Rooms present artifacts and information from important prehistoric sites and settlements including the [[Bangudae Petroglyphs]] and [[Songgung-ni]].
  
The first floor contains the Archaeological Gallery containing approximately 4,500 artifacts from the [[Paleolithic]] to the [[Balhae]] era. Ten exhibition rooms comprise the gallery: the Paleolithic Room, [[Jeulmun Pottery Period|Neolithic]] Room, [[Mumun Pottery Period|Bronze Age]] & Early Iron Age Room, [[Proto Three Kingdoms]] Room, [[Goguryeo]] Room, [[Baekje]] Room, [[Gaya]] Room, [[Silla]] Room, [[Unified Silla]] Room, and [[Balhae]] Room. The Neolithic and Bronze Age Rooms present information about and artifacts from important prehistoric sites and settlements such the [[Bangudae Petroglyphs]] and [[Songgung-ni]].
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The [[History of Korea|Historical Gallery]], containing recorded and historical documents such as [[Hangul]] inscriptions, maps, and other valuable documents resides on the first floor. The Historical Gallery has nine rooms: the Hangeul Room, Prints Room, Inscriptions Room, Documents Room, Map Room, King and His Reign Room, Socio-economic Life Room, [[Korean philosophy|Traditional Thoughts]] Room, and [[Foreign Relations of South Korea|Foreign Relations]] Room. The second floor contains the Fine Arts Gallery I and the Donation Gallery hosting the Painting Room, Calligraphy Room, [[Korean Buddhism|Buddhist Paintings]] Room, and Wooden Craft Room. The Fine Arts Gallery I contains 890 pieces of art in four rooms that explore the traditional and religious arts of Korea in line and color.  
  
The Historical Gallery, containing recorded and historical documents such as [[Hangul]] inscriptions, maps, and other valuable documents resides on the first floor. The Historical Gallery has nine rooms: the Hangeul Room, Prints Room, Inscriptions Room, Documents Room, Map Room, King and His Reign Room, Socio-economic Life Room, Traditional Thoughts Room, and Foreign Relations Room.  
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The Donation Gallery holds 1000 pieces of art from a wide variety of cultures donated from many private collections. The Donation Gallery hosts the following rooms: the Lee Hong-kun Collection Room, Other Collections Room, Kim Chong-hak Collection Room, Yu Kang-yul Collection Room, Park Young-sook Collection Room, Choi Young-do Collection Room, Park Byong-rae Collection Room, Yoo Chang-jong Collection Room, Kaneko Kazushige Collection Room, Hachiuma Tadasu Collection Room, and Luchi Isao Collection Room.  
  
The second floor contains the Fine Arts Gallery I and the Donation Gallery hosting the Painting Room, Calligraphy Room, Buddhist Paintings Room, and Wooden Craft Room.  The Fine Arts Gallery I contains 890 pieces of art in four rooms that explore the traditional and religious arts of Korea in line and color.  
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The third floor houses the Fine Arts Gallery II, containing 630 pieces that represent [[Korean Buddhist sculpture]] and craftwork. Highlights of the gallery include [[Goryeo]] [[Celadon]] wares and [[National treasures of South Korea|National Treasure of Korea]] No. 83, the world-renowned [[Bangasayusang]] (or meditating Maiterya). The gallery has five rooms: Metal Arts Room, Celadon Room, Buncheong Ware Room, White Porcelain Room, and Buddhist Sculpture Room.  
  
The Donation Gallery holds 1000 pieces of art from a wide variety of cultures donated from the private collections of collectors. The Donation Gallery hosts the following rooms: the Lee Hong-kun Collection Room, Other Collections Room, Kim Chong-hak Collection Room, Yu Kang-yul Collection Room, Park Young-sook Collection Room, Choi Young-do Collection Room, Park Byong-rae Collection Room, Yoo Chang-jong Collection Room, Kaneko Kazushige Collection Room, Hachiuma Tadasu Collection Room, and Luchi Isao Collection Room.
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Finally, also on the third floor, the [[Asia]]n Arts Gallery contains 970 pieces exploring the similarities and divergences of Asian Art as well as the confluence of Asian and Western art via the [[Silk Road]]. Six rooms make up the gallery: Indonesian Art Room, Central Asian Art Room, Chinese Art Room, Relics from Sinan Seabed Room, Nangnang Remains Room, and Japanese Art Room. The grounds of the museum contain parks, gardens of indigenous plants, waterfalls and pools, a collection of pagodas and other outdoor Korean art.
  
The third floor houses the Fine Arts Gallery II, containing 630 pieces that represent Korean Buddhist sculpture and craftwork.  Highlights of the gallery include [[Goryeo]] [[Celadon]] wares and [[National treasures of South Korea|National Treasure of Korea]] No. 83, the world-renowned [[Bangasayusang]] (or meditating Maiterya).  The gallery has five rooms: Metal Arts Room, Celadon Room, Buncheong Ware Room, White Porcelain Room, and Buddhist Sculpture Room.
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==National Treasures in the National Museum of Korea==
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{{main|Bukhansan Monument|Geumdong Mireuk Bosal Bangasang|Geumdong Mireuk Bosal Bangasang|Bangasayusang|Gyeongcheonsa Pagoda|Seokgatap|Crown of Baekje|Crown of Silla}}
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[[Image:Goryeo Pagoda.jpg|thumb|right|250px|The pagoda sits on the first floor of the National Museum of Korea]]
  
Finally, also on the third floor, the Asian Arts Gallery contains 970 pieces exploring the similarities and divergences of Asian Art as well as the confluence of Asian and Western art via the [[Silk Road]]. Six rooms make up the gallery: Indonesian Art Room, Central Asian Art Room, Chinese Art Room, Relics from Sinan Seabed Room, Nangnang Remains Room, and Japanese Art Room.
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The measure of the importance of the National Museum of Korea is the vast number and quality of [[National treasures of South Korea|National treasures]] housed in the collection. The following list of National Treasures among the 100 highlighted exhibits in the museum.
  
The grounds of the museum contain parks, gardens of indigenous plants, waterfalls and pools, a collection of pagodas and other outdoor Korean art.
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'''[[National treasures of South Korea|National Treasure No. 3]]: The Stele Built to Honor the Expedition of Silla's King Jinheung:'''
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[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=2&PAGE_NUM=1]
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:King Jinheung (540-576) erected a stele on Mt. [[Bukhansan]] around the year 555 to mark expanded [[Silla]] territory.
  
==National Treasures==
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'''[[National treasures of South Korea|National Treasure No. 60]]: Incense Burner Celadon with Lion-shaped Cover:''' <!--[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]—> [http://www.museum.go.kr/kor/images/exh/relics/100/hig100_064_1.jpg]
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:The lion-shaped cover indicated a [[Buddhist]] altar ritual object. Goryeo, twelfth century. H 21.1cm
  
===Incense Burner Celadon with Lion-shaped Cover: National Treasure No. 60 ===
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'''[[National treasures of South Korea|National Treasure No. 78: Pensive Bodhisattva]]''' <!--[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]—> [http://www.museum.go.kr/kor/images/exh/relics/100/hig100_036_1.jpg]
:Goryeo, 12th century
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:This Buddhist statue wears a tall crown with sun and moon decoration, originating from [[Sassanian Persia]]. Three Kingdoms period, Late sixth century Gilt bronze, H 83.2cm
H 21.1cm
 
National Treasure No. 60
 
:Even though incense burners are mainly made of metal, but when the celadon technique became advanced, some celadon incense burner were produced. At first celadon incense burners were imitated after bronze ones, but later various decorations and designs became to be added thanks to flexibility of soil. Most of incense burners with lids were decorated with animals. They were a lion, a mandarin duck, and a duck in a real life and also imaginary animals such as a kylin and an ichthyosaur.  
 
Since this incense burner has a lion-shaped cover, it is believed to have been produced as one for a Buddhist altar. A lion as a protector of Buddhism used to appear in stone pagodas, stone lanterns, and other Buddhist ceremonial instruments.
 
Especially, this incense burner has been given much attention because it is the only source for the lion-shaped incense burner mentioned in Xu Jing 『Xuanhe Fengshi Gaoli Tujing』. According to Xu Jing, "this lion-shaped incense burner has an animal crouching above with lotus support it. Among so many wonderful things, this is most magnificent."
 
  
===Pensive Bodhisattva: National Treasure No. 78===
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'''[[National treasures of South Korea|National Treasure No. 79: Amitābha Buddha]]''' <!--[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]—> [http://www.museum.go.kr/kor/images/exh/relics/100/hig100_039_1.jpg]
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:From the [[Pagoda]] at the Monastic site of [[Hwangboksa]] (Buddha).
  
:This is another masterpiece of the pensive type. This Buddhist statue wears a tall crown with sun and moon decoration. This type of a crown was originated from Sassanian Persia.  
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'''[[National treasures of South Korea|National Treasure No. 80: Buddha]]''' <!--[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]—> [http://www.museum.go.kr/kor/images/exh/relics/100/hig100_039_1.jpg]
In the sense that it has enigmatic smile, natural pose, harmonious body parts, rhythmical expression of clothing and a waistband, this pensive Bodhisattva exhibits a quite unique sculpture style different from the National Treasure No. 83 pensive Bodhisattva.
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:From the Pagoda at the Monastic site of [[Hwangboksa]] (Buddha). Made of pure gold, treasures 79 and 80 attracted much attention. Crafted in 692 and 706 respectively.  
Three Kingdoms period, Late 6th century
 
Gilt bronze
 
H 83.2cm
 
  
===Amitābha Buddha: National Treasure No. 79 from the Pagoda at the Monastic Site of Hwangboksa (Buddha)===
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'''[[National treasures of South Korea|National Treasure No. 83: Pensive Bodhisattva]]'''. <!--[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]—> [http://www.museum.go.kr/kor/images/exh/relics/100/hig100_037_1.jpg]
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:Buddha's posture indicates contemplating on human being's life. [[Three Kingdoms Period|Three Kingdoms period]], Early senenth century H 93.5cm
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[[Image:Bangasayusang.jpg|thumb|right|200px|Bangasayusang, National Treasure No.83 is one of the most popular works at the museum]]
  
:From National Museum: These images were found in a reliquary installed inside the Three-story Pagoda at the Monastic Site of Hwangboksa in Guhwang-dong, Gyeongju in 1942. They have attracted much attention because they are made of almost pure gold. An inscription on the reliquary tells that a golden standing Buddha was placed in the pagoda when the pagoda was erected in the first year(692) of King Hyoso and a golden seated Amitābha Buddha was placed in it in 706.  
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'''[[National treasures of South Korea|National Treasure No. 86: Gyeongcheonsa Pagoda]]''' <![http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]—> [http://www.museum.go.kr/kor/images/exh/relics/100/hig100_049_1.jpg]
Even though a standing Buddha was created in the early Unified Silla, it still shows some resonances of Buddha statues from Three Kingdoms period. The fact that this statue is only 1㎜ thick, exhibits excellent casting technique at that time.  
 
This seated Amitābha Buddha is more realistic than the standing one. In 10 years a new sculpting technique was evolved. end.
 
  
===Buddha: National Treasure No. 80 from the Pagoda at the Monastic Site of Hwangboksa (Buddha)===
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'''[[National treasures of South Korea|National Treasure No. 89]]: Gold Buckle'''. [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=5&PAGE_NUM=1]
:These images were found in a reliquary installed inside the Three-story Pagoda at the Monastic Site of Hwangboksa in Guhwang-dong, Gyeongju in 1942. They have attracted much attention because they are made of almost pure gold. An inscription on the reliquary tells that a golden standing Buddha was placed in the pagoda when the pagoda was erected in the first year(692) of King Hyoso and a golden seated Amitābha Buddha was placed in it in 706.
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:From the first century <small>C.E.</small>, crafted from pure gold. A huge [[dragon]] decorates the center, around which six small dragons crowd. W 9.4cm
Even though a standing Buddha was created in the early Unified Silla, it still shows some resonances of Buddha statues from Three Kingdoms period. The fact that this statue is only 1㎜ thick, exhibits excellent casting technique at that time.
 
This seated Amitābha Buddha is more realistic than the standing one. In 10 years a new sculpting technique was evolved.  
 
  
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'''[[National treasures of South Korea|National Treasure No. 90: Gold Earrings]]'''. [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
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:From the [[Silla]] period, elaborate and magnificnet example of Silla craftsmanship. Silla, sixth century <small>C.E.</small>, L 8.7cm
  
===Pensive Bodhisattva: National Treasure No. 83===
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'''[[National treasures of South Korea|National Treasure No. 91]]: Horse Rider-shaped Vessels''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
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:[[Silla]], sixth century <small>C.E.</small>, H 26.8cm.
  
:This statue is described to put one leg over the other lap while lost in thought with fingers onto the cheeks. Statues in such a pose were derived from Buddha's posture of contemplating on human being's life. This statue is depicted to put a flat crown called 'Three Mountain Crown' or 'Lotus Crown.' Its torso is naked, but wearing a simple necklace. This statue has remarkable similarities with the wooden pensive bodhisattva at the Koryuji temple that is believed to have been founded by a Silla monk in Kyoto, Japan. In that sense, this statue can be presumed to have been created in Silla. However, since it has a well-balanced shape and exhibits elegant and refined craftsmanship, it is also considered as one from Baekje period.  
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'''[[National treasures of South Korea|National Treasure No. 92]]: Ritual Ewer(Kundika)''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
Three Kingdoms period, Early 7th century  
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:Goryeo, twelfth century, H 37.5cm. A ritual ewer similar to those used by [[Brahmans]] and [[Buddhist]] monks in ancient Inda.
H 93.5cm
 
National Treasure No. 83
 
  
===Gyeongcheonsa Pagoda National Treasure No. 86===
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'''[[National treasures of South Korea|National Treasure No. 94]]: Lobed Bottle Celadon (reportedly from King Injong's Tomb)''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
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:[[Goryeo]], twelfth century, H 22.7cm. Discovered in [[King Injong]] tomb.
  
[[Image:Goryeo Pagoda.jpg|thumb|left|250px|The pagoda sits on the first floor of the National Museum of Korea]]
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'''[[National treasures of South Korea|National Treasure No. 95]]: Incense Burner Celadon with Openwork Design''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
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:[[Goryeo]], twelfth century, H 15.3cm. This incense burner has gained international admiration.
  
:Gyeongcheonsa Pagoda (경천사십층석탑) is National Treasure of Korea No. 86. It was designated by the South Korean government on December 20, 1962. An inscription on the first story of the pagoda states that it was erected in the fourth year of King Chungmok in 1348. The pagoda was first placed at the now-lost Gyeongcheonsa Temple which sat at the foot of Mt. Buso in Gwangdeok-myeon, Gaepung-gun, Gyeonggi-do Province. During the Japanese occupation of Korea, the pagoda was taken to Japan. In 1960, the pagoda was returned and placed on the grounds of Gyeongbokgung Palace. Today, the pagoda stands in one of the main halls of the National Museum of Korea. The pagoda stands 13 meters in height and is ten stories tall. However, because of the three-tiered foundation, it is a common mistake to believe that the pagoda has thirteen stories. Unlike most Goryeo-era pagodas, this pagoda is made from marble. The preferred material of Korean sculptors was generally granite. The later Joseon-era Wongaksa Pagoda is stylistically very similar and is believed to have been heavily influenced by the Gyeongcheonsa Pagoda. The pagoda has a three-tiered foundation which projects in four directions like a cross. The first three stories of the pagoda share the same shape as the foundation. Each panel of this tiered foundation is carved with Buddhas, Bodhisattvas, flowers, and arabesque patterns. The remaining stories are square in shape and share intricate detailing which tries to create the illusion that the marble pagoda is made from wood. Each remaining story has railings, a hip-and-gabled roof, eaves, and carvings made to suggest that each roof is tiled. The pagoda is valuable because it preserves the Goryeo-era wooden architectural style that has been mostly lost. According to the South Korean Cultural Heritage Administration, the pagoda is one of the finest examples of Korean stone work and is of high artistic value.
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'''[[National treasures of South Korea|National Treasure No. 97]]: Maebyeong, Vase Celadon with Incised Lotus Scroll Design''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
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:[[Goryeo]], twelfth century, H 43.9cm. This vase exemplies the beauty of [[Goryeo celadon]].
  
=== Ritual Ewer(Kundika): National Treasure No. 92 ===
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'''[[National treasures of South Korea|National Treasure No. 98]]: Jar Celadon with Inlaid Peony Design''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
:Goryeo, 12th century  
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:[[Goryeo]], 12th century, H 19.8cm. This celadon displays rare, inlaid surfaces.  
H 37.5cm
 
  
:A ritual ewer derived from a water bottle used by Brahmans and later by Buddhist monks in ancient India. A number of examples in celadon or bronze originating from the Goryeo period have survived to the present day. The hue of rusted bronze creates a sense of tranquil harmony with the scene of a rainy shore. The intricate details of the inlaid silver and the elegant form of this ewer show sophisticated, Korean traditional metal work from that time.  
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'''[[National treasures of South Korea|National Treasure No. 113]]: Bottle Celadon with Willow Design in Underglaze Iron-brown''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
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:[[Goryeo]], twelfth century, H 31.4cm. The design and composition give thise celadon a contemporary feel.
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[[Image:Xcoldricex11.jpg|thumb|right|250|Duck-shaped pottery at the National Museum of Korea.]]
  
===Lobed Bottle Celadon reportedly from King Injong's Tomb: National Treasure No. 94 ===
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'''[[National treasures of South Korea|National Treasures No. 116]]: Gourd-Shaped Pitcher Celadon with Inlaid Peony Scroll Design''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
:Goryeo, 12th century
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:[[Goryeo]], twelfth century, H 34.7cm. Inverse inlaying technique highlights this celadon.  
H 22.7cm
 
National Treasure No. 94
 
:This Celadon was reportedly handed down from King Injong's tomb of Goryeo period(1122-1146). It is a very crucial source of study on celadon of 12th century Goryeo period since it represents the best quality of color and shape in Goryeo celadon. Derived from a liquor bottle of a Chinese bronze ware, it was also produced in ceramic in the Northern Song Dynasty and was transmitted to Korea. While a Chinese bottle has a huge mouth and a voluptuous body, this bottle has a perfect balance in shape and shows beauty of glaze.  
 
  
===Incense Burner Celadon with Openwork Design: National Treasure No. 95 ===
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'''[[National treasures of South Korea|National Treasure No. 119]]: Buddha with Inscription of the Seventh Year of Yeonga''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
:Goryeo, 12th century
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:[[Goguryeo]], 539, H 16.2cm. The skirt like a fin and slender face convey a [[Chinese]] influence.  
H 15.3cm
 
National Treasure No. 95
 
:This Incense burner not only represents the best quality of Goryeo celadon but also is loved internationally. It comprises with a cover where incense goes out, a burner, and a support.  
 
In the center of the cover there is a hole that allows incense go out. Above it, there is a curved knob with seven treasure design incised, so that incense can be spread wide.  
 
Composed of various shapes according to function and with various techniques such as incising, relief, inlaying and so on, this incense burner is a perfect beautiful work of art.  
 
  
=== Maebyeong, Vase Celadon with Incised Lotus Scroll Design: National Treasure No. 97  ===
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'''[[National treasures of South Korea|National Treasure No. 125]]: Funeral Urns''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
:Goryeo, 12th century
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:[[Unified Silla]], eighth century, H 16.4cm. With the advent of [[Korean Buddhism|Buddhism]] in [[Silla]], cremation became widespread. This funeral urn is from the Silla period.
H 43.9cm
 
National Treasure No. 97
 
:The way that its line flows from its curved shoulder through its waist to its base represents well characteristic beauty of curves of Goryeo celadon. On the front of the body soft lotus veins are sumptuously incised. The design of veins that circle lotus is in harmony with the shape of Maebyeong.  
 
The surface is decorated in intaglio that is a process of engraving designs into the surface with a burin. The early design was only simple plant, but influenced by Chinese celadon, it took more various subjects, such as veins, lotus, animals, nature, imaginary animals and so on.  
 
  
===Jar Celadon with Inlaid Peony Design: ===
+
'''[[National treasures of South Korea|National Treasure No. 126]]: Spotless Pure Light Dharani Sutra''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=2&PAGE_NUM=1]
:Goryeo, 12th century
+
:[[Unified Silla]], eighth century. The oldest wood printing block print in the world, found in the [[Seokgatap]] Pagoda at [[Bulguksa]].  
H 19.8cm
 
National Treasure No. 98
 
:Since designs of inlaid celadon are mostly thin lines, it is quite rare that such broad surfaces have been inlaid very delicately like this celadon. Its shape is quite influenced by its contemporary bronze wares. Its elegant shape and its detailed peony design are in harmony.  
 
  
===Bottle Celadon with Willow Design in Underglaze Iron-brown: National Treasure No. 113 ===
+
'''[[National treasures of South Korea|National Treasure No. 131]]: Register of King Taejo''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=2&PAGE_NUM=1]
:Goryeo, 12th century
+
:[[Goryeo]], 1390. The oldest paper document in the collection owned by the National Museum of Korea. The document has proven valuable in understanding the house registry during the Joseon Dynasty.  
H 31.4cm
 
National Treasure No. 113
 
:This bottle has a very modern feeling thanks to its bold decorative design and composition. Compared with designs of other underglazed iron-brown celadon, its design is quite simple, but the way willow is described is elegant. The willow depicted on the other side has its root and stump expressed so boldly that they show the artist's magnificent skill. The shape of this bottle is quite unique among other celadon.
 
From the fact that a poem about liquor is incised in a similar shaped bottle in The Museum of Oriental Ceramics, Osaka, it must have been a liquor bottle.  
 
  
===Gourd-Shaped Pitcher Celadon with Inlaid Peony Scroll Design: National Treasures No. 116 ===
+
'''[[National treasures of South Korea|National Treasure No. 143]]: Bronze Ritual Bells''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
:Goryeo, 12th century
+
:Bronze Age, This artifact has the patterns of ritual tools used by a shaman; a mirror, a dagger, and bells.  
H 34.7cm
+
[[Image:Incense Burner of Baekje in National Museum of Korea.jpg|thumb|right|250px|A replica of the [[Gilt-bronze Incense Burner of Baekje]] is on display at the museum]]
National Treasures No. 116
 
:Peony scroll design is depicted in inverse inlaying technique. The inverse inlaying technique means to inlay the outside of the design. It is believed that this technique has been used to avoid crowdedness of the surface in the case of decorating the whole surface of celadon with patterns
 
  
 +
'''[[National treasures of South Korea|National Treasure No. 155]]: Gold Diadem Ornaments''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
 +
:Baekje. Ornaments excavated from [[King Muryeong]]'s tomb in [[Gongju]]. A queen wore this pair of gold diadem ornaments. 
  
 +
'''[[National treasures of South Korea|National Treasure No. 166]]: Jar White Porcelain with Plum and Bamboo Design in Underglaze Iron-brown''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
 +
:[[Joseon]], sixteenth century.
  
===Buddha with Inscription of the Seventh Year of Yeonga: National Treasure No. 119 ===
+
'''[[National treasures of South Korea|National Treasure No. 170]]: Jar White Porcelain with Plum, Bamboo and Bird Design in Underglaze Cobalt-blue''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
 +
:Joseon, fifteenth-sixteenth century,
  
:This Buddha statue is the oldest among ones that have the year of production inscribed.  
+
'''[[National treasures of South Korea|National Treasure No.175]]: Bowl White Porcelain with Inlaid Lotus Scroll Design :Joseon, 15th century''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
It is one of thousand Buddhist statues distributed by Dongsa in Pyeongyang in 539 in Goguryeo period. Since it was excavated in Uiryeong, Gyeongsangnam-do, it became a concrete source that proved that the excavation site and the production site could be different.  
+
:One of the most beautiful inlaid white porcelains from [[Joseon Dynasty|Joseon]] period.  
Its skirt like a fin and slender face exhibit the influence of Chinese Buddhist statues. Its vague smile, a massive sacerdotal robe, and a halo mark characteristic of Buddhist statue from Goguryeo period.  
 
:Goguryeo, 539
 
H 16.2cm
 
National Treasure No. 119
 
  
 +
'''[[National treasures of South Korea|National Treasure No. 191]]: Gold Crown'''[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
 +
:[[Silla]], fifth century. Discovered in [[Gyeongju]], North tomb.
  
===Buddhist Bell From Cheonheung-sa Temple: National Treasure No. 280 ===
+
'''[[National treasures of South Korea|National Treasure No. 193]]: Glassware''' [[http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]]
 +
:[[Silla]], fifth century. excavated form king's tomb glassware indicates high class.
  
:Buddhist bell of Cheonheungsa is the most beautiful bell in Goryeo period. It is a good example of Buddhist bells from Goryeo period in that it not only follows the style of Unified Silla but also gives several changes. This bell comes with an inscription that tells when and where it was made. The elegantly curved form, the hook in the shape of a powerful dragon and images of flying angels and lotus flowers all make this bell a unique work of art.
+
'''[[National treasures of South Korea|National Treasure No. 195]]: Jar with Figurines''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=1&PAGE_NUM=1]
:Goryeo, 1010
+
:[[Silla]], fifth century. Made of clay, shaped in the images of people, animals, daily life tools express the folk belief and emotion of the time.
H 174.2cm
 
National Treasure No. 280
 
 
 
 
  
<!--{{more sources|date=December 2006}}—>
+
'''[[National treasures of South Korea|National Treasure No. 246]]: Maharatnakuta Sutra''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=2&PAGE_NUM=1]
 +
:Goryeo, eleventh century. Daebojeokgyeong or '''Maharatnakuta Sutra''' contains an important  collection of passages from Mahayana Buddhism.
  
== External links ==
+
'''[[National treasures of South Korea|National Treasure No. 259]]: Jar Buncheong Ware with Inlaid Dragon and Stamped Design''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
 +
:[[Joseon dynasty|Joseon]], fifteenth century. A masterpiece of beauty of Buncheong ware.
  
* [http://www.cha.go.kr/english/search_plaza/ECulresult_Db_View.jsp?VdkVgwKey=11,00860000,11 Cultural Heritage: Gyeoncheonsa Pagoda]
+
'''[[National treasures of South Korea|National Treasure No. 260]]: Turtle-shaped Bottle Buncheong Ware with Sgraffito Peony Design and Underglaze Iron-brown Decoration''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
 +
:Joseon, fifteenth century. a turtle-shaped bottle use for water and liquor in Joseon period.
  
[[Category:Korean art]]
+
'''[[National treasures of South Korea|National Treasure No. 272]]: Treatise on the 17 Stages of the Yoga Practice''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=6&PAGE_NUM=1]
[[Category:National Treasures of South Korea]]
+
:[[Goryeo]], eleventh century. When [[Kitan]] invaded [[Gaegyeong]] in 1011, Goryeo [[King Hyeonjong]] ordered [[Chojo Tripitaka]] to be made. These are pages from that printing.
[[Category:Pagodas]]
 
  
 +
'''[[National treasures of South Korea|National Treasure No. 280]]: Buddhist Bell From Cheonheung-sa Temple''' [http://www.museum.go.kr/eng/collection/sub_01_list.jsp?BUILD_CD=4&PAGE_NUM=1]
 +
:[[Goryeo]], 1010. Buddhist bell of Cheonheungsa is the most beautiful bell in Goryeo period.
 +
 +
===Other [[National treasures of South Korea|National Treasures]]===
 +
Other National Treasures in the National Musuem collection follow:
  
 +
:61. Celadon wine pot in the shape of a dragon.
 +
:81. Standing stone [[maitreya]] statue of [[Gamsansa]] temple.
 +
:82. Standing stone [[amitabha]] statue of [[Gamsansa]] temple.
 +
:93. White porcelain jar with grape design in underglaze iron.
 +
:96. Celadon pitcher in the shape of a tortoise.
 +
:99. [[Galhangsa]] Temple three-Story stone pagoda.
 +
:100. [[Namgyewon Monastery]] seven-Story stone pagoda.
 +
:101. Memorial Stupa for the Most Reverend [[Jigwang]] of [[Beopcheonsa]] temple. 
 +
:102. Memorial Stupa for the Most Reverend [[Hongbeop]] of [[Jeongtosa]] temple. 
 +
:104. Stupa for [[Priest Yeomgeo]] from [[Heungbeopsa]] temple.
 +
:105. Three storied stone pagoda in Beomhak-ri, Sancheong.
 +
:110. Portrait of [[Yi Jehyeon]].
 +
:114. Celadon bottle in the shape of a muskmelon with inlaid peony and chrysanthemum designs.
 +
:115. Celadon bowl with inlaid arabesque design.
 +
:124. Seated marble [[bodhisattva]] statue of Hansongsa temple.
 +
:127. Standing gilt-bronze [[avalokitesvara bodhisattva]] statue of Samyang-dong.
 +
:167. Celadon wine pot in the shape of a human figure.
 +
:168. White porcelain bottle with plum and chrysanthemum designs in underglaze iron.
 +
:185. [[Saddharmapundarika sutra]], "The White Lotus of the Real Truth"
 +
:186. Standing gilt-bronze bodhisattva statue from Yangpyeong.
 +
:207. Saddle flap with 'heavenly horse' painting, from the Heavenly Horse Tomb, Kyongju.
 +
:239. Portrait of [[Song Siyeol]].
 +
:245. Index of [[Tripitaka Koreana|Tripitaka]] volume 20.
 +
:253. Celadon bowl inlaid peony design with relief lotus and arabesque designs.
 +
:271. Commentary on Yogacaryabhumi sutra volume 12.
 +
:273. [[Yogacaryabhumi sutra]] volume 15.
 +
:293. Standing Gilt-bronze [[Avalokitesvara Bodhisttva]] statue.
 +
:295. A crown of Baekje, Gilt-bronze crown from tumulus in Sinchon-ri, Naju.
  
=== Past Exhibit: Treasures from Pyongyang Exhibit ===
+
<!--{{more sources|date=December 2006}}—>
Ninety significant cultural artifacts displayed at the National Museum of Korea loaned by the Korean Central History Museum in [[Pyongyang]] until August 16, 2006, then moved to the Taegu National Museum from August 28 to October 26, 2006.[http://www.museum.go.kr/eng/display/special_view.jsp]  North and South curators designed the exhibit to engender other cultural property exchanges between the two Koreas. Noteworthy among the collection: a bird bone flute from 2000 B.C.E., the oldest extant musical instrument from Korea.  [http://www.korea-is-one.org/article.php3?id_article=2415]. A bronze statue of [[Taejo of Goryeo|Wang Geon]], the first king of the Goryeo Dynasty tops the list for important items exhibted. Standing 138.3 centimeter in height, archeologist excavated the statue in 1992 at his mausoleum in [[Kaesong]]. believed originally dressed in royal clothes, the statue's clothing has disappeared. North Korea loaned famous paintings from the Joseon Dynasty for the exhibit.
+
<!--=== Past Exhibit: Treasures from Pyongyang Exhibit ===
 +
Ninety significant cultural artifacts displayed at the National Museum of Korea loaned by the Korean Central History Museum in [[Pyongyang]] until August 16, 2006, then moved to the Taegu National Museum from August 28 to October 26, 2006.[http://www.museum.go.kr/eng/display/special_view.jsp]  North and South curators designed the exhibit to engender other cultural property exchanges between the two Koreas. Noteworthy among the collection: a bird bone flute from 2000 B.C.E., the oldest extant musical instrument from Korea.  [http://www.korea-is-one.org/article.php3?id_article=2415]. A bronze statue of [[Taejo of Goryeo|Wang Geon]], the first king of the Goryeo Dynasty tops the list for important items exhibted. Standing 138.3 centimeter in height, archeologist excavated the statue in 1992 at his mausoleum in [[Kaesong]]. Believed originally dressed in royal clothes, the statue's clothing has disappeared. North Korea loaned famous paintings from the Joseon Dynasty for the exhibit.—>
  
 
== Gallery ==
 
== Gallery ==
 
<gallery>
 
<gallery>
Image:Bangasayusang.jpg|[[Bangasayusang|National Treasure No.83]] is one of the most popular works at the museum and is the most highly insured.
 
Image:Hall-of-National-Museum-of-Korea.jpg|The main lobby of the National Museum of Korea.
 
 
Image:Joseon Pottery.jpg|[[Joseon Dynasty]] vase.
 
Image:Joseon Pottery.jpg|[[Joseon Dynasty]] vase.
Image:Incense Burner of Baekje in National Museum of Korea.jpg|A replica of the [[Gilt-bronze Incense Burner of Baekje]] is on display at the museum
 
 
Image:Pressapochista12.jpg|Pottery from the Korean Neolithic at the National Museum of Korea.
 
Image:Pressapochista12.jpg|Pottery from the Korean Neolithic at the National Museum of Korea.
Image:Xcoldricex11.jpg|Duck-shaped pottery at the National Museum of Korea.
 
 
Image:PotteryondisplayNationalmuseumofKorea.jpg|A display of pottery at the National Museum of Korea
 
Image:PotteryondisplayNationalmuseumofKorea.jpg|A display of pottery at the National Museum of Korea
 
Image:BuddhistStatueNationalMuseumofKorea.jpg|Buddha on Display at the National Museum
 
Image:BuddhistStatueNationalMuseumofKorea.jpg|Buddha on Display at the National Museum
Line 171: Line 189:
 
Image:FarmingtoolsdisplayNationalMuseumofKorea.jpg|Farming Tools Display
 
Image:FarmingtoolsdisplayNationalMuseumofKorea.jpg|Farming Tools Display
 
</gallery>
 
</gallery>
 
 
  
 
== See also ==
 
== See also ==
 
 
*[[List of Korea-related topics]]
 
*[[List of Korea-related topics]]
 
*[[List of museums]]
 
*[[List of museums]]
Line 183: Line 198:
  
 
==References==
 
==References==
 +
*Kungnip Pangmulgwan (Korea). 1979. 5,000 years of Korean art: an exhibition = [Hanʼguk misul ochʻŏnnyŏn]. [San Francisco]: Asian Art Museum of San Francisco. OCLC: 5088619
 +
*National Museum of Korea. 2005. The spirit of history , the power of culture: National Museum of Korea. Seoul: National Museum of Korea. OCLC: 150404124
 +
*Yi, Park, and Suzanne Crowder Han. 2005. National Museum of Korea. Seoul: National Museum of Korea. OCLC: 71719875
  
http://news.sawf.org/Travel/3572.aspx<br/>
+
[[Category:Korea]]
http://www.korea-is-one.org/article.php3?id_article=2415
+
[[Category:Geography]]
 
+
[[Category:History]]
== External links ==
+
{{credits|110932231}}
 
 
*[http://www.museum.go.kr/eng National Museum of Korea]. Retrieved July 2, 2007.
 
*[http://www.lifeinkorea.com/travel2/travel.cfm Life in Korea, Korea Travel Guide]. Retrieved July 2, 2007.
 
*[http://www.uia-architectes.org/texte/england/2an1.html UIA, The National Museum of Korea in Seoul]. Retrieved July 2, 2007.
 
*[http://www.heritage.go.kr/eng/mus/nat_01.jsp Korean National Heritage Online, National Museum of Korea]. Retrieved July 2, 2007.
 
*[http://www.yonhapnews.co.kr/Engnews/20051028/480100000020051028103852E2.html Yonhap News] (keep hitting reload until the article shows).
 
*[http://times.hankooki.com/lpage/culture/200606/kt2006061317594411690.htm Korea Times] (Images of some of the items from North Korea).
 
*[http://www.archaeologynews.org/Link.asp?ID=47691&Title=NATIONAL+Museum+Poised+to+Open+in+New+Home Archaeology News, National Museum Poised to Open in New Home]. Retrieved July 2, 2007.
 
 
 
[[Category:History museums]]
 
[[Category:Museums in South Korea]]
 
[[Category:National museums|Seoul]]
 
[[Category:Visitor attractions in Seoul]]
 
 
 
{{credits|National_Museum_of_Korea|110932231|Gyeongcheonsa_Pagoda|142506000}}
 

Latest revision as of 17:49, 22 December 2014

National Museum of Korea
National Museum of Korea.jpg
The exterior of the National Museum of Korea (West wing).
Korean name
Hangul 국립중앙박물관
Hanja 國立中央博物館
Revised Romanization Gungnip Jung-ang Bangmulgwan
McCune-Reischauer Kungnip Chung'ang Pangmulgwan


The National Museum of Korea is the repository for the national and cultural treasures of Korea, both North and South. Although the museum envisions itself has a museum for all Korea, the lack of access to explore and recover artifacts in North Korea has severely limited the collection to the South since the Korean War. Still, artifacts gleened when Seoul ruled as the capital city for all Korea during the Joseon Dynasty grace the collection. The displays of National treasures within the museum provide a profound look into the soul of Korea through documents and artifacts revealing the art, religion, history, and science of Koreans over history.

Introduction

The National Museum of Korea, the flagship museum of Korean history and art in South Korea, represents Korea culturally. Established in 1945, the museum opened in a new building in Yongsan Family Park in Seoul, October 2005. The museum's collection holds over 150,000 pieces with 11,000 on display at one time. The largest museum in Asia, and the sixth-largest museum in the world in terms of floor space, The National Museum covers 307,227 square feet.

Measures to protect the treasures inside the museum include engineering the building to withstand a magnitude 6.0 Richter Scale earthquake. The display cases for artifacts have been equipped with seismic-protective platforms to absorb shocks and trembles. An imported natural lighting system utilizes sunlight instead of artificial lights and an air purification system has been designed to protect the art and artifacts of the museum. The museum has been made with fire-resistant materials.

To design the new building, the Korean government held an international competition open to architects around the world to submit a proposal for the new building. Architects from 59 countries submitted 854 entries. Chang-Il Kim of Junglim Architects & Engineers Ltd. submitted the winning design, inspired by the idea of a traditional Korean fortress. Oblong in shape, the building looks like a Korean fortress, extending 404 meters in length, and six-stories in height; indigenous plants and gardens surround the building.

History

Site of the National Museum of Korea, 1995

Emperor Sunjong established Korea's first museum, the Imperial Household Museum, in 1908 in the waning days of the Joseon Dynasty. The collection of the Imperial Household Museum at Changgyeonggung and the later Japanese Government General Museum, during the Japanese rule of Korea, became the nucleus of the National Museum's collection established when South Korea gained independence in 1945.

During the Korean War, the government safely moved the 20,000 of the museum's pieces to Busan to avoid destruction. When the artifacts came back to Seoul after the war, curators housed them in Gyeongbokgung and Deoksugung Palace. In 1972, the museum moved again to a new building on the grounds of the Gyeongbokgung palace. The museum moved again in 1986 to the Jungangcheong, the former Japanese General Government Building, which housed the museum until demolition in 1995.

Layout of the Museum

Hall of the National Museum of Korea

The museum has three levels. Symbolically, the left side of the museum represents the past while the right side of the museum represents the future. The first floor contains the Archaeological Gallery containing approximately 4,500 artifacts from the Paleolithic to the Balhae era. Ten exhibition rooms comprise the gallery: the Paleolithic Room, Neolithic Room, Bronze Age and Early Iron Age Room, Proto Three Kingdoms Room, Goguryeo Room, Baekje Room, Gaya Room, Silla Room, Unified Silla Room, and Balhae Room. The Neolithic and Bronze Age Rooms present artifacts and information from important prehistoric sites and settlements including the Bangudae Petroglyphs and Songgung-ni.

The Historical Gallery, containing recorded and historical documents such as Hangul inscriptions, maps, and other valuable documents resides on the first floor. The Historical Gallery has nine rooms: the Hangeul Room, Prints Room, Inscriptions Room, Documents Room, Map Room, King and His Reign Room, Socio-economic Life Room, Traditional Thoughts Room, and Foreign Relations Room. The second floor contains the Fine Arts Gallery I and the Donation Gallery hosting the Painting Room, Calligraphy Room, Buddhist Paintings Room, and Wooden Craft Room. The Fine Arts Gallery I contains 890 pieces of art in four rooms that explore the traditional and religious arts of Korea in line and color.

The Donation Gallery holds 1000 pieces of art from a wide variety of cultures donated from many private collections. The Donation Gallery hosts the following rooms: the Lee Hong-kun Collection Room, Other Collections Room, Kim Chong-hak Collection Room, Yu Kang-yul Collection Room, Park Young-sook Collection Room, Choi Young-do Collection Room, Park Byong-rae Collection Room, Yoo Chang-jong Collection Room, Kaneko Kazushige Collection Room, Hachiuma Tadasu Collection Room, and Luchi Isao Collection Room.

The third floor houses the Fine Arts Gallery II, containing 630 pieces that represent Korean Buddhist sculpture and craftwork. Highlights of the gallery include Goryeo Celadon wares and National Treasure of Korea No. 83, the world-renowned Bangasayusang (or meditating Maiterya). The gallery has five rooms: Metal Arts Room, Celadon Room, Buncheong Ware Room, White Porcelain Room, and Buddhist Sculpture Room.

Finally, also on the third floor, the Asian Arts Gallery contains 970 pieces exploring the similarities and divergences of Asian Art as well as the confluence of Asian and Western art via the Silk Road. Six rooms make up the gallery: Indonesian Art Room, Central Asian Art Room, Chinese Art Room, Relics from Sinan Seabed Room, Nangnang Remains Room, and Japanese Art Room. The grounds of the museum contain parks, gardens of indigenous plants, waterfalls and pools, a collection of pagodas and other outdoor Korean art.

National Treasures in the National Museum of Korea

The pagoda sits on the first floor of the National Museum of Korea

The measure of the importance of the National Museum of Korea is the vast number and quality of National treasures housed in the collection. The following list of National Treasures among the 100 highlighted exhibits in the museum.

National Treasure No. 3: The Stele Built to Honor the Expedition of Silla's King Jinheung: [1]

King Jinheung (540-576) erected a stele on Mt. Bukhansan around the year 555 to mark expanded Silla territory.

National Treasure No. 60: Incense Burner Celadon with Lion-shaped Cover: [2]

The lion-shaped cover indicated a Buddhist altar ritual object. Goryeo, twelfth century. H 21.1cm

National Treasure No. 78: Pensive Bodhisattva [3]

This Buddhist statue wears a tall crown with sun and moon decoration, originating from Sassanian Persia. Three Kingdoms period, Late sixth century Gilt bronze, H 83.2cm

National Treasure No. 79: Amitābha Buddha [4]

From the Pagoda at the Monastic site of Hwangboksa (Buddha).

National Treasure No. 80: Buddha [5]

From the Pagoda at the Monastic site of Hwangboksa (Buddha). Made of pure gold, treasures 79 and 80 attracted much attention. Crafted in 692 and 706 respectively.

National Treasure No. 83: Pensive Bodhisattva. [6]

Buddha's posture indicates contemplating on human being's life. Three Kingdoms period, Early senenth century H 93.5cm
Bangasayusang, National Treasure No.83 is one of the most popular works at the museum

National Treasure No. 86: Gyeongcheonsa Pagoda [7]

National Treasure No. 89: Gold Buckle. [8]

From the first century C.E., crafted from pure gold. A huge dragon decorates the center, around which six small dragons crowd. W 9.4cm

National Treasure No. 90: Gold Earrings. [9]

From the Silla period, elaborate and magnificnet example of Silla craftsmanship. Silla, sixth century C.E., L 8.7cm

National Treasure No. 91: Horse Rider-shaped Vessels [10]

Silla, sixth century C.E., H 26.8cm.

National Treasure No. 92: Ritual Ewer(Kundika) [11]

Goryeo, twelfth century, H 37.5cm. A ritual ewer similar to those used by Brahmans and Buddhist monks in ancient Inda.

National Treasure No. 94: Lobed Bottle Celadon (reportedly from King Injong's Tomb) [12]

Goryeo, twelfth century, H 22.7cm. Discovered in King Injong tomb.

National Treasure No. 95: Incense Burner Celadon with Openwork Design [13]

Goryeo, twelfth century, H 15.3cm. This incense burner has gained international admiration.

National Treasure No. 97: Maebyeong, Vase Celadon with Incised Lotus Scroll Design [14]

Goryeo, twelfth century, H 43.9cm. This vase exemplies the beauty of Goryeo celadon.

National Treasure No. 98: Jar Celadon with Inlaid Peony Design [15]

Goryeo, 12th century, H 19.8cm. This celadon displays rare, inlaid surfaces.

National Treasure No. 113: Bottle Celadon with Willow Design in Underglaze Iron-brown [16]

Goryeo, twelfth century, H 31.4cm. The design and composition give thise celadon a contemporary feel.
Duck-shaped pottery at the National Museum of Korea.

National Treasures No. 116: Gourd-Shaped Pitcher Celadon with Inlaid Peony Scroll Design [17]

Goryeo, twelfth century, H 34.7cm. Inverse inlaying technique highlights this celadon.

National Treasure No. 119: Buddha with Inscription of the Seventh Year of Yeonga [18]

Goguryeo, 539, H 16.2cm. The skirt like a fin and slender face convey a Chinese influence.

National Treasure No. 125: Funeral Urns [19]

Unified Silla, eighth century, H 16.4cm. With the advent of Buddhism in Silla, cremation became widespread. This funeral urn is from the Silla period.

National Treasure No. 126: Spotless Pure Light Dharani Sutra [20]

Unified Silla, eighth century. The oldest wood printing block print in the world, found in the Seokgatap Pagoda at Bulguksa.

National Treasure No. 131: Register of King Taejo [21]

Goryeo, 1390. The oldest paper document in the collection owned by the National Museum of Korea. The document has proven valuable in understanding the house registry during the Joseon Dynasty.

National Treasure No. 143: Bronze Ritual Bells [22]

Bronze Age, This artifact has the patterns of ritual tools used by a shaman; a mirror, a dagger, and bells.
A replica of the Gilt-bronze Incense Burner of Baekje is on display at the museum

National Treasure No. 155: Gold Diadem Ornaments [23]

Baekje. Ornaments excavated from King Muryeong's tomb in Gongju. A queen wore this pair of gold diadem ornaments.

National Treasure No. 166: Jar White Porcelain with Plum and Bamboo Design in Underglaze Iron-brown [24]

Joseon, sixteenth century.

National Treasure No. 170: Jar White Porcelain with Plum, Bamboo and Bird Design in Underglaze Cobalt-blue [25]

Joseon, fifteenth-sixteenth century,

National Treasure No.175: Bowl White Porcelain with Inlaid Lotus Scroll Design :Joseon, 15th century [26]

One of the most beautiful inlaid white porcelains from Joseon period.

National Treasure No. 191: Gold Crown[27]

Silla, fifth century. Discovered in Gyeongju, North tomb.

National Treasure No. 193: Glassware [[28]]

Silla, fifth century. excavated form king's tomb glassware indicates high class.

National Treasure No. 195: Jar with Figurines [29]

Silla, fifth century. Made of clay, shaped in the images of people, animals, daily life tools express the folk belief and emotion of the time.

National Treasure No. 246: Maharatnakuta Sutra [30]

Goryeo, eleventh century. Daebojeokgyeong or Maharatnakuta Sutra contains an important collection of passages from Mahayana Buddhism.

National Treasure No. 259: Jar Buncheong Ware with Inlaid Dragon and Stamped Design [31]

Joseon, fifteenth century. A masterpiece of beauty of Buncheong ware.

National Treasure No. 260: Turtle-shaped Bottle Buncheong Ware with Sgraffito Peony Design and Underglaze Iron-brown Decoration [32]

Joseon, fifteenth century. a turtle-shaped bottle use for water and liquor in Joseon period.

National Treasure No. 272: Treatise on the 17 Stages of the Yoga Practice [33]

Goryeo, eleventh century. When Kitan invaded Gaegyeong in 1011, Goryeo King Hyeonjong ordered Chojo Tripitaka to be made. These are pages from that printing.

National Treasure No. 280: Buddhist Bell From Cheonheung-sa Temple [34]

Goryeo, 1010. Buddhist bell of Cheonheungsa is the most beautiful bell in Goryeo period.

Other National Treasures

Other National Treasures in the National Musuem collection follow:

61. Celadon wine pot in the shape of a dragon.
81. Standing stone maitreya statue of Gamsansa temple.
82. Standing stone amitabha statue of Gamsansa temple.
93. White porcelain jar with grape design in underglaze iron.
96. Celadon pitcher in the shape of a tortoise.
99. Galhangsa Temple three-Story stone pagoda.
100. Namgyewon Monastery seven-Story stone pagoda.
101. Memorial Stupa for the Most Reverend Jigwang of Beopcheonsa temple.
102. Memorial Stupa for the Most Reverend Hongbeop of Jeongtosa temple.
104. Stupa for Priest Yeomgeo from Heungbeopsa temple.
105. Three storied stone pagoda in Beomhak-ri, Sancheong.
110. Portrait of Yi Jehyeon.
114. Celadon bottle in the shape of a muskmelon with inlaid peony and chrysanthemum designs.
115. Celadon bowl with inlaid arabesque design.
124. Seated marble bodhisattva statue of Hansongsa temple.
127. Standing gilt-bronze avalokitesvara bodhisattva statue of Samyang-dong.
167. Celadon wine pot in the shape of a human figure.
168. White porcelain bottle with plum and chrysanthemum designs in underglaze iron.
185. Saddharmapundarika sutra, "The White Lotus of the Real Truth"
186. Standing gilt-bronze bodhisattva statue from Yangpyeong.
207. Saddle flap with 'heavenly horse' painting, from the Heavenly Horse Tomb, Kyongju.
239. Portrait of Song Siyeol.
245. Index of Tripitaka volume 20.
253. Celadon bowl inlaid peony design with relief lotus and arabesque designs.
271. Commentary on Yogacaryabhumi sutra volume 12.
273. Yogacaryabhumi sutra volume 15.
293. Standing Gilt-bronze Avalokitesvara Bodhisttva statue.
295. A crown of Baekje, Gilt-bronze crown from tumulus in Sinchon-ri, Naju.


Gallery

See also

References
ISBN links support NWE through referral fees

  • Kungnip Pangmulgwan (Korea). 1979. 5,000 years of Korean art: an exhibition = [Hanʼguk misul ochʻŏnnyŏn]. [San Francisco]: Asian Art Museum of San Francisco. OCLC: 5088619
  • National Museum of Korea. 2005. The spirit of history , the power of culture: National Museum of Korea. Seoul: National Museum of Korea. OCLC: 150404124
  • Yi, Park, and Suzanne Crowder Han. 2005. National Museum of Korea. Seoul: National Museum of Korea. OCLC: 71719875

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