Gabriela Mistral

Lucila Godoy Alcayaga

Pseudonym(s):	Gabriela Mistral
Born:	April 7, 1889 Vicuña, Chile
Died:	January 11, 1957 Hempstead, New York
Occupation(s):	poet
Nationality:	Chilean
Writing period:	1922-1957

Gabriela Mistral (April 7, 1889 – January 11, 1957) was the pseudonym of Lucila Godoy Alcayaga, a Chilean poet, educator, diplomat and feminist who was the first Latin American to win the Nobel Prize in Literature, in 1945.

Some central themes in her poems are nature, betrayal, love, a mother's love, sorrow and recovery, travel, and Latin American identity as formed from a mixture of Indian and European influences.

Some of Mistral's best known poems include: Piececitos de Niño, Balada, Todas Íbamos a ser Reinas, La Oración de la Maestra, El Ángel Guardián, Decálogo del Artista and La Flor del Aire

Life

Mistral was born in Vicuña, a small town in northern Chile in South America. Her father, Jerónimo Godoy, abandoned the family when she was three years old. She lived with her mother and sister, Emelina, in a small house in the Elqui Valley. At age 14, she began working as a teacher's aide and began to teach classes when she was 15.

In 1906, while working as a teacher at La Serena, Mistral met and fell in love with Romelio Ureta, a young railway worker, who killed himself in 1909. The profound effects of death were already in the poet's work; writing about his suicide led Mistral to consider death and life more broadly than previous generations of Latin American poets.

Mistral traveled widely and lived in Spain, Italy, Portugal, the United Stated, Brazil, Mexico, Central America, the Antilles adn Puerto Rico.

Her mother, Petronila Alcayaga, died in 1929. Gabriela dedicated the first section of the book Tala (Tree Fall) to her.

As a poet

Mistral published over thirty collections of poetry in her lifetime.

Around 1913 the pseudonym Gabriela Mistral first appeared. It is believed that Mistral formed her pseudonymn from the two of her favorite poets, Gabriele D'Annunzio and Frédéric Mistral. Under this name she submitted three sonnets under the general title Sometos de la muerte (Sonnets of Death), which told the story of love and death. She won first prize for these poems in the Juegos Florales organized by the city of Santiago. After this, newspapers and magazines throughout South America began to invite her to write for them. After winning the Juegos Florales she rarely used her given name of Lucila Godoy for her publications.

Mistral published her first collection of poems, Despair, in 1921.

As an educator

She left Chile in 1922, when she was invited to Mexico by that country's Minister of Education, José Vasconcellos, to take part in a program of educational reform. He had her join in the nation's plan to reform libraries and schools, to start a national education system. Mistral left Mexico for Europe in 1924 before returning back to Chile.

As a diplomat

She left for Europe in 1926 as an official emissary of the Chilean government. In 1932, Mistral entered the Chilean diplomatic service; and, a few years later, she became a career consul by decree of the Chilean government.

Death

After a long illness, Mistral died on January 11, 1957 in New York. She ws buried in the cemetary in Montegrande village, in the Elqui Valley, where she had lived as a child.

Wikipedia

In 1904 Mistral published some early poems, such as Ensoñaciones, Carta Íntima ("Intimate Letter") and Junto al Mar, in the local newspaper El Coquimbo: Diario Radical, and La Voz de Elqui using various pseudonyms.

Mistral's meteoric rise in Chile's national school system continued in 1921, when she defeated another, more politically-connected candidate, to be named director of the newest and most prestigious girls' school in Chile. That year she published Desolación in New York, which won her international acclaim. A year later she published Lecturas para Mujeres (Readings for Women), a text in prose and verse that celebrates motherhood, childhood education, and nationalism. Following almost two years in Mexico she toured Europe and returned to Chile, where she formally retired from the nation's education system. In recognition of her services to education, she eventually received the academic title of Spanish Professor from the University of Chile, although her formal education ended before she was 12 years old.

Mistral's international stature led to lectures first in the United States and then in Europe. In 1924, while traveling to Europe for the first time, she published Ternura (Tenderness) in Madrid, a collection of lullabies and rondas written primarily for children but often focused on the female body.

The following year Mistral returned to Latin America and toured Brazil, Uruguay and Argentina. Back in Chile, she was given a pension and retired from teaching.

Mistral lived primarily in France and Italy between 1925 and 1933. During these years she worked for the League for Intellectual Co-operation of the League of Nations. She also taught at Barnard College of Columbia University, Vassar College and the University of Puerto Rico at Rio Piedras.

Like many Latin American artists and intellectuals, Mistral served as a consul from 1932 until her death, working in Naples, Madrid, Lisbon, Nice, Petrópolis, Los Angeles, Santa Barbara, Veracruz, Mexico, Rapallo and Naples, Italy, and New York. As consul in Madrid, she had occasional professional interactions with another Chilean consul and Nobel Prize winner, Pablo Neruda, and she was among the earlier writers to recognize the importance and originality of his work, which she had known while he was a teenager, and she as school director in his home town of Temuco. As Neruda, Gabriela Mistral became a supporter of the Popular Front which led to the election of the Radical Pedro Aguirre Cerda in 1938. She published hundreds of articles in magazines and newspapers throughout the Spanish-speaking world. Among her confidantes were Eduardo Santos, President of Colombia, all of the elected Presidents of Chile from 1922 to her death in 1957, and Eleanor Roosevelt.

Tala appeared in 1938, published in Buenos Aires with the help of longtime friend and correspondent Victoria Ocampo. The proceeds for the sale were devoted to children orphaned by the Spanish Civil War. This volume includes many poems celebrating the customs and folklore of Latin America as well as Mediterranean Europe. Mistral uniquely fuses these locales and concerns, a reflection of her identification as "una india vasca," her European Basque-Indigenous Amerindian background.

In August 14, 1943 Mistral's 17-year-old nephew Juan Miguel killed himself. The grief of this death, as well as her responses to tensions of the Cold War in Europe and the Americas, are the subject of the last volume of poetry published in her lifetime, Lagar, which appeared in 1954. A final volume of poetry, Poema de Chile, was edited posthumously by her friend Doris Dana, and published in 1967. Poema de Chile describes the poet's return to Chile after death, in the company of an Indian boy from the Atacama desert, and an Andean deer, the huemul.

In November 15, 1945, Mistral became the first Latin American woman to receive the Nobel Prize in Literature. She received the award in person from King Gustav of Sweden on December 10, 1945. In 1947 she received a doctor honoris causa from Mills College, Oakland, California. In 1951 she was awarded the long overdue National Literature Prize in Chile.

File:Gabiela Mistral con Santiago Martinez Delgado.jpg

Gabriela Mistral with Master Santiago Martínez Delgado at Columbia University in NY, probably 1939.

Poor health eventually slowed Mistral's traveling. During the last years of her life she made her home in Hempstead, New York, where she died from cancer of the pancreas on January 11, 1957, aged 67. Her remains were returned to Chile nine days later. The Chilean government declared three days of national mourning, and hundreds of thousands of Chileans came to pay her their respects.

Selected bibliography

• Sonetos de la Muerte (1914)
• Desolación (1922)
• Lecturas para Mujeres (1923)
• Ternura (1924)
• Nubes Blancas y Breve Descripción de Chile (1934)
• Tala (1938)
• Antología (1941)
• Lagar (1954)
• Recados Contando a Chile (1957)
• Poema de Chile (1967, published posthumously)
• Mistral may be most widely quoted in English for Su Nombre es Hoy (His Name is Today):

“We are guilty of many errors and many faults, but our worst crime is abandoning the children, neglecting the fountain of life. Many of the things we need can wait. The child cannot. Right now is the time his bones are being formed, his blood is being made, and his senses are being developed. To him we cannot answer ‘Tomorrow,’ his name is today.”

See also

• Gerardo Martinez
• Grito de Lares

External links

Retrieved November 8, 2007.

• Gabriela Mistral's documents to be sent to Chile as per accord between diplomats from Chile and the United States. www.endi.com.
• Life and Poetry of Gabriela Mistral. www.poetseers.org.
• her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world.. www.angelfire.com.
• Nobel biography. nobelprize.org.

Nobel Prize in Literature: Laureates (1926-1950)