Fitzgerald, F. Scott

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{{epname|Fitzgerald, F. Scott}}
  
'''Francis Scott Key Fitzgerald''' (September 24, 1896 – December 21,1940) was an [[Irish American]] [[Jazz Age]] [[novelist]] and [[short story]] writer. He is regarded as one of the greatest American writers of the [[twentieth century]]. Fitzgerald was the self-styled spokesman of the "[[Lost Generation]]", Americans born in the [[1890s]] who came of age during [[World War I]]. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age.
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'''Francis Scott Key Fitzgerald''' (September 24, 1896 – December 21,1940) was an Irish American Jazz Age novelist and short story writer, who is generally regarded as one of the greatest American writers of the Twentieth Century. Fitzgerald's ''The Great Gatsby'' was perhaps the great American twentieth century novel, which laid bare the seamier side of the great American dream of wealth and "beautiful people." In the end, it shows the futility of such superficial markers of success, which has only become more prevalent in contemporary American culture.  
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Fitzgerald is considered to be the spokesman for the "[[Lost Generation]]" of Americans born in the 1890s who came of age during [[World War I]] and were overwhelmingly disillusioned with the state of twentieth century civilization. While living in France, Fitzgerald participated actively in the circle of [[expatriate]] [[Modernism|modernists]] that included luminaries such as [[Gertrude Stein]], [[Ezra Pound]], and [[Ernest Hemingway]]. Fitzgerald, however, did not participate in the experiments of style and form that characterized most of the writers of his generation, sticking instead to the traditions of straight forward narrative. What made Fitzgerald stand out and rise above the capabilities of almost all of his peers was his ability to capture the nuances of the American psyche in a time of turmoil and dissolution. Fitzgerald is also one of the most accessible American writer of the 1920s and 1930s; while most other Modernist writers became so complex stylistically as to be almost obscure, Fitzgerald stuck to the core values of hope, doubt, loss, and triumph that have defined the American century.  
  
 
== Biography ==
 
== Biography ==
 
=== Early years ===
 
=== Early years ===
Born in [[Saint Paul, Minnesota|St. Paul]], [[Minnesota]] to an upper-middle class [[Roman Catholic Church|Roman Catholic]] family, Fitzgerald was named for his distant and famous relative [[Francis Scott Key]], but was commonly known as 'Scott'. He spent 1898 1901 and 1903 1908 in [[Buffalo, New York|Buffalo]], [[New York]], where his father worked for [[Proctor & Gamble]]. When Fitzgerald, Sr., was fired, the family moved back to Minnesota, where Fitzgerald attended [[St. Paul Academy and Summit School]] in St. Paul from 1908 1911. He then attended Newman School, a prep school in Hackensack, New Jersey, in 1911 1912. He entered [[Princeton University]] in 1913 as a member of the Class of 1917 and became friends with the future critics and writers [[Edmund Wilson]] (Class of 1916) and [[John Peale Bishop]] (Class of 1917). A mediocre student throughout his three-year career at the university, Fitzgerald dropped out in 1917 to enlist in the United States Army when America entered [[World War I]].  
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Born in St. Paul, [[Minnesota]] to an upper-middle class [[Roman Catholic Church|Roman Catholic]] family, Fitzgerald was named for his distant and famous relative [[Francis Scott Key]]—composer of the United States national anthem, "[[The Star Spangled Banner]]"—but was commonly known as 'Scott'. He spent 1898–1901 and 1903–1908 in Buffalo, New York, where his father worked for Proctor & Gamble. When Fitzgerald, Sr., was fired, the family moved back to Minnesota, where Fitzgerald attended St. Paul Academy and Summit School in St. Paul from 1908–1911. He then attended Newman School, a prep school in Hackensack, New Jersey, from 1911–1912. He entered Princeton University in 1913 as a member of the Class of 1917 and became friends with the future critics and writers [[Edmund Wilson]] and [[John Peale Bishop]]. A mediocre student throughout his three-year career at the university, Fitzgerald dropped out in 1917 to enlist in the United States Army when America entered [[World War I]].  
  
Fearing he might die in the war, and determined to leave a literary legacy, Fitzgerald wrote a novel titled ''The Romantic Egotist'' while in officer training at [[Camp Zachary Taylor]] and [[Camp Sheridan]]. When Fitzgerald submitted the novel to the publisher [[Charles Scribner's Sons]], the editor praised Fitzgerald but ultimately declined to publish. The war ended shortly after Fitzgerald's enlistment, and he was discharged without ever having been shipped to Europe. He frequently mentioned how much he regretted not fighting in the war.
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Fearing he might die in the war, and determined to leave a literary legacy, Fitzgerald wrote a novel titled ''The Romantic Egotist'' while in officer training at Camp Zachary Taylor and Camp Sheridan. When Fitzgerald submitted the novel to the publisher Charles Scribner's Sons, the editor praised Fitzgerald but ultimately declined to publish. The war ended shortly after Fitzgerald's enlistment, and he was discharged without ever having been shipped to Europe. He frequently mentioned how much he regretted not fighting in the war.
  
 
=== Marriage to Zelda Sayre ===
 
=== Marriage to Zelda Sayre ===
While at Camp Sheridan, Fitzgerald met [[Zelda Sayre]] (1900 1948), the "top girl," in Fitzgerald's words, of [[Montgomery, Alabama|Montgomery]], [[Alabama]] youth society. The two were engaged in 1919, and Fitzgerald moved into an apartment at 1395 Lexington Avenue in [[New York City]] to try to lay a foundation for his life with Zelda. Working at an advertising firm and writing short stories, he was unable to convince Zelda that he would be able to support her, leading her to break off the engagement.
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While at Camp Sheridan, Fitzgerald met Zelda Sayre (1900–1948), the "top girl," in Fitzgerald's words, of Montgomery, Alabama. The two were engaged in 1919, and Fitzgerald moved into an apartment at 1395 Lexington Avenue in [[New York City]] to try to lay a foundation for his life with Zelda. Working at an advertising firm and writing short stories, he was unable to convince Zelda that he would be able to support her, leading her to break off the engagement.
  
Fitzgerald returned to his parents' house in St. Paul to revise ''The Romantic Egotist''.
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Fitzgerald returned to his parents' house in St. Paul to revise ''The Romantic Egotist.'' Renamed ''This Side of Paradise,'' it was accepted by Scribner's in the fall of 1919, and Zelda and Scott resumed their engagement. The novel was published on March 26, 1920, and became one of the most popular books of the year, defining the [[flapper]] generation. The next week, Scott and Zelda were married in New York's St. Patrick's Cathedral.
Recast as ''[[This Side of Paradise (novel)|This Side of Paradise]]'', it was accepted by [[Charles Scribner's Sons|Scribner's]] in the fall of 1919, and Zelda and Scott resumed their engagement. The novel was published on [[March 26]], [[1920]], and became one of the most popular books of the year, defining the [[flapper]] generation. The next week, Scott and Zelda were married in New York's [[St. Patrick's Cathedral, New York|St. Patrick's Cathedral]]. Their daughter and only child, [[Frances Scott Fitzgerald|Frances Scott "Scottie" Fitzgerald]], was born on [[October 26]], [[1921]].
 
  
 
=== "The Jazz Age" ===
 
=== "The Jazz Age" ===
The 1920s proved the most influential decade of Fitzgerald's development. His second novel, ''[[The Beautiful and Damned]]'', published in 1922, demonstrates an evolution beyond the comparatively immature ''[[This Side of Paradise]]''. ''[[The Great Gatsby]]'', which many consider his masterpiece, was published in 1925. Fitzgerald made several excursions to Europe, notably [[Paris]] and the [[French Riviera]], and became friends with many members of the American expatriate community in Paris, notably [[Ernest Hemingway]].
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The 1920s proved the most influential decade of Fitzgerald's development. His second novel, ''The Beautiful and Damned,'' published in 1922, demonstrates an evolution beyond the comparatively immature ''This Side of Paradise.'' ''[[The Great Gatsby]],'' which many consider his masterpiece, was published in 1925. Fitzgerald made several excursions to Europe, notably [[Paris]] and the French Riviera, and became friends with many members of the American expatriate community in Paris, notably [[Ernest Hemingway]].
 
 
Hemingway prefaced his chapters concerning Fitzgerald in ''[[A Moveable Feast]]'' with this: "His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless."
 
  
Fitzgerald drew largely upon his wife's intense personality in his writings, at times quoting direct segments of her personal diaries in his work. Zelda made mention of this in a 1922 mock review in the ''[[New York Tribune]]'', saying that "[i]t seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald—I believe that is how he spells his name—seems to believe that plagiarism begins at home" (''Zelda Fitzgerald: The Collected Writings'', 388).
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Hemingway prefaced his chapters concerning Fitzgerald in ''A Moveable Feast'' with this: <blockquote>His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.</blockquote>
  
Although Fitzgerald's passion lay in writing novels, they never sold well enough to support the opulent lifestyle that he and Zelda adopted as New York celebrities. To supplement his income, he turned to writing short stories for such magazines as ''[[The Saturday Evening Post]]'', ''[[Collier's Weekly]]'', and ''[[Esquire magazine]]'', and sold movie rights of his stories and novels to Hollywood studios. He was constantly in financial trouble and often required loans from his literary agent, [[Harold Ober]], and his editor at [[Charles Scribner's Sons|Scribner's]], [[Maxwell Perkins]].
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Fitzgerald drew largely upon his wife's intense personality in his writings, at times quoting direct segments of her personal diaries in his work. Zelda made mention of this in a 1922 mock review in the ''New York Tribune,'' saying that, <blockquote>[i]t seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald&mdash;I believe that is how he spells his name&mdash;seems to believe that plagiarism begins at home (''Zelda Fitzgerald: The Collected Writings,'' 388).</blockquote>
  
Fitzgerald began working on his fourth novel during the late [[1920s]] but was sidetracked by financial difficulties that necessitated his writing commercial short stories, and by the [[schizophrenia]] that struck [[Zelda Sayre Fitzgerald]] in 1930. Her emotional health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La Paix" estate in the suburb of Towson to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist, and his wife Nicole, who is also one of his patients. It was published in 1934 as ''[[Tender is the Night]]''. Critics regard it as one of Fitzgerald's finest works.
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Although Fitzgerald's passion lay in writing novels, they never sold well enough to support the opulent lifestyle that he and Zelda adopted as New York celebrities. To supplement his income, he turned to writing short stories for such magazines as ''The Saturday Evening Post,'' ''Collier's Weekly,'' and ''Esquire magazine,'' and sold the film rights of his stories and novels to Hollywood studios. He was constantly in financial trouble and often required loans from his literary agent, Harold Ober, and his editor at Scribner's, Maxwell Perkins.
  
Some of Fitzgerald's works have been accused of being [[anti-semitic]]. The lone Jewish character in ''[[The Great Gatsby]]'' is both a Jewish stereotype and a disreputable character. This character was reportedly based on gangsters [[Arnold Rothstein]] and [[Meyer Lansky]], both well-known Jewish figures in the underworld.
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Fitzgerald began working on his fourth novel during the late 1920s but was sidetracked both by financial difficulties, which necessitated that he write commercial short stories, and the [[schizophrenia]] that struck Zelda in 1930. Her emotional health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La Paix" estate in the suburb of Towson to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist, and his wife Nicole, who is also one of his patients. It was published in 1934 as ''Tender is the Night.'' Critics regard it as one of Fitzgerald's finest works.
  
 
=== Hollywood years ===
 
=== Hollywood years ===
Although he reportedly found movie work degrading, Fitzgerald was once again in dire financial straits, and spent the second half of the [[1930s]] in [[Hollywood]], working on commercial short stories, scripts for [[Metro-Goldwyn-Mayer]] (including some unfilmed work on ''[[Gone With the Wind]]''), and his fifth and final novel, ''[[The Love of the Last Tycoon]]''. Published posthumously as ''[[The Last Tycoon]]'', it was based on the life of film executive [[Irving Thalberg]]. Scott and Zelda became estranged; she continued living in mental institutions on the east coast, while he lived with his lover [[Sheilah Graham]], a movie columnist, in [[Hollywood]]. From 1939 until his death, Fitzgerald mocked himself as a Hollywood [[Hack writer|hack]] through the character of Pat Hobby in a sequence of 17 short stories, later collected as "[[The Pat Hobby Stories]]."
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Although he reportedly found movie work degrading, Fitzgerald was once again in dire financial straits, and spent the second half of the 1930s in Hollywood, working on commercial short stories, scripts for Metro-Goldwyn-Mayer, and his fifth and final novel, ''The Love of the Last Tycoon.'' Published posthumously as ''The Last Tycoon,'' it was based on the life of film executive, [[Irving Thalberg]]. From 1939 until his death, Fitzgerald mocked himself as a Hollywood hack through the character of Pat Hobby in a sequence of 17 short stories, later collected as ''The Pat Hobby Stories.''  
 
 
Fitzgerald had clearly been an [[alcoholic]] since his college days, and he became notorious during the 1920s for his extraordinarily heavy drinking. This left him in poor health by the late 1930s. According to Zelda's biographer, Nancy Milford, Scott would also claim from time to time that he had contracted [[tuberculosis]], but she states plainly that this was usually a pretext to cover his drinking problems (Fitzgerald biographer Matthew J. Bruccoli, however, contends that Fitzgerald did in fact have recurring tuberculosis). However, Milford also reports that Fitzgerald biographer Arthur Mizener said that Scott did suffer a mild attack of tuberculosis in 1919, and in 1929 he had "what proved to be a tubercular hemorrhage". Given the extent of Scott's alcoholism, however, it is equally likely that the hemorrhage might have been caused by bleeding from [[oesophageal varices]]—enlarged veins in the oesophagus that result from advanced liver disease. Ironically enough, it was most likely Fitzgerald's lifelong smoking habit, and not his drinking, that did the most to damage his health and bring on the heart problems that eventually killed him.
 
  
Fitzgerald suffered two heart attacks in late 1940. After the first, he was ordered by his doctor to avoid strenuous exertion and to obtain a first floor apartment, which he did by moving in with his lover, Sheilah Graham. On the night of [[December 20]], [[1940]], he had his second heart attack; the next day, [[December 21]], while awaiting a visit from his doctor, Fitzgerald collapsed while clutching the mantelpiece in Graham's apartment and died at the age of 44.  
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Fitzgerald had clearly been an [[alcoholism|alcoholic]] since his college days, and he became notorious during the 1920s for his extraordinarily heavy drinking. This left him in poor health by the late 1930s. According to Zelda's biographer, Nancy Milford, Scott would also claim from time to time that he had contracted [[tuberculosis]], but she states plainly that this was usually a smoke screen to hide his drinking problems. Ironically enough, it was most likely Fitzgerald's lifelong smoking habit, and not his drinking, that did the most to damage his health and bring on the heart problems that eventually killed him.
  
Among the attendants at a visitation held at a funeral home in Hollywood was [[Dorothy Parker]], who reportedly cried and murmured "the poor son of a bitch," a line from [[Jay Gatsby]]'s funeral in Fitzgerald's ''The Great Gatsby''. His remains were then shipped to Maryland, where his funeral was attended by very few people. Zelda died in a fire at the Highland mental institution in [[Asheville, North Carolina]], in 1948. The two were originally buried in [[Rockville Union Cemetery]], but with the permission and assistance of their only child, Frances "Scottie" Fitzgerald Lanahan Smith, the Women's Club of Rockville had their bodies moved to the family plot in [[Saint Mary's Cemetery (Maryland)|Saint Mary's Cemetery]], in [[Rockville, Maryland]].  
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Fitzgerald suffered two heart attacks in late 1940. After the first, he was ordered by his doctor to avoid strenuous exertion and to obtain a first floor apartment. On the night of December 20, 1940, he had his second heart attack; the next day, December 21, while awaiting a visit from his doctor, Fitzgerald collapsed while clutching the mantelpiece in Graham's apartment and died at the age of 44.  
  
Fitzgerald never completed ''[[The Love of the Last Tycoon]]''. His notes for the novel were edited by his friend [[Edmund Wilson]] and published in 1941 as ''The Last Tycoon''. However, there is now critical agreement that Fitzgerald intended the title of the book to be ''The Love of the Last Tycoon'', as is reflected in a new 1994 edition of the book, edited by Fitzgerald scholar [[Matthew Bruccoli]] of the [[University of South Carolina Columbia|University of South Carolina]].
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Fitzgerald never completed ''The Love of the Last Tycoon.'' His notes for the novel were edited by his friend, the critic [[Edmund Wilson]], and published in 1941 as ''The Last Tycoon.''
  
== Works ==
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==Works==
=== Novels ===
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===''The Great Gatsby''===
* ''[[This Side of Paradise]]'' (New York: Chas. Scribner & Son: 1920)
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First published on April 10, 1925, ''The Great Gatsby'' is universally considered to be Fitzgerald's masterpiece. It was not popular upon initial printing and sold fewer than 24,000 copies during Fitzgerald's lifetime. Although it was adapted into both a Broadway play and a Hollywood film within a year of publication, it was largely forgotten during the [[Great Depression]] and [[World War II]]. It was republished in 1945 and 1953 and quickly found a wide readership. It is now a standard text in high school and university courses on American literature in countries around the world.
* ''[[The Beautiful and Damned]]'' (New York: Chas. Scribner & Son: 1922)
 
* ''[[The Great Gatsby]]'' (New York: Chas. Scribner & Son: 1925)
 
* ''[[Tender Is the Night]]'' (New York: Chas. Scribner & Son: 1934)
 
* ''[[The Last Tycoon]]'' – originally ''The Love of the Last Tycoon'' – (New York:Chas. Scribner & Sons, published posthumously)
 
  
=== Other works ===
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The novel chronicles an era that Fitzgerald himself dubbed the "Jazz Age." Following the shock and chaos of the [[World War I|First World War]], American society enjoyed unprecedented levels of prosperity during the 1920s as the economy soared. At the same time, [[Prohibition on alcohol (United States)|Prohibition]], the ban on the sale and consumption of alcohol mandated by the Eighteenth Amendment, made millionaires out of bootleggers and gave rise to organized crime. Although Fitzgerald, like Nick Carraway in his novel, idolized the riches and glamor of the age, he was uncomfortable with the unrestrained materialism and lack of morality that went with it.
* ''[[The Princeton Tiger]]'' (Humor Magazine, 1917)
 
* ''[[The Vegetable|The Vegetable, or From President to Postman]]'' (play, 1923)
 
* ''[[The Crack-Up]]'' (essays and stories, 1945)
 
* ''[[Winter Dreams]]'' (Short Story)
 
* ''[[Babylon Revisited]]'' (Short Story)
 
* ''[[Bernice Bobs Her Hair]]'' (Short Story)
 
  
== Quotations ==
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====Synopsis====
* "'Perhaps I can guess the other one,' she said; and reaching up on her tiptoes she kissed him softly in the illustration."
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{{Spoiler}}
* "Here was a new generation, a new generation dedicated more than the last to the fear of poverty and the worship of success, grown up to find all gods dead, all wars fought, all faiths to man shaken."
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Nick Carraway, a New York bond dealer from the Midwest, befriends his neighbor Jay Gatsby, an extremely wealthy young man known for hosting lavish parties in his Long Island mansion. Gatsby's great wealth is a subject of much rumor; none of the guests whom Nick meets at Gatsby's parties know much about his past. Gradually the truth becomes clear: Gatsby is infatuated with an old flame, Daisy Buchanan, who happens to be Nick's second cousin once removed and the wife of his Yale classmate, a wealthy former football player named Tom Buchanan. Nick learns that the Buchanan marriage is not particularly sound&mdash;Tom has had numerous affairs with other women; the latest involves Myrtle, the wife of George Wilson, an auto mechanic.  
* "There seemed little doubt about what was going to happen. America was going on the greatest, gaudiest spree in history."
 
* "The test of a first-rate intelligence is the ability to hold two opposing ideas in mind at the same time and still retain the ability to function."
 
* "I was the spark that lit up Flaming Youth, [[Colleen Moore]] was the torch. What little things we are to have caused all that trouble."
 
* "There are all kinds of love in this world, but never the same love twice."
 
* "Show me a hero, and I will write you a tragedy."
 
* "Then I was drunk for many years, and then I died." —''[[The Crack-Up]], self-referential''
 
  
The following quotations are from ''[[The Great Gatsby]]'':
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Through Jordan Baker, a young professional golfer with whom Nick is mildly infatuated, Gatsby asks Nick to arrange a meeting with Daisy. Gatsby had last seen her five years ago as a suitor during his military training near her home in Louisville. In the intervening period, Gatsby fought in [[World War I]], then, stung by the need to make himself a wealthy man to vie for Daisy's attention, became involved with organized crime, through which Gatsby quickly amassed his fortune. Daisy, disinclined to wait, became engaged to Tom. On the eve of her wedding, she became distraught when she received a letter from Gatsby, but went through with the nuptials anyway.
* "Whenever you feel like criticizing any one, just remember that all the people in this world haven't had the advantages that you've had."
 
* "...as my father snobbishly suggested and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth."
 
* "Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known"
 
* "They are a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together."
 
* "Can't repeat the past?" he cried incredulously. "Why of course you can!"
 
* "The poor son of a bitch."
 
* "They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made . . . ."
 
* "Tomorrow we will run faster, stretch out our arms farther... And one fine morning——— So we beat on, boats against the current, borne back ceaselessly into the past."
 
  
The Following quotation is from the short story ''[[Winter Dreams]]'':
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Gatsby and Daisy eventually begin to see each other again, and ultimately the two engage in an affair. The conflict comes to a head in New York City, when Daisy's husband confronts Gatsby. It is then that Gatsby claims Daisy will leave her marriage and go with him. Daisy declares that she loves Gatsby now, but will not say (as Gatsby wishes) that she never loved Tom. Flustered, Daisy departs for Long Island with Gatsby; the rest follow later, in another car. By this point, the narrator, Nick, has become both Gatsby's sole ally and best friend. In response, Nick finds himself becoming extremely loyal to Gatsby, and comes to view him as his closest friend. During the middle of the hotel room confrontation, Nick becomes so impressed by Gatsby that he feels the desire to "get up and pat him on the back," saying he has experienced a complete renewal of faith in him.  
* "He wanted not association with glittering things and glittering people — he wanted the glittering things themselves."
 
  
The following quotation is from Fitzgerald's fifth and final novel, ''[[The Love of the Last Tycoon]]'':
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Daisy is driving when Gatsby's car crashes into a woman in a hit and run accident, killing the pedestrian. The victim happens to be Myrtle Wilson, Tom's lover, who has run out to meet the car, thinking it was Tom coming for her. Myrtle's husband at first believes Tom has killed Myrtle, and confronts Tom, who directs him to Gatsby's car. Mr. Wilson tracks the car to Gatsby's house and shoots Gatsby to death, then kills himself. Daisy allows Tom to continue to believe it was Gatsby at the wheel when Myrtle was killed in the hit and run. None of the legions who attended his parties come to Gatsby's funeral; only Nick, Gatsby's father, and Gatsby's servants, pay their respects. Nick later describes Tom and Daisy as rich people who leave it to others to clean up their messes. Nick breaks off his relationship with Jordan and moves back to the Midwest, disillusioned with the dreams of wealth and fortune he had sought in the New York of the Jazz Age.
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{{endspoiler}}
  
* "Writers aren't people exactly. Or, if they're any good, they're a whole lot of people trying so hard to be one person."
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== Bibliography ==
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=== Novels ===
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* ''This Side of Paradise'' (New York: Chas. Scribner & Son: 1920)
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* ''The Beautiful and Damned'' (New York: Chas. Scribner & Son: 1922)
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* ''The Great Gatsby'' (New York: Chas. Scribner & Son: 1925)
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* ''Tender Is the Night'' (New York: Chas. Scribner & Son: 1934)
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* ''The Last Tycoon'' – originally ''The Love of the Last Tycoon'' – (New York:Chas. Scribner & Sons, published posthumously)
  
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=== Other works ===
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* ''The Princeton Tiger'' (Humor Magazine, 1917)
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* ''The Vegetable, or From President to Postman'' (play, 1923)
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* ''The Crack-Up'' (essays and stories, 1945)
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* ''Winter Dreams'' (Short Story)
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* ''Babylon Revisited'' (Short Story)
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* ''Bernice Bobs Her Hair'' (Short Story)
  
[[Ernest Hemingway]] once said of F. Scott Fitzgerald:
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== Reference Works ==
:"His talent was as natural as the pattern that was made by the dust on a butterfly's wings"
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*Bruccoli, Matthew Joseph. 1981. ''Some Sort of Epic Grandeur.'' Harcourt. ISBN 1570034559
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*Bruccoli, Matthew, ed. 1994. ''F. Scott Fitzgerald: A Life in Letters.'' Scribner. ISBN 0684801531
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*Bryer, Jackson R., and Cathy W. Banks, eds. 2002. ''Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald.'' St. Martin's Griffin. ISBN 0312282338
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*Canterbery, E. Ray, and Thomas D. Birch. 2006. ''F. Scott Fitzgerald: Under the Influence.'' St. Paul, MN: Paragon House. ISBN 1557788480
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*''Correspondence of F. Scott Fitzgerald.'' 1985. Random House Value Publishing. ISBN 0517479435
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*Mizener, Arthur. 1964. ''The Far Side of Paradise.'' Houghton Mifflin. ISBN 0395083958
  
Hemingway is responsible for a famous misquotation of Fitzgerald's. According to Hemingway, a conversation between him and Fitzgerald went:
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== External links ==
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All links retrieved March 23, 2024.
  
:Fitzgerald: The rich are different than you and me.
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* {{gutenberg author| id=F.+Scott+Fitzgerald | name=F. Scott Fitzgerald}}  
:Hemingway: Yes, they have more money.
 
 
 
This never actually happened; it is a retelling of an actual encounter between Hemingway and [[Mary Colum]], which went as follows:
 
 
 
:Hemingway: I am getting to know the rich.
 
:Colum: I think you’ll find the only difference between the rich and other people is that the rich have more money.
 
 
 
The full quotation is found in Fitzgerald's words in his short story "The Rich Boy" (1926), paragraph 3: "Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft, where we are hard, cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand."
 
 
 
 
 
== Biography and criticism ==
 
* The standard biographies of Scott and Zelda Fitzgerald are Arthur Mizener's ''The Far Side of Paradise'' (1951, 1965), and [[Matthew Bruccoli|Matthew Bruccoli's]] ''Some Sort of Epic Grandeur'' (1981). Bruccoli's account is more readable and more accurate.{{POV-statement}} Fitzgerald's letters have also been published in various editions such as ''Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald'', ed. Jackson R. Bryer and Cathy W. Banks (2002); ''Correspondence of F. Scott Fitzgerald'', ed. Matthew Bruccoli and Margaret Duggan (1980), and ''F. Scott Fitzgerald: A Life in Letters'', ed. Matthew Bruccoli (1994).
 
* Zelda Fitzgerald published a novel, ''[[Save Me the Waltz]]'', in 1932.
 
* The film ''[[Beloved Infidel]]'' (1959) portrays Fitzgerald (played by [[Gregory Peck]]) during his final years as a Hollywood [[scenarist]]. Another movie called  ''[[Last Call]]'' (2002) ([[Jeremy Irons]] plays the role of F. Scott Fitzgerald) describes the relationship with [[Frances Kroll]] during his last two years of life.
 
 
 
== External links ==
 
* [http://classen-clan.com/html/f_scott_fitzgerald.html Annotated Biography]
 
* {{gutenberg author| id=F.+Scott+Fitzgerald | name=F. Scott Fitzgerald}}
 
  
[[Category: Art, music, literature, sports and leisure]]
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[[Category:Art, music, literature, sports and leisure]]
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Latest revision as of 00:02, 25 March 2024

Francis Scott Fitzgerald 1937 June 4 (1) (photo by Carl van Vechten).jpg

Francis Scott Key Fitzgerald (September 24, 1896 – December 21,1940) was an Irish American Jazz Age novelist and short story writer, who is generally regarded as one of the greatest American writers of the Twentieth Century. Fitzgerald's The Great Gatsby was perhaps the great American twentieth century novel, which laid bare the seamier side of the great American dream of wealth and "beautiful people." In the end, it shows the futility of such superficial markers of success, which has only become more prevalent in contemporary American culture.

Fitzgerald is considered to be the spokesman for the "Lost Generation" of Americans born in the 1890s who came of age during World War I and were overwhelmingly disillusioned with the state of twentieth century civilization. While living in France, Fitzgerald participated actively in the circle of expatriate modernists that included luminaries such as Gertrude Stein, Ezra Pound, and Ernest Hemingway. Fitzgerald, however, did not participate in the experiments of style and form that characterized most of the writers of his generation, sticking instead to the traditions of straight forward narrative. What made Fitzgerald stand out and rise above the capabilities of almost all of his peers was his ability to capture the nuances of the American psyche in a time of turmoil and dissolution. Fitzgerald is also one of the most accessible American writer of the 1920s and 1930s; while most other Modernist writers became so complex stylistically as to be almost obscure, Fitzgerald stuck to the core values of hope, doubt, loss, and triumph that have defined the American century.

Biography

Early years

Born in St. Paul, Minnesota to an upper-middle class Roman Catholic family, Fitzgerald was named for his distant and famous relative Francis Scott Key—composer of the United States national anthem, "The Star Spangled Banner"—but was commonly known as 'Scott'. He spent 1898–1901 and 1903–1908 in Buffalo, New York, where his father worked for Proctor & Gamble. When Fitzgerald, Sr., was fired, the family moved back to Minnesota, where Fitzgerald attended St. Paul Academy and Summit School in St. Paul from 1908–1911. He then attended Newman School, a prep school in Hackensack, New Jersey, from 1911–1912. He entered Princeton University in 1913 as a member of the Class of 1917 and became friends with the future critics and writers Edmund Wilson and John Peale Bishop. A mediocre student throughout his three-year career at the university, Fitzgerald dropped out in 1917 to enlist in the United States Army when America entered World War I.

Fearing he might die in the war, and determined to leave a literary legacy, Fitzgerald wrote a novel titled The Romantic Egotist while in officer training at Camp Zachary Taylor and Camp Sheridan. When Fitzgerald submitted the novel to the publisher Charles Scribner's Sons, the editor praised Fitzgerald but ultimately declined to publish. The war ended shortly after Fitzgerald's enlistment, and he was discharged without ever having been shipped to Europe. He frequently mentioned how much he regretted not fighting in the war.

Marriage to Zelda Sayre

While at Camp Sheridan, Fitzgerald met Zelda Sayre (1900–1948), the "top girl," in Fitzgerald's words, of Montgomery, Alabama. The two were engaged in 1919, and Fitzgerald moved into an apartment at 1395 Lexington Avenue in New York City to try to lay a foundation for his life with Zelda. Working at an advertising firm and writing short stories, he was unable to convince Zelda that he would be able to support her, leading her to break off the engagement.

Fitzgerald returned to his parents' house in St. Paul to revise The Romantic Egotist. Renamed This Side of Paradise, it was accepted by Scribner's in the fall of 1919, and Zelda and Scott resumed their engagement. The novel was published on March 26, 1920, and became one of the most popular books of the year, defining the flapper generation. The next week, Scott and Zelda were married in New York's St. Patrick's Cathedral.

"The Jazz Age"

The 1920s proved the most influential decade of Fitzgerald's development. His second novel, The Beautiful and Damned, published in 1922, demonstrates an evolution beyond the comparatively immature This Side of Paradise. The Great Gatsby, which many consider his masterpiece, was published in 1925. Fitzgerald made several excursions to Europe, notably Paris and the French Riviera, and became friends with many members of the American expatriate community in Paris, notably Ernest Hemingway.

Hemingway prefaced his chapters concerning Fitzgerald in A Moveable Feast with this:

His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

Fitzgerald drew largely upon his wife's intense personality in his writings, at times quoting direct segments of her personal diaries in his work. Zelda made mention of this in a 1922 mock review in the New York Tribune, saying that,

[i]t seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald—I believe that is how he spells his name—seems to believe that plagiarism begins at home (Zelda Fitzgerald: The Collected Writings, 388).

Although Fitzgerald's passion lay in writing novels, they never sold well enough to support the opulent lifestyle that he and Zelda adopted as New York celebrities. To supplement his income, he turned to writing short stories for such magazines as The Saturday Evening Post, Collier's Weekly, and Esquire magazine, and sold the film rights of his stories and novels to Hollywood studios. He was constantly in financial trouble and often required loans from his literary agent, Harold Ober, and his editor at Scribner's, Maxwell Perkins.

Fitzgerald began working on his fourth novel during the late 1920s but was sidetracked both by financial difficulties, which necessitated that he write commercial short stories, and the schizophrenia that struck Zelda in 1930. Her emotional health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La Paix" estate in the suburb of Towson to work on his latest book, the story of the rise and fall of Dick Diver, a promising young psychiatrist, and his wife Nicole, who is also one of his patients. It was published in 1934 as Tender is the Night. Critics regard it as one of Fitzgerald's finest works.

Hollywood years

Although he reportedly found movie work degrading, Fitzgerald was once again in dire financial straits, and spent the second half of the 1930s in Hollywood, working on commercial short stories, scripts for Metro-Goldwyn-Mayer, and his fifth and final novel, The Love of the Last Tycoon. Published posthumously as The Last Tycoon, it was based on the life of film executive, Irving Thalberg. From 1939 until his death, Fitzgerald mocked himself as a Hollywood hack through the character of Pat Hobby in a sequence of 17 short stories, later collected as The Pat Hobby Stories.

Fitzgerald had clearly been an alcoholic since his college days, and he became notorious during the 1920s for his extraordinarily heavy drinking. This left him in poor health by the late 1930s. According to Zelda's biographer, Nancy Milford, Scott would also claim from time to time that he had contracted tuberculosis, but she states plainly that this was usually a smoke screen to hide his drinking problems. Ironically enough, it was most likely Fitzgerald's lifelong smoking habit, and not his drinking, that did the most to damage his health and bring on the heart problems that eventually killed him.

Fitzgerald suffered two heart attacks in late 1940. After the first, he was ordered by his doctor to avoid strenuous exertion and to obtain a first floor apartment. On the night of December 20, 1940, he had his second heart attack; the next day, December 21, while awaiting a visit from his doctor, Fitzgerald collapsed while clutching the mantelpiece in Graham's apartment and died at the age of 44.

Fitzgerald never completed The Love of the Last Tycoon. His notes for the novel were edited by his friend, the critic Edmund Wilson, and published in 1941 as The Last Tycoon.

Works

The Great Gatsby

First published on April 10, 1925, The Great Gatsby is universally considered to be Fitzgerald's masterpiece. It was not popular upon initial printing and sold fewer than 24,000 copies during Fitzgerald's lifetime. Although it was adapted into both a Broadway play and a Hollywood film within a year of publication, it was largely forgotten during the Great Depression and World War II. It was republished in 1945 and 1953 and quickly found a wide readership. It is now a standard text in high school and university courses on American literature in countries around the world.

The novel chronicles an era that Fitzgerald himself dubbed the "Jazz Age." Following the shock and chaos of the First World War, American society enjoyed unprecedented levels of prosperity during the 1920s as the economy soared. At the same time, Prohibition, the ban on the sale and consumption of alcohol mandated by the Eighteenth Amendment, made millionaires out of bootleggers and gave rise to organized crime. Although Fitzgerald, like Nick Carraway in his novel, idolized the riches and glamor of the age, he was uncomfortable with the unrestrained materialism and lack of morality that went with it.

Synopsis

Nick Carraway, a New York bond dealer from the Midwest, befriends his neighbor Jay Gatsby, an extremely wealthy young man known for hosting lavish parties in his Long Island mansion. Gatsby's great wealth is a subject of much rumor; none of the guests whom Nick meets at Gatsby's parties know much about his past. Gradually the truth becomes clear: Gatsby is infatuated with an old flame, Daisy Buchanan, who happens to be Nick's second cousin once removed and the wife of his Yale classmate, a wealthy former football player named Tom Buchanan. Nick learns that the Buchanan marriage is not particularly sound—Tom has had numerous affairs with other women; the latest involves Myrtle, the wife of George Wilson, an auto mechanic.

Through Jordan Baker, a young professional golfer with whom Nick is mildly infatuated, Gatsby asks Nick to arrange a meeting with Daisy. Gatsby had last seen her five years ago as a suitor during his military training near her home in Louisville. In the intervening period, Gatsby fought in World War I, then, stung by the need to make himself a wealthy man to vie for Daisy's attention, became involved with organized crime, through which Gatsby quickly amassed his fortune. Daisy, disinclined to wait, became engaged to Tom. On the eve of her wedding, she became distraught when she received a letter from Gatsby, but went through with the nuptials anyway.

Gatsby and Daisy eventually begin to see each other again, and ultimately the two engage in an affair. The conflict comes to a head in New York City, when Daisy's husband confronts Gatsby. It is then that Gatsby claims Daisy will leave her marriage and go with him. Daisy declares that she loves Gatsby now, but will not say (as Gatsby wishes) that she never loved Tom. Flustered, Daisy departs for Long Island with Gatsby; the rest follow later, in another car. By this point, the narrator, Nick, has become both Gatsby's sole ally and best friend. In response, Nick finds himself becoming extremely loyal to Gatsby, and comes to view him as his closest friend. During the middle of the hotel room confrontation, Nick becomes so impressed by Gatsby that he feels the desire to "get up and pat him on the back," saying he has experienced a complete renewal of faith in him.

Daisy is driving when Gatsby's car crashes into a woman in a hit and run accident, killing the pedestrian. The victim happens to be Myrtle Wilson, Tom's lover, who has run out to meet the car, thinking it was Tom coming for her. Myrtle's husband at first believes Tom has killed Myrtle, and confronts Tom, who directs him to Gatsby's car. Mr. Wilson tracks the car to Gatsby's house and shoots Gatsby to death, then kills himself. Daisy allows Tom to continue to believe it was Gatsby at the wheel when Myrtle was killed in the hit and run. None of the legions who attended his parties come to Gatsby's funeral; only Nick, Gatsby's father, and Gatsby's servants, pay their respects. Nick later describes Tom and Daisy as rich people who leave it to others to clean up their messes. Nick breaks off his relationship with Jordan and moves back to the Midwest, disillusioned with the dreams of wealth and fortune he had sought in the New York of the Jazz Age.

Bibliography

Novels

  • This Side of Paradise (New York: Chas. Scribner & Son: 1920)
  • The Beautiful and Damned (New York: Chas. Scribner & Son: 1922)
  • The Great Gatsby (New York: Chas. Scribner & Son: 1925)
  • Tender Is the Night (New York: Chas. Scribner & Son: 1934)
  • The Last Tycoon – originally The Love of the Last Tycoon – (New York:Chas. Scribner & Sons, published posthumously)

Other works

  • The Princeton Tiger (Humor Magazine, 1917)
  • The Vegetable, or From President to Postman (play, 1923)
  • The Crack-Up (essays and stories, 1945)
  • Winter Dreams (Short Story)
  • Babylon Revisited (Short Story)
  • Bernice Bobs Her Hair (Short Story)

Reference Works

  • Bruccoli, Matthew Joseph. 1981. Some Sort of Epic Grandeur. Harcourt. ISBN 1570034559
  • Bruccoli, Matthew, ed. 1994. F. Scott Fitzgerald: A Life in Letters. Scribner. ISBN 0684801531
  • Bryer, Jackson R., and Cathy W. Banks, eds. 2002. Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald. St. Martin's Griffin. ISBN 0312282338
  • Canterbery, E. Ray, and Thomas D. Birch. 2006. F. Scott Fitzgerald: Under the Influence. St. Paul, MN: Paragon House. ISBN 1557788480
  • Correspondence of F. Scott Fitzgerald. 1985. Random House Value Publishing. ISBN 0517479435
  • Mizener, Arthur. 1964. The Far Side of Paradise. Houghton Mifflin. ISBN 0395083958

External links

All links retrieved March 23, 2024.

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