Difference between revisions of "Bast" - New World Encyclopedia

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[[Image:Egypte louvre 028.jpg|right|thumb|200px|Bast as a lioness]]
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In [[Egyptian mythology]], '''Bast''' (also spelled ''Bastet'', ''Baset'', ''Ubasti'', and ''Pasht'') is an ancient feline [[goddess]] who was worshiped since the early dynastic period (ca. 3000-2700 B.C.E.).
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In classical Egyptian religion, Bast was the subject of considerable institutional and popular veneration. Institutionally, she was the central figure of a nationally recognized temple cult at ''Per Bast'' (Greek: "Bubastis") and was also featured in some confessional verses of the [[Egyptian Book of the Dead]]. On the popular level, she was revered for her relationship to female fertility and childbirth, such that amulets depicting the goddess with a litter of kittens (which were thought to grant similar biological fruitfulness) are relatively common archaeological finds in Egyptian excavations.
 +
 +
==Bast in an Egyptian Context==
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{{main|Egyptian Religion}}
 +
As an Egyptian deity, Bast belonged to a complex religious, mythological and cosmological belief system developed in the [[Nile]] river basin from earliest prehistory to 525 B.C.E.<ref>This particular "cut-off" date has been chosen because it corresponds to the Persian conquest of the kingdom, which marks the end of its existence as a discrete and (relatively) circumscribed cultural sphere. Indeed, as this period also saw an influx of immigrants from Greece, it was also at this point that the Hellenization of Egyptian religion began. While some scholars suggest that even when "these beliefs became remodeled by contact with Greece, in essentials they remained what they had always been" (Erman, 203), it still seems reasonable to address these traditions, as far as is possible, within their own cultural milieu.</ref> Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded.<ref>The numerous inscriptions, stelae and papyri that resulted from this sudden stress on historical posterity provide much of the evidence used by modern archeologists and Egyptologists to approach the ancient Egyptian tradition (Pinch, 31-32).</ref> The cults within this framework, whose beliefs comprise the myths we have before us, were generally fairly localized phenomena, with different deities having the place of honor in different communities.<ref>These local groupings often contained a particular number of deities and were often constructed around the incontestably primary character of a creator god (Meeks and Meeks-Favard, 34-37).</ref>  Despite this apparently unlimited diversity, however, the gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “the Egyptian gods are imperfect as individuals. If we compare two of them … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.”<ref>Frankfort, 25-26.</ref> One reason for this was the undeniable fact that the Egyptian gods were seen as utterly [[immanent|immanental]]&mdash;they represented (and were continuous with) particular, discrete elements of the natural world.<ref>Zivie-Coche, 40-41; Frankfort, 23, 28-29.</ref> Thus, those who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Also, this flexibility was what permitted the development of multipartite cults (i.e. the cult of [[Amun-Re]], which unified the domains of [[Amun]] and [[Re]]), as the spheres of influence of these various deities were often complimentary.<ref>Frankfort, 20-21.</ref>
 +
 +
The worldview engendered by ancient Egyptian religion was uniquely appropriate to (and defined by) the geographical and calendrical realities of its believer’s lives. Unlike the beliefs of the [[Hebrews]], [[Mesopotamians]] and others within their cultural sphere, the Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it.<ref>Assmann, 73-80; Zivie-Coche, 65-67; Breasted argues that one source of this cyclical timeline was the dependable yearly fluctuations of the Nile (8, 22-24).</ref> The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was ultimately defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence.<ref>Frankfort, 117-124; Zivie-Coche, 154-166.</ref> Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tend to be either creation accounts or depictions of the world of the dead and of the gods place within it.
 +
 +
<summary>
 +
 +
==Mythological Accounts==
 +
 +
==Bast in Egyptian Religion==
  
{{Hiero|Bast|<hiero>W1-t-B1</hiero>|align=left|era=egypt}}
 
 
In [[Egyptian mythology]], '''Bast''' (also spelled '''Bastet''', '''Baset''', '''Ubasti''', and '''Pasht''') is an ancient [[goddess]], worshipped at least since the [[Second Dynasty]]. The centre of her [[cult]] was in [[Per-Bast]] (''Bubastis'' in Greek), which was named after her. Originally she was viewed as the protector goddess of [[Lower Egypt]], and consequently depicted as a fierce lion. Indeed, her name means ''(female) devourer''. As protectress, she was seen as defender of the [[pharaoh]], and consequently of the chief god, [[Ra]], who was a [[solar deity]], gaining her the titles ''Lady of Flame'' and ''[[Eye of Ra]]''. Bast was originally a goddess of the [[sun]], but later changed by the [[Greeks]] to a goddess of the [[moon]]. In Greek mythology, Bast is also known as ''Aelurus''.
 
In [[Egyptian mythology]], '''Bast''' (also spelled '''Bastet''', '''Baset''', '''Ubasti''', and '''Pasht''') is an ancient [[goddess]], worshipped at least since the [[Second Dynasty]]. The centre of her [[cult]] was in [[Per-Bast]] (''Bubastis'' in Greek), which was named after her. Originally she was viewed as the protector goddess of [[Lower Egypt]], and consequently depicted as a fierce lion. Indeed, her name means ''(female) devourer''. As protectress, she was seen as defender of the [[pharaoh]], and consequently of the chief god, [[Ra]], who was a [[solar deity]], gaining her the titles ''Lady of Flame'' and ''[[Eye of Ra]]''. Bast was originally a goddess of the [[sun]], but later changed by the [[Greeks]] to a goddess of the [[moon]]. In Greek mythology, Bast is also known as ''Aelurus''.
  
 
Later scribes sometimes named her '''Bastet''', a variation on ''Bast'' consisting of an additional [[feminine]] [[Affix|suffix]] to the one already present, thought to have been added to emphasise [[pronunciation]]. Since ''Bastet'' would literally mean ''(female) of the ointment jar'', Bast gradually became thought of as the goddess of perfumes, earning the title ''perfumed protector''. In connection with this, when [[Anubis]] became the god of embalming, Bast, as goddess of ointment, came to be regarded as his mother, although this association was broken in later years, when Anubis became [[Nephthys]]' son.
 
Later scribes sometimes named her '''Bastet''', a variation on ''Bast'' consisting of an additional [[feminine]] [[Affix|suffix]] to the one already present, thought to have been added to emphasise [[pronunciation]]. Since ''Bastet'' would literally mean ''(female) of the ointment jar'', Bast gradually became thought of as the goddess of perfumes, earning the title ''perfumed protector''. In connection with this, when [[Anubis]] became the god of embalming, Bast, as goddess of ointment, came to be regarded as his mother, although this association was broken in later years, when Anubis became [[Nephthys]]' son.
  
[[Image:Egypte louvre 028.jpg|left|thumb|200px|Bast as a lioness]]
 
 
This gentler characteristic, of Bast as goddess of perfumes, together with Lower Egypt's loss in the wars between Upper and Lower Egypt, led to a decrease in her ferocity. Thus, by the [[Middle Kingdom of Egypt|Middle Kingdom]] she was generally regarded as a [[domestic cat]] rather than a lionness.  Occasionally, however, she was depicted holding a lionness mask, which hinted at suppressed ferocity. Because domestic cats tend to be tender and protective toward their offspring, Bast was also regarded as a good mother, and she was sometimes depicted with numerous [[kittens]]. Consequently, a woman who wanted children sometimes wore an amulet showing the goddess with kittens, the number of which indicated her own desired number of children.
 
This gentler characteristic, of Bast as goddess of perfumes, together with Lower Egypt's loss in the wars between Upper and Lower Egypt, led to a decrease in her ferocity. Thus, by the [[Middle Kingdom of Egypt|Middle Kingdom]] she was generally regarded as a [[domestic cat]] rather than a lionness.  Occasionally, however, she was depicted holding a lionness mask, which hinted at suppressed ferocity. Because domestic cats tend to be tender and protective toward their offspring, Bast was also regarded as a good mother, and she was sometimes depicted with numerous [[kittens]]. Consequently, a woman who wanted children sometimes wore an amulet showing the goddess with kittens, the number of which indicated her own desired number of children.
  
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This merging of identities of similar goddesses has lead to considerable confusion, leading to some associating things such as the title ''Mistress of the [[Sistrum]]'' (more properly belonging to [[Hathor]], who had become thought of as an aspect of [[Isis]], as had Mut), and the idea of her as a lunar goddess (more properly an attribute of Mut). Indeed, much of this confusion occurred to subsequent generations, as the identities slowly merged, leading to the Greeks, who sometimes named her '''Ailuros''' ([[Greek language|Greek]] for ''cat''), thinking of Bast as a version of [[Artemis]], their own moon goddess. And thus, to fit their own cosmology, to the Greeks, Bast was thought of as the sister of [[Horus]], who they identified as [[Apollo]] (Artemis' brother), and consequently the daughter of Isis and [[Osiris]].
 
This merging of identities of similar goddesses has lead to considerable confusion, leading to some associating things such as the title ''Mistress of the [[Sistrum]]'' (more properly belonging to [[Hathor]], who had become thought of as an aspect of [[Isis]], as had Mut), and the idea of her as a lunar goddess (more properly an attribute of Mut). Indeed, much of this confusion occurred to subsequent generations, as the identities slowly merged, leading to the Greeks, who sometimes named her '''Ailuros''' ([[Greek language|Greek]] for ''cat''), thinking of Bast as a version of [[Artemis]], their own moon goddess. And thus, to fit their own cosmology, to the Greeks, Bast was thought of as the sister of [[Horus]], who they identified as [[Apollo]] (Artemis' brother), and consequently the daughter of Isis and [[Osiris]].
  
==Bast in popular culture==
+
==Notes==
 
+
<references />
 
 
 
 
===Literature===
 
Bast has been an influential figure in literature since her cult was first formed around the Second Dynasty. From appearances in early papryi manuscripts to references in modern culture, she is a popular figure both as the paradigmatical cat and as a goddess. Appearing frequently in comics, Bast has appeared as a minor, but influential, character in two of [[Neil Gaiman]]'s works, ''[[The Sandman (DC Comics/Vertigo)|The Sandman]]'' and ''[[American Gods]]''.  In Sandman, Bast appears as a friend and confident of [[Dream (DC Comics)|Dream]]; and in American Gods appears at times as a cat living with other Egyptian gods [[Thoth]] and [[Anubis]], who now survive as small-town [[mortician]]s, throughout the story providing the protagonist Shadow with comfort and protection such as using her powers among other cats to keep an eye on him; she is also the central figure in the comic by [[Marvel Comics]] titled [[Bast (Marvel Comics)|Bast]]. She often appears in a central role, such as in the three-issue limited series called ''[[The Sandman Presents: Bast]]'' written by [[Caitlin Kiernan]], or in the mythological novel ''Per-Bast: A Tale of Cats in Ancient Egypt'' where she is a predominant goddess; she also appears as an antagonist in the Korean [[manhwa]] ''Faeries' Landing'', where she speaks in a drawl reminiscent of a [[Southern belle]].
 
 
 
Bast often appears in literature as the goddess of cats, either directly appearing as such or being mentioned in passing. Some such instances include references in [[Garfield: His 9 Lives]], and in the online comic ''Two Lumps'', which is about two cats; the cat character Ebenezer refers to the goddess with exclamations such as "great Bast" and "for Bast's sake". An incarnation of Bast in the form of Iau, "The Queen", appears in [[Diane Duane]]'s novel ''[[The Book of Night with Moon]]''; a cat-headed deity called Bast appears in [[Terry Pratchett]]'s novel [[Pyramids (Discworld)|Pyramids]], part of the [[Discworld]] series, as a male God of Things Left On the Doorstep or Half-digested Under the Bed; and in ''[[The Catswold Portal]]'' by Shirley Rousseau Murphy Bast is presented as the mother of a species called Catswold, humans who can turn into cats.
 
 
 
Passing references are also frequent, as in [[John Gould (Canadian writer)|John Gould]]'s collection of short stories ''Kilter: 55 fictions'' where, in the last short story ''"new stoRy"'', the narrator's cat is named Bastet. In the book ''The Cat who Came for Christmas'' by Cleveland Amery,<ref>[http://www.amazon.ca/Cat-Came-Christmas-Cleveland-Amory/dp/0140113428/ref=sr_1_19/702-6817184-7380031?ie=UTF8&s=books&qid=1183389876&sr=1-19]</ref> Amery considers Bast as a name for his cat but decides against it, as Bast was a female goddess and the cat is male.
 
 
 
===Film and Television===
 
Another area of popular culture which Bast appears in often is film and television. Often portrayed as the Ancient Egyptian goddess herself in character form, she appeared in the animated series ''[[Mummies Alive!]]'' as the patron deity of Nefer-Tina, even appearing and transforming the aforementioned woman into a cat-like being in the episode "Paws."; and in the 2004 movie ''[[Immortel (Ad Vitam)]]'', Bastet, along with [[Anubis]], waits in the floating pyramid for the seven days while [[Horus]] tries to produce offspring. She also appeared as a [[Goa'uld]] System Lord in the television series [[Stargate SG-1]], and is a major character in the new [[Sakura Taisen]] [[OVA]] series ''Sakura Taisen: New York'', as an anime [[catgirl]] with bat wings.
 
 
 
The myths and legends surrounding Bast are also featured often as plot lines. In "[[The Stackhouse Filibuster]]" episode of ''[[The West Wing (TV series)|The West Wing]]'', where Bast, her history, and a curse from breaking an ancient statue of her likeness features in a subplot; in one episode of the television show ''[[Early Edition]]'', a statue of Bastet brings vengeance on thieves who steal the statue's emerald eyes, and the mysterious cat who brings a newspaper from the future is linked with the feline deity; and in the pilot episode of the television show ''[[Dark Angel (TV series)|Dark Angel]]'', a major plot element revolves around the main character Max (who has feline DNA) stealing a statue of the goddess Bast.
 
 
 
General references to the goddess in various forms abound, including in [[Walt Disney Pictures|Disney]]'s movie ''[[The Three Lives of Thomasina]]'', where the eponymous cat 'dies' during the movie and imagines herself going to cat heaven, presided over by a great statue of the cat goddess. In the 2004 movie ''[[Catwoman (film)|Catwoman]]'', the title character's supernatural powers are linked to the goddess Bast, and in the [[Troma Entertainment]] film ''Teen-Age Catgirls in Heat'' Bast is a central figure in the plot, often portrayed as a bust; the [[Aladdin (TV series)|Aladdin]] series had a character [[Mirage (Aladdin)|based on Bastet who was a recurring villain]]. The third story arc of the manga series ''[[JoJo's Bizarre Adventure]]'' features a woman named Mariah, who possesses a Stand named Bast that can magnetize people and attract metal from long distances.
 
 
 
===Other references===
 
  
Bast also appears, or mythology regarding her features in, different forms of games. In the [[role-playing game]] universe [[World of Darkness]], the [[Changing Breed#Bastet|Bastet]] are [[werecat]]s, one of many shapeshifting breeds, and in RPG [[Disgaea: Hour of Darkness]], Bastet is the highest level form of the kit-kat monster class. She often appears in other areas of pop culture, such as the representation of Bast on the clothing line ''The Baby Phat Cat'' by [[Kimora Lee Simmons]] ([[Baby Phat]] clothing line maker), the record label named ''Bastet'' owned by [[Arthur Magazine]], or the [[Apollo asteroid]] [[4257 Ubasti]] named after Bastet.
+
==References==
 +
* Assmann, Jan. ''In search for God in ancient Egypt''. Translated by David Lorton. Ithica: Cornell University Press, 2001. ISBN 0801487293.
 +
* Breasted, James Henry. ''Development of religion and thought in ancient Egypt''. Philadelphia: University of Pennsylvania Press, 1986. ISBN 0812210454.
 +
* Budge, E. A. Wallis (translator). ''The Egyptian Book of the Dead''. 1895. Accessed at [http://www.sacred-texts.com/egy/ebod/index.htm  sacred-texts.com].
 +
* Budge, E. A. Wallis (translator). ''The Egyptian Heaven and Hell''. 1905. Accessed at [www.sacred-texts.com/egy/ehh.htm sacred-texts.com].
 +
* Budge, E. A. Wallis. ''Egyptian Religion''. Kessinger, 1900.
 +
* Budge, E. A. Wallis. ''The gods of the Egyptians; or, Studies in Egyptian mythology''. A Study in Two Volumes. New York: Dover Publications, 1969.
 +
* Budge, E. A. Wallis (translator). ''Legends of the Gods: The Egyptian texts''. 1912. Accessed at [http://www.sacred-texts.com/egy/leg/index.htm sacred-texts.com].
 +
* Budge, E. A. Wallis (translator). ''The Rosetta Stone''. 1893, 1905. Accessed at [http://www.sacred-texts.com/egy/trs/index.htm sacred-texts.com].
 +
*Collier, Mark and Manley, Bill. ''How to Read Egyptian Hieroglyphs: Revised Edition''. Berkeley: University of California Press, 1998. 
 +
* Dunand, Françoise and Zivie-Coche, Christiane. ''Gods and men in Egypt: 3000 B.C.E. to 395 C.E.''. Translated from the French by David Lorton. Ithaca, NY: Cornell University Press, 2004. ISBN 080144165X.
 +
* Erman, Adolf. ''A handbook of Egyptian religion''. Translated by A. S. Griffith. London: Archibald Constable, 1907.
 +
* Frankfort, Henri. ''Ancient Egyptian Religion''. New York: Harper Torchbooks, 1961. ISBN 0061300772.
 +
* Griffith, F. Ll. and Thompson, Herbert (translators). ''The Leyden Papyrus''. 1904. Accessed at [http://www.sacred-texts.com/egy/dmp/index.htm sacred-texts.com].
 +
* Meeks, Dimitri and Meeks-Favard, Christine. ''Daily life of the Egyptian gods''. Translated from the French by G.M. Goshgarian. Ithaca, NY : Cornell University Press, 1996. ISBN 0801431158.
 +
* Mercer, Samuel A. B. (translator). ''The Pyramid Texts''. 1952. Accessed online at [www.sacred-texts.com/egy/pyt/index.htm sacred-texts.com].
 +
* Pinch, Geraldine. ''Handbook of Egyptian mythology''. Santa Barbara, CA: ABC-CLIO, 2002. ISBN 1576072428.
 +
* Shafer, Byron E. (editor). ''Temples of ancient Egypt''. Ithaca, NY: Cornell University Press, 1997. ISBN 0801433991.
 +
* Wilkinson, Richard H. ''The Complete Gods and Goddesses of Ancient Egypt''. London: Thames and Hudson, 2003. ISBN 0500051208.
  
 
==External links==
 
==External links==
 
{{Wikisource1911Enc|Bubastis}}
 
{{Wikisource1911Enc|Bubastis}}
[http://www.per-bast.net/bast.html Bast: Feline Goddess Revered Throughout Egyptian History]
+
*[http://www.per-bast.net/bast.html Bast: Feline Goddess Revered Throughout Egyptian History] - retrieved July 21, 2007
*[http://www.pantheon.org/articles/b/bastet.html ''Encyclopedia Mythica'':] Bast
+
*[http://www.pantheon.org/articles/b/bastet.html ''Encyclopedia Mythica'':] Bast - retrieved July 21, 2007
*[http://www.per-bast.org/ ''Per-Bast.org'':] The Domain of Bast
+
*[http://www.per-bast.org/ ''Per-Bast.org'':] The Domain of Bast - retrieved July 21, 2007
  
 
{{Ancient Egypt}}
 
{{Ancient Egypt}}

Revision as of 18:24, 21 July 2007

Bast as a lioness
Bast
in hieroglyphs
W1tB1

In Egyptian mythology, Bast (also spelled Bastet, Baset, Ubasti, and Pasht) is an ancient feline goddess who was worshiped since the early dynastic period (ca. 3000-2700 B.C.E.).

In classical Egyptian religion, Bast was the subject of considerable institutional and popular veneration. Institutionally, she was the central figure of a nationally recognized temple cult at Per Bast (Greek: "Bubastis") and was also featured in some confessional verses of the Egyptian Book of the Dead. On the popular level, she was revered for her relationship to female fertility and childbirth, such that amulets depicting the goddess with a litter of kittens (which were thought to grant similar biological fruitfulness) are relatively common archaeological finds in Egyptian excavations.

Bast in an Egyptian Context

As an Egyptian deity, Bast belonged to a complex religious, mythological and cosmological belief system developed in the Nile river basin from earliest prehistory to 525 B.C.E.[1] Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded.[2] The cults within this framework, whose beliefs comprise the myths we have before us, were generally fairly localized phenomena, with different deities having the place of honor in different communities.[3] Despite this apparently unlimited diversity, however, the gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “the Egyptian gods are imperfect as individuals. If we compare two of them … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.”[4] One reason for this was the undeniable fact that the Egyptian gods were seen as utterly immanental—they represented (and were continuous with) particular, discrete elements of the natural world.[5] Thus, those who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Also, this flexibility was what permitted the development of multipartite cults (i.e. the cult of Amun-Re, which unified the domains of Amun and Re), as the spheres of influence of these various deities were often complimentary.[6]

The worldview engendered by ancient Egyptian religion was uniquely appropriate to (and defined by) the geographical and calendrical realities of its believer’s lives. Unlike the beliefs of the Hebrews, Mesopotamians and others within their cultural sphere, the Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it.[7] The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was ultimately defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence.[8] Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tend to be either creation accounts or depictions of the world of the dead and of the gods place within it.

<summary>

Mythological Accounts

Bast in Egyptian Religion

In Egyptian mythology, Bast (also spelled Bastet, Baset, Ubasti, and Pasht) is an ancient goddess, worshipped at least since the Second Dynasty. The centre of her cult was in Per-Bast (Bubastis in Greek), which was named after her. Originally she was viewed as the protector goddess of Lower Egypt, and consequently depicted as a fierce lion. Indeed, her name means (female) devourer. As protectress, she was seen as defender of the pharaoh, and consequently of the chief god, Ra, who was a solar deity, gaining her the titles Lady of Flame and Eye of Ra. Bast was originally a goddess of the sun, but later changed by the Greeks to a goddess of the moon. In Greek mythology, Bast is also known as Aelurus.

Later scribes sometimes named her Bastet, a variation on Bast consisting of an additional feminine suffix to the one already present, thought to have been added to emphasise pronunciation. Since Bastet would literally mean (female) of the ointment jar, Bast gradually became thought of as the goddess of perfumes, earning the title perfumed protector. In connection with this, when Anubis became the god of embalming, Bast, as goddess of ointment, came to be regarded as his mother, although this association was broken in later years, when Anubis became Nephthys' son.

This gentler characteristic, of Bast as goddess of perfumes, together with Lower Egypt's loss in the wars between Upper and Lower Egypt, led to a decrease in her ferocity. Thus, by the Middle Kingdom she was generally regarded as a domestic cat rather than a lionness. Occasionally, however, she was depicted holding a lionness mask, which hinted at suppressed ferocity. Because domestic cats tend to be tender and protective toward their offspring, Bast was also regarded as a good mother, and she was sometimes depicted with numerous kittens. Consequently, a woman who wanted children sometimes wore an amulet showing the goddess with kittens, the number of which indicated her own desired number of children.

Due to the severe disaster to the food supply that could be caused by simple vermin such as mice and rats, and their ability to fight and kill snakes, especially cobras, cats in Egypt were revered heavily, sometimes being given golden jewelry to wear, and being allowed to eat from the same plates as their owners. Consequently, as the main cat (rather than lion) deity, Bast was strongly revered as the patron of cats, and thus it was in the temple at Per-Bast that dead (and mummified) cats were brought for burial. Over 300,000 mummified cats were discovered when Bast's temple at Per-Bast was excavated.

Bast as a domestic cat

As a cat/lion goddess, and protector of the lands, when, during the New Kingdom, the fierce lion god Maahes became part of Egyptian mythology, she was identified, in the Lower Kingdom, as his mother. This paralleled the identification of the fierce lion goddess Sekhmet, as his mother in the Upper Kingdom.

As divine mother, and more especially as protectress, for Lower Egypt, she became strongly associated with Wadjet, the patron goddess of Lower Egypt, eventually becoming Wadjet-Bast, paralleling the similar pair of patron (Nekhbet) and lioness protector (Sekhmet) for Upper Egypt. Eventually, her position as patron and protector of Lower Egypt, lead to her being identified as the more substantial goddess Mut, whose cult had risen to power with that of Amun, and eventually being absorbed into her as Mut-Wadjet-Bast. Shortly after, Mut also absorbed the identities of the Sekhmet-Nekhbet pairing as well.

This merging of identities of similar goddesses has lead to considerable confusion, leading to some associating things such as the title Mistress of the Sistrum (more properly belonging to Hathor, who had become thought of as an aspect of Isis, as had Mut), and the idea of her as a lunar goddess (more properly an attribute of Mut). Indeed, much of this confusion occurred to subsequent generations, as the identities slowly merged, leading to the Greeks, who sometimes named her Ailuros (Greek for cat), thinking of Bast as a version of Artemis, their own moon goddess. And thus, to fit their own cosmology, to the Greeks, Bast was thought of as the sister of Horus, who they identified as Apollo (Artemis' brother), and consequently the daughter of Isis and Osiris.

Notes

  1. This particular "cut-off" date has been chosen because it corresponds to the Persian conquest of the kingdom, which marks the end of its existence as a discrete and (relatively) circumscribed cultural sphere. Indeed, as this period also saw an influx of immigrants from Greece, it was also at this point that the Hellenization of Egyptian religion began. While some scholars suggest that even when "these beliefs became remodeled by contact with Greece, in essentials they remained what they had always been" (Erman, 203), it still seems reasonable to address these traditions, as far as is possible, within their own cultural milieu.
  2. The numerous inscriptions, stelae and papyri that resulted from this sudden stress on historical posterity provide much of the evidence used by modern archeologists and Egyptologists to approach the ancient Egyptian tradition (Pinch, 31-32).
  3. These local groupings often contained a particular number of deities and were often constructed around the incontestably primary character of a creator god (Meeks and Meeks-Favard, 34-37).
  4. Frankfort, 25-26.
  5. Zivie-Coche, 40-41; Frankfort, 23, 28-29.
  6. Frankfort, 20-21.
  7. Assmann, 73-80; Zivie-Coche, 65-67; Breasted argues that one source of this cyclical timeline was the dependable yearly fluctuations of the Nile (8, 22-24).
  8. Frankfort, 117-124; Zivie-Coche, 154-166.

References
ISBN links support NWE through referral fees

  • Assmann, Jan. In search for God in ancient Egypt. Translated by David Lorton. Ithica: Cornell University Press, 2001. ISBN 0801487293.
  • Breasted, James Henry. Development of religion and thought in ancient Egypt. Philadelphia: University of Pennsylvania Press, 1986. ISBN 0812210454.
  • Budge, E. A. Wallis (translator). The Egyptian Book of the Dead. 1895. Accessed at sacred-texts.com.
  • Budge, E. A. Wallis (translator). The Egyptian Heaven and Hell. 1905. Accessed at [www.sacred-texts.com/egy/ehh.htm sacred-texts.com].
  • Budge, E. A. Wallis. Egyptian Religion. Kessinger, 1900.
  • Budge, E. A. Wallis. The gods of the Egyptians; or, Studies in Egyptian mythology. A Study in Two Volumes. New York: Dover Publications, 1969.
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External links

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Bubastis


Ankh Topics about Ancient Egypt edit Ankh
Places: Nile river | Niwt/Waset/Thebes | Alexandria | Annu/Iunu/Heliopolis | Luxor | Abdju/Abydos | Giza | Ineb Hedj/Memphis | Djanet/Tanis | Rosetta | Akhetaten/Amarna | Atef-Pehu/Fayyum | Abu/Yebu/Elephantine | Saqqara | Dahshur
Gods associated with the Ogdoad: Amun | Amunet | Huh/Hauhet | Kuk/Kauket | Nu/Naunet | Ra | Hor/Horus | Hathor | Anupu/Anubis | Mut
Gods of the Ennead: Atum | Shu | Tefnut | Geb | Nuit | Ausare/Osiris | Aset/Isis | Set | Nebet Het/Nephthys
War gods: Bast | Anhur | Maahes | Sekhmet | Pakhet
Deified concepts: Chons | Maàt | Hu | Saa | Shai | Renenutet| Min | Hapy
Other gods: Djehuty/Thoth | Ptah | Sobek | Chnum | Taweret | Bes | Seker
Death: Mummy | Four sons of Horus | Canopic jars | Ankh | Book of the Dead | KV | Mortuary temple | Ushabti
Buildings: Pyramids | Karnak Temple | Sphinx | Great Lighthouse | Great Library | Deir el-Bahri | Colossi of Memnon | Ramesseum | Abu Simbel
Writing: Egyptian hieroglyphs | Egyptian numerals | Transliteration of ancient Egyptian | Demotic | Hieratic
Chronology: Ancient Egypt | Greek and Roman Egypt | Early Arab Egypt | Ottoman Egypt | Muhammad Ali and his successors | Modern Egypt

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