Difference between revisions of "Gorgon" - New World Encyclopedia

From New World Encyclopedia
({{Contracted}})
 
(25 intermediate revisions by 9 users not shown)
Line 1: Line 1:
{{Claimed}}{{Started}}{{Contracted}}
+
{{Ebapproved}}{{Copyedited}}{{Submitted}}{{Images OK}}{{Approved}}{{Paid}}
 +
 
 
[[Category:Politics and social sciences]]
 
[[Category:Politics and social sciences]]
 
[[Category:Anthropology]]
 
[[Category:Anthropology]]
[[Image:Medusa_by_Caravaggio.jpg|thumb|240px|right|Baroque Medusa combined beauty and horror: ''Medusa,'' after 1590, by [[Caravaggio]]]]
+
[[Category:Mythical creatures]]
In [[Greek mythology]], the '''Gorgons''' ("terrible" or, according to some, "loud-roaring") were vicious female [[monster]]s with sharp fangs and hair of living, venomous snakes.
+
[[Image:Medusa_by_Caravaggio.jpg|thumb|200px|right|Baroque Medusa combined beauty and horror: ''Medusa,'' after 1590, by [[Caravaggio]]]]
In [[Greek mythology]], '''Medusa''' (Greek: Μέδουσα, Médousa, "guardian, protectress"<ref>The verb ''medein'' "to protect, rule over," has given the name of another dangerous protectress, [[Medea]].</ref>), was a monstrous [[chthonic]] female character, essentially an extension of an [[apotropaic]] mask, gazing upon whom could turn onlookers to stone. Secondarily, Medusa was tripled into a trio of sisters, the [[Gorgon]]s.
+
In [[Greek mythology]], the '''Gorgons''' were three vicious female [[mythical creature]]s that lived on an [[island]] and possessed the ability to turn a person to [[stone]] by looking at them. They possessed both beautiful and hideous traits, the most famous being their head of coiled [[snake]]s instead of [[hair]]. Of the three, [[Medusa]] is perhaps the most famous of the Gorgons, being the only one of the three who was [[mortality|mortal]]. Also, many references are made to her specifically in [[literature]] and [[film|movies]]. She, like many such creatures, met her doom at the hands of a [[hero]] aided by the [[polytheism|god]]s.
  
==Origins==
+
While the tales of Gorgons were and still are considered fictitious, they continue to have meaning for us today. Their [[beauty]] attracted all people to look at them, despite the presence of the snakes in their hair which could readily be seen as an indication of their [[evil]] nature. A mere glance by a person at a Gorgon was sufficient to kill a person. In metaphorical resonance, [[human being]]s readily succumb to temptation when they act out of selfish desire for immediate gratification while disregarding the guidance and warnings of the [[conscience]], and through such actions they may well "die" in some way.
 +
{{toc}}
 +
The most beautiful Gorgon, Medusa, was also mortal, and so could be killed by the one who did not look directly at her. The lesson here could be that victory can be gained by avoiding even the sight of evil.
  
The concept of the gorgon is at least as old in mythology as Perseus and Zeus. The name is Greek, being from gorgos, "terrible." There are a few cognates: Old Irish garg, "wild," Armenian karcr, "hard." Hoffman's suggested root is *gragnis; [[Émile Boisacq]]'s, *greg-. The root would not be a commonly used one.
+
==Etymology==
[[Image:Douris cup Jason Vatican 16545.jpg|thumb|left|300px|Athena wears the primitive form of the ''Gorgoneion''; cup by [[Douris (vase painter)|Douris]], early 5th century B.C.E.]]
+
The word '''Gorgon''' comes from the [[Greek language|Greek]] word '''γογύς''' which roughly translates as "terrible." The [[Latin]] form, '''Gorgonem''', is the origin of the [[English language|English]] word. From Latin also comes the words '''Gorgoneion''', which means the representation, usually an artwork, of a Gorgon's head; '''Gogonia''', someone that has been petrified by a Gorgon; '''Gorgonize''', the act of petrifying someone; and '''Gorgonian''', which is a resemblance to a Gorgon.<ref>''The Oxford English Dictionary'' (Oxford Press, 1971). ISBN 019861117X)</ref> The name of the most famous Gorgon, ''Medusa'', comes directly from the Greek ''Μέδουσα''.
  
The name of the most senior "terrible one," Medusa, is better Greek, being the feminine present participle of medein, "to rule over." The masculine, Medon, "ruler," is a Homeric name. The Indo-European root, *me-, "measure," generates a large number of words.
+
==Description==
 +
[[Image:Gorgones Cdm Paris 277.jpg|thumb|right|200 px| Gorgons. Attic black-figure lekythos, ca. 530 B.C.E.]]
 +
Generally, the Gorgons are identified as female, with scaly golden bodies, a human if not hideous face, hair of coiled, live [[snake]]s, and the [[tusk]]s of [[boar]]s. They also are said to possess wings of [[gold]], but it is not said if they can fly. Beyond their ability to turn anyone into stone by simply looking at them, the snakes on their head were believed to be [[poison]]ous and they sometimes were depicted as having sharp claws that could easily rip and tear flesh.
  
The name of "queen" and the magical powers indicate Medusa was a bronze-age deity, and yet deities are not beheaded by mortals and terrible ones are not really terrible if they ward away enemies. The snakes are reminiscent of the Cretan [[Snake Goddess|snake goddess]]. It is possible that the story represents the subordination of a pre-Greek religious infrastructure by new Greek superstructures able to attribute the power of life and death to themselves.
+
==Origins==
 
 
On the other hand, [[Marija Gimbutas]] ("Language of the Goddess") believed she saw the prototype of the ''Gorgoneion'' in [[Neolithic]] art motifs, especially in anthropomorphic vases and [[terra cotta]] masks inlaid with gold. The gorgon descends from the pre-Indo-European goddess of life and death, represented in various forms, of which the ''Gorgoneion'' is one.
 
  
The motif is an accretion of motifs. The large eyes, as well as Athena's flashing eyes, are a symbol termed "the divine eyes" by Gimbutas (who did not originate the perception), appearing also in Athena's bird, the owl. They can be represented by spirals, wheels, concentric circles, and other ways. They radiate the sun's rays and weep the spring rains.
+
As with many [[Greek mythology|Greek myths]], the legend of the Gorgons cannot readily be traced to an original source. While the roots of many [[mythological creature]]s seem to lie in an attempt to understand nature and the world, the Gorgons seem to represent ugliness and [[fear]]. The Gorgons' ability to kill their opponents with a look renders nearly all human abilities useless, thus making even the most skilled warriors impotent. In many cultures, [[snake]]s are regarded with fear, so it is justifiable that such a dark creature would have them covering her head. Furthering this idea is the body of scales, suggesting a more [[reptile|reptilian]] connection, but there is just enough [[human being|humanity]] mirrored in the face to make the Gorgon recognizable to humans. Thus the Gorgons may represent the ugliest and most demented aspects of humankind.
  
Snakes also possess the eyes. The fangs of the gorgoneion are snakes' fangs. Snakes are a symbol of appeasement and increase. The round face is the moon. Sometimes ''Gorgoneia'' are endowed with birds' feet or bee wings, more symbols of regeneration. The mouth is open so that streams may flow from it. The lolling tongue is a symbol of death.
+
Stephen Wilk has argued that the myth actually resulted from [[astronomy|astronomical]] phenomena: the variable brightness given off by a [[star]] in the [[Perseus constellation]] seems to mimic the mythical battle between Medusa and [[Perseus]], in which the hero decapitated the Gorgon. To support his thesis that the myth derived from the constellation (as opposed to the generally accepted reverse scenario) Wilk also noted that a similar myth was common in many different cultures.<ref> Stephen Wilk. ''Medusa: Solving the Mystery of the Gorgon'' (Oxford University Press, 2000). </ref>
  
It cannot be said that these motifs belong exclusively to the European Neolithic and not to the Indo-Europeans. They appear among the [[Celts]] and [[Germans]] as well. The [[Balts]] kept snakes as household pets. As Gimbutas points out, masks with staring eyes are portrayed in [[Paleolithic]] cave art. Very likely, the goddess precedes any Indo-European/non-Indo-European distinction.
+
As with many other Greek legends, successive generations and authors re-told the stories, and with each re-telling changed the story somewhat.
  
At [[Mycenae]], traces of the ancient religion are found in elements considered characteristically Greek. A [[tholos]] tomb, there or elsewhere, is a symbol of the [[uterus]]. Solar discs studded the walls of some. The "death masks" of the shaft graves should probably more aptly be called life masks. In Paleolithic art, the dancer, who puts on a reindeer head with staring eyes, very likely became the reindeer in the dance. Similarly, a masked corpse overcame death by putting on the mask of life, a different concept from our [[death mask]].
+
It was [[Hesiod]] ([[Theogony]], [[Shield of Heracles]]) who increased the number of Gorgons to three—[[Stheno]] (the mighty), [[Euryale]] (the far-springer), and [[Medusa]] (the queen), and claimed they were the daughters of the sea-god [[Phorcys]] and of [[Ceto|Keto]]. Medusa was believed to be the only mortal of the three, and coincidentally she was also the only one to become pregnant.  
 
 
Gimbutas cites ''Gorgoneia'' with bees' heads on some classical [[Attica|Attic]] pottery and with bees'heads, snake heads or owl faces on some [[Cycladic]] pottery. She regards them as transitional between the ancient and classical ''Gorgoneia''. As for the name, it is not from a solid Indo-European root. It could have been from a more ancient language, or could have translated a word in another language.  
 
 
[[Image:Rubens Medusa.jpeg|thumb|300px|left|''Tête de Méduse'', by [[Peter Paul Rubens]].]]
 
[[Image:Rubens Medusa.jpeg|thumb|300px|left|''Tête de Méduse'', by [[Peter Paul Rubens]].]]
In Greek myth, only Perseus and Zeus (through Athena) own the ''Gorgoneion''. The two must be tied together in some way; that is, the king of Mycenae was the earthly counterpart of Zeus from whom he derived his authority. The Iliad clearly expresses this divine right of bronze-age kings, which the wrath of [[Achilles]] undermined. By assuming the ''Gorgoneion'', [[Perseus]] put on as a mask the power of life and death personified by Medusa, the cosmic queen.
 
Some classical references multiply her<ref>"The triple form is not primitive, it is merely an instance of a general tendency...  which makes of each woman goddess a trinity, which has given us the [[Horae]], the [[Charites]], the [[Semnai]], and a host of other triple groups. It is immediately obvious that the Gorgons are not really three but one + two. The two unslain sisters are mere appendages due to custom; the real Gorgon is Medusa " (Harrison 1903:187).</ref> into three [[Gorgon]] sisters: Medusa, [[Stheno]], and [[Euryale]], monsters with goggling eyes, sharp protruding fangs and lolling tongues, brass hands, and hair of living, venomous snakes. The Gorgons were children of [[Phorcys]] and [[Ceto]], or sometimes, [[Typhon]] and [[Echidna (mythology)|Echidna]], in each case chthonic monsters from an archaic world. Their genealogy is shared with other sisters, the [[Graiae]], as in [[Aeschylus]]' ''[[Prometheus Unbound]]'', who places both trinities of sisters far off "on [[Kisthene]]'s dreadful plain":
 
  
:"Near them their sisters three, the Gorgons, winged
+
The [[Attica, Greece|Attic]] tradition, reproduced in [[Euripides]] ([[Ion (play)|Ion]]), regarded the Gorgons as monsters, produced by [[Gaia (mythology)|Gaia]] to aid her sons, the giants, against the gods, and slain by [[Athena]]. According to [[Ovid]] ''([[Metamorphoses (poem)|Metamorphoses]])'', Medusa alone had [[serpent]]s in her hair, and this was due to Athena (Roman [[Minerva]]) cursing her. Medusa had copulated with [[Poseidon]] (Roman [[Neptune (god)|Neptune]]), who was aroused by the golden color of Medusa's hair, in a [[temple]] of Athena. Athena therefore changed the enticing golden locks into serpents.  
:With snakes for hair— hated of mortal man—" [[Image:PerseusSignoriaStatue.jpg|thumb|238px|''Perseus with the Head of Medusa'', by [[Benvenuto Cellini]].]]
 
 
 
While ancient Greek vase-painters and relief carvers imagined Medusa and her sisters as beings born of monstrous form, sculptors and vase-painters of the later fifth century began to envisage her as a being beautiful as well as terrifying. In a late version of the Medusa myth, related by the Roman poet [[Ovid]] (Metamorphoses 4.770), Medusa was originally a beautiful [[nymph]] , but when she had intercourse with [[Poseidon]] in Athena's temple, the goddess transformed her hair to serpents and she made her face so terrible to behold that the mere sight of it would turn a man to stone.
 
 
 
In all the versions, while Medusa was pregnant by Poseidon, she was beheaded in her sleep by the hero [[Perseus]], who was sent to fetch her head by King [[Polydectes]] of Seriphus. With help from Athena and [[Hermes]], who supplied him with winged sandals, Hades' cap of invisibility, a sickle, and a mirrored shield, he accomplished his quest. The hero slew Medusa by looking at her reflection in the mirror instead of directly at her to prevent being turned into stone. When the hero severed Medusa's head, from her neck two offspring sprang forth: the winged horse [[Pegasus]] and the giant [[Chrysaor]] who later became the hero wielding the golden sword. [[Jane Ellen Harrison]] notes that "her potency only begins when her head is severed, and that potency resides in the head; she is in a word a mask with a body later appended ... the basis of the [[Gorgoneion]] is a [[cult (religion)|cultus object]], a ritual mask misunderstood." (Harrison 1922:187). In ''[[Odyssey]]'' xi, Homer does not specifically mention the Gorgon Medusa,
 
:::"lest for my daring Persephone the dread
 
:From Hades should send up an awful monster's grizzly head"
 
in the translation of Jane Ellen Harrison, who notes "the Gorgon was made out of the terror, not the terror out of the Gorgon (Harrison 1922: 187, note 3).
 
 
According to [[Ovid]] Perseus flew past the Titan [[Atlas]] in North-West Africa who stood holding the sky aloft, and transformed him into stone. The story was an [[etiology|aetiological]] myth describing origins of the Atlas Mountains. In a similar manner, the [[coral (precious)|coral]]s of the Red Sea were said to have been formed of Medusa's blood spilled onto [[seaweed]] when Perseus laid down the petrifying head beside the shore. Furthermore the poisonous vipers of the Sahara, in the ''[[Argonautica]]'', were said to have grown from spilt drops of her blood.
 
 
 
Perseus then flew to his mother's island where she was about to be forced into marriage with the king. He cried out "Mother, shield your eyes," and everyone but his mother was turned into stone by the gaze of Medusa's head.
 
 
 
Then he gave the Gorgon's head to Athena, who placed it on her shield, the [[Aegis]]. Some say the goddess gave Medusa's magical blood to the physician [[Asclepius]], some of which was a deadly poison and the other had the power to raise the dead.
 
<br style="clear: both"/>
 
 
 
==Classical tradition==
 
[[Image:Achilles's shield (Corfu Achilleion).JPG|thumb|250px|Gorgon decorates the shield of [[Achilles]] at the [[Corfu]] [[Achilleion (Corfu)|Achilleion]]]]
 
 
 
Gorgons are sometimes depicted as having wings of [[gold]], brazen claws, and the [[tusk]]s of [[boar]]s.  According to the myths, seeing the face of a Gorgon turned the viewer to stone.
 
 
 
[[Homer]] speaks of only one Gorgon, whose head is represented in the [[Iliad]] as fixed in the center of the [[aegis]] of [[Zeus]]:
 
:"About her shoulders she flung the tasselled aegis, fraught with terror...and therein is the head of the dread monster, the Gorgon, dread and awful, a portent of Zeus that beareth the aegis."(5.735ff)
 
Its earthly counterpart is a device on the shield of [[Agamemnon]]:
 
:"...and therein was set as a crown the Gorgon, grim of aspect, glaring terribly, and about her were Terror and Rout."(11.35ff)
 
 
 
In the ''[[Odyssey]]'', she is a monster of the underworld:
 
:"...and pale fear seized me, lest august [[Persephone]] might send forth upon me from out of the house of [[Hades]] the head of the Gorgon, that awful monster..."(11.635)
 
[[Hesiod]] ([[Theogony]], [[Shield of Heracles]]) increases the number of Gorgons to three—[[Stheno]] (the mighty), [[Euryale]] (the far-springer) and [[Medusa]] (the queen), and makes them the daughters of the sea-god [[Phorcys]] and of [[Ceto|Keto]]. Their home is on the farthest side of the western ocean; according to later authorities, in [[Ancient Libya|Libya]]. The [[Attica, Greece|Attic]] tradition, reproduced in [[Euripides]] ([[Ion (play)|Ion]]), regarded the Gorgon as a monster, produced by [[Gaia (mythology)|Gaia]] to aid her sons the giants against the gods and slain by [[Athena]]. Of the three Gorgons, only Medusa is mortal. 
 
 
 
According to [[Ovid]] (''[[Metamorphoses (poem)|Metamorphoses]]''), Medusa alone had serpents in her hair, and this was due to [[Athena]] (Roman [[Minerva]]) cursing her. Medusa had copulated with [[Poseidon]] (Roman [[Neptune (god)|Neptune]]), who was aroused by the golden color of Medusa's hair, in a [[temple]] of Athena. Athena therefore changed the enticing golden locks into serpents.  [[Aeschylus]] says that the three Gorgons had only one tooth and one eye between them (see also the [[Graeae]]), which they had to swap between themselves.
 
 
 
Other sources claim that each of three Gorgon sisters, Stheno, Euryale, and Medusa, had snakes for hair, and had the power to turn anyone who looked at them to stone. [[Apollodorus]] (11.2.6, 2.4.1, 22.4.2) provides a good summary of the Gorgon myth, while [[Pausanias (geographer)|Pausanias]] (5.10.4, 8.47.5, many other places) supplies the details of where and how the Gorgons were represented in Greek art and architecture.
 
  
 
==Perseus and Medusa==
 
==Perseus and Medusa==
  
[[Image:Medusa.jpg|thumb|left|''Medusa'', by [[Arnold Böcklin]] (1878)]]
+
[[Image:Medusa.jpg|thumb|right|''Medusa'', by [[Arnold Böcklin]] (1878).]]
Medusa was the only one of the three who was mortal; hence [[Perseus (mythology)|Perseus]] was able to kill her by cutting off her head while looking at her in the reflection in a mirrored shield he got from the [[Graeae]]. Some authors say that Perseus was armed with a scythe by [[Hermes]] ([[Mercury (mythology)|Mercury]]) and a mirror by [[Athena]] ([[Minerva]]). Whether the mirrored shield or the scythe, these weapons allowed him to defeat Medusa easily. From the blood that spurted from her neck sprang [[Chrysaor]] and [[Pegasus]] (other sources say that each drop of blood became a snake), her two sons by [[Poseidon]]. He gave the head, which had the power of turning into stone all who looked upon it, to Athena, who placed it in her shield; according to another account, Perseus buried it in the marketplace of [[Argos]].
 
  
==Protective and healing powers==
+
The most famous legend involving the Gorgons was the story of how [[Perseus]] killed [[Medusa]]. According to the story, [[Polydectes]] secretly planned to kill Perseus and conceived a plan to trick him into obtaining the head of Medusa as a wedding gift, knowing that Perseus would more than likely die trying to complete the task. However, Perseus was aided in his endeavors by the gods [[Hermes]] and [[Athena]], who not only guided him to the Gorgons' island, but also equipped him with the tools necessary to slay Medusa. Hermes provided him with a sword strong enough to pierce Medusa's tough scales and Athena presented Perseus with a finely polished, bronze shield, in which he could look at her reflection in the shield as he guided his sword, that way avoiding her deadly stare. While the Gorgons slept, Perseus crept into their lair and decapitated Medusa. From the [[blood]] that spurted from her neck sprang [[Chrysaor]] and [[Pegasus]] (other sources say that each drop of blood became a snake), her two sons by [[Poseidon]].<ref> Edith Hamilton. ''Mythology'' (1942).</ref>
In Ancient Greece a ''Gorgoneion'' (or stone head, engraving or drawing of a Gorgon face, often with snakes protruding wildly and tongue sticking out between the fangs) was frequently used as an [[Apotropaic magic#Apotropaic symbols|Apotropaic symbol]] and placed on doors, walls, coins, shields, breastplates, and [[tomb stone|tombstone]]s in the hopes of warding off evil. In this regard ''Gorgoneia'' are similar to the sometimes grotesque faces on Chinese soldiers’ shields, also used generally as an amulet, a protection against the [[evil eye]]. In some cruder representations, the blood flowing under the head can be mistaken for a beard.
+
[[Image:Perseo Cellini.jpg|thumb|left|200 px| Perseus and Medusa by Cellini, Loggia dei Lanzi, Firenze.]]
 +
Instead of presenting the head to Polydectes, Perseus decided to use to his own advantage. He flew to his mother's island where she was about to be forced into marriage with the king, warned his mother to shield her eyes as he withdrew the severed head from the bag in which he had placed it. Everyone present except Perseus and his mother was turned into stone by the gaze of Medusa's head. Knowing that whoever possessed the head had a weapon of cataclysmic potential, Perseus decided to give the Gorgon's head to Athena, who placed it on her shield, the [[Aegis]].  
  
In Greek mythology, blood taken from the right side of a Gorgon could bring the dead back to life, yet blood taken from the left side was an instantly fatal poison.  [[Athena]] gave a vial of the healing blood to [[Asclepius]], which ultimately brought about his demise.
+
There are other, lesser told stories involving Medusa. Some say the goddess gave Medusa's magical blood to the physician [[Asclepius]]&mdash;some of which was a deadly poison and the other had the power to raise the dead&mdash;but that the power was too much for one man to possess and ultimately brought about his demise.  
  
[[Heracles]] is said to have obtained a lock of Medusa’s hair (which possessed the same powers as the head) from Athena and given it to [[Sterope]], the daughter of [[Cepheus]]{{dn}}, as a protection for the town of [[Tegea]] against attack.
+
[[Heracles]] is said to have obtained a lock of Medusa’s hair (which possessed the same powers as the head) from Athena and given it to [[Sterope]], the daughter of [[Cepheus]], as a protection for the town of [[Tegea]] against attack.
  
According to the later idea of Medusa as a beautiful maiden, whose hair had been changed into snakes by Athena, the head was represented in works of art with a wonderfully handsome face, wrapped in the calm repose of death.
+
== Gorgons in art==
 +
[[Image:Hydria gorgon BM B58.jpg|thumb|200px|right|Archaic fanged goggle-eyed gorgoneion flanked by [[sphinx]]es on a ''[[hydria]]'' from [[Vulci]], 540-530 B.C.E.]]
 +
Since ancient times, Medusa and the Gorgons have often been depicted in [[art]]works. In [[Ancient Greece]] a ''Gorgoneion'' (or stone head, engraving or drawing of a Gorgon face, often with snakes protruding wildly and tongue sticking out between the fangs) was frequently used as an [[Apotropaic symbol]] and placed on doors, walls, [[coin]]s, shields, breastplates, and [[tomb stone|tombstone]]s in the hopes of warding off [[evil]]. In this regard ''Gorgoneia'' are similar to the sometimes grotesque faces on Chinese soldiers’ shields, also used generally as an [[amulet]], a protection against the [[evil eye]].  
  
== Medusa in art and legend==
+
In some cruder representations, the blood flowing under the head can be mistaken for a beard.<ref> Frederick Thomas Elworthy. [http://www.sacred-texts.com/evil/tee/tee07.htm "Chapter V: The Gorgoneion"] (1895). Retrieved August 11, 2007.</ref> On shields, pots, and even in large carvings and [[statue]]s, the epic defeat of Medusa by Perseus has been depicted, usually in celebration of Perseus' triumph over the Gorgons.
[[Image:Hydria gorgon BM B58.jpg|thumb|140px|right|Archaic fanged goggle-eyed gorgoneion flanked by [[sphinxes]] on a ''[[hydria]]'' from [[Vulci]], 540-530 B.C.E.]]
 
Medusa is a well-known mythological icon throughout the world, having been portrayed in works of art as well as popular media over the ages.
 
  
Examples of Medusa and the Perseus legend in the arts:
+
Medusa is a well-known mythological icon throughout the world, having been portrayed in works of art as well as popular media over the ages. [[Leonardo da Vinci]], [[Benvenuto Cellini]], [[Antonio Canova]], [[Salvador Dalí]], and [[Arnold Böcklin]] are a few of the more famous painters who have depicted Medusa, often in battle with Perseus, over the years.
*[[Medusa (Leonardo da Vinci)|''Medusa'']] (oil on canvas) by [[Leonardo da Vinci]];
 
*[http://en.wikipedia.org/wiki/Image:PerseusSignoriaStatue.jpg ''Perseus with the Head of Medusa''] (bronze sculpture) by [[Benvenuto Cellini]] (1554);
 
*[http://en.wikipedia.org/wiki/Image:Persus-with-the-head-of-med.jpg ''Perseus with the Head of Medusa''] (marble sculpture) by [[Antonio Canova]] (1801);
 
*[http://en.wikipedia.org/wiki/Image:Dal%C3%AD.Perseo.JPG ''Perseus''] (bronze sculpture) by [[Salvador Dalí]];
 
*[http://en.wikipedia.org/wiki/Image:Medusa1.jpg ''Medusa''] (oil on canvas) by [[Arnold Böcklin]]  
 
*[[Medusa (Caravaggio)|''Medusa'']] (oil on canvas) by [[Caravaggio]].
 
  
 
==Gorgons in modern culture==
 
==Gorgons in modern culture==
  
Like [[cyclops]], [[harpies]], and other beasts of Greek mythology, gorgons have been popularized in modern times by the fantasy genre such as in books, comics, role-playing games, and video games. Although not as well known as [[dragons]] or [[unicorns]], most popular lore concerning gorgons derives from [[Medusa]] and the [[Perseus]] legend. Images of gorgons and Medusa are commonly mistaken to be the same. According to most of the original Greek myths, Medusa was the only one of the Gorgon sisters to be beautiful; the others being hideous beasts. Over time, however, and possibly even in their original day, both gorgons and Medusa came to be seen as evil monsters.
+
Like [[cyclops]], [[harpy|harpies]], and other beasts of [[Greek mythology]], Gorgons have been popularized in modern times by the [[fantasy]] genre such as in books, comics, [[role-playing game]]s, and [[video game]]s. Although not as well known as [[dragon]]s or [[unicorn]]s, most popular lore concerning Gorgons derives from [[Medusa]] and the [[Perseus]] legend.  
 +
 
 +
Images of Gorgons and Medusa are commonly mistaken to be the same. According to most of the original Greek myths, Medusa was the only one of the Gorgon sisters to be beautiful; the others being hideous beasts. Over time, however, and possibly even in their original day, Medusa too came to be seen as an evil monster.
  
 
==Notes==
 
==Notes==
 
<div class="references-small">
 
 
<references />
 
<references />
</div>
 
  
 
==References==
 
==References==
*[[Jane Ellen Harrison]], (1903) 3rd ed. 1922. ''Prolegomena to the Study of Greek Religion'',: "The Ker as Gorgon"
+
* Elworthy, Frederick T. [http://www.sacred-texts.com/evil/tee/tee00.htm ''The Evil Eye: An Account of this Ancient and Widespread Superstition''] London: J. Murray, 1895. Retrieved December 26, 2022.
{{1911}}
+
* Hamilton, Edith. ''Mythology''. Boston, MA: Back Bay Books, 1998 (original 1942). ISBN 0316341517
 +
* Harrison, Jane E. ''Prolegomena to the Study of Greek Religion'', 1922 (original 1903).
 +
* Wilk, Stephen R. ''Medusa: Solving the Mystery of the Gorgon''. Oxford University Press, 2000. ISBN 0195124316
 +
* {{1911}}
  
''Additional material has been added from the 1824 Lempriere's Dictionary.''
 
 
==External links==
 
==External links==
 
+
All links retrieved June 26, 2017.
* [http://www.theoi.com/Pontios/Gorgones.html Theoi Project, Medousa & the Gorgones] References to Medusa and her sisters in classical literature and art
+
* [http://www.english.uiuc.edu/maps/poets/a_f/bogan/medusamyth.htm Medusa in Myth and Literary History]  
* [http://www.english.uiuc.edu/maps/poets/a_f/bogan/medusamyth.htm Medusa in Myth and Literary History]
+
* [http://rg.ancients.info/medusa/ Medusa Coins] Ancient coins depicting Medusa.
* [http://www.infoplease.com/t/lit/shelley/2/5/18.html ''On the Medusa of Leonardo Da Vinci in the Florentine Gallery''], by [[Percy Bysshe Shelley]]
+
* [http://www.infoplease.com/t/lit/shelley/2/5/18.html ''On the Medusa of Leonardo Da Vinci in the Florentine Gallery''], by Percy Bysshe Shelley.  
* [http://rg.ancients.info/medusa/ Medusa Coins] Ancient coins depicting Medusa
+
* [http://www.theoi.com/Pontios/Gorgones.html Theoi Project, Medousa & the Gorgones] References to Medusa and her sisters in classical literature and art.
* [http://www.perseus.tufts.edu/classes/finALp.html Women in Antiquity] An Essay on Medusa
 
 
 
 
 
 
 
  
 
{{Credits|Gorgon|116158409|Medusa|116243996|}}
 
{{Credits|Gorgon|116158409|Medusa|116243996|}}

Latest revision as of 04:53, 26 December 2022

Baroque Medusa combined beauty and horror: Medusa, after 1590, by Caravaggio

In Greek mythology, the Gorgons were three vicious female mythical creatures that lived on an island and possessed the ability to turn a person to stone by looking at them. They possessed both beautiful and hideous traits, the most famous being their head of coiled snakes instead of hair. Of the three, Medusa is perhaps the most famous of the Gorgons, being the only one of the three who was mortal. Also, many references are made to her specifically in literature and movies. She, like many such creatures, met her doom at the hands of a hero aided by the gods.

While the tales of Gorgons were and still are considered fictitious, they continue to have meaning for us today. Their beauty attracted all people to look at them, despite the presence of the snakes in their hair which could readily be seen as an indication of their evil nature. A mere glance by a person at a Gorgon was sufficient to kill a person. In metaphorical resonance, human beings readily succumb to temptation when they act out of selfish desire for immediate gratification while disregarding the guidance and warnings of the conscience, and through such actions they may well "die" in some way.

The most beautiful Gorgon, Medusa, was also mortal, and so could be killed by the one who did not look directly at her. The lesson here could be that victory can be gained by avoiding even the sight of evil.

Etymology

The word Gorgon comes from the Greek word γογύς which roughly translates as "terrible." The Latin form, Gorgonem, is the origin of the English word. From Latin also comes the words Gorgoneion, which means the representation, usually an artwork, of a Gorgon's head; Gogonia, someone that has been petrified by a Gorgon; Gorgonize, the act of petrifying someone; and Gorgonian, which is a resemblance to a Gorgon.[1] The name of the most famous Gorgon, Medusa, comes directly from the Greek Μέδουσα.

Description

Gorgons. Attic black-figure lekythos, ca. 530 B.C.E.

Generally, the Gorgons are identified as female, with scaly golden bodies, a human if not hideous face, hair of coiled, live snakes, and the tusks of boars. They also are said to possess wings of gold, but it is not said if they can fly. Beyond their ability to turn anyone into stone by simply looking at them, the snakes on their head were believed to be poisonous and they sometimes were depicted as having sharp claws that could easily rip and tear flesh.

Origins

As with many Greek myths, the legend of the Gorgons cannot readily be traced to an original source. While the roots of many mythological creatures seem to lie in an attempt to understand nature and the world, the Gorgons seem to represent ugliness and fear. The Gorgons' ability to kill their opponents with a look renders nearly all human abilities useless, thus making even the most skilled warriors impotent. In many cultures, snakes are regarded with fear, so it is justifiable that such a dark creature would have them covering her head. Furthering this idea is the body of scales, suggesting a more reptilian connection, but there is just enough humanity mirrored in the face to make the Gorgon recognizable to humans. Thus the Gorgons may represent the ugliest and most demented aspects of humankind.

Stephen Wilk has argued that the myth actually resulted from astronomical phenomena: the variable brightness given off by a star in the Perseus constellation seems to mimic the mythical battle between Medusa and Perseus, in which the hero decapitated the Gorgon. To support his thesis that the myth derived from the constellation (as opposed to the generally accepted reverse scenario) Wilk also noted that a similar myth was common in many different cultures.[2]

As with many other Greek legends, successive generations and authors re-told the stories, and with each re-telling changed the story somewhat.

It was Hesiod (Theogony, Shield of Heracles) who increased the number of Gorgons to three—Stheno (the mighty), Euryale (the far-springer), and Medusa (the queen), and claimed they were the daughters of the sea-god Phorcys and of Keto. Medusa was believed to be the only mortal of the three, and coincidentally she was also the only one to become pregnant.

Tête de Méduse, by Peter Paul Rubens.

The Attic tradition, reproduced in Euripides (Ion), regarded the Gorgons as monsters, produced by Gaia to aid her sons, the giants, against the gods, and slain by Athena. According to Ovid (Metamorphoses), Medusa alone had serpents in her hair, and this was due to Athena (Roman Minerva) cursing her. Medusa had copulated with Poseidon (Roman Neptune), who was aroused by the golden color of Medusa's hair, in a temple of Athena. Athena therefore changed the enticing golden locks into serpents.

Perseus and Medusa

Medusa, by Arnold Böcklin (1878).

The most famous legend involving the Gorgons was the story of how Perseus killed Medusa. According to the story, Polydectes secretly planned to kill Perseus and conceived a plan to trick him into obtaining the head of Medusa as a wedding gift, knowing that Perseus would more than likely die trying to complete the task. However, Perseus was aided in his endeavors by the gods Hermes and Athena, who not only guided him to the Gorgons' island, but also equipped him with the tools necessary to slay Medusa. Hermes provided him with a sword strong enough to pierce Medusa's tough scales and Athena presented Perseus with a finely polished, bronze shield, in which he could look at her reflection in the shield as he guided his sword, that way avoiding her deadly stare. While the Gorgons slept, Perseus crept into their lair and decapitated Medusa. From the blood that spurted from her neck sprang Chrysaor and Pegasus (other sources say that each drop of blood became a snake), her two sons by Poseidon.[3]

Perseus and Medusa by Cellini, Loggia dei Lanzi, Firenze.

Instead of presenting the head to Polydectes, Perseus decided to use to his own advantage. He flew to his mother's island where she was about to be forced into marriage with the king, warned his mother to shield her eyes as he withdrew the severed head from the bag in which he had placed it. Everyone present except Perseus and his mother was turned into stone by the gaze of Medusa's head. Knowing that whoever possessed the head had a weapon of cataclysmic potential, Perseus decided to give the Gorgon's head to Athena, who placed it on her shield, the Aegis.

There are other, lesser told stories involving Medusa. Some say the goddess gave Medusa's magical blood to the physician Asclepius—some of which was a deadly poison and the other had the power to raise the dead—but that the power was too much for one man to possess and ultimately brought about his demise.

Heracles is said to have obtained a lock of Medusa’s hair (which possessed the same powers as the head) from Athena and given it to Sterope, the daughter of Cepheus, as a protection for the town of Tegea against attack.

Gorgons in art

Archaic fanged goggle-eyed gorgoneion flanked by sphinxes on a hydria from Vulci, 540-530 B.C.E.

Since ancient times, Medusa and the Gorgons have often been depicted in artworks. In Ancient Greece a Gorgoneion (or stone head, engraving or drawing of a Gorgon face, often with snakes protruding wildly and tongue sticking out between the fangs) was frequently used as an Apotropaic symbol and placed on doors, walls, coins, shields, breastplates, and tombstones in the hopes of warding off evil. In this regard Gorgoneia are similar to the sometimes grotesque faces on Chinese soldiers’ shields, also used generally as an amulet, a protection against the evil eye.

In some cruder representations, the blood flowing under the head can be mistaken for a beard.[4] On shields, pots, and even in large carvings and statues, the epic defeat of Medusa by Perseus has been depicted, usually in celebration of Perseus' triumph over the Gorgons.

Medusa is a well-known mythological icon throughout the world, having been portrayed in works of art as well as popular media over the ages. Leonardo da Vinci, Benvenuto Cellini, Antonio Canova, Salvador Dalí, and Arnold Böcklin are a few of the more famous painters who have depicted Medusa, often in battle with Perseus, over the years.

Gorgons in modern culture

Like cyclops, harpies, and other beasts of Greek mythology, Gorgons have been popularized in modern times by the fantasy genre such as in books, comics, role-playing games, and video games. Although not as well known as dragons or unicorns, most popular lore concerning Gorgons derives from Medusa and the Perseus legend.

Images of Gorgons and Medusa are commonly mistaken to be the same. According to most of the original Greek myths, Medusa was the only one of the Gorgon sisters to be beautiful; the others being hideous beasts. Over time, however, and possibly even in their original day, Medusa too came to be seen as an evil monster.

Notes

  1. The Oxford English Dictionary (Oxford Press, 1971). ISBN 019861117X)
  2. Stephen Wilk. Medusa: Solving the Mystery of the Gorgon (Oxford University Press, 2000).
  3. Edith Hamilton. Mythology (1942).
  4. Frederick Thomas Elworthy. "Chapter V: The Gorgoneion" (1895). Retrieved August 11, 2007.

References
ISBN links support NWE through referral fees

External links

All links retrieved June 26, 2017.

Credits

New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:

The history of this article since it was imported to New World Encyclopedia:

Note: Some restrictions may apply to use of individual images which are separately licensed.