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| − | {{sprotected}} | + | {{Ebcompleted}}{{Paid}}{{approved}}{{images OK}}{{Submitted}}{{copyedited}}{{2Copyedited}} |
| − | {{dablink|For the company founded by Disney, see [[The Walt Disney Company]]. For other uses, see [[Walt Disney (disambiguation)]]}} | + | {{epname|Disney, Walt}} |
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| | {{Infobox Biography | | {{Infobox Biography |
| | | subject_name=Walt Disney | | | subject_name=Walt Disney |
| | | image_name=Walt disney portrait.jpg|200px | | | image_name=Walt disney portrait.jpg|200px |
| | | image_caption=Walt Disney | | | image_caption=Walt Disney |
| − | | date_of_birth=[[December 5]], [[1901]] | + | | date_of_birth=December 5, 1901 |
| − | | place_of_birth=[[Chicago]], [[Illinois]], [[United States|U.S.]] | + | | place_of_birth=[[Chicago]], Illinois, [[United States|U.S.]] |
| − | | date_of_death=[[December 15]], [[1966]] | + | | date_of_death=December 15, 1966 |
| − | | place_of_death=[[Los Angeles, California|Los Angeles]], [[California]], [[United States|U.S.]] | + | | place_of_death=[[Los Angeles]], California [[United States|U.S.]] |
| | | occupation = [[Film producer]], Co-founder of [[The Walt Disney Company]] | | | occupation = [[Film producer]], Co-founder of [[The Walt Disney Company]] |
| | | spouse = [[Lillian Disney]] | | | spouse = [[Lillian Disney]] |
| | }} | | }} |
| − | '''Walter Elias Disney''' ([[December 5]], [[1901]] – [[December 15]], [[1966]]), was an [[United States|American]] [[film producer]], [[film director|director]], [[screenwriter]], [[voice actor]], [[animator]], [[entrepreneur]], [[visionary]], and [[philanthropist]]. He was the son of [[Flora Disney|Flora]] and [[Elias Disney]], and had three brothers and one sister. As the co-founder (with his brother [[Roy O. Disney]]) of Walt Disney Productions, Walt became one of the best-known [[motion picture]] producers in the world. The corporation he co-founded, now known as [[The Walt Disney Company]], today has annual revenues of approximately U.S. $30 billion. | + | '''Walter Elias Disney''' (December 5, 1901 – December 15, 1966) was an [[United States|American]] film producer, director, and screenwriter. He is most remembered for being a leading pioneer in [[animation]] and innovative amusement parks. He was a visionary [[entrepreneur]] who founded, along with his brother [[Roy O. Disney]], Walt Disney Productions, and the [[Disney World]] and [[Disneyland]] entertainment complexes. His animated cartoon characters, such as Mickey Mouse and Donald Duck, would became cultural [[icon]]s recognized throughout the world in [[media]] from film to advertising. |
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| − | Walt Disney is particularly noted for being a film producer, and a popular showman, as well as an innovator in [[animation]] and [[theme park]] design. He was nominated for 48 [[Academy awards]] and 7 [[Emmys]], holding the record for most Oscar nominations. He also had two daughters, Diane and Sharon; Sharon was adopted. He and his staff created a number of the world's most famous productions, including the one many consider Disney's [[alter ego]], [[Mickey Mouse]]. He is also well-known as the namesake of the [[Disneyland]] and [[Walt Disney World Resort]] theme parks in the United States.
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| − | Walt Disney died of [[lung cancer]] on [[December 15]], [[1966]], a few years prior to the opening of his [[Walt Disney World]] dream project in [[Orlando, Florida]]. | + | Walt Disney was a complex person who, by his own admission, suffered two nervous breakdowns in his lifetime, did not have a particularly happy childhood, and saw many of his movies fail at the box office. Yet, he did not let personal setbacks deter him from his purpose to entertain the people with a bit of fantasy to brighten the spirit when ordinary life can be drab and sorrowful. Despite disappointment that he and his wife could only bear one child (they adopted a second), he created Disneyland out of his love for his daughters and for children in general. |
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| − | ==1901-1937: The beginnings==
| + | Disney's movies and theme parks have brought wonder, magic, and joy to millions throughout the world. The subjects of his films were [[fairy tale]]s, classic children's books, true inspirational stories, and the frontiers of science—always with a positive message. In all his work, he maintained a high standard of wholesome family values coupled with a sense of [[idealism]], [[optimism]], and good humor. |
| − | === Childhood ===
| + | {{toc}} |
| − | [[Image:Walt01.jpg|right|thumb|250px|Disney as an ambulance driver during the war.]] | + | Walt Disney was nominated for a record 48 [[Academy Awards]] and seven [[Emmy]]s, and was awarded the [[Presidential Medal of Freedom]] by [[Lyndon B. Johnson]] in 1964. |
| − | Walt Disney's ancestors had emigrated from [[Gowran]], [[County Kilkenny]] in [[Ireland]]. His father [[Elias Disney]] had moved to the United States after his parents failed at farming in Canada. As a child Elias moved with his family all around the United States, as his father chased various business ventures. He also worked as a mailman in [[Kissimmee, Florida|Kissimmee]] (Orlando), Florida, future home of Walt Disney World. Elias moved to [[Chicago]] in the late 1800s soon after his marriage to Flora Call. Walt was born in Chicago.
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| − | In April, 1906 Elias grew disenchanted with the violence in Chicago and moved his family to [[Marceline, Missouri]] where his brother owned property. There he bought a house and 45 acres of farmland. While in Marceline, Disney developed his love for drawing. One of their neighbors, a retired doctor named "Doc" Sherwood, paid him to draw pictures of Sherwood's horse, Rupert. He also developed his love for trains in Marceline, which owed its existence to the [[Atchison, Topeka and Santa Fe Railway]] which ran through town. Walt would put his ear to the tracks in anticipation of the coming train. Then he would look for his uncle, engineer Michael Martin, running the train.
| + | == Early life== |
| | + | Born December 5, 1901, Walter was the son of Flora and Elias Disney, and had three brothers and one sister. |
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| − | The Disneys remained in Marceline for four years, moving to [[Kansas City Metropolitan Area|Kansas City]] in 1910. There Walt and his sister Ruth attended the Benton Grammar School where he met Walter Pfeiffer. The Pfeiffers were theater aficionados and introduced Walt to the world of vaudeville and motion pictures. Soon Walt was spending more time at the Pfeiffers than at home. <ref>{{cite book|last=Thomas|first=Bob|title=Walt Disney: An American Original|publisher=[[Hyperion (publisher)|Hyperion]]|date=1976,1994|location=New York|id=ISBN ISBN 0-7868-6027-8|pages=pp. 33-41}}</ref>
| + | Walt Disney's ancestors emigrated from Gowran, [[County Kilkenny]], in [[Ireland]]. His father moved to the [[United States]] after his parents failed at farming in [[Canada]]. He settled in [[Chicago]] soon after his marriage to Flora Call where their five children were born. |
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| − | ===Chicago===
| + | In April 1906, Elias moved his family to Marceline, [[Missouri]], and tried his hand at operating a small farm. The family experienced several moves as Elias Disney pursued various ways to support his family. They moved back to [[Chicago]] in 1917, where young Walt took night courses at the [[Chicago Art Institute]].<ref>Bob Thomas, ''Walt Disney: An American Original'' (New York: Hyperion, 1976, ISBN 0-7868-6027-8).</ref> Disney's childhood, in some ways, was circumvented by the Disney children's need to go to work and help contribute to the struggling finances of the family. |
| − | In 1917, Elias purchased an interest in the O-Zell jelly factory in [[Chicago]] and moved his family back there. In the fall, Disney began his freshman year at [[McKinley High School]] there and began taking night courses at the [[Chicago Art Institute]].<ref>{{cite book|last=Thomas|first=Bob|title=Walt Disney: An American Original|publisher=[[Hyperion (publisher)|Hyperion]]|date=1976,1994|location=New York|id=ISBN ISBN 0-7868-6027-8|pages=pp. 42-43}}</ref> Disney was the cartoonist for the school newspaper. His cartoons were very patriotic, focusing on [[World War I]]. Disney dropped out of high school at 16 so he could join the [[U.S. Army|Army]], but the army didn't take him because he was too young. | |
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| − | Instead, Walt and one of his friends decided to join the [[Red Cross]]. They were supposed to be 17 years old to join but, against his father's will, his mother forged Walt's birth certificate saying he was born in 1900 instead of 1901. The Red Cross sent him to France for a year. During that year, he drove an ambulance covered from top to bottom with his imaginative Disney characters. | + | Disney dropped out of high school so he could join the [[U.S. Army|Army]], but at 16 he was underage and told he could not enlist. Instead, he decided to join the [[Red Cross]]. His mother forged Walt's birth certificate saying he was born in 1900 instead of 1901. The Red Cross sent him to [[France]] for a year where he drove an ambulance covered with his drawings of imaginative characters. |
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| − | He moved to Kansas City to begin his artistic career. His brother Roy worked at a bank in the area and got a job for him through a friend at the Pesmen-Rubin Art Studio. At Pesmen-Rubin, Disney made ads for newspapers, magazines, and movie theaters. It was also there that he met a shy cartoonist named [[Ub Iwerks|Ubbe Iwwerks]]. The two respected each other's work so much, they became fast friends and decided to start their own art business.
| + | After his war experience, Disney moved to [[Kansas City, Missouri]], to begin his career as a commercial artist, working on ads for [[newspaper]]s, [[magazine]]s, and movie theaters. It was there that he met a shy cartoonist named [[Ub Iwerks|Ubbe Iwwerks]]. The two decided to start their own art business and formed a company called "Iwerks-Disney Commercial Artists" in January 1920. Their business failed but Disney used the experience to launch his historic march into Hollywood history. |
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| − | Disney and Iwerks (who now shortened his name to Ub Iwerks) formed a company called "Iwerks-Disney Commercial Artists" in January 1920 (it was originally called Disney-Iwerks, but the two thought they would be confused with a shop that made eyeglasses). Unfortunately, few clients were willing to hire the inexperienced duo. Iwerks left temporarily to earn money at Kansas City Film Ad Company. Disney followed suit after the business venture was taken over by his New York financial backers Winkler and Mintz.
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| | ===Hollywood=== | | ===Hollywood=== |
| − | When Disney arrived in [[Los Angeles]], he had $40 in his pocket and an unfinished cartoon in his suitcase. Interestingly, he first wanted to break away from animation, thinking he could not compete with the studios in [[New York City]]. Disney said that his first ambition was to be a film director. He went to every studio in town looking for directing work; they all promptly turned him down. | + | When Disney arrived in [[Los Angeles]], he had $40 in his pocket and an unfinished cartoon in his suitcase. Disney stated that his first ambition was to be a film director of live action films, but he was rejected by every major studio. He then turned to something more familiar—animation—and set up his first cartoon studio in a garage in an uncle's house. He started out with the ''Alice in Cartoonland'' series, which he peddled to local theaters. |
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| − | Because of the lack of success in live-action film, Disney turned back to animation. His first Hollywood cartoon studio was a garage in his uncle Robert's house. Disney sent an unfinished print to New York distributor [[Margaret Winkler]], who promptly wrote back to him. She wanted a distribution deal with Disney for more live-action/animated shorts based upon ''Alice's Wonderland''.
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| − | Disney looked up his brother Roy, who was recovering from [[tuberculosis]] in a [[Los Angeles]] veteran's hospital. Disney pleaded with his brother to help him with his fledgling studio, saying that he could not keep his finances straight without him. Roy agreed and left the hospital with his brother. He never went back and never had a recurrence of tuberculosis. [[Virginia Davis]] (the live-action star of ''Alice’s Wonderland'') and her family were relocated at Disney's request from Kansas City to [[Hollywood]], as were Iwerks and his family. This was the beginning of the [[The Walt Disney Company|Disney Brothers' Studio]]. It was located on Hyperion Avenue in [[Silver Lake, Los Angeles, California|the Silver Lake district]], where the studio would remain until 1939.
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| − | In 1925, Disney hired a young woman named [[Lillian Disney|Lillian Bounds]] to ink and paint celluloid. He was immediately taken with her. She began to pull double duty as secretary a few months later. Disney then began to take her out on dates, their first being the [[Broadway theatre|Broadway]] show, ''[[No, No, Nanette]]''. He would also take her out on drives in the hills of [[Los Angeles, California|Los Angeles]]. On one drive, he asked her if he should buy a new car or a ring for her finger. They were married on [[July 15]] [[1925]]. She later jokingly commented that he was disappointed that she did not tell him to buy the car. They honeymooned at [[Mount Rainier]].
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| − | ====Alice Comedies====
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| − | The new series, "[[Alice Comedies]]," was reasonably successful, and featured both [[Dawn O'Day]] and [[Margie Gay]] as Alice after Virginia Davis’ parents pulled her out of the series because of a pay cut. Lois Hardwick also briefly assumed the role. By the time the series ended in 1927, the focus was more on the animated characters, in particular a cat named Julius who recalled [[Felix the Cat]], rather than the live-action Alice.
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| − | ====Oswald the Lucky Rabbit====
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| − | By 1927, [[Charles B. Mintz]] had married Margaret Winkler and assumed control of her business, and ordered a new all-animated series to be put into production for distribution through [[Universal Pictures]]. The new series, "[[Oswald the Lucky Rabbit]]", was an almost instant success, and the Oswald character, first drawn and created by Iwerks, became a popular property. The Disney studio expanded, and Walt hired back Harman, Ising, Maxwell, and Freleng from Kansas City.
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| − | In February of 1928, Disney went to [[New York]] to negotiate a higher fee per short from Mintz. Disney was shocked when Mintz announced that not only did he want to reduce the fee he paid Disney per short, but that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng (notably excepting Iwerks) under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Disney.
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| − | Disney declined Mintz's offer and lost most of his animation staff. The defectors became the nucleus of the [[Winkler Studio]], run by Mintz and his brother-in-law [[George Winkler]]. When that studio went under after Universal assigned production of the Oswald shorts to an in-house division run by [[Walter Lantz]], Mintz focused his attentions on the studio making the "[[Krazy Kat]]" shorts, which later became [[Screen Gems]], and Harman, Ising, Maxwell, and Freleng marketed an Oswald-like character named [[Bosko]] to [[Leon Schlesinger]] and [[Warner Bros.]], and began work on the first entries in the ''[[Looney Tunes]]'' series.
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| − | It took Disney's company 78 years to get back the rights to the Oswald character. In a move that sent sports broadcaster [[Al Michaels]] to [[NBC]] Sports for their Sunday night [[NFL]] coverage, the [[Walt Disney Company]] reacquired the rights to Oswald the Lucky Rabbit from [[NBC Universal]] in 2006.
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| − | ====Mickey Mouse====
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| − | {{main|Mickey Mouse}}
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| − | [[Image:Steamboat-willie-title.jpg|thumb|250px|right|The title card of ''[[Steamboat Willie]]'' credits both Walt Disney and Ub Iwerks]]
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| − | After having lost the rights to Oswald, Disney had to develop a new "star". Most Disney biographies state that Disney came up with a mouse character on his trip back from New York. It is debated whether it was he, or Iwerks who actually designed the mouse (which basically looked like Oswald, but with round instead of long ears). The first films were animated by Iwerks, his name was prominently featured on the title cards. The mouse was originally named "Mortimer", but later christened "[[Mickey Mouse]]" by Lillian Disney.
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| − | Mickey's first animated short produced was ''[[Plane Crazy]]'', which was, like all of Disney's previous works, a [[silent film]]. After failing to find distributor interest in ''[[Plane Crazy]]'' or its follow-up, ''[[The Gallopin' Gaucho]]'', Disney created a Mickey cartoon with [[talking picture|sound]] called ''[[Steamboat Willie]]''. A businessman named [[Pat Powers]] provided Disney with both distribution and [[Cinephone]], a sound-[[synchronization]] process. ''Steamboat Willie'' became a success, and ''Plane Crazy'', ''The Galloping Gaucho'', and all future Mickey cartoons were released with soundtracks. Disney himself provided the vocal effects for the earliest cartoons and performed as the [[voice actor|voice]] of Mickey Mouse until 1946. Disney believed Mickey would make it far into television.
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| − | ====Silly Symphonies====
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| − | Joining the Mickey Mouse series in 1929 were a series of musical shorts called ''[[Silly Symphonies]]''. The first of these was entitled ''[[The Skeleton Dance]]'' and was entirely drawn and animated by Iwerks, who was also responsible for drawing the majority of cartoons released by Disney in 1928 and 1929. Although both series were successful, the Disney studio was not seeing its rightful share of profits from Pat Powers, and in 1930 Disney signed a new distribution deal with [[Columbia Pictures]].
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| − | Iwerks was growing tired of the temperamental Disney, especially as he was doing the majority of the work, and so was lured by Powers into opening his own studio with an exclusive contract. Disney desperately searched for someone who could replace Iwerks, as he was not able to draw as well or as quickly; Iwerks was reported to have drawn up to 700 drawings a day for the first Mickey shorts.
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| − | Meanwhile, Iwerks launched his successful ''[[Flip the Frog]]'' series with the first sound cartoon in color, "Fiddlesticks," filmed in two-strip Technicolor. Iwerks also created two other series of cartoons, the ''[[Willie Whopper]]'' and the ''[[Comicolor]]'' cartoon series. Iwerks closed his [[Ub Iwerks Studio|studio]] in 1936 to work on various projects dealing with animation technology. Iwerks would return to Disney in 1940 and, in the studio's research and development department, would go on to pioneer a number of film processes and specialized animation technologies.
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| − | Eventually, Disney was able to find a number of people to replace Iwerks. By 1932, Mickey Mouse had become quite a popular cartoon character. The [[Van Beuren Studios|Van Beuren]] cartoon studio attempted to cash in on this success by creating a specific process, making these the first commercial films presented in this new process. The first color ''Symphony'' was ''[[Flowers and Trees]]'', which won the first [[Academy Award for Animated Short Film|Academy Award for Best Short Subject: Cartoons]] in 1932.
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| − | ===First Academy Award===
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| − | In 1932, Disney received a special [[Academy Award]] for the creation of Mickey Mouse, whose series was moved into color in 1935 and soon launched [[spinoff]] series for supporting characters such as [[Donald Duck]], [[Goofy]], and [[Pluto (dog)|Pluto]].
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| − | ===The family grows===
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| − | As Mickey's co-creator and producer, Disney was almost as famous as his mouse cartoon character, but remained a largely private individual. His greatest hope was to be a father to many children. However, the Disneys' first attempts at pregnancy ended in miscarriage. This, coupled with pressures at the studio, led to Disney having "a hell of a breakdown", as he called it. His doctors said that he had to get away for a while, so he and his wife went on a [[Caribbean]] cruise and then traveled to [[Washington, D.C.]]
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| − | When Lilly Disney became pregnant again, Disney told his sister in a letter that he did not care what sex the child was, just as long as they were not disappointed again. Lilly finally gave birth to a daughter, [[Diane Marie Disney]], on [[December 18]] [[1933]]. Disney was excited to finally have a child. A few years later the Disneys adopted a second daughter, [[Sharon Mae Disney]], born on [[December 21]] [[1934]].
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| − | ==1937-1941: The Golden Age of Animation==
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| − | ==="Disney's Folly": ''Snow White and the Seven Dwarfs''===
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| − | [[Image:Walt Disney22.jpg|right|thumb|250px|Disney introduces his popular creations: Mickey, Minnie Mouse and Pluto to [[Hansel and Gretel]] ([[Dorothy Rodin]] and [[Virginia Murray]]).]]
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| − | Although his studio produced the two most successful cartoon series in the industry, the returns were still dissatisfying to Disney, and he began plans for a full-length feature in 1934. When the rest of the film industry learned of Disney's plans to produce an ''animated'' feature-length version of [[Snow White]], they dubbed the project "Disney's Folly" and were certain that the project would destroy the Disney studio. Both Lillian and Roy tried to talk Disney out of the project, but he continued plans for the feature. He employed [[Chouinard Art Institute]] professor Don Graham to start a training operation for the studio staff, and used the ''Silly Symphonies'' as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the [[multiplane camera]].
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| − | All of this development and training was used to elevate the quality of the studio so that it would be able to give the feature the quality Disney desired. ''[[Snow White and the Seven Dwarfs (1937 film)|Snow White and the Seven Dwarfs]]'', as the feature was named, was in full production from 1935 until mid-1937, when the studio ran out of money. To acquire the funding to complete ''Snow White'', Disney had to show a rough cut of the motion picture to loan officers at the [[Bank of America]], who gave the studio the money to finish the picture. The finished film premiered at the Carthay Circle Theater on [[December 21]] [[1937]]; at the conclusion of the film the audience gave ''Snow White and the Seven Dwarfs'' a standing ovation. ''Snow White'', the first animated feature in English and Technicolor, was released in February 1938 under a new distribution deal with [[RKO Radio Pictures]]. The film became the most successful motion picture of 1938 and earned over $8 million (today $98 million) in its original theatrical release, all the more amazing because children were only charged a dime to see it. The success of ''Snow White'' (for which Disney received one full-size, and seven miniature Oscar statuettes) allowed Disney to build a new campus for the [[Walt Disney Studios (Burbank)|Walt Disney Studios]] in [[Burbank, California|Burbank]], which opened for business on [[December 24]] [[1939]]. The feature animation staff, having just completed ''[[Pinocchio (1940 movie)|Pinocchio]]'', continued work on ''[[Fantasia (film)|Fantasia]]'' and ''[[Bambi (1942 movie)|Bambi]]'', while the shorts staff continued work on the Mickey Mouse, Donald Duck, Goofy, and Pluto cartoon series, ending the ''Silly Symphonies'' at this time.
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| − | ===Wartime Woes===
| + | [[Roy O. Disney|Roy Disney]] agreed to go into business with his brother and was to become his financial partner throughout the years. Together they started [[The Walt Disney Company|Disney Brothers' Studio]] in [[Silver Lake, Los Angeles, California|the Silver Lake district]], where the studio remained until 1939. Their road to success began with the creation of cartoons, like ''The Silly Symphonies'' during the silent era, and, later, with what would become the iconic character of ''Mickey Mouse.'' |
| − | ''[[Pinocchio (1940 film)|Pinocchio]]'' and ''[[Fantasia (film)|Fantasia]]'' followed ''[[Snow White and the Seven Dwarfs]]'' into movie theatres in 1940, but both were financial disappointments. The inexpensive ''[[Dumbo]]'' was planned as an income generator, but during production of the new film, most of the animation staff [[Disney animators' strike|went on strike]], permanently straining the relationship between Disney and his artists.
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| − | Shortly after ''[[Dumbo]]'' was released in October 1941 and became a successful moneymaker, the [[United States]] entered [[World War II]]. The [[U.S. Army]] contracted for most of the Disney studio's facilities and had the staff create training and instructional films for the military, as well as home-front morale-boosting shorts such as ''[[Der Fuehrer's Face]]'' and the feature film ''[[Victory Through Air Power]]'' in 1943. The military films did not generate income, however, and the feature film ''[[Bambi]]'' underperformed when it was released in April 1942. Disney successfully re-issued ''Snow White'' in 1944, establishing a 7-year re-release tradition for Disney features. (The pattern was not always strictly followed - Disney's version of [[Jules Verne]]'s ''[[20,000 Leagues Under the Sea]]'' was first re-released in 1963, nine years after its first run in movie theatres, and Disney's financially disappointing and critically drubbed version of ''[[Babes in Toyland (1961 film)|Babes in Toyland]]'', went straight to television after its theatrical run, and never re-appeared in movie theatres.)
| + | ====Mickey Mouse and cartoons==== |
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| − | The Disney studios also created inexpensive package films, containing collections of cartoon shorts, and issued them to theaters during this period. The most notable and successful of these were ''[[Saludos Amigos]]'' (1942), its sequel ''[[The Three Caballeros]]'' (1945), ''[[Song of the South]]'' (the first Disney film to feature dramatic actors) (1946), ''[[Fun and Fancy Free]]'' (1947), and ''[[The Adventures of Ichabod and Mr. Toad]]'' (1949). The latter had only two sections: the first based on ''[[The Legend of Sleepy Hollow]]'' by [[Washington Irving]], and the second based on ''[[The Wind in the Willows]]'' by [[Kenneth Grahame]].
| + | By 1927, Disney was looking for a new approach to his cartoons; a new "star" was born with the creation of a mouse. Originally named "Mortimer," he was soon christened "[[Mickey Mouse]]" by Lillian Disney who felt the name "Mortimer" was too serious. Disney himself performed as the voice of Mickey Mouse until 1946. After seeing the movie ''The Jazz Singer'' (the first talking picture), Disney decided to make an all-sound talking and music cartoon, starring Mickey Mouse, called ''Steamboat Willie.'' |
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| − | By the late 1940s, the studio had recovered enough to continue production on the full-length features ''[[Alice in Wonderland (1951 film)|Alice in Wonderland]]'' and ''[[Peter Pan (1953 movie)|Peter Pan]]'', which had been shelved during the war years, and began work on ''[[Cinderella (1950 film)|Cinderella]]''. The studio also began a series of live-action nature films, entitled ''True-Life Adventures'', in 1948 with ''On Seal Island''.
| + | Within the next eight years Mickey Mouse began to appear on everything from watches to toys to [[comic book]]s and soon became one of the most recognized characters in the world. For a number of years Disney feared he would only be remembered as the creator of Mickey Mouse. He once complained, "Fancy being remembered around the world for the invention of a mouse." In 1932, Disney received a special [[Academy Awards|Academy Award]] for the creation of Mickey Mouse, and soon spin-offs were launched for supporting characters such as Donald Duck, Goofy, and Pluto. |
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| − | ===Testimony before Congress=== | + | ===Marriage and family life=== |
| − | After the 1941 strike of Disney Studio employees, Walt Disney deeply distrusted organized labor. In 1947, during the early years of the [[Cold War]],[http://www.cnn.com/SPECIALS/cold.war/episodes/06/documents/huac/disney.html] he testified before the [[House Un-American Activities Committee]], where he branded [[Herbert Sorrell]], [[David Hilberman]] and [[William Pomerance]], former animators and [[trade union|labor union]] organizers, as [[Communist]] agitators. (All three men denied the allegations.) Disney implicated the [[Screen Actors Guild]] as a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood. No evidence has been discovered to support this.
| + | In 1925, Disney hired a young woman named [[Lillian Disney|Lillian Bounds]] to ink and paint celluloid. He was soon taken with his new employee and they would often go for drives together in the hills of Los Angeles. While on a date he asked her if he should buy a new car or a ring for her finger. They were married on July 15, 1925, and, unlike many Hollywood marriages, theirs lasted for over 40 years. |
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| − | Although claims have been made that Disney was anti-Semitic, no proof of this exists.
| + | As Mickey's co-creator and producer, Disney was almost as famous as his mouse cartoon character, but he remained a largely private individual. His great hope was to have a large family; however, the Disneys' first attempts at pregnancy ended in miscarriage. This, coupled with pressures at the studio, led to Disney having "a hell of a breakdown," as he referred to it. His doctors recommended a vacation and the couple went on a cruise to the [[Caribbean]]. Eventually, Lilly gave birth to a daughter, [[Diane Marie Disney]], on December 18, 1933. The Disneys then adopted [[Sharon Mae Disney]], born on December 21, 1934. |
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| − | <!-- Documents obtained under the [[Freedom of Information Act (United States)|Freedom of Information Act]] show that from 1941 until his death, he spied for the FBI on union activity in [[Hollywood]], and illegally intimidated union activists.<ref name="Disney files">FBI Walt Disney Archive. http://foia.fbi.gov/foiaindex/waltdisney.htm</ref> Since Jews were prominent in the labor movement, some employees felt that Disney's actions were motivated by anti-semitism. However, there is absolutely no proof of this.<ref name="Eliot">Eliot, Marc. 'Walt Disney: Hollywood's Dark Prince' London: André Deutsch, 1994.</ref><ref name="Disney testimony">Disney, Walt. The Testimony of Walter Elias Disney Before the House Committee on Un-American Activities. [[24 October]] 1947. http://filmtv.eserver.org/disney-huac-testimony.txt</ref> —>
| + | ==1937-1941: The golden age of animation== |
| | + | ==="Disney's Folly:" ''Snow White and the Seven Dwarfs''=== |
| | + | Even though his studio produced the two most successful cartoon series in the industry, Disney's ambition was to make longer films. In 1934, he began plans for a full-length feature. When other film industry executives learned of Disney's plans to produce an animated feature-length version of ''Snow White,'' they dubbed the project "Disney's Folly" and were certain that the project would destroy the Disney studio. Both Disney's wife and brother tried to talk him out of the project, but he was undeterred. He employed the [[Chouinard Art Institute]] to supervise training for the studio staff, and used the ''Silly Symphonies'' as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the [[multiplane camera]]. |
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| − | ==1955-1966: Theme Parks and beyond==
| + | His focus on staff training and the use of animation students elevated the technical level of the studio to a position where it could produce a quality feature that matched Disney's vision. The success of ''Snow White'' proved Disney's detractors wrong and earned Disney an [[Oscar]]—one full-sized one, and seven miniature Oscar statuettes. In 1939, the feature animation staff, after completing ''Pinocchio,'' began work on ''Fantasia'' and ''Bambi,'' while the shorts staff continued work on the ''Mickey Mouse,'' ''Donald Duck,'' ''Goofy,'' and ''Pluto'' cartoon series. |
| − | ===Carolwood Pacific Railroad===
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| − | [[Image:LillybelleDland.jpg|thumb|250px|The Lilly Belle on display at Disneyland Main Station in 1993. The caboose's woodwork was done entirely by Walt himself.]]
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| − | {{main|Carolwood Pacific Railroad}}
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| − | During 1949, Disney and his family moved to a new home on a large piece of property in the [[Holmby Hills]] district of [[Los Angeles, California|Los Angeles]], [[California]]. With the help of his friends [[Ward Kimball|Ward and Betty Kimball]], owners of their own [[backyard railroad]], Disney developed the blueprints and immediately set to work creating a miniature [[live steam]] railroad for his backyard. The name of the railroad, [[Carolwood Pacific Railroad]], originated from the address of his home that was located on Carolwood Drive. The railroad's half-mile long layout included a 46-foot-long trestle, loops, overpasses, gradients, an elevated dirt berm, and a 90-foot tunnel underneath Mrs. Disney's flowerbed. He named the miniature working steam locomotive built by [[Roger E. Broggie]] of the [[Walt Disney Company#Studio Entertainment|Disney Studios]] ''Lilly Belle'' in his wife's honor. He had his attorney draw up right-of-way papers giving the railroad a permanent, legal easement through the garden areas, which his wife dutifully signed; however, there is no evidence the documents were ever recorded as a restriction on the property's title.
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| − | ===Planning Disneyland=== | + | ===Animators' strike and WWII=== |
| − | [[Image:Waltdisneystatue-disneyland.jpg|thumb|250px|The "Partners" statue at [[Disneyland]] in Anaheim, featuring Walt Disney and Mickey Mouse.]]
| + | ''Pinocchio'' and ''Fantasia'' followed ''Snow White and the Seven Dwarfs'' into movie theaters in 1940, but both were financial disappointments. The inexpensive ''Dumbo'' was planned as an income generator, but during production of the new film, most of the animation staff went on strike, permanently straining the relationship between Disney and his artists. Disney reflected that this was another time in his life when he suffered a "breakdown." He was known to be an ambitious, hard driving, perfectionist boss. (In 1947, he would testify against union organizers for the [[House Un-American Committee]] during the [[Cold War]] years.) |
| − | On a business trip to [[Chicago]] in the late-1940s, Disney drew sketches of his ideas for an [[amusement park]] where he envisioned his employees spending time with their children. He got his idea for a children's theme park after visiting [[Children's Fairyland]] in [[Oakland, California]]. This plan was originally for a lot south of the Studio, just across the street. However, the city of [[Burbank, Los Angeles County, California|Burbank]] declined building permission{{citation needed}}. The original ideas developed into a concept for a larger enterprise that was to become [[Disneyland]]. Disney spent five years of his life developing Disneyland and created a new subsidiary of his company, called [[WED Enterprises]], to carry out the planning and production of the park. A small group of Disney studio employees joined the Disneyland development project as engineers and planners, and were dubbed [[Imagineer]]s.
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| − | When describing one of his earliest plans to Herb Ryman (who created the first aerial drawing of Disneyland to present to the [[Bank of America]] for funds), Disney said, "Herbie, I just want it to look like nothing else in the world. And it should be surrounded by a train."[http://disneyspace.tripod.com/id1.html] Entertaining his daughters and their friends in his backyard and taking them for rides on his [[Carolwood Pacific Railroad]] had inspired Disney to include a railroad in the plans for Disneyland.
| + | Shortly after ''Dumbo'' was finally released in October 1941, the [[United States]] entered [[World War II]]. The U.S. Army contracted for most of the Disney studio's facilities and had the staff create training and instructional films for the military. The military films did not generate income, however, and the feature film ''Bambi'' underperformed when it was released in April 1942. By the late 1940s, the studio had recovered enough to continue production on the full-length features ''Alice in Wonderland'' and ''Peter Pan.'' They also began work on ''Cinderella.'' Some Disney analysts believe that the studio would have gone bankrupt during the war years if it were not for the U.S. military films that Disney produced. |
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| − | Among his closest friends in his last decade of life were Bob Hannah; the trainmaster; and Lorne Cline; lead brakeman;{{citation needed}} who later regaled park guests with stories about Walt into the late 1970s &mdash Walt did not ever want to lose control of the railroad to the financial backers of Disneyland and so placed the steam train and monorail attractions into a free-standing company called "RETLAW"{{citation needed}} (which is "Walter" spelled backwards) of which he and his wife were sole owners. Prior to its dissolution into the Disney Corp in the 1980s, he (and heirs) would receive $0.60 for each person through the turnstile at the train stations and supervisors could be seen currying favor with the owner by spinning the turnstiles to increase the count (and revenues) before park opening and after closing{{citation needed}}.
| + | During the mid-1950s Disney produced a number of educational films on the space program in collaboration with [[NASA]] rocket engineer [[Wernher von Braun]], including ''Man in Space'' and ''Man and the Moon'' in 1955, and ''Mars and Beyond'' in 1957. The films attracted the attention of both the general public and the Soviet space program, which was in keen competition with the United States' program at that time. |
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| − | ===Expanding into new areas=== | + | ==1955-1966: Theme parks and television== |
| − | As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. ''[[Treasure Island]]'' (1950) became the studio's first all-live-action feature, and was soon followed by such successes as ''[[20,000 Leagues Under the Sea (1954 film)|20,000 Leagues Under the Sea]]'' (in [[CinemaScope]], 1954), ''[[The Shaggy Dog (1959 film)|The Shaggy Dog]]'' (1959), and ''[[The Parent Trap]]'' (1961). The Walt Disney Studio was one of the first to take full advantage of the then-new medium of television, producing its first TV special, ''[[One Hour in Wonderland]]'', in 1950. Disney began hosting a [[Walt Disney anthology series|weekly anthology series]] on [[American Broadcasting Company|ABC]] named [[Disneyland TV show|''Disneyland'']] after the park, where he showed clips of past Disney productions, gave tours of his studio, and familiarized the public with Disneyland as it was being constructed in [[Anaheim, California|Anaheim]], [[California]]. In 1955, he debuted the studio's first daily television show, the popular ''[[Mickey Mouse Club]]'', which would continue in many various incarnations into the 1990s.
| + | In the late-1940s, Disney began to draw sketches of his ideas for an [[amusement park]] where he envisioned his employees spending time with their children. Disney, who had a lifelong love of trains, knew that he wanted the park to be surrounded by a train. He had once constructed a miniature steam locomotive in his backyard for his daughters, complete with loops, overpasses and a tunnel that went underneath his wife's flower garden. Disney assigned a small group of employees to work on Disneyland development as engineers and planners. They were appropriately dubbed the "Imagineers." |
| − | [[Image:disneyandvonbraun.jpg|thumb|250px|Walt Disney meets with [[Wernher von Braun]].]]
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| − | As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the [[Nine Old Men]]. During Disney's lifetime, the animation department created the successful ''[[Lady and the Tramp]]'' (in [[CinemaScope]], 1955), ''[[One Hundred and One Dalmatians]]'' (1961), the financially disappointing ''[[Sleeping Beauty (1959 film)|Sleeping Beauty]]'' (in [[Super Technirama]] [[70mm]], 1959) and ''[[The Sword in the Stone (film)|The Sword in the Stone]]'' (1963).
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| − | Production on the short cartoons had kept pace until 1956, when Disney shut down the shorts division. Special shorts projects would continue to be made for the rest of the studio's duration on an irregular basis. Disney's mind was set toward expansion, and he wanted to make longer films.
| + | As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. ''Treasure Island'' (1950) became the studio's first all-live-action feature, and was soon followed by such successes as ''20,000 Leagues Under the Sea'' (in [[CinemaScope]], 1954), ''The Shaggy Dog'' (1959), and ''The Parent Trap'' (1961). |
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| − | These productions were all distributed by Disney's new subsidiary, [[Buena Vista Distribution]], which had assumed all distribution duties for Disney films from [[RKO]] by 1955. [[Disneyland]], one of the world's first [[theme park]]s, finally opened on [[July 17]] [[1955]], and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based upon a number of successful Disney properties and films. After 1955, the Disneyland TV show became known as ''Walt Disney Presents''. The show went from black-and-white to color in 1961 — changing its name to ''Walt Disney's Wonderful World of Color'' — and eventually evolved into what is today known as [[Walt Disney anthology series|''The Wonderful World of Disney'']], which continued to air on [[American Broadcasting Company|ABC]] until 2005, when it ceased as a regular series, due in part to premium pay-cable rights currently held by the [[Starz!]] movie network. Since 2005, Disney features have been split between ABC, the [[Hallmark Channel]], and [[Cartoon Network]] via separate broadcast rights deals. It currently airs periodically, with features such as the December 2005 revival of ''[[Once Upon a Mattress]]''.
| + | Although movies were seen to be in competition with television by Hollywood producers, The Walt Disney Studio was one of the first to produce projects for this new medium. Disney created its first TV special, ''One Hour in Wonderland,'' in 1950. The studio's first daily television show, the popular ''Mickey Mouse Club,'' debuted in 1955 and continued in various incarnations into the 1990s. This show would become a platform for new and rising stars like [[Annette Funicello]]—one of the original Mouseketeers. |
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| − | During the mid-1950s, Disney produced a number of [[educational film]]s on the space program in collaboration with [[NASA]] rocket designer [[Wernher von Braun]]: ''Man in Space'' and ''Man and the Moon'' in 1955, and ''Mars and Beyond'' in 1957. The films attracted the attention of not only the general public, but also the [[Soviet space program]].
| + | As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department as he entrusted most of its operations to the key animators, whom he dubbed the ''Nine Old Men.'' During Disney's lifetime, the animation department created the successful ''Lady and the Tramp'' (in [[CinemaScope]], 1955), ''One Hundred and One Dalmatians'' (1961), the financially disappointing ''Sleeping Beauty'' (in [[Super Technirama]] [[70mm]], 1959) and ''The Sword in the Stone'' (1963). |
| | | | |
| − | The TV series and book ''Our Friend the Atom'' (1956, together with [[Heinz Haber]]) were produced as part of an effort by the [[Eisenhower]] administration to enhance the image of nuclear energy. | + | [[Disneyland]], one of the world's first [[theme park]]s, finally opened on July 17, 1955, and was immediately successful. Visitors came from around the world to see attractions based on successful Disney films and their well loved characters. After 1955, the Disneyland TV show became known as ''Walt Disney Presents.'' The show went from black-and-white to color in 1961—changing its name to ''Walt Disney's Wonderful World of Color.'' It eventually evolved into what is today known as the [[Walt Disney anthology series|''The Wonderful World of Disney,'']] which continued to air on [[American Broadcasting Company|ABC]] until 2005. Since 2005, Disney features have been split between ABC, the [[Hallmark Channel]], and [[Cartoon Network]] via separate broadcast agreements. It currently airs periodically, with features such as the December 2005 revival of ''Once Upon a Mattress.'' |
| | | | |
| | ===Early 1960s successes=== | | ===Early 1960s successes=== |
| − | [[Image:Shermans042.jpg|thumb|250px|(Left to right) [[Robert B. Sherman]], [[Richard M. Sherman]] and Walt Disney sing "[[There's a Great Big Beautiful Tomorrow]]" (1964)]]
| + | Despite all it ups and downs, by the early 1960s Walt Disney Productions had established itself as the world's leading producer of family entertainment. After decades of trying, Disney finally procured the rights to [[P.L. Travers]]' books about a magical nanny. ''Mary Poppins,'' released in 1964, was the most successful Disney film of the 1960s, combining animation and live-action. The movie starred [[Julie Andrews]], who won an Oscar for her performance, and a memorable musical score. Many hailed the live-action/animation combination feature as Disney's greatest achievement. The same year Disney debuted a number of exhibits at the [[1964 New York World's Fair]], including [[sound reproduction|Audio]]-[[Animatronic]] figures, all of which were later integrated into attractions at Disneyland and the new Florida project that would be called Disney World. |
| − | By the early 1960s, the Disney empire was a major success, and Walt Disney Productions had established itself as the world's leading producer of family entertainment. Walt Disney was the Head of Pageantry for the [[1960 Winter Olympics]]. After decades of trying, Disney finally procured the rights to [[P.L. Travers]]' books about a magical nanny. ''[[Mary Poppins (1964 film)|Mary Poppins]]'', released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the [[Sherman Brothers]]. Many hailed the live-action/animation combination feature as Disney's greatest achievement. The same year, Disney debuted a number of exhibits at the [[1964 New York World's Fair]], including [[sound reproduction|Audio]]-[[Animatronic]] figures, all of which were later integrated into attractions at Disneyland and a new theme park project to be established on the [[East Coast of the United States|East Coast]], which Disney had been planning ever since Disneyland opened.
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| − | ===Ski resorts===
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| − | Walt Disney first showed interest in [[ski resorts]] with his investment in [[Sugar Bowl Ski Resort]] in the 1930s. However, his interest was brought to a new level in the 1960s when he commissioned plans for [[Disney's Mineral King Ski Resort]]. Official plans for the resort were announced just months before his death. The project was eventually canceled due to heavy protest from many [[environmental organizations]], most notably the [[Sierra Club]].
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| − | | |
| − | ==="Florida Project"===
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| − | In 1964, Walt Disney Productions began quietly purchasing land in central [[Florida]] southwest of [[Orlando, Florida|Orlando]] in a large swamp land for Disney's "Florida Project." Disney did so under the mask of many fake companies, in order to keep the price of land as low as he could. As soon as the word got out that Disney was purchasing the land, however, the prices immediately rose. The company acquired over 27,000 acres (109 km²) of land, and arranged favorable state legislation which would provide unprecedented quasi-governmental control over the area to be developed in 1966, founding the [[Reedy Creek Improvement District]]. Disney and his brother Roy then announced plans for what they called "[[Disney World]]."
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| | ===Plans for Disney World and EPCOT=== | | ===Plans for Disney World and EPCOT=== |
| − | Disney World was to include a larger, more elaborate version of Disneyland to be called the Magic Kingdom, and would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, or [[Epcot|EPCOT]] for short. EPCOT was designed to be an operational city where residents would live, work, and interact using advanced and experimental technology, while scientists would develop and test new technologies to improve human life and health.
| + | In 1964, Walt Disney Productions began quietly purchasing land in central Florida southwest of Orlando. Even though the property was considered swamp land, prices in the area rose quickly when it was discovered that Disney was buying the property for another project like Disneyland. |
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| − | ===Death of Walt Disney===
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| − | [[Image:disneygrave.jpg|thumb|250px|Walt Disney's grave site.]]
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| − | Songwriter [[Robert B. Sherman]] said about the last time he saw Walt Disney: {{cquote|He was up in the third floor of the animation building after a run-through of ''[[The Happiest Millionaire]]''. He usually held court in the hallway afterward for the people involved with the picture. And he started talking to them, telling them what he liked and what they should change, and then, when they were through, he turned to us and with a big smile, he said, 'Keep up the good work, boys.' And he walked to his office. It was the last we ever saw of him.<ref>Kathrine and Richard Greene, ''Inside The Dream: The Personal Story Of Walt Disney'', 2001, p 180.</ref>}}
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| − | | |
| − | Disney's involvement in Disney World ended in late 1966; after many years of [[Tobacco smoking|chain-smoking]] cigarettes, he was diagnosed with [[lung cancer]]. He was checked into the St. Joseph's [[Hospital]] across the street from the Disney Studio lot and his health began to deteriorate, causing him to suffer cardiac arrest.
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| − | He died on [[December 15]], [[1966]] at 9:30am, ten days after his 65th birthday. He was cremated on [[December 17]], [[1966]] at the [[Forest Lawn Memorial Park (Glendale)|Forest Lawn Cemetery]] in [[Glendale, California|Glendale]], [[California]]. [[Roy O. Disney]] continued to carry out the Florida project, insisting that the name be changed to [[Walt Disney World]] in honor of his brother. Roy Disney died just three months after the [[Magic Kingdom]] opened for business in 1971.
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| − | === Rumors ===
| + | Disney World would become a larger, more elaborate version of Disneyland, whose central theme park would be called the Magic Kingdom. Additionally, it would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, or [[Epcot|EPCOT]] for short. EPCOT was designed to be an operational city where residents would live, work, and interact using advanced and experimental technology, while scientists would develop and test new technologies to improve human life and health. |
| − | There has been a long-standing rumor that after his death, Disney was [[cryopreserved]] so he may be revived at a later date. However, this has been refuted on numerous occasions. In fact, Disney was cremated, and his ashes were interred at [[Forest Lawn Memorial Park (Glendale)|Forest Lawn Memorial Park]] in [[Glendale, California|Glendale]].
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| − | A similar rumor has sprung up that shortly after his death, top Disney executives were shown a film that Disney made shortly before his death, that basically outlines the company's strategies for the next five (or ten) years. To bolster the story, pictures (or perhaps a short clip) of Walt planning EPCOT is shown. This is also false. The footage is from a pitch film Walt made to promote the building of EPCOT. According to [[Urban Legends Reference Pages|www.snopes.com]], Disney really didn't like talking about death, and wouldn't even go to funerals of close friends and relatives.<ref>[http://www.snopes.com/disney/info/wd-ice.htm Snopes.com: ''Suspended Animation'']</ref>
| + | ==Death of Walt Disney== |
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| − | ==1967-present: Legacy==
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| − | ===Continuing the vision===
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| − | [[Image:Disneyland plaque.jpg|right|thumb|250px|Plaque at the entrance that embodies the intended spirit of Disneyland by Walt Disney: to leave reality and enter fantasy]]
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| − | After Walt Disney's death, Roy Disney returned from retirement to take full control of Walt Disney Productions and WED Enterprises. He still refused to talk about his brother, and his grief, though rarely shown to other people, lasted until his death in 1971. In October of that year, their families met in front of [[Cinderella Castle]] at the Magic Kingdom to officially open the Walt Disney World Resort. After an orchestra made up of over 66 countries performed a medley of Disney music, Roy stepped up to the podium.
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| − | After giving his dedication for [[Walt Disney World]], he then asked Lillian Disney to join him. As the orchestra played "[[When You Wish Upon a Star]]", she stepped up to the podium accompanied by Mickey Mouse. He then said, "Lilly, you knew all of Walt's ideas and hopes as well as anybody; what would Walt think of it [Walt Disney World]?". "I think Walt would have approved," she replied. Roy died from a cerebral hemorrhage in December, the day he was due to open the Disneyland Christmas parade.
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| − | When the second phase of the Walt Disney World [[theme park]] was built, EPCOT was translated by Walt Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living [[world's fair]], a far cry from the actual functional city that Disney had envisioned. In 1992 Walt Disney Imagineering took the step closer to Walt's vision and dedicated [[Celebration, Florida|Celebration]], [[Florida]], a town built by the Walt Disney Company adjacent to Walt Disney World, that harkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. The company later changed this policy. The sale of alcoholic beverages is also permitted at EPCOT, something never allowed in the Magic Kingdom.
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| − | ===The Disney entertainment empire===
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| − | Today, Walt Disney's animation/motion picture studios and theme parks have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carries his name. [[The Walt Disney Company]] today owns, among other assets, five vacation resorts, eleven theme parks, two water parks, thirty-nine hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network.
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| − | ===Disney Animation today===
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| − | [[Traditional animation|Traditional hand-drawn animation]], with which Walt Disney built the success of his company, no longer continues at the [[Walt Disney Feature Animation]] studio. After a stream of financially unsuccessful traditionally-animated features in the late-1990s and early 2000s, the two satellite studios in [[Paris, France|Paris]] and [[Orlando, Florida|Orlando]] were closed, and the main studio in [[Burbank, California|Burbank]] was converted to a computer animation production facility. In 2004, Disney released their final traditionally animated feature film, ''[[Home on the Range (movie)|Home on the Range]]''. The [[DisneyToons]] studio in [[Australia]], which produced lower-budget traditionally animated films, at first appeared to survive the purge, but its closing was announced in July 2005.
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| − | Only recently with [[Roy E. Disney]]'s return and [[Bob Iger]] now the CEO and with the Disney purchase of [[Pixar]] Animation Studios, reviving the traditional style of animation for which Disney has been famous for is again a reality. New creative head of Disney animation, [[John Lasseter]], commissioned veteran Disney animator [[James Baxter (animator)|James Baxter]] to produce an animated test sequence for Disney CEO Robert Iger in February of 2006. If approved, the film based on this test sequence, called the [[Frog Princess]], will be released in 2007.{{fact}}
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| − | ===CalArts===
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| − | Disney devoted substantial time in his later years funding [[The California Institute of the Arts]] (CalArts), which was formed in 1961 through a merger of the Los Angeles Conservatory of Music and the [[Chouinard Art Institute]], which had helped in the training of the animation staff during the 1930s. When he died, one fourth of his estate went towards CalArts, which greatly helped the building of its campus. He also donated 38 acres (154,000 m²) of the Golden Oaks ranch in [[Valencia, California|Valencia]] for the school to be built on. CalArts moved onto the Valencia campus in 1971.
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| − | Lillian Disney devoted much of her time after her husband died to pursuing CalArts and organized hundreds of fund raising events for the university in her late husband's honor (as well as funding the Walt Disney Symphony Hall). After Lillian's passing, the legacy continued with daughter Diane and husband Ron continuing the tradition. CalArts is one of the largest independent universities in California today, mostly because of the contributions of the Disneys.
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| − | == Academy Awards ==
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| − | Among many awards, Walt Disney holds the record for having the most [[Academy Awards]]. 22 won, and 4 honorary.
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| − | *'''1969''' Best Short Subject, Cartoons for: Winnie the Pooh and the Blustery Day
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| − | *'''1959''' Best Short Subject, Live Action Subjects for: Grand Canyon
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| − | *'''1956''' Best Documentary, Short Subjects for: Men Against the Arctic
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| − | *'''1955''' Best Documentary, Features for: The Vanishing Prairie (1954)
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| − | *'''1954''' Best Documentary, Features for: The Living Desert (1953)
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| − | *Best Documentary, Short Subjects for: The Alaskan Eskimo (1953)
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| − | *Best Short Subject, Cartoons for: Toot Whistle Plunk and Boom (1953)
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| − | *Best Short Subject, Two-reel for: Bear Country (1953)
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| − | *'''1953''' Best Short Subject, Two-reel for: Water Birds (1952)
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| − | *'''1952''' Best Short Subject, Two-reel for: Nature's Half Acre (1951)
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| − | *'''1951''' Best Short Subject, Two-reel for: Beaver Valley (1950)
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| − | *'''1949''' Best Short Subject, Two-reel for: Seal Island (1948)
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| − | *'''1943''' Best Short Subject, Cartoons for: Der Fuehrer's Face (1942)
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| − | *'''1942''' Best Short Subject, Cartoons for: Lend a Paw (1941)
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| − | *Honorary Award for: ''Fantasia'' (1940)
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| − | Shared with: William E. Garity J.N.A. Hawkins
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| − | For their outstanding contribution to the advancement of the use of sound in motion pictures through the production of ''Fantasia'' (certificate).
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| − | *Irving G. Thalberg Memorial Award
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| − | *'''1940''' Best Short Subject, Cartoons for: Ugly Duckling(1939)
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| − | *'''1939''' Best Short Subject, Cartoons for: Ferdinand the Bull (1938)
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| − | *Honorary Award for: [[Snow White and the Seven Dwarfs]] (1937)
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| − | For [[Snow White and the Seven Dwarfs]], recognized as a significant screen innovation which has charmed millions and pioneered a great new entertainment field (one statuette - seven miniature statuettes).
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| − | *'''1938''' Best Short Subject, Cartoons for: The Old Mill (1937)
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| − | *'''1937''' Best Short Subject, Cartoons for: The Country Cousin (1936)
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| − | *'''1936''' Best Short Subject, Cartoons for: Three Orphan Kittens (1935)
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| − | *'''1935''' Best Short Subject, Cartoons for: The Tortoise and the Hare (1934)
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| − | *'''1934 '''Best Short Subject, Cartoons for: Three Little Pigs (1933)
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| − | *'''1932''' Best Short Subject, Cartoons for: Flowers and Trees (1932)
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| − | *Honorary Award For the creation of [[Mickey Mouse]].
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| − | ==Other Honors==
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| − | Walt Disney was the inaugural recipient of a star on the [[Anaheim walk of stars]]. The star is in honor of Walt's significant contributions to the city of [[Anaheim, California]], specifically, [[Disneyland]], now the [[Disneyland Resort]]. It is located at the pedestrian entrance to the Disneyland Resort on Harbor Boulevard.
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| − | Walt Disney also received the [[Congressional Gold Medal]] on May 24, 1968 (P.L. 90-316, 82 Stat. 130-131).
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| − | ==See also==
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| − | *[[Disneyland Resort]]
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| − | *[[Mickey Mouse Club]]
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| − | *[[Walt Disney World Resort]]
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| − | ==References==
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| − | <!-- ----------------------------------------------------------
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| − | See http://en.wikipedia.org/wiki/Wikipedia:Footnotes for a
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| − | </div>
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| − | {{Citations missing|date=December 2006}}
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| − | ==Resources==
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| − | * Barrier, Michael (1999). ''Hollywood Cartoons: American Animation in Its Golden Age''. Oxford: Oxford University Press. ISBN 0-19-516729-5.
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| − | * [[Michael Broggie|Broggie, Michael]] (1997, 1998, 2005). ''Walt Disney's Railroad Story''. Virginia Beach, Virginia. Donning Publishers. ISBN 1-56342-009-0
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| − | *Eliot, Marc (1993). ''Walt Disney: Hollywood's Dark Prince''. Carol. ISBN 1-55972-174-X
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| − | * [[Leonard Mosley|Mosley, Leonard]]. ''Disney's World: A Biography'' (1985, 2002). Chelsea, MI: Scarborough House. ISBN 0-8128-8514-7.
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| − | * [[Neal Gabler|Gabler, Neal]]. ''Walt Disney: The Triumph of American Imagination'' (2006). New York, NY. Random House. ISBN 0-679-43822-X
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| − | * [[Richard Schickel|Schickel, Richard]], and [[Ivan R. Dee|Dee, Ivan R.]] (1967, 1985, 1997). ''The Disney Version: The Life, Times, Art and Commerce of Walt Disney''. Chicago: Ivan R. Dee, Publisher. ISBN 1-56663-158-0.
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| − | * [[Robert B. Sherman|Sherman, Robert B.]] and [[Richard M. Sherman|Sherman, Richard M.]] (1998) "Walt's Time: From Before to Beyond" ISBN 0-9646059-3-7.
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| − | * [[Bob Thomas (journalist)|Thomas, Bob]] (1991). ''Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast''. New York: Hyperion. ISBN 1-56282-899-1
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| − | * [[Bob Thomas (journalist)|Thomas, Bob]] (1976, 1994). ''Walt Disney: An American Original'' New York: Hyperion. ISBN 0-7868-6027-8
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| − | *Watts, Steven, ''The Magic Kingdom: Walt Disney and the American Way of Life'', University of Missouri Press, 2001, ISBN 0826213790
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| − | ==External links==
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| − | {{wikiquote}}
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| − | * {{imdb name|id=0000370|name=Walt Disney}}
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| − | * {{tcmdb name|id=50875|name=Walt Disney}}
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| − | * [http://disney.go.com/disneyatoz/waltdisney/ Walt Disney Family Museum]
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| − | * [http://wiredforbooks.org/leonardmosley/ 1985 audio interview with Leonard Mosley, author of ''Disney's World'', a biography about Walt Disney] by [[Don Swaim]]
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| − | * [http://www.npr.org/templates/story/story.php?storyId=6405745 Neal Gabler, Inside Walt Disney]
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| − | * [http://www.anaheimwalkofstars.com/index.php Anaheim Walk of Stars]
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| − | {{Persondata
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| − | |NAME =Disney, Walter Elias
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| − | |ALTERNATIVE NAMES=
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| − | |SHORT DESCRIPTION=Producer, director, and animator
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| − | |DATE OF BIRTH=[[December 5]], [[1901]]
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| − | |PLACE OF BIRTH=[[Chicago]], [[Illinois]], [[United States]]
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| − | |DATE OF DEATH=[[December 15]], [[1966]]
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| − | |PLACE OF DEATH=[[Los Angeles, California]], [[United States]]
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| − | }}
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| − | [[Category:German-Americans]]
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| − | [[Category:Walt Disney| ]]
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| − | [[Category:Disney executives|Disney, Walt]]
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| − | {{Credit|{{sprotected}}
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| − | {{dablink|For the company founded by Disney, see [[The Walt Disney Company]]. For other uses, see [[Walt Disney (disambiguation)]]}}
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| − | {{Infobox Biography
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| − | | subject_name=Walt Disney
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| − | | image_name=Walt disney portrait.jpg|200px
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| − | | image_caption=Walt Disney
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| − | | date_of_birth=[[December 5]], [[1901]]
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| − | | place_of_birth=[[Chicago]], [[Illinois]], [[United States|U.S.]]
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| − | | date_of_death=[[December 15]], [[1966]]
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| − | | place_of_death=[[Los Angeles, California|Los Angeles]], [[California]], [[United States|U.S.]]
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| − | | occupation = [[Film producer]], Co-founder of [[The Walt Disney Company]]
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| − | | spouse = [[Lillian Disney]]
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| − | }}
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| − | '''Walter Elias Disney''' ([[December 5]], [[1901]] – [[December 15]], [[1966]]), was an [[United States|American]] [[film producer]], [[film director|director]], [[screenwriter]], [[voice actor]], [[animator]], [[entrepreneur]], [[visionary]], and [[philanthropist]]. He was the son of [[Flora Disney|Flora]] and [[Elias Disney]], and had three brothers and one sister. As the co-founder (with his brother [[Roy O. Disney]]) of Walt Disney Productions, Walt became one of the best-known [[motion picture]] producers in the world. The corporation he co-founded, now known as [[The Walt Disney Company]], today has annual revenues of approximately U.S. $30 billion.
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| − | | |
| − | Walt Disney is particularly noted for being a film producer, and a popular showman, as well as an innovator in [[animation]] and [[theme park]] design. He was nominated for 48 [[Academy awards]] and 7 [[Emmys]], holding the record for most Oscar nominations. He also had two daughters, Diane and Sharon; Sharon was adopted. He and his staff created a number of the world's most famous productions, including the one many consider Disney's [[alter ego]], [[Mickey Mouse]]. He is also well-known as the namesake of the [[Disneyland]] and [[Walt Disney World Resort]] theme parks in the United States.
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| − | Walt Disney died of [[lung cancer]] on [[December 15]], [[1966]], a few years prior to the opening of his [[Walt Disney World]] dream project in [[Orlando, Florida]].
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| − | ==1901-1937: The beginnings==
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| − | === Childhood ===
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| − | [[Image:Walt01.jpg|right|thumb|250px|Disney as an ambulance driver during the war.]]
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| − | Walt Disney's ancestors had emigrated from [[Gowran]], [[County Kilkenny]] in [[Ireland]]. His father [[Elias Disney]] had moved to the United States after his parents failed at farming in Canada. As a child Elias moved with his family all around the United States, as his father chased various business ventures. He also worked as a mailman in [[Kissimmee, Florida|Kissimmee]] (Orlando), Florida, future home of Walt Disney World. Elias moved to [[Chicago]] in the late 1800s soon after his marriage to Flora Call. Walt was born in Chicago.
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| − | In April, 1906 Elias grew disenchanted with the violence in Chicago and moved his family to [[Marceline, Missouri]] where his brother owned property. There he bought a house and 45 acres of farmland. While in Marceline, Disney developed his love for drawing. One of their neighbors, a retired doctor named "Doc" Sherwood, paid him to draw pictures of Sherwood's horse, Rupert. He also developed his love for trains in Marceline, which owed its existence to the [[Atchison, Topeka and Santa Fe Railway]] which ran through town. Walt would put his ear to the tracks in anticipation of the coming train. Then he would look for his uncle, engineer Michael Martin, running the train.
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| − | The Disneys remained in Marceline for four years, moving to [[Kansas City Metropolitan Area|Kansas City]] in 1910. There Walt and his sister Ruth attended the Benton Grammar School where he met Walter Pfeiffer. The Pfeiffers were theater aficionados and introduced Walt to the world of vaudeville and motion pictures. Soon Walt was spending more time at the Pfeiffers than at home. <ref>{{cite book|last=Thomas|first=Bob|title=Walt Disney: An American Original|publisher=[[Hyperion (publisher)|Hyperion]]|date=1976,1994|location=New York|id=ISBN ISBN 0-7868-6027-8|pages=pp. 33-41}}</ref>
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| − | ===Chicago===
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| − | In 1917, Elias purchased an interest in the O-Zell jelly factory in [[Chicago]] and moved his family back there. In the fall, Disney began his freshman year at [[McKinley High School]] there and began taking night courses at the [[Chicago Art Institute]].<ref>{{cite book|last=Thomas|first=Bob|title=Walt Disney: An American Original|publisher=[[Hyperion (publisher)|Hyperion]]|date=1976,1994|location=New York|id=ISBN ISBN 0-7868-6027-8|pages=pp. 42-43}}</ref> Disney was the cartoonist for the school newspaper. His cartoons were very patriotic, focusing on [[World War I]]. Disney dropped out of high school at 16 so he could join the [[U.S. Army|Army]], but the army didn't take him because he was too young.
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| − | Instead, Walt and one of his friends decided to join the [[Red Cross]]. They were supposed to be 17 years old to join but, against his father's will, his mother forged Walt's birth certificate saying he was born in 1900 instead of 1901. The Red Cross sent him to France for a year. During that year, he drove an ambulance covered from top to bottom with his imaginative Disney characters.
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| − |
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| − | He moved to Kansas City to begin his artistic career. His brother Roy worked at a bank in the area and got a job for him through a friend at the Pesmen-Rubin Art Studio. At Pesmen-Rubin, Disney made ads for newspapers, magazines, and movie theaters. It was also there that he met a shy cartoonist named [[Ub Iwerks|Ubbe Iwwerks]]. The two respected each other's work so much, they became fast friends and decided to start their own art business.
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| − | Disney and Iwerks (who now shortened his name to Ub Iwerks) formed a company called "Iwerks-Disney Commercial Artists" in January 1920 (it was originally called Disney-Iwerks, but the two thought they would be confused with a shop that made eyeglasses). Unfortunately, few clients were willing to hire the inexperienced duo. Iwerks left temporarily to earn money at Kansas City Film Ad Company. Disney followed suit after the business venture was taken over by his New York financial backers Winkler and Mintz.
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| − | ===Hollywood===
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| − | When Disney arrived in [[Los Angeles]], he had $40 in his pocket and an unfinished cartoon in his suitcase. Interestingly, he first wanted to break away from animation, thinking he could not compete with the studios in [[New York City]]. Disney said that his first ambition was to be a film director. He went to every studio in town looking for directing work; they all promptly turned him down.
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| − | Because of the lack of success in live-action film, Disney turned back to animation. His first Hollywood cartoon studio was a garage in his uncle Robert's house. Disney sent an unfinished print to New York distributor [[Margaret Winkler]], who promptly wrote back to him. She wanted a distribution deal with Disney for more live-action/animated shorts based upon ''Alice's Wonderland''.
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| − | Disney looked up his brother Roy, who was recovering from [[tuberculosis]] in a [[Los Angeles]] veteran's hospital. Disney pleaded with his brother to help him with his fledgling studio, saying that he could not keep his finances straight without him. Roy agreed and left the hospital with his brother. He never went back and never had a recurrence of tuberculosis. [[Virginia Davis]] (the live-action star of ''Alice’s Wonderland'') and her family were relocated at Disney's request from Kansas City to [[Hollywood]], as were Iwerks and his family. This was the beginning of the [[The Walt Disney Company|Disney Brothers' Studio]]. It was located on Hyperion Avenue in [[Silver Lake, Los Angeles, California|the Silver Lake district]], where the studio would remain until 1939.
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| − | In 1925, Disney hired a young woman named [[Lillian Disney|Lillian Bounds]] to ink and paint celluloid. He was immediately taken with her. She began to pull double duty as secretary a few months later. Disney then began to take her out on dates, their first being the [[Broadway theatre|Broadway]] show, ''[[No, No, Nanette]]''. He would also take her out on drives in the hills of [[Los Angeles, California|Los Angeles]]. On one drive, he asked her if he should buy a new car or a ring for her finger. They were married on [[July 15]] [[1925]]. She later jokingly commented that he was disappointed that she did not tell him to buy the car. They honeymooned at [[Mount Rainier]].
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| − | ====Alice Comedies====
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| − | The new series, "[[Alice Comedies]]," was reasonably successful, and featured both [[Dawn O'Day]] and [[Margie Gay]] as Alice after Virginia Davis’ parents pulled her out of the series because of a pay cut. Lois Hardwick also briefly assumed the role. By the time the series ended in 1927, the focus was more on the animated characters, in particular a cat named Julius who recalled [[Felix the Cat]], rather than the live-action Alice.
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| − | ====Oswald the Lucky Rabbit====
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| − | By 1927, [[Charles B. Mintz]] had married Margaret Winkler and assumed control of her business, and ordered a new all-animated series to be put into production for distribution through [[Universal Pictures]]. The new series, "[[Oswald the Lucky Rabbit]]", was an almost instant success, and the Oswald character, first drawn and created by Iwerks, became a popular property. The Disney studio expanded, and Walt hired back Harman, Ising, Maxwell, and Freleng from Kansas City.
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| − | In February of 1928, Disney went to [[New York]] to negotiate a higher fee per short from Mintz. Disney was shocked when Mintz announced that not only did he want to reduce the fee he paid Disney per short, but that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng (notably excepting Iwerks) under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Disney.
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| − | Disney declined Mintz's offer and lost most of his animation staff. The defectors became the nucleus of the [[Winkler Studio]], run by Mintz and his brother-in-law [[George Winkler]]. When that studio went under after Universal assigned production of the Oswald shorts to an in-house division run by [[Walter Lantz]], Mintz focused his attentions on the studio making the "[[Krazy Kat]]" shorts, which later became [[Screen Gems]], and Harman, Ising, Maxwell, and Freleng marketed an Oswald-like character named [[Bosko]] to [[Leon Schlesinger]] and [[Warner Bros.]], and began work on the first entries in the ''[[Looney Tunes]]'' series.
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| − | It took Disney's company 78 years to get back the rights to the Oswald character. In a move that sent sports broadcaster [[Al Michaels]] to [[NBC]] Sports for their Sunday night [[NFL]] coverage, the [[Walt Disney Company]] reacquired the rights to Oswald the Lucky Rabbit from [[NBC Universal]] in 2006.
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| − | ====Mickey Mouse====
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| − | {{main|Mickey Mouse}}
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| − | [[Image:Steamboat-willie-title.jpg|thumb|250px|right|The title card of ''[[Steamboat Willie]]'' credits both Walt Disney and Ub Iwerks]]
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| − | After having lost the rights to Oswald, Disney had to develop a new "star". Most Disney biographies state that Disney came up with a mouse character on his trip back from New York. It is debated whether it was he, or Iwerks who actually designed the mouse (which basically looked like Oswald, but with round instead of long ears). The first films were animated by Iwerks, his name was prominently featured on the title cards. The mouse was originally named "Mortimer", but later christened "[[Mickey Mouse]]" by Lillian Disney.
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| − | Mickey's first animated short produced was ''[[Plane Crazy]]'', which was, like all of Disney's previous works, a [[silent film]]. After failing to find distributor interest in ''[[Plane Crazy]]'' or its follow-up, ''[[The Gallopin' Gaucho]]'', Disney created a Mickey cartoon with [[talking picture|sound]] called ''[[Steamboat Willie]]''. A businessman named [[Pat Powers]] provided Disney with both distribution and [[Cinephone]], a sound-[[synchronization]] process. ''Steamboat Willie'' became a success, and ''Plane Crazy'', ''The Galloping Gaucho'', and all future Mickey cartoons were released with soundtracks. Disney himself provided the vocal effects for the earliest cartoons and performed as the [[voice actor|voice]] of Mickey Mouse until 1946. Disney believed Mickey would make it far into television.
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| − | ====Silly Symphonies====
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| − | Joining the Mickey Mouse series in 1929 were a series of musical shorts called ''[[Silly Symphonies]]''. The first of these was entitled ''[[The Skeleton Dance]]'' and was entirely drawn and animated by Iwerks, who was also responsible for drawing the majority of cartoons released by Disney in 1928 and 1929. Although both series were successful, the Disney studio was not seeing its rightful share of profits from Pat Powers, and in 1930 Disney signed a new distribution deal with [[Columbia Pictures]].
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| − | Iwerks was growing tired of the temperamental Disney, especially as he was doing the majority of the work, and so was lured by Powers into opening his own studio with an exclusive contract. Disney desperately searched for someone who could replace Iwerks, as he was not able to draw as well or as quickly; Iwerks was reported to have drawn up to 700 drawings a day for the first Mickey shorts.
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| − | Meanwhile, Iwerks launched his successful ''[[Flip the Frog]]'' series with the first sound cartoon in color, "Fiddlesticks," filmed in two-strip Technicolor. Iwerks also created two other series of cartoons, the ''[[Willie Whopper]]'' and the ''[[Comicolor]]'' cartoon series. Iwerks closed his [[Ub Iwerks Studio|studio]] in 1936 to work on various projects dealing with animation technology. Iwerks would return to Disney in 1940 and, in the studio's research and development department, would go on to pioneer a number of film processes and specialized animation technologies.
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| − | Eventually, Disney was able to find a number of people to replace Iwerks. By 1932, Mickey Mouse had become quite a popular cartoon character. The [[Van Beuren Studios|Van Beuren]] cartoon studio attempted to cash in on this success by creating a specific process, making these the first commercial films presented in this new process. The first color ''Symphony'' was ''[[Flowers and Trees]]'', which won the first [[Academy Award for Animated Short Film|Academy Award for Best Short Subject: Cartoons]] in 1932.
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| − | ===First Academy Award===
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| − | In 1932, Disney received a special [[Academy Award]] for the creation of Mickey Mouse, whose series was moved into color in 1935 and soon launched [[spinoff]] series for supporting characters such as [[Donald Duck]], [[Goofy]], and [[Pluto (dog)|Pluto]].
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| − | ===The family grows===
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| − | As Mickey's co-creator and producer, Disney was almost as famous as his mouse cartoon character, but remained a largely private individual. His greatest hope was to be a father to many children. However, the Disneys' first attempts at pregnancy ended in miscarriage. This, coupled with pressures at the studio, led to Disney having "a hell of a breakdown", as he called it. His doctors said that he had to get away for a while, so he and his wife went on a [[Caribbean]] cruise and then traveled to [[Washington, D.C.]]
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| − | When Lilly Disney became pregnant again, Disney told his sister in a letter that he did not care what sex the child was, just as long as they were not disappointed again. Lilly finally gave birth to a daughter, [[Diane Marie Disney]], on [[December 18]] [[1933]]. Disney was excited to finally have a child. A few years later the Disneys adopted a second daughter, [[Sharon Mae Disney]], born on [[December 21]] [[1934]].
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| − | ==1937-1941: The Golden Age of Animation==
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| − | ==="Disney's Folly": ''Snow White and the Seven Dwarfs''===
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| − | [[Image:Walt Disney22.jpg|right|thumb|250px|Disney introduces his popular creations: Mickey, Minnie Mouse and Pluto to [[Hansel and Gretel]] ([[Dorothy Rodin]] and [[Virginia Murray]]).]]
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| − | Although his studio produced the two most successful cartoon series in the industry, the returns were still dissatisfying to Disney, and he began plans for a full-length feature in 1934. When the rest of the film industry learned of Disney's plans to produce an ''animated'' feature-length version of [[Snow White]], they dubbed the project "Disney's Folly" and were certain that the project would destroy the Disney studio. Both Lillian and Roy tried to talk Disney out of the project, but he continued plans for the feature. He employed [[Chouinard Art Institute]] professor Don Graham to start a training operation for the studio staff, and used the ''Silly Symphonies'' as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the [[multiplane camera]].
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| − | All of this development and training was used to elevate the quality of the studio so that it would be able to give the feature the quality Disney desired. ''[[Snow White and the Seven Dwarfs (1937 film)|Snow White and the Seven Dwarfs]]'', as the feature was named, was in full production from 1935 until mid-1937, when the studio ran out of money. To acquire the funding to complete ''Snow White'', Disney had to show a rough cut of the motion picture to loan officers at the [[Bank of America]], who gave the studio the money to finish the picture. The finished film premiered at the Carthay Circle Theater on [[December 21]] [[1937]]; at the conclusion of the film the audience gave ''Snow White and the Seven Dwarfs'' a standing ovation. ''Snow White'', the first animated feature in English and Technicolor, was released in February 1938 under a new distribution deal with [[RKO Radio Pictures]]. The film became the most successful motion picture of 1938 and earned over $8 million (today $98 million) in its original theatrical release, all the more amazing because children were only charged a dime to see it. The success of ''Snow White'' (for which Disney received one full-size, and seven miniature Oscar statuettes) allowed Disney to build a new campus for the [[Walt Disney Studios (Burbank)|Walt Disney Studios]] in [[Burbank, California|Burbank]], which opened for business on [[December 24]] [[1939]]. The feature animation staff, having just completed ''[[Pinocchio (1940 movie)|Pinocchio]]'', continued work on ''[[Fantasia (film)|Fantasia]]'' and ''[[Bambi (1942 movie)|Bambi]]'', while the shorts staff continued work on the Mickey Mouse, Donald Duck, Goofy, and Pluto cartoon series, ending the ''Silly Symphonies'' at this time.
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| − | ===Wartime Woes===
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| − | ''[[Pinocchio (1940 film)|Pinocchio]]'' and ''[[Fantasia (film)|Fantasia]]'' followed ''[[Snow White and the Seven Dwarfs]]'' into movie theatres in 1940, but both were financial disappointments. The inexpensive ''[[Dumbo]]'' was planned as an income generator, but during production of the new film, most of the animation staff [[Disney animators' strike|went on strike]], permanently straining the relationship between Disney and his artists.
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| − | Shortly after ''[[Dumbo]]'' was released in October 1941 and became a successful moneymaker, the [[United States]] entered [[World War II]]. The [[U.S. Army]] contracted for most of the Disney studio's facilities and had the staff create training and instructional films for the military, as well as home-front morale-boosting shorts such as ''[[Der Fuehrer's Face]]'' and the feature film ''[[Victory Through Air Power]]'' in 1943. The military films did not generate income, however, and the feature film ''[[Bambi]]'' underperformed when it was released in April 1942. Disney successfully re-issued ''Snow White'' in 1944, establishing a 7-year re-release tradition for Disney features. (The pattern was not always strictly followed - Disney's version of [[Jules Verne]]'s ''[[20,000 Leagues Under the Sea]]'' was first re-released in 1963, nine years after its first run in movie theatres, and Disney's financially disappointing and critically drubbed version of ''[[Babes in Toyland (1961 film)|Babes in Toyland]]'', went straight to television after its theatrical run, and never re-appeared in movie theatres.)
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| − | The Disney studios also created inexpensive package films, containing collections of cartoon shorts, and issued them to theaters during this period. The most notable and successful of these were ''[[Saludos Amigos]]'' (1942), its sequel ''[[The Three Caballeros]]'' (1945), ''[[Song of the South]]'' (the first Disney film to feature dramatic actors) (1946), ''[[Fun and Fancy Free]]'' (1947), and ''[[The Adventures of Ichabod and Mr. Toad]]'' (1949). The latter had only two sections: the first based on ''[[The Legend of Sleepy Hollow]]'' by [[Washington Irving]], and the second based on ''[[The Wind in the Willows]]'' by [[Kenneth Grahame]].
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| − | By the late 1940s, the studio had recovered enough to continue production on the full-length features ''[[Alice in Wonderland (1951 film)|Alice in Wonderland]]'' and ''[[Peter Pan (1953 movie)|Peter Pan]]'', which had been shelved during the war years, and began work on ''[[Cinderella (1950 film)|Cinderella]]''. The studio also began a series of live-action nature films, entitled ''True-Life Adventures'', in 1948 with ''On Seal Island''.
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| − | ===Testimony before Congress===
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| − | After the 1941 strike of Disney Studio employees, Walt Disney deeply distrusted organized labor. In 1947, during the early years of the [[Cold War]],[http://www.cnn.com/SPECIALS/cold.war/episodes/06/documents/huac/disney.html] he testified before the [[House Un-American Activities Committee]], where he branded [[Herbert Sorrell]], [[David Hilberman]] and [[William Pomerance]], former animators and [[trade union|labor union]] organizers, as [[Communist]] agitators. (All three men denied the allegations.) Disney implicated the [[Screen Actors Guild]] as a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood. No evidence has been discovered to support this.
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| − | Although claims have been made that Disney was anti-Semitic, no proof of this exists.
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| − | <!-- Documents obtained under the [[Freedom of Information Act (United States)|Freedom of Information Act]] show that from 1941 until his death, he spied for the FBI on union activity in [[Hollywood]], and illegally intimidated union activists.<ref name="Disney files">FBI Walt Disney Archive. http://foia.fbi.gov/foiaindex/waltdisney.htm</ref> Since Jews were prominent in the labor movement, some employees felt that Disney's actions were motivated by anti-semitism. However, there is absolutely no proof of this.<ref name="Eliot">Eliot, Marc. 'Walt Disney: Hollywood's Dark Prince' London: André Deutsch, 1994.</ref><ref name="Disney testimony">Disney, Walt. The Testimony of Walter Elias Disney Before the House Committee on Un-American Activities. [[24 October]] 1947. http://filmtv.eserver.org/disney-huac-testimony.txt</ref> —>
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| − | ==1955-1966: Theme Parks and beyond==
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| − | ===Carolwood Pacific Railroad===
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| − | [[Image:LillybelleDland.jpg|thumb|250px|The Lilly Belle on display at Disneyland Main Station in 1993. The caboose's woodwork was done entirely by Walt himself.]]
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| − | {{main|Carolwood Pacific Railroad}}
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| − | During 1949, Disney and his family moved to a new home on a large piece of property in the [[Holmby Hills]] district of [[Los Angeles, California|Los Angeles]], [[California]]. With the help of his friends [[Ward Kimball|Ward and Betty Kimball]], owners of their own [[backyard railroad]], Disney developed the blueprints and immediately set to work creating a miniature [[live steam]] railroad for his backyard. The name of the railroad, [[Carolwood Pacific Railroad]], originated from the address of his home that was located on Carolwood Drive. The railroad's half-mile long layout included a 46-foot-long trestle, loops, overpasses, gradients, an elevated dirt berm, and a 90-foot tunnel underneath Mrs. Disney's flowerbed. He named the miniature working steam locomotive built by [[Roger E. Broggie]] of the [[Walt Disney Company#Studio Entertainment|Disney Studios]] ''Lilly Belle'' in his wife's honor. He had his attorney draw up right-of-way papers giving the railroad a permanent, legal easement through the garden areas, which his wife dutifully signed; however, there is no evidence the documents were ever recorded as a restriction on the property's title.
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| − | ===Planning Disneyland===
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| − | [[Image:Waltdisneystatue-disneyland.jpg|thumb|250px|The "Partners" statue at [[Disneyland]] in Anaheim, featuring Walt Disney and Mickey Mouse.]]
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| − | On a business trip to [[Chicago]] in the late-1940s, Disney drew sketches of his ideas for an [[amusement park]] where he envisioned his employees spending time with their children. He got his idea for a children's theme park after visiting [[Children's Fairyland]] in [[Oakland, California]]. This plan was originally for a lot south of the Studio, just across the street. However, the city of [[Burbank, Los Angeles County, California|Burbank]] declined building permission{{citation needed}}. The original ideas developed into a concept for a larger enterprise that was to become [[Disneyland]]. Disney spent five years of his life developing Disneyland and created a new subsidiary of his company, called [[WED Enterprises]], to carry out the planning and production of the park. A small group of Disney studio employees joined the Disneyland development project as engineers and planners, and were dubbed [[Imagineer]]s.
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| − | When describing one of his earliest plans to Herb Ryman (who created the first aerial drawing of Disneyland to present to the [[Bank of America]] for funds), Disney said, "Herbie, I just want it to look like nothing else in the world. And it should be surrounded by a train."[http://disneyspace.tripod.com/id1.html] Entertaining his daughters and their friends in his backyard and taking them for rides on his [[Carolwood Pacific Railroad]] had inspired Disney to include a railroad in the plans for Disneyland.
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| − | Among his closest friends in his last decade of life were Bob Hannah; the trainmaster; and Lorne Cline; lead brakeman;{{citation needed}} who later regaled park guests with stories about Walt into the late 1970s &mdash Walt did not ever want to lose control of the railroad to the financial backers of Disneyland and so placed the steam train and monorail attractions into a free-standing company called "RETLAW"{{citation needed}} (which is "Walter" spelled backwards) of which he and his wife were sole owners. Prior to its dissolution into the Disney Corp in the 1980s, he (and heirs) would receive $0.60 for each person through the turnstile at the train stations and supervisors could be seen currying favor with the owner by spinning the turnstiles to increase the count (and revenues) before park opening and after closing{{citation needed}}.
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| − | ===Expanding into new areas===
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| − | As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. ''[[Treasure Island]]'' (1950) became the studio's first all-live-action feature, and was soon followed by such successes as ''[[20,000 Leagues Under the Sea (1954 film)|20,000 Leagues Under the Sea]]'' (in [[CinemaScope]], 1954), ''[[The Shaggy Dog (1959 film)|The Shaggy Dog]]'' (1959), and ''[[The Parent Trap]]'' (1961). The Walt Disney Studio was one of the first to take full advantage of the then-new medium of television, producing its first TV special, ''[[One Hour in Wonderland]]'', in 1950. Disney began hosting a [[Walt Disney anthology series|weekly anthology series]] on [[American Broadcasting Company|ABC]] named [[Disneyland TV show|''Disneyland'']] after the park, where he showed clips of past Disney productions, gave tours of his studio, and familiarized the public with Disneyland as it was being constructed in [[Anaheim, California|Anaheim]], [[California]]. In 1955, he debuted the studio's first daily television show, the popular ''[[Mickey Mouse Club]]'', which would continue in many various incarnations into the 1990s.
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| − | [[Image:disneyandvonbraun.jpg|thumb|250px|Walt Disney meets with [[Wernher von Braun]].]]
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| − | As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the [[Nine Old Men]]. During Disney's lifetime, the animation department created the successful ''[[Lady and the Tramp]]'' (in [[CinemaScope]], 1955), ''[[One Hundred and One Dalmatians]]'' (1961), the financially disappointing ''[[Sleeping Beauty (1959 film)|Sleeping Beauty]]'' (in [[Super Technirama]] [[70mm]], 1959) and ''[[The Sword in the Stone (film)|The Sword in the Stone]]'' (1963).
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| − | | |
| − | Production on the short cartoons had kept pace until 1956, when Disney shut down the shorts division. Special shorts projects would continue to be made for the rest of the studio's duration on an irregular basis. Disney's mind was set toward expansion, and he wanted to make longer films.
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| − | | |
| − | These productions were all distributed by Disney's new subsidiary, [[Buena Vista Distribution]], which had assumed all distribution duties for Disney films from [[RKO]] by 1955. [[Disneyland]], one of the world's first [[theme park]]s, finally opened on [[July 17]] [[1955]], and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based upon a number of successful Disney properties and films. After 1955, the Disneyland TV show became known as ''Walt Disney Presents''. The show went from black-and-white to color in 1961 — changing its name to ''Walt Disney's Wonderful World of Color'' — and eventually evolved into what is today known as [[Walt Disney anthology series|''The Wonderful World of Disney'']], which continued to air on [[American Broadcasting Company|ABC]] until 2005, when it ceased as a regular series, due in part to premium pay-cable rights currently held by the [[Starz!]] movie network. Since 2005, Disney features have been split between ABC, the [[Hallmark Channel]], and [[Cartoon Network]] via separate broadcast rights deals. It currently airs periodically, with features such as the December 2005 revival of ''[[Once Upon a Mattress]]''.
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| − | | |
| − | During the mid-1950s, Disney produced a number of [[educational film]]s on the space program in collaboration with [[NASA]] rocket designer [[Wernher von Braun]]: ''Man in Space'' and ''Man and the Moon'' in 1955, and ''Mars and Beyond'' in 1957. The films attracted the attention of not only the general public, but also the [[Soviet space program]].
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| − | The TV series and book ''Our Friend the Atom'' (1956, together with [[Heinz Haber]]) were produced as part of an effort by the [[Eisenhower]] administration to enhance the image of nuclear energy.
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| − | ===Early 1960s successes===
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| − | [[Image:Shermans042.jpg|thumb|250px|(Left to right) [[Robert B. Sherman]], [[Richard M. Sherman]] and Walt Disney sing "[[There's a Great Big Beautiful Tomorrow]]" (1964)]]
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| − | By the early 1960s, the Disney empire was a major success, and Walt Disney Productions had established itself as the world's leading producer of family entertainment. Walt Disney was the Head of Pageantry for the [[1960 Winter Olympics]]. After decades of trying, Disney finally procured the rights to [[P.L. Travers]]' books about a magical nanny. ''[[Mary Poppins (1964 film)|Mary Poppins]]'', released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the [[Sherman Brothers]]. Many hailed the live-action/animation combination feature as Disney's greatest achievement. The same year, Disney debuted a number of exhibits at the [[1964 New York World's Fair]], including [[sound reproduction|Audio]]-[[Animatronic]] figures, all of which were later integrated into attractions at Disneyland and a new theme park project to be established on the [[East Coast of the United States|East Coast]], which Disney had been planning ever since Disneyland opened.
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| − | | |
| − | ===Ski resorts===
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| − | Walt Disney first showed interest in [[ski resorts]] with his investment in [[Sugar Bowl Ski Resort]] in the 1930s. However, his interest was brought to a new level in the 1960s when he commissioned plans for [[Disney's Mineral King Ski Resort]]. Official plans for the resort were announced just months before his death. The project was eventually canceled due to heavy protest from many [[environmental organizations]], most notably the [[Sierra Club]].
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| − | | |
| − | ==="Florida Project"===
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| − | In 1964, Walt Disney Productions began quietly purchasing land in central [[Florida]] southwest of [[Orlando, Florida|Orlando]] in a large swamp land for Disney's "Florida Project." Disney did so under the mask of many fake companies, in order to keep the price of land as low as he could. As soon as the word got out that Disney was purchasing the land, however, the prices immediately rose. The company acquired over 27,000 acres (109 km²) of land, and arranged favorable state legislation which would provide unprecedented quasi-governmental control over the area to be developed in 1966, founding the [[Reedy Creek Improvement District]]. Disney and his brother Roy then announced plans for what they called "[[Disney World]]."
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| − | ===Plans for Disney World and EPCOT===
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| − | Disney World was to include a larger, more elaborate version of Disneyland to be called the Magic Kingdom, and would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, or [[Epcot|EPCOT]] for short. EPCOT was designed to be an operational city where residents would live, work, and interact using advanced and experimental technology, while scientists would develop and test new technologies to improve human life and health.
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| − | ===Death of Walt Disney===
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| | [[Image:disneygrave.jpg|thumb|250px|Walt Disney's grave site.]] | | [[Image:disneygrave.jpg|thumb|250px|Walt Disney's grave site.]] |
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| − | Songwriter [[Robert B. Sherman]] said about the last time he saw Walt Disney: {{cquote|He was up in the third floor of the animation building after a run-through of ''[[The Happiest Millionaire]]''. He usually held court in the hallway afterward for the people involved with the picture. And he started talking to them, telling them what he liked and what they should change, and then, when they were through, he turned to us and with a big smile, he said, 'Keep up the good work, boys.' And he walked to his office. It was the last we ever saw of him.<ref>Kathrine and Richard Greene, ''Inside The Dream: The Personal Story Of Walt Disney'', 2001, p 180.</ref>}}
| + | In late 1966, after many years of chain-smoking cigarettes, Disney was diagnosed with [[lung cancer]]. He died from [[cardiac arrest]] on December 15, 1966, ten days after his 65th birthday and three years before the completion of Disney World. He was cremated at the Forest Lawn Memorial Park in Glendale, California. [[Roy O. Disney]] worked to finish the "Florida project," and died just three months after the [[Magic Kingdom]] opened in 1971. |
| − | | |
| − | Disney's involvement in Disney World ended in late 1966; after many years of [[Tobacco smoking|chain-smoking]] cigarettes, he was diagnosed with [[lung cancer]]. He was checked into the St. Joseph's [[Hospital]] across the street from the Disney Studio lot and his health began to deteriorate, causing him to suffer cardiac arrest.
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| − | He died on [[December 15]], [[1966]] at 9:30am, ten days after his 65th birthday. He was cremated on [[December 17]], [[1966]] at the [[Forest Lawn Memorial Park (Glendale)|Forest Lawn Cemetery]] in [[Glendale, California|Glendale]], [[California]]. [[Roy O. Disney]] continued to carry out the Florida project, insisting that the name be changed to [[Walt Disney World]] in honor of his brother. Roy Disney died just three months after the [[Magic Kingdom]] opened for business in 1971.
| + | At his funeral the song, "When You Wish Upon a Star" (the popular song from ''Pinocchio'') was played in Disney's honor. Roy Disney said of his brother, "He was really in my opinion, truly a genius—creative, with great determination, singleness of purpose, and drive; and through his entire life he was never pushed off his course or diverted to other things." |
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| − | === Rumors === | + | ===Legacy and Cal Arts=== |
| − | There has been a long-standing rumor that after his death, Disney was [[cryopreserved]] so he may be revived at a later date. However, this has been refuted on numerous occasions. In fact, Disney was cremated, and his ashes were interred at [[Forest Lawn Memorial Park (Glendale)|Forest Lawn Memorial Park]] in [[Glendale, California|Glendale]].
| + | [[Image:Disneyland plaque.jpg|left|thumb|250px|Plaque at the entrance that embodies the intended spirit of Disneyland by Walt Disney: To leave reality and enter fantasy.]] |
| | + | Today, Walt Disney's animation/motion picture studios and theme parks have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carries his name. [[The Walt Disney Company]] today owns, among other assets, five vacation resorts, eleven theme parks (in such diverse locations as [[Paris]], [[Tokyo]], and [[Hong Kong]]), two water parks, thirty-nine hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network. |
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| − | A similar rumor has sprung up that shortly after his death, top Disney executives were shown a film that Disney made shortly before his death, that basically outlines the company's strategies for the next five (or ten) years. To bolster the story, pictures (or perhaps a short clip) of Walt planning EPCOT is shown. This is also false. The footage is from a pitch film Walt made to promote the building of EPCOT. According to [[Urban Legends Reference Pages|www.snopes.com]], Disney really didn't like talking about death, and wouldn't even go to funerals of close friends and relatives.<ref>[http://www.snopes.com/disney/info/wd-ice.htm Snopes.com: ''Suspended Animation'']</ref>
| + | Disney was a major benefactor for [[The California Institute of the Arts]] (CalArts). When he died, one fourth of his estate went towards CalArts. He also donated 38 acres (154,000 m²) of the Golden Oaks ranch in [[Valencia, California|Valencia]] for the site of a new campus which opened in 1971. CalArts is one of the largest independent universities in California today, largely due to the generosity of the Disney family. |
| | | | |
| − | ==1967-present: Legacy==
| + | In October 2003, the 2,265 seat Walt Disney Concert Hall was officially dedicated in Los Angeles and became the home of the Los Angeles Philharmonic and Los Angeles Master Chorale. It was first conceived in May 1987, when Lillian Disney made the initial gift of $50 million to build an additional performance space on Los Angeles County land as a tribute to her late husband Walt and his dedication to the arts. |
| − | ===Continuing the vision===
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| − | [[Image:Disneyland plaque.jpg|right|thumb|250px|Plaque at the entrance that embodies the intended spirit of Disneyland by Walt Disney: to leave reality and enter fantasy]]
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| − | After Walt Disney's death, Roy Disney returned from retirement to take full control of Walt Disney Productions and WED Enterprises. He still refused to talk about his brother, and his grief, though rarely shown to other people, lasted until his death in 1971. In October of that year, their families met in front of [[Cinderella Castle]] at the Magic Kingdom to officially open the Walt Disney World Resort. After an orchestra made up of over 66 countries performed a medley of Disney music, Roy stepped up to the podium.
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| | | | |
| − | After giving his dedication for [[Walt Disney World]], he then asked Lillian Disney to join him. As the orchestra played "[[When You Wish Upon a Star]]", she stepped up to the podium accompanied by Mickey Mouse. He then said, "Lilly, you knew all of Walt's ideas and hopes as well as anybody; what would Walt think of it [Walt Disney World]?". "I think Walt would have approved," she replied. Roy died from a cerebral hemorrhage in December, the day he was due to open the Disneyland Christmas parade.
| + | ===Disney animation today=== |
| | + | [[Traditional animation|Traditional hand-drawn animation]], the foundation of success of the Walt Disney Company, no longer continues at the [[Walt Disney Feature Animation]] studio. After a stream of traditionally-animated features in the late-1990s and early 2000s failed financially, Disney's main studio in [[Burbank, California|Burbank]] was converted to a computer animation production facility. In 2004, Disney released their final traditionally animated feature film, ''Home on the Range.'' |
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| − | When the second phase of the Walt Disney World [[theme park]] was built, EPCOT was translated by Walt Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living [[world's fair]], a far cry from the actual functional city that Disney had envisioned. In 1992 Walt Disney Imagineering took the step closer to Walt's vision and dedicated [[Celebration, Florida|Celebration]], [[Florida]], a town built by the Walt Disney Company adjacent to Walt Disney World, that harkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. The company later changed this policy. The sale of alcoholic beverages is also permitted at EPCOT, something never allowed in the Magic Kingdom.
| + | In early 2006, Disney Studios payed $7.4 billion in stock to acquire Pixar Animation Studios—a deal that put [[Apple Computer]] CEO [[Steve Jobs]] on Disney's board of directors. With the purchase, some interest in the traditional style of animation resurfaced in the form of ''The Frog Princess,'' a 2008 film animated traditionally. |
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| − | ===The Disney entertainment empire===
| + | Thank You Walt Disney, Inc., a non-profit corporation in [[Kansas City, Missouri]] was formed to preserve Disney's original animation studio "where the mouse was born." Their plan is to recreate Disney's 1922 office and to include an interactive animation lab that will educate kids of all ages on the art and history of animation.<ref>[http://www.thankyouwaltdisney.org Thank You Walt Disney, Inc.] ''Thankyouwaltdisney.org.'' Retrieved April 10, 2009.</ref> |
| − | Today, Walt Disney's animation/motion picture studios and theme parks have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carries his name. [[The Walt Disney Company]] today owns, among other assets, five vacation resorts, eleven theme parks, two water parks, thirty-nine hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network.
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| − | | |
| − | ===Disney Animation today===
| |
| − | [[Traditional animation|Traditional hand-drawn animation]], with which Walt Disney built the success of his company, no longer continues at the [[Walt Disney Feature Animation]] studio. After a stream of financially unsuccessful traditionally-animated features in the late-1990s and early 2000s, the two satellite studios in [[Paris, France|Paris]] and [[Orlando, Florida|Orlando]] were closed, and the main studio in [[Burbank, California|Burbank]] was converted to a computer animation production facility. In 2004, Disney released their final traditionally animated feature film, ''[[Home on the Range (movie)|Home on the Range]]''. The [[DisneyToons]] studio in [[Australia]], which produced lower-budget traditionally animated films, at first appeared to survive the purge, but its closing was announced in July 2005.
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| − | | |
| − | Only recently with [[Roy E. Disney]]'s return and [[Bob Iger]] now the CEO and with the Disney purchase of [[Pixar]] Animation Studios, reviving the traditional style of animation for which Disney has been famous for is again a reality. New creative head of Disney animation, [[John Lasseter]], commissioned veteran Disney animator [[James Baxter (animator)|James Baxter]] to produce an animated test sequence for Disney CEO Robert Iger in February of 2006. If approved, the film based on this test sequence, called the [[Frog Princess]], will be released in 2007.{{fact}}
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| − | | |
| − | ===CalArts===
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| − | Disney devoted substantial time in his later years funding [[The California Institute of the Arts]] (CalArts), which was formed in 1961 through a merger of the Los Angeles Conservatory of Music and the [[Chouinard Art Institute]], which had helped in the training of the animation staff during the 1930s. When he died, one fourth of his estate went towards CalArts, which greatly helped the building of its campus. He also donated 38 acres (154,000 m²) of the Golden Oaks ranch in [[Valencia, California|Valencia]] for the school to be built on. CalArts moved onto the Valencia campus in 1971.
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| − | | |
| − | Lillian Disney devoted much of her time after her husband died to pursuing CalArts and organized hundreds of fund raising events for the university in her late husband's honor (as well as funding the Walt Disney Symphony Hall). After Lillian's passing, the legacy continued with daughter Diane and husband Ron continuing the tradition. CalArts is one of the largest independent universities in California today, mostly because of the contributions of the Disneys.
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| | | | |
| | == Academy Awards == | | == Academy Awards == |
| − | Among many awards, Walt Disney holds the record for having the most [[Academy Awards]]. 22 won, and 4 honorary. | + | Among his many awards, Walt Disney currently holds the record for having the most [[Academy Awards]]; 22 wins, and 4 honorary. |
| − | *'''1969''' Best Short Subject, Cartoons for: Winnie the Pooh and the Blustery Day | + | *'''1969''' Best Short Subject, Cartoons for: "Winnie the Pooh and the Blustery Day" |
| − | *'''1959''' Best Short Subject, Live Action Subjects for: Grand Canyon | + | *'''1959''' Best Short Subject, Live Action Subjects for: "Grand Canyon " |
| − | *'''1956''' Best Documentary, Short Subjects for: Men Against the Arctic | + | *'''1956''' Best Documentary, Short Subjects for: "Men Against the Arctic" |
| − | *'''1955''' Best Documentary, Features for: The Vanishing Prairie (1954) | + | *'''1955''' Best Documentary, Features for: ''The Vanishing Prairie'' (1954) |
| − | *'''1954''' Best Documentary, Features for: The Living Desert (1953) | + | *'''1954''' Best Documentary, Features for: ''The Living Desert'' (1953) |
| − | *Best Documentary, Short Subjects for: The Alaskan Eskimo (1953) | + | *'''1953''' Best Documentary, Short Subjects for: "The Alaskan Eskimo" (1953); Best Short Subject, Cartoons, "Toot Whistle Plunk and Boom" (1953); Best Short Subject, "Two-reel, Bear Country" (1953) |
| − | *Best Short Subject, Cartoons for: Toot Whistle Plunk and Boom (1953)
| + | *'''1953''' Best Short Subject, Two-reel for: "Water Birds" (1952) |
| − | *Best Short Subject, Two-reel for: Bear Country (1953)
| + | *'''1952''' Best Short Subject, Two-reel for: "Nature's Half Acre" (1951) |
| − | *'''1953''' Best Short Subject, Two-reel for: Water Birds (1952) | + | *'''1951''' Best Short Subject, Two-reel for: "Beaver Valley" (1950) |
| − | *'''1952''' Best Short Subject, Two-reel for: Nature's Half Acre (1951) | + | *'''1949''' Best Short Subject, Two-reel for: "Seal Island" (1948) |
| − | *'''1951''' Best Short Subject, Two-reel for: Beaver Valley (1950) | + | *'''1943''' Best Short Subject, Cartoons for: "Der Fuehrer's Face" (1942) |
| − | *'''1949''' Best Short Subject, Two-reel for: Seal Island (1948) | + | *'''1942''' Best Short Subject, Cartoons for: "Lend a Paw" (1941) |
| − | *'''1943''' Best Short Subject, Cartoons for: Der Fuehrer's Face (1942) | + | *'''1940''' Honorary Award for: ''Fantasia'' (1940) Shared with: William E. Garity and J.N.A. Hawkins for their outstanding contribution to the advancement of the use of sound in motion pictures. |
| − | *'''1942''' Best Short Subject, Cartoons for: Lend a Paw (1941) | + | * '''1940''' Irving G. Thalberg Memorial Award, established in 1937, the Thalberg is the only award that is not an Oscar and is given to a creative producer who has been responsible for a consistently high quality of motion picture production. |
| − | *Honorary Award for: ''Fantasia'' (1940) | + | *'''1940''' Best Short Subject, Cartoons for: "Ugly Duckling"(1939) |
| − | Shared with: William E. Garity J.N.A. Hawkins | + | *'''1939''' Best Short Subject, Cartoons for: "Ferdinand the Bull" (1938) |
| − | For their outstanding contribution to the advancement of the use of sound in motion pictures through the production of ''Fantasia'' (certificate).
| + | *Honorary Award for: ''Snow White and the Seven Dwarfs'' (1937) |
| − | *Irving G. Thalberg Memorial Award
| + | *'''1938''' Best Short Subject, Cartoons for: "The Old Mill" (1937) |
| − | *'''1940''' Best Short Subject, Cartoons for: Ugly Duckling(1939) | + | *'''1937''' Best Short Subject, Cartoons for: "The Country Cousin" (1936) |
| − | *'''1939''' Best Short Subject, Cartoons for: Ferdinand the Bull (1938) | + | *'''1936''' Best Short Subject, Cartoons for: "Three Orphan Kittens" (1935) |
| − | *Honorary Award for: [[Snow White and the Seven Dwarfs]] (1937) | + | *'''1935''' Best Short Subject, Cartoons for: "The Tortoise and the Hare" (1934) |
| − | For [[Snow White and the Seven Dwarfs]], recognized as a significant screen innovation which has charmed millions and pioneered a great new entertainment field (one statuette - seven miniature statuettes).
| + | *'''1934''' Best Short Subject, Cartoons for: "Three Little Pigs" (1933) |
| − | *'''1938''' Best Short Subject, Cartoons for: The Old Mill (1937) | + | *'''1932''' Best Short Subject, Cartoons for: "Flowers and Trees" (1932) |
| − | *'''1937''' Best Short Subject, Cartoons for: The Country Cousin (1936) | |
| − | *'''1936''' Best Short Subject, Cartoons for: Three Orphan Kittens (1935) | |
| − | *'''1935''' Best Short Subject, Cartoons for: The Tortoise and the Hare (1934) | |
| − | *'''1934 '''Best Short Subject, Cartoons for: Three Little Pigs (1933) | |
| − | *'''1932''' Best Short Subject, Cartoons for: Flowers and Trees (1932) | |
| | *Honorary Award For the creation of [[Mickey Mouse]]. | | *Honorary Award For the creation of [[Mickey Mouse]]. |
| | | | |
| − | ==Other Honors== | + | ==Notes== |
| − | Walt Disney was the inaugural recipient of a star on the [[Anaheim walk of stars]]. The star is in honor of Walt's significant contributions to the city of [[Anaheim, California]], specifically, [[Disneyland]], now the [[Disneyland Resort]]. It is located at the pedestrian entrance to the Disneyland Resort on Harbor Boulevard.
| + | <references/> |
| − | | |
| − | Walt Disney also received the [[Congressional Gold Medal]] on May 24, 1968 (P.L. 90-316, 82 Stat. 130-131).
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| − | | |
| − | ==See also==
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| − | *[[Disneyland Resort]]
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| − | *[[Mickey Mouse Club]]
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| − | *[[Walt Disney World Resort]]
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| | | | |
| | ==References== | | ==References== |
| − | <!-- ----------------------------------------------------------
| + | *Barrier, Michael. 1999. ''Hollywood Cartoons: American Animation in Its Golden Age''. Oxford: Oxford University Press. ISBN 0-19-516729-5. |
| − | See http://en.wikipedia.org/wiki/Wikipedia:Footnotes for a
| + | *Broggie, Michael. 1997. ''Walt Disney's Railroad Story.'' Virginia Beach, Virginia. Donning Publishers. ISBN 1563420090. |
| − | discussion of different citation methods and how to generate
| + | *Eliot, Marc. 1993. ''Walt Disney: Hollywood's Dark Prince''. Carol. ISBN 1-55972-174-X. |
| − | footnotes using the <ref>, </ref> and <reference /> tags
| + | *Mosley, Leonard. 2002. ''Disney's World: A Biography.'' Chelsea, MI: Scarborough House. ISBN 0-8128-8514-7. |
| − | ----------------------------------------------------------- —>
| + | *Gabler, Neal. 2006. ''Walt Disney: The Triumph of American Imagination.'' New York: Random House. ISBN 0-679-43822-X. |
| − | <div class="references-small">
| + | *Schickel, Richard, and Ivan R. Dee. 1997. ''The Disney Version: The Life, Times, Art and Commerce of Walt Disney''. Chicago: Ivan R. Dee, Publisher. ISBN 1-56663-158-0. |
| − | <references />
| + | *Sherman, Robert B., and Richard M. Sherman. 1998. ''Walt's Time: From Before to Beyond.'' ISBN 0-9646059-3-7. |
| − | </div>
| + | *Thomas, Bob. 1991. ''Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast''. New York: Hyperion. ISBN 1562828991. |
| − | {{Citations missing|date=December 2006}}
| + | *Thomas, Bob. 1976. ''Walt Disney: An American Original.'' New York: Hyperion. ISBN 0-7868-6027-8. |
| − | | + | *"Walt Disney." ''American Decades.'' Gale Research, 1998. Reproduced in ''Biography Resource Center''. Farmington Hills, Mich.: Thomason Gale. 2007. |
| − | ==Resources==
| + | *"Walt Disney" ''Business Leader Profiles for Students.'' Vol. 1 Gale Research, 1999. Reproduced in ''Biography Resource Center.'' Farmington Hills, Mich.: Thomson Gale. 2007. |
| − | * Barrier, Michael (1999). ''Hollywood Cartoons: American Animation in Its Golden Age''. Oxford: Oxford University Press. ISBN 0-19-516729-5. | + | *Watts, Steven. 2001. ''The Magic Kingdom: Walt Disney and the American Way of Life.'' University of Missouri Press. ISBN 0826213790. |
| − | * [[Michael Broggie|Broggie, Michael]] (1997, 1998, 2005). ''Walt Disney's Railroad Story''. Virginia Beach, Virginia. Donning Publishers. ISBN 1-56342-009-0 | + | *Williams, Pat and Jim Denney. 2004. ''How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life.'' HCI. ISBN 0757302319. |
| − | *Eliot, Marc (1993). ''Walt Disney: Hollywood's Dark Prince''. Carol. ISBN 1-55972-174-X | |
| − | * [[Leonard Mosley|Mosley, Leonard]]. ''Disney's World: A Biography'' (1985, 2002). Chelsea, MI: Scarborough House. ISBN 0-8128-8514-7. | |
| − | * [[Neal Gabler|Gabler, Neal]]. ''Walt Disney: The Triumph of American Imagination'' (2006). New York, NY. Random House. ISBN 0-679-43822-X | |
| − | * [[Richard Schickel|Schickel, Richard]], and [[Ivan R. Dee|Dee, Ivan R.]] (1967, 1985, 1997). ''The Disney Version: The Life, Times, Art and Commerce of Walt Disney''. Chicago: Ivan R. Dee, Publisher. ISBN 1-56663-158-0. | |
| − | * [[Robert B. Sherman|Sherman, Robert B.]] and [[Richard M. Sherman|Sherman, Richard M.]] (1998) "Walt's Time: From Before to Beyond" ISBN 0-9646059-3-7. | |
| − | * [[Bob Thomas (journalist)|Thomas, Bob]] (1991). ''Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast''. New York: Hyperion. ISBN 1-56282-899-1 | |
| − | * [[Bob Thomas (journalist)|Thomas, Bob]] (1976, 1994). ''Walt Disney: An American Original'' New York: Hyperion. ISBN 0-7868-6027-8 | |
| − | *Watts, Steven, ''The Magic Kingdom: Walt Disney and the American Way of Life'', University of Missouri Press, 2001, ISBN 0826213790 | |
| | | | |
| | ==External links== | | ==External links== |
| − | {{wikiquote}}
| + | All links retrieved May 3, 2023. |
| − | * {{imdb name|id=0000370|name=Walt Disney}}
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| − | * {{tcmdb name|id=50875|name=Walt Disney}}
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| − | * [http://disney.go.com/disneyatoz/waltdisney/ Walt Disney Family Museum]
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| − | * [http://wiredforbooks.org/leonardmosley/ 1985 audio interview with Leonard Mosley, author of ''Disney's World'', a biography about Walt Disney] by [[Don Swaim]]
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| − | * [http://www.npr.org/templates/story/story.php?storyId=6405745 Neal Gabler, Inside Walt Disney]
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| − | * [http://www.anaheimwalkofstars.com/index.php Anaheim Walk of Stars]
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| − | {{Persondata
| + | * [http://www.waltdisney.org/ "Home Page"], ''Walt Disney Family Museum''. |
| − | |NAME =Disney, Walter Elias
| + | * Neil Gabler, [http://www.npr.org/templates/story/story.php?storyId=6405745 "Inside Walt Disney"], ''National Public Radio''. |
| − | |ALTERNATIVE NAMES=
| + | * [http://disneyparks.disney.go.com/disneyparks/en_US/index?name=HomePage&sourcecode=11011&CMP=KNC-PRKPrkGoogle&HBX_PK=walt+disney&HBX_OU=50&bhcp=1 "Home Page"], ''Official Disney Parks''. |
| − | |SHORT DESCRIPTION=Producer, director, and animator
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| − | |DATE OF BIRTH=[[December 5]], [[1901]]
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| − | |PLACE OF BIRTH=[[Chicago]], [[Illinois]], [[United States]]
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| − | |DATE OF DEATH=[[December 15]], [[1966]]
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| − | |PLACE OF DEATH=[[Los Angeles, California]], [[United States]]
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| − | }}
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| − | [[Category:Art, Music, Literature, Sports, and Leisure]] | + | [[Category:Art, music, literature, sports and leisure]] |
| − | [[Category:Biography]] | + | [[Category:Sports and leisure]] |
| − | [[Category:History and biography]] | + | [[Category:biography]] |
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Walter Elias Disney (December 5, 1901 – December 15, 1966) was an American film producer, director, and screenwriter. He is most remembered for being a leading pioneer in animation and innovative amusement parks. He was a visionary entrepreneur who founded, along with his brother Roy O. Disney, Walt Disney Productions, and the Disney World and Disneyland entertainment complexes. His animated cartoon characters, such as Mickey Mouse and Donald Duck, would became cultural icons recognized throughout the world in media from film to advertising.
Walt Disney was a complex person who, by his own admission, suffered two nervous breakdowns in his lifetime, did not have a particularly happy childhood, and saw many of his movies fail at the box office. Yet, he did not let personal setbacks deter him from his purpose to entertain the people with a bit of fantasy to brighten the spirit when ordinary life can be drab and sorrowful. Despite disappointment that he and his wife could only bear one child (they adopted a second), he created Disneyland out of his love for his daughters and for children in general.
Disney's movies and theme parks have brought wonder, magic, and joy to millions throughout the world. The subjects of his films were fairy tales, classic children's books, true inspirational stories, and the frontiers of science—always with a positive message. In all his work, he maintained a high standard of wholesome family values coupled with a sense of idealism, optimism, and good humor.
Walt Disney was nominated for a record 48 Academy Awards and seven Emmys, and was awarded the Presidential Medal of Freedom by Lyndon B. Johnson in 1964.
Early life
Born December 5, 1901, Walter was the son of Flora and Elias Disney, and had three brothers and one sister.
Walt Disney's ancestors emigrated from Gowran, County Kilkenny, in Ireland. His father moved to the United States after his parents failed at farming in Canada. He settled in Chicago soon after his marriage to Flora Call where their five children were born.
In April 1906, Elias moved his family to Marceline, Missouri, and tried his hand at operating a small farm. The family experienced several moves as Elias Disney pursued various ways to support his family. They moved back to Chicago in 1917, where young Walt took night courses at the Chicago Art Institute.[1] Disney's childhood, in some ways, was circumvented by the Disney children's need to go to work and help contribute to the struggling finances of the family.
Disney dropped out of high school so he could join the Army, but at 16 he was underage and told he could not enlist. Instead, he decided to join the Red Cross. His mother forged Walt's birth certificate saying he was born in 1900 instead of 1901. The Red Cross sent him to France for a year where he drove an ambulance covered with his drawings of imaginative characters.
After his war experience, Disney moved to Kansas City, Missouri, to begin his career as a commercial artist, working on ads for newspapers, magazines, and movie theaters. It was there that he met a shy cartoonist named Ubbe Iwwerks. The two decided to start their own art business and formed a company called "Iwerks-Disney Commercial Artists" in January 1920. Their business failed but Disney used the experience to launch his historic march into Hollywood history.
Hollywood
When Disney arrived in Los Angeles, he had $40 in his pocket and an unfinished cartoon in his suitcase. Disney stated that his first ambition was to be a film director of live action films, but he was rejected by every major studio. He then turned to something more familiar—animation—and set up his first cartoon studio in a garage in an uncle's house. He started out with the Alice in Cartoonland series, which he peddled to local theaters.
Roy Disney agreed to go into business with his brother and was to become his financial partner throughout the years. Together they started Disney Brothers' Studio in the Silver Lake district, where the studio remained until 1939. Their road to success began with the creation of cartoons, like The Silly Symphonies during the silent era, and, later, with what would become the iconic character of Mickey Mouse.
Mickey Mouse and cartoons
By 1927, Disney was looking for a new approach to his cartoons; a new "star" was born with the creation of a mouse. Originally named "Mortimer," he was soon christened "Mickey Mouse" by Lillian Disney who felt the name "Mortimer" was too serious. Disney himself performed as the voice of Mickey Mouse until 1946. After seeing the movie The Jazz Singer (the first talking picture), Disney decided to make an all-sound talking and music cartoon, starring Mickey Mouse, called Steamboat Willie.
Within the next eight years Mickey Mouse began to appear on everything from watches to toys to comic books and soon became one of the most recognized characters in the world. For a number of years Disney feared he would only be remembered as the creator of Mickey Mouse. He once complained, "Fancy being remembered around the world for the invention of a mouse." In 1932, Disney received a special Academy Award for the creation of Mickey Mouse, and soon spin-offs were launched for supporting characters such as Donald Duck, Goofy, and Pluto.
Marriage and family life
In 1925, Disney hired a young woman named Lillian Bounds to ink and paint celluloid. He was soon taken with his new employee and they would often go for drives together in the hills of Los Angeles. While on a date he asked her if he should buy a new car or a ring for her finger. They were married on July 15, 1925, and, unlike many Hollywood marriages, theirs lasted for over 40 years.
As Mickey's co-creator and producer, Disney was almost as famous as his mouse cartoon character, but he remained a largely private individual. His great hope was to have a large family; however, the Disneys' first attempts at pregnancy ended in miscarriage. This, coupled with pressures at the studio, led to Disney having "a hell of a breakdown," as he referred to it. His doctors recommended a vacation and the couple went on a cruise to the Caribbean. Eventually, Lilly gave birth to a daughter, Diane Marie Disney, on December 18, 1933. The Disneys then adopted Sharon Mae Disney, born on December 21, 1934.
1937-1941: The golden age of animation
"Disney's Folly:" Snow White and the Seven Dwarfs
Even though his studio produced the two most successful cartoon series in the industry, Disney's ambition was to make longer films. In 1934, he began plans for a full-length feature. When other film industry executives learned of Disney's plans to produce an animated feature-length version of Snow White, they dubbed the project "Disney's Folly" and were certain that the project would destroy the Disney studio. Both Disney's wife and brother tried to talk him out of the project, but he was undeterred. He employed the Chouinard Art Institute to supervise training for the studio staff, and used the Silly Symphonies as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the multiplane camera.
His focus on staff training and the use of animation students elevated the technical level of the studio to a position where it could produce a quality feature that matched Disney's vision. The success of Snow White proved Disney's detractors wrong and earned Disney an Oscar—one full-sized one, and seven miniature Oscar statuettes. In 1939, the feature animation staff, after completing Pinocchio, began work on Fantasia and Bambi, while the shorts staff continued work on the Mickey Mouse, Donald Duck, Goofy, and Pluto cartoon series.
Animators' strike and WWII
Pinocchio and Fantasia followed Snow White and the Seven Dwarfs into movie theaters in 1940, but both were financial disappointments. The inexpensive Dumbo was planned as an income generator, but during production of the new film, most of the animation staff went on strike, permanently straining the relationship between Disney and his artists. Disney reflected that this was another time in his life when he suffered a "breakdown." He was known to be an ambitious, hard driving, perfectionist boss. (In 1947, he would testify against union organizers for the House Un-American Committee during the Cold War years.)
Shortly after Dumbo was finally released in October 1941, the United States entered World War II. The U.S. Army contracted for most of the Disney studio's facilities and had the staff create training and instructional films for the military. The military films did not generate income, however, and the feature film Bambi underperformed when it was released in April 1942. By the late 1940s, the studio had recovered enough to continue production on the full-length features Alice in Wonderland and Peter Pan. They also began work on Cinderella. Some Disney analysts believe that the studio would have gone bankrupt during the war years if it were not for the U.S. military films that Disney produced.
During the mid-1950s Disney produced a number of educational films on the space program in collaboration with NASA rocket engineer Wernher von Braun, including Man in Space and Man and the Moon in 1955, and Mars and Beyond in 1957. The films attracted the attention of both the general public and the Soviet space program, which was in keen competition with the United States' program at that time.
1955-1966: Theme parks and television
In the late-1940s, Disney began to draw sketches of his ideas for an amusement park where he envisioned his employees spending time with their children. Disney, who had a lifelong love of trains, knew that he wanted the park to be surrounded by a train. He had once constructed a miniature steam locomotive in his backyard for his daughters, complete with loops, overpasses and a tunnel that went underneath his wife's flower garden. Disney assigned a small group of employees to work on Disneyland development as engineers and planners. They were appropriately dubbed the "Imagineers."
As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. Treasure Island (1950) became the studio's first all-live-action feature, and was soon followed by such successes as 20,000 Leagues Under the Sea (in CinemaScope, 1954), The Shaggy Dog (1959), and The Parent Trap (1961).
Although movies were seen to be in competition with television by Hollywood producers, The Walt Disney Studio was one of the first to produce projects for this new medium. Disney created its first TV special, One Hour in Wonderland, in 1950. The studio's first daily television show, the popular Mickey Mouse Club, debuted in 1955 and continued in various incarnations into the 1990s. This show would become a platform for new and rising stars like Annette Funicello—one of the original Mouseketeers.
As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department as he entrusted most of its operations to the key animators, whom he dubbed the Nine Old Men. During Disney's lifetime, the animation department created the successful Lady and the Tramp (in CinemaScope, 1955), One Hundred and One Dalmatians (1961), the financially disappointing Sleeping Beauty (in Super Technirama 70mm, 1959) and The Sword in the Stone (1963).
Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediately successful. Visitors came from around the world to see attractions based on successful Disney films and their well loved characters. After 1955, the Disneyland TV show became known as Walt Disney Presents. The show went from black-and-white to color in 1961—changing its name to Walt Disney's Wonderful World of Color. It eventually evolved into what is today known as the The Wonderful World of Disney, which continued to air on ABC until 2005. Since 2005, Disney features have been split between ABC, the Hallmark Channel, and Cartoon Network via separate broadcast agreements. It currently airs periodically, with features such as the December 2005 revival of Once Upon a Mattress.
Early 1960s successes
Despite all it ups and downs, by the early 1960s Walt Disney Productions had established itself as the world's leading producer of family entertainment. After decades of trying, Disney finally procured the rights to P.L. Travers' books about a magical nanny. Mary Poppins, released in 1964, was the most successful Disney film of the 1960s, combining animation and live-action. The movie starred Julie Andrews, who won an Oscar for her performance, and a memorable musical score. Many hailed the live-action/animation combination feature as Disney's greatest achievement. The same year Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which were later integrated into attractions at Disneyland and the new Florida project that would be called Disney World.
Plans for Disney World and EPCOT
In 1964, Walt Disney Productions began quietly purchasing land in central Florida southwest of Orlando. Even though the property was considered swamp land, prices in the area rose quickly when it was discovered that Disney was buying the property for another project like Disneyland.
Disney World would become a larger, more elaborate version of Disneyland, whose central theme park would be called the Magic Kingdom. Additionally, it would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, or EPCOT for short. EPCOT was designed to be an operational city where residents would live, work, and interact using advanced and experimental technology, while scientists would develop and test new technologies to improve human life and health.
Death of Walt Disney
Walt Disney's grave site.
In late 1966, after many years of chain-smoking cigarettes, Disney was diagnosed with lung cancer. He died from cardiac arrest on December 15, 1966, ten days after his 65th birthday and three years before the completion of Disney World. He was cremated at the Forest Lawn Memorial Park in Glendale, California. Roy O. Disney worked to finish the "Florida project," and died just three months after the Magic Kingdom opened in 1971.
At his funeral the song, "When You Wish Upon a Star" (the popular song from Pinocchio) was played in Disney's honor. Roy Disney said of his brother, "He was really in my opinion, truly a genius—creative, with great determination, singleness of purpose, and drive; and through his entire life he was never pushed off his course or diverted to other things."
Legacy and Cal Arts
Plaque at the entrance that embodies the intended spirit of Disneyland by Walt Disney: To leave reality and enter fantasy.
Today, Walt Disney's animation/motion picture studios and theme parks have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carries his name. The Walt Disney Company today owns, among other assets, five vacation resorts, eleven theme parks (in such diverse locations as Paris, Tokyo, and Hong Kong), two water parks, thirty-nine hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network.
Disney was a major benefactor for The California Institute of the Arts (CalArts). When he died, one fourth of his estate went towards CalArts. He also donated 38 acres (154,000 m²) of the Golden Oaks ranch in Valencia for the site of a new campus which opened in 1971. CalArts is one of the largest independent universities in California today, largely due to the generosity of the Disney family.
In October 2003, the 2,265 seat Walt Disney Concert Hall was officially dedicated in Los Angeles and became the home of the Los Angeles Philharmonic and Los Angeles Master Chorale. It was first conceived in May 1987, when Lillian Disney made the initial gift of $50 million to build an additional performance space on Los Angeles County land as a tribute to her late husband Walt and his dedication to the arts.
Disney animation today
Traditional hand-drawn animation, the foundation of success of the Walt Disney Company, no longer continues at the Walt Disney Feature Animation studio. After a stream of traditionally-animated features in the late-1990s and early 2000s failed financially, Disney's main studio in Burbank was converted to a computer animation production facility. In 2004, Disney released their final traditionally animated feature film, Home on the Range.
In early 2006, Disney Studios payed $7.4 billion in stock to acquire Pixar Animation Studios—a deal that put Apple Computer CEO Steve Jobs on Disney's board of directors. With the purchase, some interest in the traditional style of animation resurfaced in the form of The Frog Princess, a 2008 film animated traditionally.
Thank You Walt Disney, Inc., a non-profit corporation in Kansas City, Missouri was formed to preserve Disney's original animation studio "where the mouse was born." Their plan is to recreate Disney's 1922 office and to include an interactive animation lab that will educate kids of all ages on the art and history of animation.[2]
Academy Awards
Among his many awards, Walt Disney currently holds the record for having the most Academy Awards; 22 wins, and 4 honorary.
- 1969 Best Short Subject, Cartoons for: "Winnie the Pooh and the Blustery Day"
- 1959 Best Short Subject, Live Action Subjects for: "Grand Canyon "
- 1956 Best Documentary, Short Subjects for: "Men Against the Arctic"
- 1955 Best Documentary, Features for: The Vanishing Prairie (1954)
- 1954 Best Documentary, Features for: The Living Desert (1953)
- 1953 Best Documentary, Short Subjects for: "The Alaskan Eskimo" (1953); Best Short Subject, Cartoons, "Toot Whistle Plunk and Boom" (1953); Best Short Subject, "Two-reel, Bear Country" (1953)
- 1953 Best Short Subject, Two-reel for: "Water Birds" (1952)
- 1952 Best Short Subject, Two-reel for: "Nature's Half Acre" (1951)
- 1951 Best Short Subject, Two-reel for: "Beaver Valley" (1950)
- 1949 Best Short Subject, Two-reel for: "Seal Island" (1948)
- 1943 Best Short Subject, Cartoons for: "Der Fuehrer's Face" (1942)
- 1942 Best Short Subject, Cartoons for: "Lend a Paw" (1941)
- 1940 Honorary Award for: Fantasia (1940) Shared with: William E. Garity and J.N.A. Hawkins for their outstanding contribution to the advancement of the use of sound in motion pictures.
- 1940 Irving G. Thalberg Memorial Award, established in 1937, the Thalberg is the only award that is not an Oscar and is given to a creative producer who has been responsible for a consistently high quality of motion picture production.
- 1940 Best Short Subject, Cartoons for: "Ugly Duckling"(1939)
- 1939 Best Short Subject, Cartoons for: "Ferdinand the Bull" (1938)
- Honorary Award for: Snow White and the Seven Dwarfs (1937)
- 1938 Best Short Subject, Cartoons for: "The Old Mill" (1937)
- 1937 Best Short Subject, Cartoons for: "The Country Cousin" (1936)
- 1936 Best Short Subject, Cartoons for: "Three Orphan Kittens" (1935)
- 1935 Best Short Subject, Cartoons for: "The Tortoise and the Hare" (1934)
- 1934 Best Short Subject, Cartoons for: "Three Little Pigs" (1933)
- 1932 Best Short Subject, Cartoons for: "Flowers and Trees" (1932)
- Honorary Award For the creation of Mickey Mouse.
Notes
References
ISBN links support NWE through referral fees
- Barrier, Michael. 1999. Hollywood Cartoons: American Animation in Its Golden Age. Oxford: Oxford University Press. ISBN 0-19-516729-5.
- Broggie, Michael. 1997. Walt Disney's Railroad Story. Virginia Beach, Virginia. Donning Publishers. ISBN 1563420090.
- Eliot, Marc. 1993. Walt Disney: Hollywood's Dark Prince. Carol. ISBN 1-55972-174-X.
- Mosley, Leonard. 2002. Disney's World: A Biography. Chelsea, MI: Scarborough House. ISBN 0-8128-8514-7.
- Gabler, Neal. 2006. Walt Disney: The Triumph of American Imagination. New York: Random House. ISBN 0-679-43822-X.
- Schickel, Richard, and Ivan R. Dee. 1997. The Disney Version: The Life, Times, Art and Commerce of Walt Disney. Chicago: Ivan R. Dee, Publisher. ISBN 1-56663-158-0.
- Sherman, Robert B., and Richard M. Sherman. 1998. Walt's Time: From Before to Beyond. ISBN 0-9646059-3-7.
- Thomas, Bob. 1991. Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast. New York: Hyperion. ISBN 1562828991.
- Thomas, Bob. 1976. Walt Disney: An American Original. New York: Hyperion. ISBN 0-7868-6027-8.
- "Walt Disney." American Decades. Gale Research, 1998. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomason Gale. 2007.
- "Walt Disney" Business Leader Profiles for Students. Vol. 1 Gale Research, 1999. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2007.
- Watts, Steven. 2001. The Magic Kingdom: Walt Disney and the American Way of Life. University of Missouri Press. ISBN 0826213790.
- Williams, Pat and Jim Denney. 2004. How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life. HCI. ISBN 0757302319.
External links
All links retrieved May 3, 2023.
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