Sin (mythology)
Nanna, also called Sin (also Suen) was a Sumerian god who played a longstanding role in Mesopotamian religion and mythology. He was the god of the moon, the son of the sky god Enlil and and the earth goddess Ninlil. His sacred city was Ur. The name Nanna is Sumerian for "illuminator." In Akkadian and later Babylonian mythology he is usually called Sin.
Mythology
In Mesopotamian mythology, Nanna was the son of the sky god Enlil and and the grain goddess Ninlil. His best known offspring were the sun god Shamash, and the great goddess of love and war, Inanna, better known today as Ishtar.
Nanna's origin myth is a touching story of his father's passion and his mother's sacrificial love. The virgin Ninlil bathes in the sacred river, where she seen by the bight eye of Enlil, who falls in loves with her and seduces (or rapes) her. The assembly of the gods then banishes Enlil to the underworld for his transgression. Ninlil, knowing she is pregnant with the "bight seed of Suen," follows Enlil to the world of the dead, determined that "My master's seed can go up to the heavens!" Once the moon god is born, three additional children are offered so that Nanna/Suen may take his places in the skies to light up the night.
The moon played a key role in Mesopotamian religious culture. As it moved through its phases, people learned to keep their calendars based on the lunar month. Nanna (or Suen/Sin) was sometimes pictured as riding his crescent moon-boat, as it made its monthly journey through the skies. Some sources indicate that the moon god was called by different names according to various phases of the moon. The name Sin thus came to be associated with crescent moon, with the older Sumerian name Nanna was sometimes connected to the full Moon.
People speculated that perhaps the moon-disk was Sin's crown, and thus one of his titles was "Lord of the Diadem." As the mysterious deity of the night, he was also called "He whose deep heart no god can penetrate." His chief attribute, however, was wisdom, which he dispensed not only to humans through his priests, but also to the gods themselves who came to consult him every month.
Sin's status was very formidable, not only in terms of the temples dedicated to him, but also in terms of astrology, which became a prominent feature of later Mesopotamian religion, and even legal matters. For an entire millennium—from 1900 to 900 B.C.E.—Sin's name is invoked as a witness to international treaties and covenants made by the Babylonian kings. His attribute of wisdom was particularly expressed in the science of astrology, in which the observation of the moon's phases was an important a factor. The centralizing tendency in Mesopotamian religion led to his incorporation in the divine triad consisting of Sin, Shamash, and Ishtar, respectively personifying the moon, the sun, and the planet Venus. In this trinity, the moon held the central position. However, it is likely that Ishtar, even though she was Sin's daughter, came to play the more important cultural role as time went on, as she rose to the key position in among the Mesopotamian goddess, while younger deities like Marduk came to predominate on the male side of the pantheon.
Worship
The temple was resotred by Shalmanester of Assyria in the 9th century B.C.E., and again by Asshurbanipal. About550 B.C.E., Nabonidus the last king of Babylon, who originated from Harran, rebuilt the temple of the Moon God, directed by a dream. His mother was high priestess at Harran and his daughter at Ur. Ironically his devotion to the Moon God caused a rfit between him and his people and contributed to his defeat by the Persians. The worship of the Moon God at Harran evolved with the centuries. It included E-hul-hul, the Temple of Rejoicing, and a set of temples of distinctive shape and colour dedicated to each of the seven planets as emissaries of the cosmic deity. Many of the descriptions of Harran through Christian and Moslem eyes include exaggerated tales of sacrifice which are probably not factual. It was said by one writer that they sacrificed a different character or type of human to each planet. A garlanded black bull was however sacrificed in public ceremony, as the bull was at Ur, and Moslem sources refer to seasonal weeping for Ta'uz at Harran, and up to the 10th century among bedouin in the desert."
Known as Nanna in Sumer, he was named Sin in Babylonia and Assyria, and was also worshiped in Harran. In his anthropomorphized form, Sin had a beard made of lapis lazuli and rode on a winged bull. His wife was Ningal ("Great Lady"), who bore him Utu ("Sun") and Inanna (the Sumerian name for Ishtar). In art, his symbols are the crescent moon, the bull (through his father, Enlil, "Bull of Heaven"), and the tripod.
The two chief seats of Sin's worship were Ur in the south, and Harran to the north. The cult of Sin spread to other centers, and temples of the moon-god are found in all the large cities of Babylonia and Assyria.
the so-called "giparu" (or Gig-Par-Ku in Sumerian) at Ur where the Moon god Nanna's priestesses resided was a major complex with multiple courtyards, a number of sanctuaries, burial chambers for dead priestesses, a ceremonial banquet hall, etc
Sin's chief sanctuary at Ur was named E-gish-shir-gal ("house of the great light"). His sanctuary at Harran was named E-khul-khul ("house of joys"). On cylinder seals, he is represented as an old man with a flowing beard with the crescent as his symbol. In the later astral-theological system he is represented by the number 30 and the moon, often in crescent form. This number probably refers to the average number of days in a lunar month, as measured between successive new moons.
He is commonly designated as En-zu, or "lord of wisdom." During the period (c.2600-2400 B.C.E.) that Ur exercised a large measure of supremacy over the Euphrates valley, Sin was naturally regarded as the head of the pantheon. It is to this period that we must trace such designations of Sin as "father of the gods," "chief of the gods," "creator of all things," and the like. nab
Although Nabonidus' personal preference for Sîn is clear, scholars are divided regarding the degree of his supposed monotheism. In the Nabonidus cylinder currently displayed at the British Museum, the king refers to the moon god as "Sîn, king of the gods of heaven and the netherworld, without whom no city or country can be founded." Some claim that it is obvious from his inscriptions that he became almost henotheistic, considering Sîn as the national god of Babylon superior even to Marduk.
Others, however, insist that Nabonidus, while personally devoted to Sîn, respected the other cults in his kingdom, pointing out that he supported construction works to their temples and did not suppress their worship. In this theory, his negative image is due mainly to his long absence from Babylon during his stay in Tayma, during which the important, Marduk-centered New Year festival could not take place, a fact which deeply offended the priests of Marduk. These priests, who were highly literate, left records denigrating the king in a fashion similar to the priests of Jerusalem denigrating the Israelite kings who did not properly honor Yahweh in the Hebrew Bible. In fact, there is no sign of the civil unrest during Nabonidus' reign, not even during his absence, and he was able to return to his throne and assert his authority with no apparent problem.
However, Nabonidus did remove important cultic statues and their attendants from southern Mesopotamia and brought them to Babylon. A number of contemporary inscriptions indicate that these statues and their priests were brought to Babylon just before the Persian attack that brought Cyrus to power. According to the Nabonidus Chronicle:
"In the month of [Âbu?], Lugal-Marada and the other gods of the town Marad; Zabada and the other gods of Kish; and the goddess Ninlil and the other gods of Hursagkalama visited Babylon. Till the end of the month Ulûlu all the gods of Akkad—those from above and those from below—entered Babylon. The gods of Borsippa, Cutha, and Sippar did not enter."
However, Nabonidus' motive in bringing these gods to the capital may not have been to take them hostage, but to ensure that they and their retinue received proper care and protection. In this theory, as Cyrus and his army made their way toward Babylon, Nabonidus gathered the traditional gods of Sumer and Akkad into the capital in order to protect them from being carried away or destroyed by the Persians.
Regardless of his motives, however, his actions exposed him to the criticism of his enemies. Thus, when Cyrus entered Babylon, one of his first acts was to demonstrate his piety before Marduk and his support of the local cults, simultaneously denigrating Nabonidus as unfit to rule. He thus returned the images to their places of origin, affirming in the Cyrus cylinder that he did so in obedience to the command of Marduk, while accusing Nabonidus of having offended the gods by bringing them to Babylon:
As for the gods of Sumer and Akkad which Nabonidus, to the wrath of the Lord of the gods, brought to Babylon, at the command of the great Lord Marduk I (Cyrus) caused them to dwell in peace in their sanctuaries, (in) pleasing dwellings."
This is confirmed by the Babylonian Chronicles, which indicate that, "The gods of Akkad which Nabonidus had made come down to Babylon, were returned to their sacred cities."
Sin's Great Ziggurat
dedicated to the moon Nanna (or Suen. The name Nanna is Sumerian for "illuminator".), in the Sumerian city of Ur in ancient Mesopotamia, in present-day Iraq, near Nasiriyah south of Baghdad. . The construct, a huge stepped platform, was built approximately in the 21st century B.C.E. by king Ur-Namma. In Sumerian times it was called Etemennigur. Today, after more than 4000 years, the ziggurat is still well preserved in large parts, and partially reconstructed, as the only major remainder of Ur in present-day southern Iraq. Its upper stage is over 100 feet (30 m) high and the base is 210 feet (64 m) by 150 feet (46 m).
The ziggurat was a piece in a temple complex, which was thought to be the dwelling of the moon god, the patron deity of Ur, on earth. Temples and Shrines are built on top of the trapezoidal base. It is said that ziggurat serves as a tool to bridge the distance between the sky and the earth. The Gods are believed to descend down and visit the temple where only a selected group of priest and government officials may enter.[1] The construction of the ziggurat was finished in the 21st century B.C.E. by King Shulgi, who in order to win the allegiance of cities, proclaimed himself god. During his 48-year reign, the city of Ur grew to be the capital of a state controlling much of Mesopotamia. Later though, the fortunes of Ur declined, and it was sacked by the Elamites
See also
- Religion of the Ancient Near East
- Ancient Semitic religion
- Great Ziggurat of Ur
ReferencesISBN links support NWE through referral fees
- This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.
- Tamara M. Green, The City of the Moon God: Religious Traditions of Harran. E.J. Brill, Leiden, 1992, 232 pages. ISBN 9004095136
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