Howling Wolf

Photo of Howlin' Wolf displayed on a poster outside of the Chess Records studios.

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known as Howlin' Wolf or sometimes, The Howlin' Wolf, was an influential blues singer, songwriter, guitarist and harmonica player.

Early life

Born in White Station near West Point, Mississippi, Burnett was nicknamed Big Foot and Bull Cow in his early years because of his massive size. Akthough Howlin' Wolf also raltes to his gruff singing style, he explained the name as coming from his grandfather. As a youth Burnett listened to Charley Patton, one of the earliest Mississippi bluesmen to record, who taught him the rudiments of guitar. He was aslo influenced by the Mississippi Sheiks, Tommy Johnson and country singer, Jimmie Rodgers, whose famous "blue yodel" Burnett inspired Wolf's own occasional use of falsetto in his singing style. Burnett's harmonica playing was modelled after that of Rice Miller, (also known as Sonny Boy Williamson II) who had lived with his sister for a time and taught him how to play. Burnett also played with Delta blues legends Robert Johnson and Willie Brown in his youth.

Howlin' Wolf's parents broke up when he was young. His very religious mother Gertrude threw him out of the house for refusing to work around the farm while still a child; he then moved in with his uncle, Will Young, who treated him badly. When he was 13, he ran away and walked 75 miles barefoot to join his father, where he finally found a happy home within his father's large family. During the peak of his success, he returned from Chicago to his home town to see his mother again, but was driven to tears when she rebuffed him and refused to take any money he offered her, saying it was from his playing the "Devil's music". Wolf's feelings toward his mother would be poignantly expressed in his song, Going Down Slow," in which he implores:

Please write my mother, tell her the shape I'm in.

Tell her to pray me for me, forgive me for my sin.

Working as a farmer during the 1930s, Burnett served in the United States Army as a radioman in Seattle during World War II. By 1948 he had formed a band that included guitarists Willie Johnson and M. T. Murphy, harmonica-player Junior Parker, a pianist who went by the name Destruction, and drummer Willie Steele. He sang on radio broadcasts on KWEM in West Memphis, Arkansas, alternating between performing at local dances and juke joints and operating farm equipment. In 1951 he auditioned for Sam Phillips' Memphis Recording Service.

Career

Already a local celebrity, his first recordings came in 1951, when he was signed both to Modern Records and to the Chess label, which published How Many More Years in August of that year. Wolf also recorded sides for Modern with Ike Turner in late 1951 and early 1952. Turner would later claim to be the one who "discoverd" Wolf, but Chess eventually won the war over the singer. Wolf settled in Chicago, Illinois and began playing with guitarist Hubert Sumlin, whose thin guitar tone and intense, fast-noted solos perfectly complemented Burnett's huge voice and surprisingly subtle phrasing. In the mid-'50s Wolf released "Evil" and "Smokestack Lightnin'", both major R&B hits. Like many Chicago bluesmen, he took a back seat to more commerically successful R & B acts in the late 50s, but was one of the first to benefit from the blues rivival of the 60s.

Wolf's 1962 album Howlin' Wolf is one of the most famous and influential blues records. This album contained "Wang Dang Doodle", "Goin' Down Slow", "Spoonful" and Little Red Rooster, songs which later found their way into the repertoires of British and American bands infatuated with Chicago blues. He was often backed by bassist and songwriter Willie Dixon who authored such Howlin' Wolf standards as "Spoonful", "I Ain't Superstitious", "Little Red Rooster", "Back Door Man", "Evil", "Wang Dang Doodle" (primarily known as a Koko Taylor hit), and others. In 1965 he appeared on the television show Shindig along with the Rolling Stones, who had covered "Little Red Rooster" on an early album. By the late 60s, Wolf was appealing the white audiences in folk clubs and cutting age rock venues across the nation, as well as traditional R&B haunts.

In 1971, Wolf and his long-time guitarist Sumlin travelled to London to record the Howlin' Wolf London Sessions LP. British blues/rock musicians Eric Clapton, Steve Winwood, Ian Stewart, Bill Wyman and Charlie Watts played alongside him on this album. He recorded his last album for Chess, The Back Door Wolf, in 1973.

Unlike many other blues musicians, after he left his impoverished childhood to begin a musical career, Howlin' Wolf was always at least monderately financially successful. He described himself as "the onliest one to drive himself up from the Delta" to Chicago, in his own car, which he did with four thousand dollars in his pocket—a rare distinction for a bluesman of the time. His success was partly due to his enormous charisma and crowd-pleasing stage presence. However, it was also due to his ability to avoid the pitfalls of alcohol, gambling, and the various dangers inherent vaguely described as "loose women", to which so many of his peers fell prey.

Wolf met his future wife, Lily, while playing in a Chicago club one night when she just happened to attend. She and her family were urban and educated, and not involved to what was generally seen as the unsavory world of blues musicians. Nonetheless, immediately attracted when he saw her in the audience as Wolf says he was, he pursued her and won her over. According to those who knew them, the couple remained deeply in love until his death. They had two daughters, Billye and Barbara.

Lilly, also helped manage his professional finances, and he was so financially successful that he was able to offer band members not only a decent salary, but benefits such as health insurance. This in turn enabled him to hire his pick of the available musicians, and keep his band one of the best around. According to his daughters, he was never financially extravagant, for instance driving a Pontiac station wagon rather than a more expensive and flashy car.

At 6 foot, 6 inches and close to 300 pounds, he was an imposing presence with one of the loudest and most memorable voices of all the "classic" 1950s blues singers. Howlin' Wolf's voice has been compared to "the sound of heavy machinery operating on a gravel road". At the same time, Wolf's external gruffness belied a contrasting gentle, unpretentious, and joyful character that eschewed the tough, sometimes evil, persona often adopted by other bluesmen.

Howlin' Wolf, Sonny Boy Williamson (Rice Miller), Little Walter Jacobs and Muddy Waters are usually regarded as the greatest blues artists who recorded for Chess in Chicago. In 2004, Rolling Stone Magazine ranked him #51 on their list of the 100 Greatest Artists of All Time.

Chester Burnett "Howlin Wolf" is buried in Oak Ridge Cemetery, Hillside, Cook County, Illinois, USA Plot: Section 18, right by the road. His gravestone has an image of a guitar and harmonica etched into it.

Style

Howlin' Wolf's style as a blues performer made full use of his natural talents as big man with a voice just as large as his body. "Hoy, Hoy! I'm your boy! I got 300 pounds of heavenly joy," Wolf would sing to his delighted audiences.

Famed female blues artist Bonnie Raitt said: "If I had to pick one person who does everything I loved about the blues, it would be Howlin' Wolf... He was the scariest, most deliciously frightening bit of male testosterone I've ever experienced in my life."

But Wolf's appeal went far beyond raw power. His vocals were masterpieces of timing and spontanaeity which never failed in their blues artistry. His performances were among the most dynamic in the business, as he would go from a powerful full throated rendition of Killing Floor in one number to take a chair and play quiet slide guitar on "Little Red Rooster" on the next, unafraid to express the vulnerability of man plagued by impotence because his "rooster" was "too lazy to crow for day." A more subtle if less effective slide player than Muddy Waters, Wolf is better known for his harmonica playing, which while simple, provided tremendous and memorable impact.

A consummate entertainer, he filled the stage not only with his physical presence but a spiritual power than inevitably left audiences feeling that they had gotten their money's worth. Songwriter Willie Dixon provided him with wonderful showcase songs that emphasized his stage persona, such as "Built for Comfort (not for Speed)," "Howlin' for my Darlin'" and many others. These and Burnett's own compositions left a tremendous legacy of classic blues songs that have been covered by dozens of top performers and have influenced new generations of blues musicians and singers over the succeeded years.

Covers

Numerous artists have recorded cover versions of Howlin' Wolf songs. Some of the better known of these include the following"

• "Little Red Rooster" was covered by Sam Cooke in 1963 and by The Rolling Stones in 1964.
• Both The Yardbirds and The Animals covered "Smokestack Lightning" in 1964 and 1966 respectively.
• The Doors covered "Back Door Man" for their first, self titled album, The Doors
• Led Zeppelin covered "How Many More Years" (changing the title lyric to "How Many More Times") on their debut ablum.
• Jimi Hendrix recorded a blisteringly fast version of "Killing Floor" at a BBC Saturday Club radio session in 1967, and opened with it at the Monterey Pop Festival in the same year.
• Cream covered "Sitting on Top of the World" on their double-album Wheels of Fire, as did Bob Dylan in the 1992 album Good as I been to you and other performers. The song, however, is a blues standard, and Howlin' Wolf's own version was a cover of the 1930 classic original by the Mississippi Sheiks.
• Stevie Ray Vaughan covered three Howlin' Wolf songs on his studio albums: "Tell Me," "You'll be mine," and "Love Me Darlin'" on In Step. Vaughan also played Wolf's "Shake for me" on the live album In the Beginning and performed many of his songs live, sometimes paying tribute to Hubert Sumlin by playing his solos nearly note-for-note.

Other acts that have covered Wolf's songs include, George Thorogood Eric Clapton, Robert Cray, PJ Harvey, Steven Seagal, Soundgarden, The Electric Prunes, and many others.

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References

ISBN links support NWE through referral fees

• Cohadas, Nadin. Spinning Blues into Gold: The Chess Brothers and the Legendary Chess Records. St. Martin's Griffin, 2001. ISBN 978-0312284947
• Romano, Will. Incurable Blues: The Troubles and Triumph of Blues Legend Hubert Sumlin. Backbeat Books, 2005. ISBN 978-0879308339
• Rowe, Mike. Chicago Blues: The City & the Music, Westview Press, 1988. ISBN 978-0306801457
• Segrest, James and Mark Hoffman. Moanin' at Midnight: The Life and Times of Howlin' Wolf. Random House, Inc., 2004. ISBN 0-375-42246-3
• Whiteis. David G. Chicago Blues: Portraits and Stories. University of Illinois Press, 2006 ISBN 978-0252073090

External links

• HowlinWolf.com fan site
• Bio @ HowlinWolf.com
• [1] iconic and rare portraits of Howlin' Wolf, from 1968 and 1969
• Howlin' Wolf Gravesite
• 1980 Blues Foundation Hall of Fame induction

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