Galina Ulanova

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Galina Sergeyevna Ulánova (Russian: Галина Сергеевна Уланова) (January 10, 1910 - March 21, 1998) was regarded by many as greatest Soviet ballerina. Her flat in Moscow is designated a national museum, and there are monuments to her in Saint Petersburg and Stockholm.

Ulanova studied in Petrograd under Agrippina Vaganova and her own mother, a ballerina of the Imperial Russian Ballet. When she joined the Mariinsky Theatre in 1928, the press found in her "much of Semyonova's style, grace, the same exceptional plasticity and a sort of captivating modesty in her gestures."[1] They say that Konstantin Stanislavsky, fascinated with her acting style, implored her to take part in his stage productions. In 1944, when her fame reached Stalin, he had her transferred to the Bolshoi Theatre, where she would be the prima ballerina assoluta for 16 years. The following year, she danced the title role in the world premiere of Sergei Prokofiev's Cinderella.

Ulanova was a great actress as well as dancer, and when she was finally allowed to tour abroad at the age of 46, enraptured British papers wrote that "Galina Ulanova in London knew the greatest triumph of any individual dancer since Anna Pavlova". Having retired from the stage at the age of 50, she coached many generations of the Russian dancers. She was awarded with Lenin or Stalin Prizes in 1941, 1946, 1947, 1950, and 1957.

Life

Ulanova was born in St. Petersberg, Russia, on January 8, 1910. She was the only daughter of Maria Romanova and Serge Ulanov, two dancer as the Maryinsky Theatre. The first performance she saw featured her parents, and Ulanova recalls, "True, my first visit to the theatre fired my imagination, but I was not swept off my feet by that strong impulse for a stage career which precipitated so many to the footlights."[2] And, indeed, Ulanova protested when her mother gave her ballet lessons, protesting that she did not like dancing. At the age of nine, Ulanova was unwillingly enrolled in the Petrograd School of Choreography, weeping bitterly.[3] However, her parents found it necessary, because their dancing schedule prohibited them from finding the time to care for her.


Work

Opinions on Ulanova

  • Sergey Prokofiev: She is the genius of Russian ballet, its elusive soul, its inspired poetry. Ulanova imparts to her interpretation of classical roles a depth of expression unheard of in twentieth century ballet.
  • Evgeny Mravinsky: The image of Ulanova – gentle, fragile and wise - was given to me in my early youth and is rooted in my heart and memory forever. Each encounter with Ulanova and her art, each memory of her – is always a great thrill and happiness. With thanks to her and gratitude to Fate for having given her to us.
  • Sviatoslav Richter: Ulanova has charted new paths in ballet …Not only has she given us unforgettable characters, she has created her own artistic world – a realm of human spirituality… Ulanova has transformed ballet into a popular art form. Thanks to her even its most implacable enemies have become its supporters and thousands of people now acknowledge ballet to be a vital necessity.
  • Margot Fonteyn: I cannot even begin to talk about Ulanova’s dancing, it is so marvellous, I am left speechless. It is magic. Now we know what we lack.
  • Maya Plisetskaya: Ulanova has created her own style, has schooled us to it. She represents an epoch, a time. She has her own hallmark. Like Mozart, Beethoven and Prokofiev she has had an impact, she has reflected her age.
  • Maurice Bejart: Galina Ulanova is a ballerina who has grasped the profoundest secrets of art, she has united feelings and their outer expression into an indivisible whole.
  • Rudolf Nureyev: Only she, the world’s Number One ballerina, kept unswervingly to her chosen course, always unassuming, modestly dressed, entirely absorbed in dance and totally unreceptive to backstage intrigue. Her inner strength, her human qualities – these explain why she has remained pure, untouched by the day-to-day hassle of theatre life.

Notes

  1. "Rabochii i teatr", 1926, #9, p. 13.
  2. Galina Ulanova, The Making of a Ballerina (Foreign Language Publishing, 2000).
  3. Great Russian Women, Galina Ulanova. Retrieve August 7, 2008.

References
ISBN links support NWE through referral fees

External links

Portal Galina Ulanova Portal

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