Difference between revisions of "Endo Shusaku" - New World Encyclopedia
m ({{Contracted}}) |
Makoto Maeda (talk | contribs) |
||
| Line 1: | Line 1: | ||
{{Contracted}} | {{Contracted}} | ||
| − | '''Shūsaku Endō''' (遠藤 周作 ''Endō Shusaku'', | + | '''Shūsaku Endō''' (遠藤 周作 ''Endō Shusaku'', (March 27, 1923 - September 29, 1996) was a twentieth Century [[Japanese author]] who wrote about the relationship between East and West from the unique Christian perspective of a [[Japanese person|Japanese]] [[Catholic Church|Catholic]]. Together with Junnosuke Yoshiyuki, Shotaro Yasuoka, Junzo Shono, Hiroyuki Agawa, Ayako Sono, and Shumon Miura, Endo is categorized as one of the Third Generation, the third major group of writers who appeared after [[World War II]]. |
| − | Endo studied [[French literature]] at the [[ | + | Endo’s mother converted to [[Christianity]] when he was a small child, and raised the young Endo as a Catholic. Endo recalled his [[Roman Catholicism|Catholicism]] as “a kind of ready-made suit… I had to decide either to make this ready-made suit fit my body or get rid of it and find another suit that fitted…” |
| + | |||
| + | Endo studied [[French literature]] at the University of Lyon from 1950 to 1953. | ||
| + | His books reflect many of his childhood experiences, including the stigma of being an outsider, the experience of being a foreigner, the life of a hospital patient, and his struggle with [[tuberculosis]]. However, his books mainly deal with the moral fabric of life. His Catholic faith can be seen at some level in all of his books, and it is often a central feature. Most of his characters struggle with complex moral dilemmas, and their choices often produce mixed or tragic results. His work is often compared to that of [[Graham Greene]], who personally labeled Endo one of the finest writers of the 20th century. Endo received nearly every major literary prize in Japan , and was nominated several times for the [[Nobel Prize]] for literature | ||
| + | |||
| + | == Life == | ||
| + | Endo Shusaku was born March 27, 1923, in [[Tokyo]], as the second son of Tsunehisa, a bank clerk and his wife Iku, a violinist. When Endo was three, his parents moved to Japanese-occupied Manchuria. When he was ten years old, his parents divorced and he moved back to Japan with his mother. An aunt convinced Endo and his mother to convert to [[Roman Catholicism|Catholicism]], and he was baptized at the age of eleven. Endo was exempted from military duty during [[World War II]] because of poor health. He studied at Keio University and in 199, he received a BA in French literature. He then went to France and studied Catholic fiction at the University of Lyons from 1950 to 1953. He published his first novel “''Shiroihito''” (''White Man'') in 1955, earning Endo the Akutagawa Prize for promising young writers. The same year, he married Okada Junko, with whom he had a son in 1956. | ||
| + | |||
| + | In 1958 Endo published “''The Sea and Poison'',” which won the Shinchosha Literature Prize and Mainichi Shuppan Literature Prize. In 1959, Endo contracted [[tuberculosis]] and was hospitalized for two-and-a-half years, during which he underwent three surgeries and lost one of his lungs. Following this illness, Endo’s fiction became more sympathetic towards characters suffering from both spiritual and physical weaknesses, and critics noted that his concept of Christ became more merciful and compassionate. | ||
| + | |||
| + | In 1963 he and his family moved to Machida city, about thirty kilometers southwest from the center of Tokyo. In 1966 his major work, the novel ”''Chimmoku''” ( ''“Silence''”) was published, and received the Tanizaki Junichiro Prize. This fictionalized account of Portuguese priests who traveled to Japan, and the subsequent slaughter of their Japanese converts, is one of Endo’s most powerful novels. In 1967 he traveled to Lisbon, [[Paris]] and [[Rome]] at the invitation of the Ambassador of [[Portugal]] to Japan. In 1969 he visited [[Israel]] and [[America]], and in 1971 he received a medal from the Vatican. | ||
| + | |||
| + | In 1977 he became a member of a selection committee for the Akutagawa Prize (the most prestigious literary award in Japan). In 1979 his novel “''The Birth Of Christ''” won the Yomiuri Literature Prize. In 1980, “Samurai,” a fascinating account of a samurai’s journey on behalf of his shogun to open trade with Mexico, Spain, and Rome, won the Noma Bungei Prize. “Samurai” and “Silence” are considered Endo’s best writing, showing the complexities of the interactions between cultures in a well-told narrative. | ||
| + | From 1985 to 89 Endo was the tenth president of Japanese P.E.N., and received an honorary doctrate from Santa Clara University. In 1991 he received an honorary doctorate from Fu Jen Catholic University in Taiwan. | ||
| + | In 1995 he was received the Order of Culture from the Japanese government. The same year, he was hospitalized with a brain hemorrhage, and passed away on September 29, 1996. | ||
| + | |||
| + | == Endo’s Christian Perspective == | ||
| + | |||
| + | === Kirishitan - Christian === | ||
| + | |||
| + | Endo’s eternal theme was “the Japanese and Christianity.” When he was forcibly baptized as a small boy, he recalled feeling that he had to “make this ready-made suit fit my body or get rid of it and find another suit that fitted…” When he became an adult, he researched deeply into Christianity. He was especially interested in “''Kakure Kirishitan'',” the “hidden Christian” or “crypto-Christian,” an underground Christian in feudal Japan. “''Chimmoku''” (''Silence'' (1966)), Endo's most famous work, included many details about the “''Kakure Kirishitan''.” He was led to this theme by the story of his ancestors during the crypto-Christian period, from the sixteenth century to the seventeenth century. | ||
| + | |||
| + | The Jesuit priest Francis Xavier arrived in Kyūshū, Japan on July 27, 1549. He was received in a friendly manner and was hosted by Anjiro's family. Shortly before Christmas, he visited [[Kyoto]] but failed to meet with the Emperor. He returned to Yamaguchi in March 1551, where he was permitted to preach by the daimyo of the province. The situation changed when [[Toyotomi Hideyoshi]] unified Japan. In 1587 he banned the ruling class from converting to [[Roman Catholicism|Catholicism]] because he was told that the missionaries were there to attempt the conquest of [[Japan]]. In 1597, twenty-six ''Kirishitan'' followers were executed in Nagasaki. | ||
| + | |||
| + | In 1614, Tokugawa shogunate decided to ban [[Roman Catholicism|Catholicism]]. The Japanese feudal government used “''Fumie'',” pictures of the Virgin Mary and Christ, to test religious loyalty. The officials made everybody trample on these pictures. People reluctant to step on the pictures were identified as Catholics and sent to Nagasaki. If the Catholics refused to change their religion, they were tortured. Execution took place at Nagasaki’s Mount Unzen where many Catholics were dumped into the volcano crater. These persecutions were depicted in Endo’s “''Silence''.” For Endo, the faith of these ancestors under persecution was connected to his faith and his way of life. Endo recalled visiting this Unzen volcano with his friends. He asked his friend, “If you were told you’d be thrown into this pit unless you gave up your faith in Christianity, how long could you persevere?” Endo experienced a similar situation during [[World War II]], when he suffered to keep his faith under the military government which abhorred Christianity as the enemy religion. He felt the same as the ''Kirishitan''. | ||
| + | |||
| + | === Christianity and Japanese Literary Persons === | ||
| + | |||
| + | One obstacle to the spread of Christianity in Japan was persecution by the feudal government and the military government; the other was the peoples’ general feeling of fear and anxiety towards Christianity itself. Endo himself felt that the reasons for this anxiety were very complicated. Even in present-day Japan, Catholic and Protestant believers make up only 0.3 % of the Japanese population. Modern Japanese intellectuals tended to accept Christian ethics and ideology, but not the Christian religion. Christianity influenced modern writers, especially those taught by the Protestant (and Puritan) Uchimura Kanzo, who influenced famous men of letters such as Arishima Takeo, Masamune Hakucho, and Shiga Naoya. After several years most of these writers abandoned Christianity and became apostates. Some were more interested in the exotic Western culture surrounding Christianity than in the faith itself. From his youth, Endo had been struggling to understand the difficult relationship between Christianity and the Japanese. He believed he had found another reason why most Japanese intellectuals were not satisfied by Christianity, an insufficiency of “Motherhood” in God. Protestantism depicts God as a Father. Endo thought that Fatherhood implied rigorous punishment and the detection of “sin” in human beings. He wrote, “Especially as a Japanese, I get a feeing of loneliness from Protestantism, which is short of “Motherhood.”” Throughout his life, Endo was longing to find a "Motherhood God" which could fit in with Japanese sensibility. | ||
| + | |||
| + | Endo further believed that Japanese religious feeling not only sought a “Motherhood God” but also embraced “a pantheistic notion of God.” In his last work, ''Fukai Kawa'' ( ''Deep River''), the hero, a young monk named Otsu, says, "I do not think that God is outside of us, that we have to look up to Him. He is inside of us, indeed He is that greater life that envelops us, as it does the trees and the flowers." This was the Japanese people’s point of view, and Endo's own view of God. | ||
| + | |||
| + | == References == | ||
| + | *Endo, Shusaku. ''The Samurai'' (New Directions Classics). New Directions Publishing Corporation; Reprint edition, 1997. | ||
| + | *Endo, Shusaku. ''A Life of Jesus'' . Paulist Press, 1978 | ||
| + | *Endo, Shusaku: Gallagher, Michael (translator). ''The Sea and Poison'' (New Directions Paperbook, No. 737) New Directions Publishing Corporation; Reprint edition, 1992 | ||
| + | *Endo, Shusaku; Gessel, Van C. (translator). ''Deep River''. New Directions Publishing Corporation; Reprint edition, 1996 | ||
| + | *Endo, Shuasku; Johnston, William (translator). Silence Taplinger Publishing Company, 1980 | ||
| + | *''Endo Shusaku no sekai''.Asahi Shuppansha; Tsuito hozonban, shohan edition (1997) | ||
| − | |||
| − | |||
==Bibliography== | ==Bibliography== | ||
* ''White Man'' (1955) | * ''White Man'' (1955) | ||
Revision as of 01:40, 17 October 2006
Shūsaku Endō (遠藤 周作 Endō Shusaku, (March 27, 1923 - September 29, 1996) was a twentieth Century Japanese author who wrote about the relationship between East and West from the unique Christian perspective of a Japanese Catholic. Together with Junnosuke Yoshiyuki, Shotaro Yasuoka, Junzo Shono, Hiroyuki Agawa, Ayako Sono, and Shumon Miura, Endo is categorized as one of the Third Generation, the third major group of writers who appeared after World War II.
Endo’s mother converted to Christianity when he was a small child, and raised the young Endo as a Catholic. Endo recalled his Catholicism as “a kind of ready-made suit… I had to decide either to make this ready-made suit fit my body or get rid of it and find another suit that fitted…”
Endo studied French literature at the University of Lyon from 1950 to 1953. His books reflect many of his childhood experiences, including the stigma of being an outsider, the experience of being a foreigner, the life of a hospital patient, and his struggle with tuberculosis. However, his books mainly deal with the moral fabric of life. His Catholic faith can be seen at some level in all of his books, and it is often a central feature. Most of his characters struggle with complex moral dilemmas, and their choices often produce mixed or tragic results. His work is often compared to that of Graham Greene, who personally labeled Endo one of the finest writers of the 20th century. Endo received nearly every major literary prize in Japan , and was nominated several times for the Nobel Prize for literature
Life
Endo Shusaku was born March 27, 1923, in Tokyo, as the second son of Tsunehisa, a bank clerk and his wife Iku, a violinist. When Endo was three, his parents moved to Japanese-occupied Manchuria. When he was ten years old, his parents divorced and he moved back to Japan with his mother. An aunt convinced Endo and his mother to convert to Catholicism, and he was baptized at the age of eleven. Endo was exempted from military duty during World War II because of poor health. He studied at Keio University and in 199, he received a BA in French literature. He then went to France and studied Catholic fiction at the University of Lyons from 1950 to 1953. He published his first novel “Shiroihito” (White Man) in 1955, earning Endo the Akutagawa Prize for promising young writers. The same year, he married Okada Junko, with whom he had a son in 1956.
In 1958 Endo published “The Sea and Poison,” which won the Shinchosha Literature Prize and Mainichi Shuppan Literature Prize. In 1959, Endo contracted tuberculosis and was hospitalized for two-and-a-half years, during which he underwent three surgeries and lost one of his lungs. Following this illness, Endo’s fiction became more sympathetic towards characters suffering from both spiritual and physical weaknesses, and critics noted that his concept of Christ became more merciful and compassionate.
In 1963 he and his family moved to Machida city, about thirty kilometers southwest from the center of Tokyo. In 1966 his major work, the novel ”Chimmoku” ( “Silence”) was published, and received the Tanizaki Junichiro Prize. This fictionalized account of Portuguese priests who traveled to Japan, and the subsequent slaughter of their Japanese converts, is one of Endo’s most powerful novels. In 1967 he traveled to Lisbon, Paris and Rome at the invitation of the Ambassador of Portugal to Japan. In 1969 he visited Israel and America, and in 1971 he received a medal from the Vatican.
In 1977 he became a member of a selection committee for the Akutagawa Prize (the most prestigious literary award in Japan). In 1979 his novel “The Birth Of Christ” won the Yomiuri Literature Prize. In 1980, “Samurai,” a fascinating account of a samurai’s journey on behalf of his shogun to open trade with Mexico, Spain, and Rome, won the Noma Bungei Prize. “Samurai” and “Silence” are considered Endo’s best writing, showing the complexities of the interactions between cultures in a well-told narrative. From 1985 to 89 Endo was the tenth president of Japanese P.E.N., and received an honorary doctrate from Santa Clara University. In 1991 he received an honorary doctorate from Fu Jen Catholic University in Taiwan. In 1995 he was received the Order of Culture from the Japanese government. The same year, he was hospitalized with a brain hemorrhage, and passed away on September 29, 1996.
Endo’s Christian Perspective
Kirishitan - Christian
Endo’s eternal theme was “the Japanese and Christianity.” When he was forcibly baptized as a small boy, he recalled feeling that he had to “make this ready-made suit fit my body or get rid of it and find another suit that fitted…” When he became an adult, he researched deeply into Christianity. He was especially interested in “Kakure Kirishitan,” the “hidden Christian” or “crypto-Christian,” an underground Christian in feudal Japan. “Chimmoku” (Silence (1966)), Endo's most famous work, included many details about the “Kakure Kirishitan.” He was led to this theme by the story of his ancestors during the crypto-Christian period, from the sixteenth century to the seventeenth century.
The Jesuit priest Francis Xavier arrived in Kyūshū, Japan on July 27, 1549. He was received in a friendly manner and was hosted by Anjiro's family. Shortly before Christmas, he visited Kyoto but failed to meet with the Emperor. He returned to Yamaguchi in March 1551, where he was permitted to preach by the daimyo of the province. The situation changed when Toyotomi Hideyoshi unified Japan. In 1587 he banned the ruling class from converting to Catholicism because he was told that the missionaries were there to attempt the conquest of Japan. In 1597, twenty-six Kirishitan followers were executed in Nagasaki.
In 1614, Tokugawa shogunate decided to ban Catholicism. The Japanese feudal government used “Fumie,” pictures of the Virgin Mary and Christ, to test religious loyalty. The officials made everybody trample on these pictures. People reluctant to step on the pictures were identified as Catholics and sent to Nagasaki. If the Catholics refused to change their religion, they were tortured. Execution took place at Nagasaki’s Mount Unzen where many Catholics were dumped into the volcano crater. These persecutions were depicted in Endo’s “Silence.” For Endo, the faith of these ancestors under persecution was connected to his faith and his way of life. Endo recalled visiting this Unzen volcano with his friends. He asked his friend, “If you were told you’d be thrown into this pit unless you gave up your faith in Christianity, how long could you persevere?” Endo experienced a similar situation during World War II, when he suffered to keep his faith under the military government which abhorred Christianity as the enemy religion. He felt the same as the Kirishitan.
Christianity and Japanese Literary Persons
One obstacle to the spread of Christianity in Japan was persecution by the feudal government and the military government; the other was the peoples’ general feeling of fear and anxiety towards Christianity itself. Endo himself felt that the reasons for this anxiety were very complicated. Even in present-day Japan, Catholic and Protestant believers make up only 0.3 % of the Japanese population. Modern Japanese intellectuals tended to accept Christian ethics and ideology, but not the Christian religion. Christianity influenced modern writers, especially those taught by the Protestant (and Puritan) Uchimura Kanzo, who influenced famous men of letters such as Arishima Takeo, Masamune Hakucho, and Shiga Naoya. After several years most of these writers abandoned Christianity and became apostates. Some were more interested in the exotic Western culture surrounding Christianity than in the faith itself. From his youth, Endo had been struggling to understand the difficult relationship between Christianity and the Japanese. He believed he had found another reason why most Japanese intellectuals were not satisfied by Christianity, an insufficiency of “Motherhood” in God. Protestantism depicts God as a Father. Endo thought that Fatherhood implied rigorous punishment and the detection of “sin” in human beings. He wrote, “Especially as a Japanese, I get a feeing of loneliness from Protestantism, which is short of “Motherhood.”” Throughout his life, Endo was longing to find a "Motherhood God" which could fit in with Japanese sensibility.
Endo further believed that Japanese religious feeling not only sought a “Motherhood God” but also embraced “a pantheistic notion of God.” In his last work, Fukai Kawa ( Deep River), the hero, a young monk named Otsu, says, "I do not think that God is outside of us, that we have to look up to Him. He is inside of us, indeed He is that greater life that envelops us, as it does the trees and the flowers." This was the Japanese people’s point of view, and Endo's own view of God.
ReferencesISBN links support NWE through referral fees
- Endo, Shusaku. The Samurai (New Directions Classics). New Directions Publishing Corporation; Reprint edition, 1997.
- Endo, Shusaku. A Life of Jesus . Paulist Press, 1978
- Endo, Shusaku: Gallagher, Michael (translator). The Sea and Poison (New Directions Paperbook, No. 737) New Directions Publishing Corporation; Reprint edition, 1992
- Endo, Shusaku; Gessel, Van C. (translator). Deep River. New Directions Publishing Corporation; Reprint edition, 1996
- Endo, Shuasku; Johnston, William (translator). Silence Taplinger Publishing Company, 1980
- Endo Shusaku no sekai.Asahi Shuppansha; Tsuito hozonban, shohan edition (1997)
Bibliography
- White Man (1955)
- Yellow Man (1955)
- The Sea and Poison (1958): Set largely in a Fukuoka hospital, during World War II, this novel is concerned with lethal vivisections carried out on downed American airmen. It is told from the first-person point of view of one of the doctors, and the third-person perspective of his colleagues who cut open, experiment on, and kill the six crew members. This is based on a true incident. It was made into the 1986 movie Umi to dokuyaku, directed by Kei Kumai and starring Eiji Okuda and Ken Watanabe.
- Wonderful Fool (1959): A story about a kind, innocent but naive Frenchman visiting post-war Tokyo.
- Volcano (1960)
- The Girl I Left Behind (1963)
- Foreign Studies (1965)
- Silence (1966): Endo's most famous work, generally regarded as his masterpiece; it is a historical novel, telling the story of a Portuguese missionary in early 17th century Japan who becomes an apostate, but only in formality, the Christian faith is kept private from then on by the protagonist.
- The Golden Country (1970)
- Upon The Dead Sea (1973)
- A Life of Jesus (1973)
- When I Whistle (1974)
- The Samurai (1980): A historical novel, relating the diplomatic mission of Hasekura Tsunenaga to Mexico and Europe in the 17th century.
- Scandal (1986): Set in Tokyo, the book is about a novelist who finds himself caught up in the scandal of the title.
- Deep River (1993): Set in India, it chronicles the physical and spiritual journey of a group of Japanese tourists who are facing a wide range of moral and spiritual dilemmas in their respective lives.
Prizes
- 1955 Akutagawa Prize---White Person (Shiroi hito「白い人」)
- 1966 Tanizaki Prize---Silence (Chinmoku, 「沈黙」)
External links
- "Japan's Faithful Judas", by Philip Yancey
- "Confessions of a True Believer", by Caryl Phillips
ar:شوساكو إندو de:Endō Shūsaku fr:Shūsaku Endō gl:Shusaku Endo ko:엔도 슈사쿠 it:Endo Shūsaku ja:遠藤周作 oc:Endò Shusaku pl:Endō Shūsaku ru:Эндо, Сюсаку
Credits
New World Encyclopedia writers and editors rewrote and completed the Wikipedia article in accordance with New World Encyclopedia standards. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. To cite this article click here for a list of acceptable citing formats.The history of earlier contributions by wikipedians is accessible to researchers here:
The history of this article since it was imported to New World Encyclopedia:
Note: Some restrictions may apply to use of individual images which are separately licensed.
