Stewart, James

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:''"Jimmy Stewart" redirects here. For other uses, see [[Jimmy Stewart (disambiguation)]].''
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{{epname|Stewart, James}}
  
{{Infobox oscar winning actor
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{{Infobox actor
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| bgcolour = silver
 
| name = James Stewart
 
| name = James Stewart
 
| image = Jimmy Stewart.jpg
 
| image = Jimmy Stewart.jpg
 
| imagesize = 250px
 
| imagesize = 250px
 
| caption = Jimmy Stewart, photo by [[Carl Van Vechten]], 1934
 
| caption = Jimmy Stewart, photo by [[Carl Van Vechten]], 1934
| birthdate = [[20 May]], [[1908]]
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| birthdate = May 20, 1908
| location = [[Indiana, Pennsylvania]], [[USA]]
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| location = Indiana, Pennsylvania, USA
 
| height =  
 
| height =  
| deathdate = [[2 July]], [[1997]]
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| deathdate = July 2, 1997
| deathplace = [[Los Angeles, California]], [[USA]]
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| deathplace = [[Los Angeles]], California, USA
 
| birthname = James Maitland Stewart  
 
| birthname = James Maitland Stewart  
 
| othername =  
 
| othername =  
 
| homepage =
 
| homepage =
| academyawards = [[Academy Award for Best Actor|Best Actor]], [[1940]] <br> ''[[The Philadelphia Story]]''
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| academyawards = [[Academy Award for Best Actor|Best Actor]], 1940, ''The Philadelphia Story''
 
}}
 
}}
  
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'''James Maitland "Jimmy" Stewart''' (May 20, 1908 – July 2, 1997) was an iconic, [[Academy Award]]-winning [[United States|American]] film and stage actor, best known for his home-bred screen persona. Over the course of his career, he starred in many films widely considered classics and was nominated for five Academy Awards (Oscars), winning one for an acting role and one for life achievement.
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He first pursued a career as an architect before being drawn to the theater in college. His first success came as an actor on Broadway, before making his Hollywood debut in 1935. Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image.
  
'''James Maitland "Jimmy" Stewart''' ([[May 20]], [[1908]] &ndash; [[July 2]], [[1997]]) was an [[iconic]], [[Academy Award]]-winning [[United States|American]] film and stage actor,best known for his homebred screen persona. Over the course of his career, he starred in many films widely considered classics and was nominated for five [[Academy Awards|Oscars]], winning one in competition and one life achievement.
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==Life==
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[[File:Alexander Stewart hardware store.jpg|thumb|400px|Jimmy Stewart (right) outside his family's hardware store, 1930]]
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James Maitland Stewart was born on May 20, 1908 to devoutly [[Presbyterian]] parents, Alexander M. Stewart and Elizabeth Ruth Jackson, in Indiana, Pennsylvania. The son of a prosperous hardware store owner, he was expected to continue the business, which had been in the family for three generations. The young Stewart was first attracted to aviation, but abandoned dreams of being a pilot to attend Princeton University in 1928 after graduating from Mercersburg Academy. Stewart took quickly to [[architecture]], and was to continue pursuing the field as a graduate student, but he gradually became attracted to the school's drama and music clubs, including the famous Princeton Triangle Club.
  
Born in [[Indiana, Pennsylvania]] near [[Pittsburgh]], he first pursued a career as an [[architect]] before being drawn to the [[theater]] in college. His first success came as an actor on [[Broadway theatre|Broadway]], before making his [[Hollywood]] debut in [[1935 in film|1935]]. Stewart's career gained momentum after his well-received [[Frank Capra]] films, including his [[Academy Awards|Academy Award]] nominated role in ''[[Mr. Smith Goes to Washington]]''. Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image in such classics as ''[[The Philadelphia Story]]'', ''[[Harvey (film)|Harvey]]'', and ''[[Vertigo (film)|Vertigo]]''.
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His talents led him to be invited to the University Players, a performing arts club comprised of Ivy League musicians and thespians. Taking bit parts in the Players' productions over the summer of 1932, he moved to [[New York City]] in the fall, where he shared an apartment with rising actor [[Henry Fonda]] and director/playwright Joshua Logan. In November he was cast in his first major stage production, as a chauffeur in the Broadway comedy ''Goodbye Again,'' in which he had two lines. The play was a moderate success and brought more substantial stage roles for Stewart, including the 1934 hit ''Page Miss Glory'' and his first dramatic stage role in Sidney Howard's ''Yellow Jack.''
  
Along with fellow screen icon [[James Cagney]], Stewart became so familiar to American audiences that he was most often referred to by them as "Jimmy" Stewart — a billing never found on the credits of any of his films.
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With several favorably reviewed performances on Broadway, he attracted the interest of MGM, and signed a contract with the company in April 1935. At first, he had trouble breaking into Hollywood due to his gangly looks and shy, humble screen presence. His first film was the poorly received [[Spencer Tracy]] vehicle, ''The Murder Man,'' but ''Rose-Marie,'' an adaptation of a popular operetta, was more successful. After mixed success in film, he received his first substantial part in 1936's ''After the Thin Man,'' playing a psychotic killer. Stewart found his footing in Hollywood thanks largely to ex-University Player Margaret Sullavan, who campaigned for Stewart to be her leading man in the 1936 romantic comedy ''Next Time We Love'' and rehearsed extensively with him. He spent six decades acting in movies, many of which are considered classics, only interrupted by military service during [[World War II]].
  
Stewart left his mark on a wide range of film [[genre]]s, including [[screwball comedy|screwball comedies]], [[western movie|westerns]], and [[suspense|suspense thrillers]]. He worked for a number of renowned directors later in his career, most notably [[Alfred Hitchcock]], [[John Ford]], and [[Anthony Mann]]. He won many of the industry's highest honors and earned Lifetime Achievement awards from every major film organization. He died in [[1997 in film|1997]], leaving behind a legacy of classic performance, and is considered one of the finest actors of the "[[History of cinema#The Sound Era .26 The Golden Age of Hollywood|Golden Age of Hollywood]]."  He was named the third [[AFI's 100 Years... 100 Stars|Greatest Male Star of All Time]] by the [[American Film Institute]].
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After the war, Stewart settled down at age 41, marrying former model Gloria Hatrick McLean on August 9, 1949. They remained devotedly married until her death on February 16, 1994. Her death was caused by [[lung cancer]]. Stewart adopted her two sons, Michael and Ronald, and together they had twin daughters, Judy and Kelly, on May 7, 1951.
  
==Biography==
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He was a lifelong supporter of Scouting. He was a Second Class Scout when he was a youth, an adult Scout leader, and a recipient of the prestigious Silver Buffalo Award from the Boy Scouts of America. He also received the Los Angeles Area Council’s Distinguished Scouter Award.<ref>Bryan Wendell, [https://blog.scoutingmagazine.org/2017/02/02/what-jimmy-stewart-said-about-the-scout-oath/ What Jimmy Stewart said about the Scout Oath] ''Bryan on Scouting'', February 2, 2017. Retrieved September 21, 2022.</ref>
=== Early life and career ===
 
James Maitland Stewart was born on [[May 20]], [[1908]] to devoutly [[Presbyterian]] parents, Alexander M. Stewart and Elizabeth Ruth Jackson, in [[Indiana, Pennsylvania]]. The son of a prosperous hardware store owner, he was expected to continue the business, which had been in the family for three generations. The young Stewart was first attracted to aviation, but abandoned dreams of being a pilot to attend [[Princeton University]] in 1928 after graduating from [[Mercersburg Academy]]. Stewart took quickly to [[architecture]], and was to continue pursuing the field as a graduate student, but he gradually became attracted to the school's drama and music clubs, including the famous [[Princeton Triangle Club]].
 
  
His talents led him to be invited to the [[University Players]], a performing arts club comprised of [[Ivy League]] musicians and thespians. Taking bit parts in the Players' productions over the summer of 1932, he moved to [[New York City]] in the fall, where he shared an apartment with rising actor [[Henry Fonda]] and director/playwright [[Joshua Logan]]. In November he was cast in his first major stage production, as a chauffeur in the [[Broadway theatre|Broadway]] comedy ''Goodbye Again'', in which he had two lines. The play was a moderate success and brought more substantial stage roles for Stewart, including the 1934 hit, ''Page Miss Glory'', and his first dramatic stage role in [[Sidney Howard]]'s ''Yellow Jack''.
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Stewart died at the age of 89 on July 2, 1997 of [[cardiac arrest]] and a [[pulmonary embolism]] following a long illness from respiratory problems. His death came just one day after fellow screen legend and ''The Big Sleep'' co-star Robert Mitchum had died of [[lung cancer]] and [[emphysema]]. Stewart is interred in Forest Lawn Memorial Park Cemetery in Glendale, California.
  
With several favorably reviewed performances on Broadway, he attracted the interest of [[Metro-Goldwyn-Mayer|MGM]], and signed a contract with the company in April 1935. At first, he had trouble breaking into [[Hollywood]] due to his gangly looks and shy, humble screen presence. His first film was the poorly received [[Spencer Tracy]] vehicle, ''[[The Murder Man]]'', but ''[[Rose-Marie]]'', an adaptation of a popular operetta, was more successful. After mixed success in film, he received his first substantial part in [[1936 in film|1936]]'s ''[[After the Thin Man]]'', playing a psychotic killer. Stewart found his footing in [[Hollywood]] thanks largely to ex-University Player [[Margaret Sullavan]], who campaigned for Stewart to be her leading man in the 1936 [[romantic comedy]] ''Next Time We Love'' and rehearsed extensively with him.
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== Early Acting Career ==
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[[File:You Can't Take It with You trailer 1.jpg|thumb|400px|James Stewart and Jean Arthur, ''You Can't Take It with You'' (1938)]]
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Stewart began a successful partnership with director [[Frank Capra]] in 1938, when he was loaned out to Columbia Pictures to star in ''You Can't Take It With You.'' The heartwarming Depression-era film, starring matinee idol [[Jean Arthur]], went on to win the 1938 Best Picture [[Academy Awards|Academy Award]]. Stewart teamed with Capra and Arthur again in 1939 for the political comedy-drama, ''Mr. Smith Goes to Washington.'' Stewart replaced intended star Gary Cooper in the film about an idealistic man thrown into the political arena. Upon the film's October release, it garnered critical praise and became a box office success. For his performance, Stewart was nominated for the first of five Academy Awards for Best Actor. ''Destry Rides Again,'' also released that year, became Stewart's first western film, a genre for which he would become famous later in his career.
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[[File:Philadelphia Story 13.jpg|thumb|400px|[[Katharine Hepburn]] and Stewart in ''The Philadelphia Story'' (1940), for which he won his only [[Academy Award]] for Best Actor]]
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In 1940 Stewart and Margaret Sullavan teamed again for two films. The first, the Ernst Lubitsch romantic comedy, ''The Shop Around the Corner,'' starred Stewart and Sullavan as co-workers unknowingly involved in a pen-pal romance who cannot stand each other in real life. ''The Mortal Storm,'' directed by Frank Borzage, was one of the first blatantly anti-[[Nazism|Nazi]] films to be produced in Hollywood, and featured the pair as a husband and wife caught in turmoil upon [[Adolf Hitler|Hitler]]'s rise to power. He also starred opposite [[Katharine Hepburn]] and [[Cary Grant]] in George Cukor's classic ''The Philadelphia Story.'' His performance as an intrusive, fast-talking reporter earned him his only [[Academy Award]] in a competitive category (Best Actor, 1941). Stewart gave the Oscar statuette to his father, who displayed it in the window of his hardware store for many years.
  
Stewart was a lifelong supporter of [[Boy Scouts of America|Scouting]]. He was a Second Class Scout when he was a youth, an adult Scout leader, and a recipient of the prestigious [[Silver Buffalo Award]] from the [[Boy Scouts of America]] (BSA).  He made advertisements for BSA, which led to him sometimes ''incorrectly'' being identified as an [[Eagle Scout (Boy Scouts of America)|Eagle Scout]].<ref>{{cite web | last = Terry C. | first = Lawson | authorlink = | coauthors = | year =2005 | url = http://en.wikisource.org/wiki/Erroneous_Eagle_Scouts | title = Erroneous Eagle Scouts Letter| format = | work = Eagle Scout Service, National Eagle Scout Association | publisher =Boy Scouts of America | accessdate = June 09 | accessyear =2005}}</ref>
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He went on to appear in a series of screwball comedies with varying levels of success. Stewart followed the mediocre ''No Time for Comedy'' (1940) and ''Come Live with Me'' (1941) with the [[Judy Garland]] musical ''Ziegfeld Girl'' and the George Marshall romantic comedy ''Pot o' Gold.'' Foreseeing war on the horizon, Stewart enlisted in the [[United States Army Air Corps]] in March 1941. Stewart's enlistment coincided with the lapse in his MGM contract and marked a turning point in Stewart's career.
  
=== Prewar success ===
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== Wartime Activity ==
[[Image:Stewartmrsmith.jpg|thumb|right|175px|''[[Mr. Smith Goes to Washington]]'' earned Stewart an [[Academy Awards|Academy Award]] nomination.]]
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[[Image:James Stewart air force photo.jpg|right|thumb|350px|Colonel James Stewart.]]
Stewart began a successful partnership with director [[Frank Capra]] in [[1938 in film|1938]], when he was loaned out to [[Columbia Pictures]] to star in ''[[You Can't Take It With You]]''. The heartwarming [[The Great Depression|Depression]]-era film, starring matinee idol [[Jean Arthur]], went on to win the [[1938 in film|1938]] [[Academy Award for Best Picture|Best Picture]] [[Academy Awards|Academy Award]]. 1939 saw Stewart team with Capra and Arthur again for the political comedy-drama, ''[[Mr. Smith Goes to Washington]]''. Stewart replaced intended star [[Gary Cooper]] in the film about an idealistic man thrown into the political arena. Upon the film's October release, it garnered critical praise and became a box office success. For his performance, Stewart was nominated for the first of five [[Academy Awards]] for [[Academy Award for Best Actor|Best Actor]]. ''[[Destry Rides Again]]'', also released that year, became Stewart's first [[western movie|western film]], a genre for which he would become famous later in his career.
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Nearly a year before the December 1941 attack on [[Pearl Harbor]], Stewart attempted to join the [[United States Army Air Corps]], although his enlistment was initially denied due to a weight restriction. Only five pounds under the minimum limit, he was able to convince the recruiters to accept him. He successfully enlisted in the army in March 1941. Since the [[United States]] had yet to declare war on [[Germany]] and because of the army's unwillingness to put celebrities on the front, Stewart was held back from combat duty, although he did earn a commission as a Second Lieutenant and completed pilot training. He later became an instructor pilot for the B-17 Flying Fortress stationed in Albuquerque, New Mexico.
  
1940 saw Stewart and [[Margaret Sullavan]] teaming again for two films. The first, the [[Ernst Lubitsch]] romantic comedy, ''[[The Shop Around the Corner]]'', starred Stewart and Sullavan as co-workers unknowingly involved in a pen-pal romance who cannot stand each other in real life (This was later remade into the romantic comedy ''[[You've Got Mail]]'' with [[Tom Hanks]] and [[Meg Ryan]]). ''The Mortal Storm'', directed by [[Frank Borzage]], was one of the first blatantly anti-[[Nazism|Nazi]] films to be produced in Hollywood, and featured the pair as a husband and wife caught in turmoil upon [[Adolf Hitler|Hitler]]'s rise to power. He also starred opposite [[Katharine Hepburn]] and [[Cary Grant]] in [[George Cukor]]'s classic ''[[The Philadelphia Story]]''. His performance as an intrusive, fast-talking reporter earned him his only Academy Award in a competitive category (Best Actor, 1941). Stewart gave the Oscar statuette to his father, who displayed it in the window of his hardware store for many years.
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While petitioning his superiors for combat assignment, Stewart aligned himself with the First Motion Picture Unit and starred and produced a number of training and educational films. Between 1942 and the end of the war, he appeared in nearly a dozen productions, some of which were screened theatrically in civilian theaters.
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[[Image:Jimmy Stewart getting medal.jpg|right|thumb|300px|Col. Stewart being awarded the Croix de Guerre with palm by Lt. Gen. Henri Valin, Chief of Staff of the French Air Force, for his role in the liberation of France. [[United States Air Force|USAF]] photo.]]
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In August 1943 he was finally assigned to the 445th Bombardment Group in Sioux City, Iowa, first as Operations Officer of the 703d Bomb Squadron, and then its commander. In December the 445th BG flew its B-24 Liberator bombers to Tibenham, [[United Kingdom|England]] and immediately began combat operations. While flying missions over Germany, Stewart was promoted to major. In March 1944 he was transferred to the 453rd Bomb Group, a new B-24 outfit that had been experiencing difficulties, as Group Operations Officer. In 1944 he twice received the Distinguished Flying Cross for actions in combat, and was awarded the Croix de Guerre. He also received the Air Medal with three oak leaf clusters. In July 1944, after flying 20 combat missions, Stewart was made Chief of Staff of the 2d Combat Bomb Wing of the Eighth Air Force. Before the war ended he was promoted to colonel, one of only a few Americans to rise from private to colonel in four years.
  
He went on to appear in a series of [[screwball comedy|screwball comedies]] with varying levels of success. Stewart followed the mediocre ''No Time for Comedy'' (1940) and ''Come Live with Me'' (1941) with the [[Judy Garland]] musical ''Ziegfeld Girl'' and the [[George Marshall]] romantic comedy ''Pot o' Gold''. Foreseeing war on the horizon, Stewart enlisted in the [[United States Army Air Corps]] in March 1941. Stewart's enlistment coincided with the lapse in his [[Metro-Goldwyn-Mayer|MGM]] contract and marked a turning point in Stewart's career.
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Stewart continued to play an active role in the United States Air Force Reserves after the war, achieving the rank of Brigadier General on July 23, 1959. He rode along as an observer on a B-52 Stratofortress bombing run during the [[Vietnam War]] in 1966, though he did not fly any duty missions during that conflict. Stewart finally retired from the Air Force on May 31, 1968 after 27 years of service. Stewart did not often talk of his wartime service, perhaps due to his desire to be seen as a regular soldier doing his duty instead of as a celebrity. He did appear on the TV series ''The World at War'' and discussed his participation as a squadron commander in the October 17, 1943 bombing mission to Schweinfurt—the mission known in USAF history as ''Black Thursday'' due to the incredibly high casualties it sustained. Fittingly, he was identified only as "James Stewart, Squadron Commander" in the documentary. At the time of his B-52 mission, he refused the release of any publicity regarding his participation as he did not want it treated as a stunt for glory, but as his job as an officer in the reserves.
  
=== Wartime activity ===
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== Postwar Success ==
[[Image:James Stewart air force photo.jpg|right|thumb|200px|Stewart as a colonel]]
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[[Image:It's A Wonderful Life.jpg|thumb|right|400px|Stewart, Karolyn Grimes, and Donna Reed in ''It's a Wonderful Life.'']]
Nearly a year before the December 1941 [[attack on Pearl Harbor]], Stewart attempted to join the [[United States Army Air Corps]], although his enlistment was initially denied due to a weight restriction. Only five pounds under the minimum limit, he was able to convince the recruiters to accept him. He successfully enlisted in the army in March 1941. Since the [[United States]] had yet to declare war on Germany and because of the army's unwillingness to put celebrities on the front, Stewart was held back from combat duty, although he did earn a commission as a 2nd Lieutenant and completed pilot training. He later became an instructor pilot for the [[B-17 Flying Fortress]] stationed in [[Albuquerque, NM]].
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Upon Stewart's return to Hollywood in the fall of 1945, he decided not to renew his MGM contract. Instead, Stewart signed with an MCA talent agency. The move made Stewart one of the first independently contracted actors and gave him more freedom to choose the roles he wished to play. For the remainder of his career, Stewart was able to work without limits to director and studio availability.
  
While petitioning his superiors for combat assignment, Stewart aligned himself with the [[First Motion Picture Unit]] and starred and produced a number of training and educational films. Between 1942 and the end of the war, he appeared in nearly a dozen productions, some of which were screened theatrically in civilian theaters.
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For his first film in five years, Stewart appeared in his third and final [[Frank Capra]] production, ''It's a Wonderful Life.'' Stewart appeared as George Bailey, a small-town man and upstanding citizen, who becomes increasingly frustrated by his ordinary existence and financial troubles. Driven to [[suicide]] on Christmas Eve, he is led to reassess his life by an "angel-in-training," played by Henry Travers. Though the film was nominated for five [[Academy Awards]], including Stewart's third Best Actor nomination, it received only moderate success at the box office, possibly due to its dark nature. However, in the decades since the film's release, it grew to define Stewart's film persona and is widely considered as a sentimental [[Christmas]] film classic and, according to the American Film Institute, one of the best movies ever made.
[[Image:Jimmy Stewart getting medal.jpg|left|thumb|160px|Col. Stewart being awarded the [[Croix de guerre]] with palm by Lt. Gen. [[Henri Valin]], Chief of Staff of the French Air Force, for his role in the liberation of France. [[United States Air Force|USAF]] photo.]]
 
In August 1943 he was finally assigned to the [[445th Bombardment Group]] in [[Sioux City]], Iowa, first as [[Operations Officer]] of the 703d Bomb Squadron, and then its commander. In December the 445th BG flew its [[B-24 Liberator]] bombers to [[Tibenham]], [[England]] and immediately began combat operations. While flying missions over Germany, Stewart was promoted to major. In March 1944 he was transferred to the [[453rd Bomb Group]], a new B-24 outfit that had been experiencing difficulties, as Group Operations Officer. In 1944 he twice received the [[Distinguished Flying Cross (United States)|Distinguished Flying Cross]] for actions in combat, and was awarded the [[Croix de Guerre]]. He also received the [[Air Medal]] with three oak leaf clusters. In July 1944, after flying twenty combat missions, Stewart was made Chief of Staff of the 2d Combat Bomb Wing of the [[Eighth Air Force]]. Before the war ended he was promoted to colonel, one of only a few Americans to rise from private to colonel in four years.
 
  
Stewart continued to play an active role in the [[Air Force Reserve Command|United States Air Force Reserves]] after the war, achieving the rank of [[Brigadier General]] on [[July 23]], [[1959]]. [http://foia.fbi.gov/foiaindex/stewart_j.htm] He rode along as an observer on a [[B-52 Stratofortress]] bombing run during the [[Vietnam War]] in 1966, though he did not fly any duty missions during that conflict. Stewart finally retired from the Air Force on [[May 31]], [[1968]] after twenty-seven years of service. Stewart did not often talk of his wartime service, perhaps due to his desire to be seen as a regular soldier doing his duty instead of as a celebrity. He did appear on the TV series, ''[[The World At War]]'', and discussed his participation as a squadron commander in the October 17, 1943 bombing mission to Schweinfurt — the mission known in USAF history as ''[[Second Raid on Schweinfurt|Black Thursday]]'' due to the incredibly high casualties it sustained. Fittingly, he was identified only as "James Stewart, Squadron Commander" in the documentary. At the time of his B-52 mission, he refused the release of any publicity regarding his participation as he did not want it treated as a stunt for glory, but as his job as an officer in the reserves.
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Stewart also returned to the stage for the Mary Chase-penned comedy ''Harvey,'' which opened to nearly universal praise in November 1944. Elwood P. Dowd, the protagonist and Stewart's character, is a wealthy eccentric who lives with his sister and niece and whose best friend is an invisible rabbit. His eccentricity, especially the friendship with the rabbit, is ruining his niece's hopes of finding a husband. While trying to have Dowd committed to a sanitarium, his sister is committed herself while the play follows Dowd on an ordinary day in his not-so-ordinary life. James Stewart took over the role from Frank Fay in 1947 and gained an increased Broadway following in the unconventional play. The play, which ran for nearly three years with Stewart as its star, was successfully adapted into a 1950 film, directed by Henry Koster, with Stewart playing Dowd and Josephine Hull as his sister, Veta. For his performance in the film, Stewart received his fourth Best Actor nomination.
  
=== Postwar success ===
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After ''Harvey,'' the comedic adventure film ''Malaya,'' and the conventional biographical film ''The Stratton Story'' in 1949, Stewart entered what many critics cite as his "golden era" as an actor. During the 1950s, he took on more challenging roles and expanded into the western and suspense genres, thanks largely to collaborations with directors [[Alfred Hitchcock]] and [[Anthony Mann]]. Other notable performances by Stewart during this time include his role as an ex-soldier making peace with the Apache in the critically acclaimed 1950 Delmer Daves western ''Broken Arrow,'' a troubled clown in the 1952 Best Picture ''The Greatest Show on Earth,'' and [[Charles Lindbergh]] in Billy Wilder's 1957 film ''The Spirit of St. Louis.''
[[Image:It's A Wonderful Life.jpg|thumb|right|250px|Stewart, [[Karolyn Grimes]] and [[Donna Reed]] in ''[[It's a Wonderful Life]]''.]]
 
Upon James Stewart's return to [[Hollywood]] in the fall of 1945, he decided not to renew his [[Metro-Goldwyn-Mayer|MGM]] contract. Instead, Stewart signed with an [[Music Corporation of America|MCA]] talent agency. The move made Stewart one of the first independently contracted actors and gave him more freedom to choose the roles he wished to play. For the remainder of his career, Stewart was able to work without limits to director and studio availability.
 
 
 
For his first film in five years, Stewart appeared in his third and final [[Frank Capra]] production, ''[[It's a Wonderful Life]]''. Stewart appeared as George Bailey, a small-town man and upstanding citizen, who becomes increasingly frustrated by his ordinary existence and financial troubles. Driven to [[suicide]] on [[Christmas Eve]], he is led to reassess his life by an "angel-in-training," played by [[Henry Travers]]. Though the film was nominated for five [[Academy Awards]], including Stewart's third [[Academy Award for Best Actor|Best Actor]] nomination, it received only moderate success at the box office, possibly due to its dark nature. However, in the decades since the film's release, it grew to define Stewart's film persona and is widely considered as a sentimental [[Christmas]] film classic and, according to the [[American Film Institute]], one of the [[AFI's 100 Years... 100 Movies|best movies]] ever made.
 
 
 
Stewart also returned to the stage for the [[Mary Chase]]-penned comedy ''[[Harvey (play)|Harvey]]'', which opened to nearly universal praise in November 1944. Elwood P. Dowd, the protagonist and Stewart's character, is a wealthy eccentric, whose best friend is an invisible rabbit, living with his sister and niece. His eccentricity, especially the friendship with the rabbit, is ruining the niece's hopes of finding a husband. While trying to have Dowd committed to a sanitorium, his sister is committed herself while the play follows Dowd on an ordinary day in his not-so-ordinary life. James Stewart took over the role from [[Frank Fay (American actor)|Frank Fay]] in 1947 and gained an increased [[Broadway theatre|Broadway]] following in the unconventional play. The play, which ran for nearly three years with Stewart as its star, was successfully adapted into a [[1950 in film|1950]] [[Harvey (film)|film]], directed by [[Henry Koster]], with Stewart playing Dowd and [[Josephine Hull]] as his sister, Veta. For his performance in the film, Stewart received his fourth [[Academy Award for Best Actor|Best Actor]] nomination.
 
 
 
After ''[[Harvey (film)|Harvey]]'', the comedic adventure film ''Malaya'' and the conventional biographical film ''[[The Stratton Story]]'' in [[1949 in film|1949]], Stewart entered what many critics cite as his "golden era" as an actor. During the 1950s, he took on more challenging roles and expanded into the [[western movie|western]] and [[suspense]] genres, thanks largely to collaborations with directors [[Alfred Hitchcock]] and [[Anthony Mann]]. Other notable performances by Stewart during this time include the critically acclaimed [[1950 in film|1950]] [[Delmer Daves]] western ''[[Broken Arrow (1950 film)|Broken Arrow]]'', which featured Stewart as an ex-soldier making peace with the [[Apache]]; a troubled clown in the [[1952 in film|1952]] [[Academy Award for Best Picture|Best Picture]] ''[[The Greatest Show on Earth]]''; and Stewart's role as [[Charles Lindbergh]] in [[Billy Wilder]]'s [[1957 in film|1957]] film ''[[The Spirit of St. Louis (film)|The Spirit of St. Louis]]''.
 
  
 
=== Collaborations with Hitchcock and Mann ===
 
=== Collaborations with Hitchcock and Mann ===
James Stewart's collaborations with director [[Anthony Mann]] expanded Stewart's popularity and expanded his career into the realm of the [[western movie|western]]. Stewart's first appearance in a film helmed by Mann came with the [[1950 in film|1950]] western classic, ''[[Winchester '73]]''. The film, which became a massive box office hit upon its release, set the pattern for their future collaborations. Other Stewart-Mann westerns, such as ''[[Bend of the River]]'' ([[1952 in film|1952]]), ''[[The Naked Spur]]'' ([[1953 in film|1953]]), ''[[The Far Country]]'' ([[1954 in film|1954]]), and ''[[The Man from Laramie]]'' ([[1955 in film|1955]]) were perennial favorites among young audiences entranced by the [[American west]]. Frequently, the films featured Stewart as a troubled cowboy seeking redemption, while facing corrupt cattlemen, ranchers, and outlaws. Their collaborations laid the foundation for many of the westerns of the 1950s and remain popular today.
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James Stewart's collaborations with director Anthony Mann expanded Stewart's popularity and expanded his career into the realm of the western. Stewart's first appearance in a film helmed by Mann came with the 1950 western classic, ''Winchester '73.'' The film, which became a massive box office hit upon its release, set the pattern for their future collaborations. Other Stewart-Mann westerns, such as ''Bend of the River'' (1952), ''The Naked Spur'' (1953), ''The Far Country'' (1954), and ''The Man from Laramie'' (1955) were perennial favorites among young audiences entranced by the American west. Frequently, the films featured Stewart as a troubled cowboy seeking redemption, while facing corrupt cattlemen, ranchers, and outlaws. Their collaborations laid the foundation for many of the westerns of the 1950s and remain popular today.
 
 
Stewart and Mann also collaborated on other films outside the [[western movie|western]] genre. [[1953 in film|1953]]'s ''[[The Glenn Miller Story]]'' was critically acclaimed, garnering Stewart a [[BAFTA Award]] nomination, and (together with ''The Spirit of St. Louis'') cemented the popularity of Stewart's portrayals of "American heroes." ''[[Thunder Bay (film)|Thunder Bay]]'', released the same year, transplanted the plot arch of their western collaborations in the present day, with Stewart as a [[Louisiana]] oil-driller facing corruption. ''[[Strategic Air Command (film)|Strategic Air Command]]'', released in [[1955 in film|1955]], allowed Stewart to utilize his experiences in the [[United States Air Force]] on film.
 
 
 
Stewart's starring role in ''Winchester '73'' was also a turning point in Hollywood.  Universal Studios, who wanted Stewart to appear in both that film and ''Harvey,'' balked at his $200,000 asking price.  Stewart's agent, [[Lew Wasserman]], brokered an alternate deal, in which Stewart would appear in both films for no pay, in exchange for a percentage of the profits and cast approval.  It wasn't the first such deal at Universal; [[Abbott and Costello]] also had a profit participation contract, but they were no longer top-flight moneymakers by 1950.  Stewart ended up earning about $600,000 for ''Winchester '73'' alone.  Hollywood's other stars quickly capitalized on this new way of doing business, which further undermined the decaying "[[studio system]]."
 
  
[[Image:Stewartvertigo.jpg|thumb|left|250px|Stewart and [[Kim Novak]] in ''[[Vertigo (film)|Vertigo]]''.]]
+
Stewart's starring role in ''Winchester '73'' was also a turning point in Hollywood. The executives at Universal Studios, who wanted Stewart to appear in both that film and ''Harvey,'' balked at his $200,000 asking price. Stewart's agent, Lew Wasserman, brokered an alternate deal, in which Stewart would appear in both films for no pay, in exchange for a percentage of the profits and cast approval. It wasn't the first such deal at Universal; Abbott and Costello also had a profit participation contract, but they were no longer top-flight moneymakers by 1950. Stewart ended up earning about $600,000 for ''Winchester '73'' alone. Hollywood's other stars quickly capitalized on this new way of doing business, which further undermined the decaying "studio system."
The second collaboration to define Stewart's career in the 1950s was with acclaimed [[Mystery fiction|mystery]] and [[suspense]] director [[Alfred Hitchcock]]. Stewart had previously appeared in Hitchcock's technologically innovative [[1948 in film|1948]] film ''[[Rope (film)|Rope]]'', and the two collaborated for the second of four times on the [[1954 in film|1954]] hit ''[[Rear Window]]''. Photographer L.B. "Jeff" Jeffries, the central character of the film, portrayed by Stewart, projects his fantasies and fears onto the people he observes out his apartment window while on hiatus due to a broken leg. Jeffries gets into more than he can handle, however, when he believes he has witnessed a salesman murder his wife.
+
[[File:Kelly Stewart Publicity.jpg|thumb|300px|Stewart with co-star [[Grace Kelly]] in ''Rear Window'' (1954)]]
 +
The second collaboration to define Stewart's career in the 1950s was with acclaimed mystery and suspense director [[Alfred Hitchcock]]. Stewart had previously appeared in Hitchcock's technologically innovative 1948 film ''Rope,'' and the two collaborated for the second of four times on the 1954 hit ''Rear Window.'' Photographer L.B. "Jeff" Jeffries, the central character of the film, portrayed by Stewart, projects his fantasies and fears onto the people he observes out his apartment window while on hiatus due to a broken leg. Jeffries gets into more than he can handle, however, when he believes he has witnessed a salesman murdering his wife.
  
After starring in Hitchcock's remake of the director's own production, ''[[The Man Who Knew Too Much (1956 film)|The Man Who Knew Too Much]]'', Stewart starred in what many consider Hitchcock's most personal film, ''[[Vertigo (film)|Vertigo]]''. The film starred Stewart as Scottie, a former police investigator suffering from [[acrophobia]], who develops an obsession with a woman he is shadowing. Scottie's obsession inevitably leads to the destruction of everything he once had and believed in. Though the film is widely considered a classic today, it met with negative reviews and poor box office receipts upon its release, and marked the last collaboration between Stewart and Hitchcock. The director blamed the film's failure on Stewart looking too old to still attract audiences, and replaced him with [[Cary Grant]] for ''[[North by Northwest]]'' (1959). In reality, Grant was actually four years older than Stewart. (Stewart's character's fear of heights in [[Vertigo]] is ironic considering Stewart's actual flying experiences.)
+
After starring in Hitchcock's remake of the director's own production, ''The Man Who Knew Too Much,'' Stewart starred in what many consider Hitchcock's most personal film, ''Vertigo.'' The film starred Stewart as Scottie, a former police investigator suffering from [[acrophobia]], who develops an obsession with a woman he is shadowing. Scottie's obsession inevitably leads to the destruction of everything he once had and believed in. Though the film is widely considered a classic today, it met with negative reviews and poor box office receipts upon its release, and marked the last collaboration between Stewart and Hitchcock. The director blamed the film's failure on Stewart looking too old to still attract audiences, and replaced him with [[Cary Grant]] for ''North by Northwest'' (1959). In reality, Grant was actually four years older than Stewart.
  
 
===Career in the 1960s and 1970s===
 
===Career in the 1960s and 1970s===
In 1960, James Stewart was awarded the [[New York Film Critics Circle Award]] for [[New York Film Critics Circle Award for Best Actor|Best Actor]] and nominated for his fifth and final [[Academy Awards|Academy Award]] for [[Academy Award for Best Actor|Best Actor]] for his role in the [[1959 in film|1959]] [[Otto Preminger]] film ''[[Anatomy of a Murder]]''. The early [[courtroom drama]] starred Stewart as Paul Biegler, the lawyer of a man who claims [[temporary insanity]] after murdering the man who raped his wife. Stewart's nomination was one of seven for the film, and saw his transition into the final decades of his career.
+
[[File:The Man Who Shot Liberty Valance (publicity photo - Wayne & Stewart).jpg|thumb|300px|[[John Wayne]] and James Stewart in the 1962 western ''The Man Who Shot Liberty Valance'']]
 
+
In 1960, James Stewart was awarded the New York Film Critics Circle Award for Best Actor and nominated for his fifth and final Academy Award for Best Actor for his role in the 1959 Otto Preminger film ''Anatomy of a Murder.'' Stewart's nomination was one of seven for the film, and saw his transition into the final decades of his career.
The early 1960s saw Stewart taking lead roles in three [[John Ford]] films. The first, [[1962 in film|1962]]'s twist-ending ''[[The Man Who Shot Liberty Valance]]''  (with [[John Wayne]]), is a classic "psychological" western, with Stewart featured as an Eastern attorney who goes against his nonviolent principles when he is forced to confront a psychopathic outlaw (played by [[Lee Marvin]]) in a small frontier town. At story's end, Stewart's character — now a rising political figure — faces a difficult ethical choice as he attempts to reconcile his actions on the day Liberty Valance was shot with his personal integrity. The film's billing is unusual in that Stewart was given top billing over Wayne in the trailers and on the posters but Wayne had top billing in the film itself, a system later repeated by [[Robert Redford]] and [[Dustin Hoffman]] in ''[[All the President's Men (film)|All the President's Men]]''. ''[[How the West Was Won (film)|How the West Was Won]]'' and ''[[Cheyenne Autumn]]'' were western epics released in 1962 and [[1964 in film|1964]] respectively. While the [[Cinerama]] production ''How the West Was Won'' went on to win three [[Academy Awards|Oscars]] and reaped massive box office figures, ''[[Cheyenne Autumn]]'', in which a white-suited Stewart played [[Wyatt Earp]] in a long sequence in the middle of the movie, failed domestically and was quickly forgotten.
 
  
[[Image:Stewarthobbs.jpg|thumb|right|200px|Stewart in ''[[Mr. Hobbs Takes a Vacation]]''.]]
+
The early 1960s saw Stewart taking lead roles in three John Ford films. The first was 1962's twist-ending ''The Man Who Shot Liberty Valance.'' ''How the West Was Won'' and ''Cheyenne Autumn'' were western epics released in 1962 and 1964 respectively. While the Cinerama production ''How the West Was Won'' went on to win three [[Academy Awards|Oscars]] and reaped massive box office figures, ''Cheyenne Autumn,'' in which a white-suited Stewart played [[Wyatt Earp]] in a long sequence in the middle of the movie, failed domestically and was quickly forgotten.
Having played his last romantic lead in [[1958 in film|1958]]'s ''[[Bell Book and Candle]]'', Stewart transitioned into more family-related films in the 1960s. These included the successful [[Henry Koster]] outing ''[[Mr. Hobbs Takes a Vacation]]'' ([[1962 in film|1962]]), and the less memorable films ''Take Her, She's Mine'' ([[1963 in film|1963]]) and ''[[Dear Brigitte]]'' ([[1965 in film|1965]]), which featured [[France|French]] model [[Brigitte Bardot]]. The [[American Civil War|Civil War]] period film ''[[Shenandoah (film)|Shenandoah]]'' (1965) and the [[western movie|western]] family film ''[[The Rare Breed]]'' fared better at the box office; the Civil War movie was a smash hit in the South.
 
[[Image:JimmyStewartandHisPoems.PNG|thumb|left|''Jimmy Stewart and His Poems'' (1989)]]
 
After a progression of lesser western films in the late sixties and early seventies, James Stewart transitioned from cinema to television. He first starred in the [[NBC]] comedy ''[[The Jimmy Stewart Show]]'', which featured Stewart as a college professor. He followed it with the [[CBS]] [[Mystery fiction|mystery]] ''[[Hawkins (TV series)|Hawkins]]'', in which he played a small town lawyer investigating his cases. The series garnered Stewart a [[Golden Globe]] for Best Actor in a Dramatic TV Series, but failed to gain a wide audience and was cancelled after one season. During this time, Stewart periodically appeared on [[Johnny Carson]]'s ''[[The Tonight Show]]'', sharing poems he had written at different times in his life. His poems were later successfully compiled into a short collection titled ''Jimmy Stewart and His Poems'' (1989).
 
  
Stewart finished the decade with supporting roles in [[John Wayne]]'s final film, ''[[The Shootist]]'' (1976), ''[[Airport '77]]'', the [[1978 in film|1978]] remake of ''[[The Big Sleep (1978 film)|The Big Sleep]]'' with [[Robert Mitchum]], and ''The Magic of Lassie'' (1978).  In ''[[The Shootist]]'', Stewart played a doctor giving Wayne's gunfighter a terminal cancer diagnosis.  At one point, both Wayne and Stewart were flubbing their lines repeatedly and Stewart turned to director [[Don Siegel]] and said, "You'd better get two better actors."
+
Having played his last romantic lead in 1958's ''Bell Book and Candle,'' Stewart transitioned into more family-related films in the 1960s. These included the successful Henry Koster outing ''Mr. Hobbs Takes a Vacation'' (1962), and the less memorable films ''Take Her, She's Mine'' (1963) and ''Dear Brigitte'' (1965), which featured [[France|French]] model Brigitte Bardot. The [[American Civil War|Civil War]] period film ''Shenandoah'' (1965) and the western family film ''The Rare Breed'' fared better at the box office; the Civil War movie was a smash hit in the South.
  
=== Later career and death ===
+
After a progression of lesser western films in the late 1960s and early 1970s, James Stewart transitioned from cinema to [[television]]. He first starred in the [[NBC]] comedy ''The Jimmy Stewart Show,'' which featured Stewart as a college professor. He followed it with the [[CBS]] mystery ''Hawkins,'' in which he played a small town lawyer investigating his cases. The series garnered Stewart a Golden Globe for Best Actor in a Dramatic TV Series, but failed to gain a wide audience and was cancelled after one season. During this time, Stewart periodically appeared on Johnny Carson's ''The Tonight Show,'' sharing poems he had written at different times in his life. His poems were later successfully compiled into a short collection titled ''Jimmy Stewart and His Poems'' (1989).
After filming several [[television movie]]s in the 1980s, including the popular ''[[Mr. Krueger's Christmas]]'', James Stewart retired from acting to spend time with his family. Following his retirement he suffered from many health problems including [[heart disease]], [[skin cancer]], [[deafness]] and [[senility]]. He returned only to voice Sheriff Wylie Burp in the successful [[1991 in film|1991]] animated film ''[[An American Tail: Fievel Goes West]]''.
 
  
In 1989, Stewart joined Hollywood entrepreneur [[Peter F. Paul]] in founding the [[American Spirit Foundation]] to apply entertainment industry resources to developing innovative approaches to public education and to assist the emerging democracy movements in the former Iron Curtain countries and Russia. Paul arranged for Stewart, through the offices of President [[Boris Yeltsin]], to send a special print of ''It's A Wonderful Life'', translated by Moscow University, to Russia as the first American program ever to be broadcast on Russian television.{{fact}} On January 5, 1992, coinciding with the first day of the existence of the democratic Commonwealth of Independent States and Russia, and the first free Russian Orthodox Christmas Day, Russian TV Channel 2 broadcast ''Its A Wonderful Life'' to 200 million Russians who celebrated an American holiday tradition with the American people for the first time in Russian history.{{fact}}
+
Stewart finished the decade with supporting roles in [[John Wayne]]'s final film, ''The Shootist'' (1976), ''Airport '77,'' the 1978 remake of ''The Big Sleep'' with [[Robert Mitchum]], and ''The Magic of Lassie'' (1978). In ''The Shootist,'' Stewart played a doctor giving Wayne's character, a gunfighter, a terminal cancer diagnosis. At one point, both Wayne and Stewart were flubbing their lines repeatedly and Stewart turned to director Don Siegel and said, "You'd better get two better actors."
  
Stewart worked from 1987 to 1993 on projects that enhanced the public appreciation and understanding of the U.S. Constitution and Bill of Rights, in association with politicians and celebrities that included President [[Ronald Reagan]], Supreme Court Chief Justice [[Warren Burger]], California Governor [[George Deukmejian]], [[Bob Hope]] and [[Charlton Heston]].{{fact}}
+
==Later in Life==
  
Stewart died at the age of 89 on [[July 2]], [[1997]] of [[cardiac arrest]] and a [[pulmonary embolism]] following a long illness from respiratory problems. His death came just one day after fellow screen legend and ''[[The Big Sleep (1978 film)|The Big Sleep]]'' co-star [[Robert Mitchum]] had died of [[lung cancer]] and [[emphysema]]. Stewart is interred in [[Forest Lawn Memorial Park Cemetery]] in [[Glendale, California]].
+
After filming several television movies in the 1980s, including the popular ''Mr. Krueger's Christmas,'' James Stewart retired from acting to spend time with his family. Following his retirement he suffered from many health problems including [[heart disease]], [[skin cancer]], [[deafness]], and [[senility]]. He returned only to voice Sheriff Wylie Burp in the successful 1991 animated film ''An American Tail: Fievel Goes West.''
  
Jimmy Stewart has a star on the [[Hollywood Walk of Fame]] at 1708 Vine Street. In 1972, he was inducted into the [[Western Performers Hall of Fame]] at the [[National Cowboy & Western Heritage Museum]] in [[Oklahoma City, Oklahoma]]. He was awarded various lifetime achievement awards from the [[Academy Awards]] (1985), [[American Film Institute]] (1980), [[Lincoln Center]] (1990), [[Golden Globe Awards]] (1965), [[National Board of Review]] (1990), and the [[Screen Actors Guild]] (1969).
+
In 1989, Stewart joined Hollywood entrepreneur Peter F. Paul in founding the American Spirit Foundation to apply entertainment industry resources to developing innovative approaches to public education and to assist the emerging democracy movements in the former Iron Curtain countries and [[Russia]]. Paul arranged for Stewart, through the offices of President [[Boris Yeltsin]], to send a special print of ''It's A Wonderful Life,'' translated by Moscow University, to Russia as the first American program ever to be broadcast on Russian television. On January 5, 1992, coinciding with the first day of the existence of the democratic Commonwealth of Independent States and Russia, and the first free Russian Orthodox Christmas Day, Russian TV Channel 2 broadcast ''It’s A Wonderful Life'' to 200 million Russians who celebrated an American holiday tradition with the American people for the first time in Russian history.
  
A statue of Stewart was erected on the lawn of the Indiana County Courthouse in his hometown, [[Indiana, Pennsylvania]], on [[May 20]], [[1983]] to celebrate Stewart's 75th birthday. In 1995, a museum dedicated to his life and career, [[The Jimmy Stewart Museum]], opened as well.
+
Stewart worked from 1987 to 1993 on projects that enhanced the public appreciation and understanding of the U.S. Constitution and Bill of Rights, in association with politicians and celebrities that included President [[Ronald Reagan]], Supreme Court Chief Justice Warren Burger, California Governor George Deukmejian, [[Bob Hope]], and [[Charlton Heston]].
  
In honor of his years of service with the U S Air Force Gen. Jimmy Stewart's original WWII [[A-2 jacket]] (a Rough Wear 1401 contract) has been displayed for many years at the [[National Museum of the United States Air Force]] in [[Dayton, Ohio]]. A patch for the 703rd Bomb Squadron is still sewn on the front of the jacket.
+
==Tributes==
 +
Jimmy Stewart has a star on the Hollywood Walk of Fame at 1708 Vine Street. In 1972, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. He was awarded various lifetime achievement awards from the [[Academy Awards]] (1985), American Film Institute (1980), Lincoln Center (1990), [[Golden Globe Awards]] (1965), National Board of Review (1990), and the Screen Actors Guild (1969).<ref>[https://walkoffame.com/james-stewart/ James Stewart] ''Hollywood Walk of Fame''. Retrieved September 21, 2022.</ref>
  
In November 1997, Los Angeles County supervisor, Mike Antonovich, lead an unsuccessful attempt to have [[Los Angeles International Airport]] renamed in Stewart's honour[http://antonovich.co.la.ca.us/pressrel/4/laxname2.htm].
+
A statue of Stewart was erected on the lawn of the Indiana County Courthouse in his hometown, Indiana, Pennsylvania, on May 20, 1983 to celebrate Stewart's 75th birthday. In 1995, a museum dedicated to his life and career, The Jimmy Stewart Museum, opened as well, with Stewart's stipulation that the museum be humble:
 +
Jimmy Stewart was always proud of his Indiana roots and his hometown held a very special place in his heart. Jimmy was a humble man who didn’t look for adulation. He agreed to a museum in his name if it were to be humble in size, located downtown Indiana and would economically benefit his hometown.<ref>[https://jimmy.org/history/ Museum History] ''The Jimmy Stewart Museum''. Retrieved September 21, 2022.</ref>
  
==Personal life==
+
In honor of his years of service with the U.S. Air Force, Gen. Jimmy Stewart's original WWII A-2 jacket has been displayed for many years at the National Museum of the United States Air Force in Dayton, Ohio. A patch for the 703rd Bomb Squadron is still sewn on the front of the jacket.
After the World War II, Stewart settled down at age 41, marrying former model Gloria Hatrick McLean on [[August 9]], [[1949]]. They remained devotedly married until her death on [[February 16]], [[1994]], due to [[lung cancer]]. Stewart adopted her two sons, Michael and Ronald, and together they had twin daughters, Judy and Kelly, on [[May 7]], [[1951]]. Ronald McLean was killed in action on [[June 8]], [[1969]], while serving in [[Vietnam]] at the age of 24. [http://query.nytimes.com/gst/fullpage.html?res=9A03E1DD143BF93BA25751C0A962958260]
 
  
Stewart was rumored to have had an affair with his ''[[Destry Rides Again]]'' costar [[Marlene Dietrich]], who reportedly had an abortion after becoming pregnant by Stewart. [http://www.nytimes.com/books/97/09/21/bib/970921.rv124425.html?_r=1&oref=slogin] According to Gary Fishgall, author of ''Pieces of Time: The Life of James Stewart'', writer [[Erich Maria Remarque]] had written diary entries in which he discloses conversations he had with Dietrich in which she tells him that she had sex with Stewart.  Fishgall states that Remarque's diary also reveals that Stewart insisted on the abortion and that Dietrich did so with regrets because she "blamed herself for getting pregnant."  In Steven Bach's biography of Dietrich, ''Marlene Dietrich: Life and Legend'', he claims that Dietrich's daughter, Maria, "fifty years (after the affair) later ... told people who would listen that Stewart had made Marlene pregnant during the making of ''Destry'', that Marlene confronted him with the fact on a dance floor in Hollywood, that Stewart (unmarried) walked away without a word, and that Marlene (married) did what women do who don't want unexpected souvenirs of romance." (page 253, Bach, ''Marlene Dietrich: Life and Legend'').
+
In November 1997, Los Angeles County supervisor, Mike Antonovich, led an unsuccessful attempt to have Los Angeles International Airport renamed in Stewart's honor.
  
While visiting [[India]] in [[1959]], he reportedly [[smuggle]]d the remains of a supposed [[yeti]], the so-called [[Pangboche Hand]], by hiding them in his luggage (specifically, in Gloria's underwear) when he flew from India to [[London]], as a favor to [[Tom Slick]].<ref>[http://www.anomalist.com/milestones/stewart.html Milestones — Jimmy Stewart]</ref>
+
==Notes==
  
== Politics ==
+
<references />
 
 
Politically, Stewart was a [[conservatism| conservative]], and a strong supporter of the [[Republican Party (United States)| Republican party]]. [http://www.newsmeat.com/celebrity_political_donations/Jimmy_Stewart.php] He also supported blacklisting in Hollywood in the 1950s. Ironically, one of his best friends was [[Henry Fonda]], despite the two having vastly different political ideologies (Stewart a conservative Republican, Fonda a liberal Democrat). [http://www.imdb.com/name/nm0000071/bio]
 
 
 
== Filmography ==
 
{{main|James Stewart filmography}}
 
 
 
From the beginning of James Stewart's career in [[1935 in film|1935]] through his final theatrical project in [[1991 in film|1991]], Stewart appeared in ninety-two films, television programs, and shorts. Through the course of his career, he appeared in many landmark and critically acclaimed films, including such classics as ''[[Mr. Smith Goes to Washington]]'' and ''[[Vertigo (film)|Vertigo]]''. His roles in ''...Washington'', ''[[The Philadelphia Story]]'', ''[[It's a Wonderful Life]]'', ''[[Harvey (film)|Harvey]]'', and ''[[Anatomy of a Murder]]'' earned him [[Academy Awards|Academy Award]] nominations (he won for ''Philadelphia''). Stewart's career defied the boundaries of genre and trend, and he made his mark in [[screwball comedy film|screwball comedies]], [[thriller|suspense thrillers]], [[western movies|westerns]], and family films.
 
 
 
== Broadway stage performances ==
 
* ''Carry Nation'' (Oct. 1932&ndash;Nov. 1932)
 
* ''Goodbye Again'' (Dec. 1932&ndash;Jul 1933)
 
* ''Spring in Autumn'' (Oct. 1933&ndash;Nov. 1933)
 
* ''All Good Americans'' (Dec. 1933&ndash;Jan. 1934)
 
* ''Yellow Jack'' (May 1934)
 
* ''Divided By Three'' (Oct. 1934)
 
* ''Page Miss Glory'' (Nov. 1934&ndash;Mar. 1935)
 
* ''A Journey By Night'' (Apr. 1935)
 
* ''[[Harvey (play)|Harvey]]'' (Nov. 1944&ndash;Jan. 1949)
 
* ''[[Harvey (play)|Harvey]]'' (revival, Feb. 1970&ndash;May 1970)
 
 
 
== Awards ==
 
{| border="1" cellpadding="2" cellspacing="0" bgcolor="#000000"
 
| bgcolor="#75B5F6" | '''Year'''
 
| bgcolor="#75B5F6" | '''Award'''
 
| bgcolor="#75B5F6" | '''Work'''
 
|-
 
| colspan="3" bgcolor="#F0AF49" | '''''[[Academy Awards]]'''''
 
|-
 
| colspan="3" bgcolor="#F2D5A6" | '''Won:'''
 
|-
 
| bgcolor="#ffffff" | 1985
 
| bgcolor="#ffffff" | Honorary Award
 
| bgcolor="#ffffff" | Lifetime Achievement
 
|-
 
| bgcolor="#ffffff" | [[1941 in film|1941]]
 
| bgcolor="#ffffff" | [[Academy Award for Best Actor|Best Actor]]
 
| bgcolor="#ffffff" | ''[[The Philadelphia Story]]''
 
|-
 
| colspan="3" bgcolor="#F2D5A6" | '''Nominated:'''
 
|-
 
| bgcolor="#ffffff" | [[1960 in film|1960]]
 
| bgcolor="#ffffff" | [[Academy Award for Best Actor|Best Actor]]
 
| bgcolor="#ffffff" | ''[[Anatomy of a Murder]]''
 
|-
 
| bgcolor="#ffffff" | [[1951 in film|1951]]
 
| bgcolor="#ffffff" | [[Academy Award for Best Actor|Best Actor]]
 
| bgcolor="#ffffff" | ''[[Harvey (film)|Harvey]]''
 
|-
 
| bgcolor="#ffffff" | [[1946 in film|1946]]
 
| bgcolor="#ffffff" | [[Academy Award for Best Actor|Best Actor]]
 
| bgcolor="#ffffff" | ''[[It's a Wonderful Life]]''
 
|-
 
| bgcolor="#ffffff" | [[1940 in film|1940]]
 
| bgcolor="#ffffff" | [[Academy Award for Best Actor|Best Actor]]
 
| bgcolor="#ffffff" | ''[[Mr. Smith Goes to Washington]]''
 
|-
 
| colspan="3" bgcolor="#F0AF49" | '''''[[BAFTA Awards]]'''''
 
|-
 
| colspan="3" bgcolor="#F2D5A6" | '''Nominated:'''
 
|-
 
| bgcolor="#ffffff" | [[1960 in film|1960]]
 
| bgcolor="#ffffff" | Best Foreign Actor
 
| bgcolor="#ffffff" | ''[[Anatomy of a Murder]]''
 
|-
 
| bgcolor="#ffffff" | [[1955 in film|1955]]
 
| bgcolor="#ffffff" | Best Foreign Actor
 
| bgcolor="#ffffff" | ''[[The Glenn Miller Story]]''
 
|-
 
| colspan="3" bgcolor="#F0AF49" | '''''[[Golden Globes]]'''''
 
|-
 
| colspan="3" bgcolor="#F2D5A6" | '''Won:'''
 
|-
 
| bgcolor="#ffffff" | [[1974 in film|1974]]
 
| bgcolor="#ffffff" | Best TV Actor - Drama
 
| bgcolor="#ffffff" | ''[[Hawkins (TV series)|Hawkins]]''
 
|-
 
| bgcolor="#ffffff" | 1965
 
| bgcolor="#ffffff" | Cecil B. DeMille Award
 
| bgcolor="#ffffff" | Lifetime Achievement
 
|-
 
| colspan="3" bgcolor="#F2D5A6" | '''Nominated:'''
 
|-
 
| bgcolor="#ffffff" | [[1951 in film|1951]]
 
| bgcolor="#ffffff" | Best Motion Picture Actor - Drama
 
| bgcolor="#ffffff" | ''[[Harvey (film)|Harvey]]''
 
|}
 
 
 
{{start box}}
 
{{succession box
 
| title=[[Academy Award for Best Actor]]
 
| years=1940<br>'''for ''[[The Philadelphia Story]]'' '''
 
| before=[[Robert Donat]]<br>for ''[[Goodbye, Mr. Chips (1939 film)|Goodbye, Mr. Chips]]''
 
| after=[[Gary Cooper]]<br>for ''[[Sergeant York]]''}}
 
{{end box}}
 
 
 
== See also ==
 
* [[Notable figures in Western films]]
 
* [[List of film collaborations]]
 
 
 
==Footnotes==
 
<div class="references-small"><references /></div>
 
  
 
== References ==
 
== References ==
* {{cite paper | author=Collins, Jr., Thomas W. | title=Stewart, James | date=2000 | url=http://www.anb.org/articles/18/18-03481.html}}
 
* {{cite book
 
| last = Smith
 
| first = Starr
 
| coauthors = [[Walter Cronkite|Cronkite, Walter]]
 
| year = 2005
 
| title = Jimmy Stewart: Bomber Pilot
 
| publisher = Zenith Press
 
| id = ISBN 0-7603-2199-X
 
}}
 
* {{cite encyclopedia | ency=International Dictionary of Films and Filmmakers | edition=4 | year=2000 | article=Stewart, James}}
 
* {{cite encyclopedia | ency=St. James Encyclopedia of Popular Culture | edition=5 | year=2000 | article=Stewart, James}}
 
* [http://www.jimmy.org The Jimmy Stewart Museum Home Page]
 
* [http://www.nationalmuseum.af.mil/factsheets/factsheet.asp?id=1670 National Museum of the United States Air Force]
 
  
== External links ==
+
* Eliot, Marc. ''Jimmy Stewart: A Biography.'' NY: Harmony Books, 2006. ISBN 978-1400052219
{{commons|James Stewart}}
+
* Munn, Michael. ''Jimmy Stewart: The Truth Behind the Legend.'' Fort Lee, NJ: Barricade Books. 2006. ISBN 978-1569803103
{{wikiquotepar|Jimmy Stewart}}
+
* Smith, Starr, and Cronkite, Walter. ''Jimmy Stewart: Bomber Pilot.'' Bath: Zenith. 2005. ISBN 076032199X
*{{imdb name|id=0000071|name=James Stewart}}
+
* Stewart, James. ''Jimmy Steward and His Poems.'' NY: Crown Publishers/Random House. 1989. ISBN 0517573822
* [http://www.jimmy.org The Jimmy Stewart Museum]
 
* [http://www.medaloffreedom.com/JimmyStewart.htm Presidential Medal of Freedom: Jimmy Stewart]
 
* [http://www.movielandstation.com/info/Books/4484/4484/1400052211 Biography of Jimmy Stewart]
 
 
 
 
 
<!--where did he die? —>
 
 
 
{{Persondata
 
|NAME=Stewart, James Maitland
 
|ALTERNATIVE NAMES=Stewart, Jimmy
 
|SHORT DESCRIPTION=American actor
 
|DATE OF BIRTH=[[May 20]], [[1908]]
 
|PLACE OF BIRTH=[[Indiana, Pennsylvania]]
 
|DATE OF DEATH=[[July 2]], [[1997]]
 
|PLACE OF DEATH=
 
}}
 
  
 +
== External Links ==
 +
All links retrieved September 21, 2022.
  
 +
* [http://www.jimmy.org The Jimmy Stewart Museum]
 +
* [https://www.imdb.com/name/nm0000071/ James Stewart] ''IMDb''
 +
* [https://www.tcm.com/tcmdb/person/184696%7C78233/James-Stewart/#overview James Stewart] ''Turner Classic Movies''
 +
* [https://www.findagrave.com/memorial/1816/jimmy-stewart Jimmy Stewart] ''Find a Grave''
 +
* [https://www.legion.org/belovedveterans/220982/jimmy-stewart Jimmy Stewart] ''American Legion''
 +
* [https://www.military.com/veteran-jobs/career-advice/military-transition/famous-veteran-jimmy-stewart.html Famous Veteran: Jimmy Stewart] ''Military.com''
  
[[Category:History and biography]]
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{{Academy Award Best Actor}}
[[Category:Biography]]
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[[Category:Art, music, literature, sports and leisure]]
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[[category:film]]
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[[Category:actors and playwrights]]
  
  
 
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Latest revision as of 16:36, 30 January 2023

James Stewart
Jimmy Stewart.jpg
Jimmy Stewart, photo by Carl Van Vechten, 1934
Birth name: James Maitland Stewart
Date of birth: May 20, 1908
Birth location: Indiana, Pennsylvania, USA
Date of death: July 2, 1997
Death location: Los Angeles, California, USA
Academy Awards: Best Actor, 1940, The Philadelphia Story

James Maitland "Jimmy" Stewart (May 20, 1908 – July 2, 1997) was an iconic, Academy Award-winning American film and stage actor, best known for his home-bred screen persona. Over the course of his career, he starred in many films widely considered classics and was nominated for five Academy Awards (Oscars), winning one for an acting role and one for life achievement.

He first pursued a career as an architect before being drawn to the theater in college. His first success came as an actor on Broadway, before making his Hollywood debut in 1935. Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image.

Life

Jimmy Stewart (right) outside his family's hardware store, 1930

James Maitland Stewart was born on May 20, 1908 to devoutly Presbyterian parents, Alexander M. Stewart and Elizabeth Ruth Jackson, in Indiana, Pennsylvania. The son of a prosperous hardware store owner, he was expected to continue the business, which had been in the family for three generations. The young Stewart was first attracted to aviation, but abandoned dreams of being a pilot to attend Princeton University in 1928 after graduating from Mercersburg Academy. Stewart took quickly to architecture, and was to continue pursuing the field as a graduate student, but he gradually became attracted to the school's drama and music clubs, including the famous Princeton Triangle Club.

His talents led him to be invited to the University Players, a performing arts club comprised of Ivy League musicians and thespians. Taking bit parts in the Players' productions over the summer of 1932, he moved to New York City in the fall, where he shared an apartment with rising actor Henry Fonda and director/playwright Joshua Logan. In November he was cast in his first major stage production, as a chauffeur in the Broadway comedy Goodbye Again, in which he had two lines. The play was a moderate success and brought more substantial stage roles for Stewart, including the 1934 hit Page Miss Glory and his first dramatic stage role in Sidney Howard's Yellow Jack.

With several favorably reviewed performances on Broadway, he attracted the interest of MGM, and signed a contract with the company in April 1935. At first, he had trouble breaking into Hollywood due to his gangly looks and shy, humble screen presence. His first film was the poorly received Spencer Tracy vehicle, The Murder Man, but Rose-Marie, an adaptation of a popular operetta, was more successful. After mixed success in film, he received his first substantial part in 1936's After the Thin Man, playing a psychotic killer. Stewart found his footing in Hollywood thanks largely to ex-University Player Margaret Sullavan, who campaigned for Stewart to be her leading man in the 1936 romantic comedy Next Time We Love and rehearsed extensively with him. He spent six decades acting in movies, many of which are considered classics, only interrupted by military service during World War II.

After the war, Stewart settled down at age 41, marrying former model Gloria Hatrick McLean on August 9, 1949. They remained devotedly married until her death on February 16, 1994. Her death was caused by lung cancer. Stewart adopted her two sons, Michael and Ronald, and together they had twin daughters, Judy and Kelly, on May 7, 1951.

He was a lifelong supporter of Scouting. He was a Second Class Scout when he was a youth, an adult Scout leader, and a recipient of the prestigious Silver Buffalo Award from the Boy Scouts of America. He also received the Los Angeles Area Council’s Distinguished Scouter Award.[1]

Stewart died at the age of 89 on July 2, 1997 of cardiac arrest and a pulmonary embolism following a long illness from respiratory problems. His death came just one day after fellow screen legend and The Big Sleep co-star Robert Mitchum had died of lung cancer and emphysema. Stewart is interred in Forest Lawn Memorial Park Cemetery in Glendale, California.

Early Acting Career

James Stewart and Jean Arthur, You Can't Take It with You (1938)

Stewart began a successful partnership with director Frank Capra in 1938, when he was loaned out to Columbia Pictures to star in You Can't Take It With You. The heartwarming Depression-era film, starring matinee idol Jean Arthur, went on to win the 1938 Best Picture Academy Award. Stewart teamed with Capra and Arthur again in 1939 for the political comedy-drama, Mr. Smith Goes to Washington. Stewart replaced intended star Gary Cooper in the film about an idealistic man thrown into the political arena. Upon the film's October release, it garnered critical praise and became a box office success. For his performance, Stewart was nominated for the first of five Academy Awards for Best Actor. Destry Rides Again, also released that year, became Stewart's first western film, a genre for which he would become famous later in his career.

Katharine Hepburn and Stewart in The Philadelphia Story (1940), for which he won his only Academy Award for Best Actor

In 1940 Stewart and Margaret Sullavan teamed again for two films. The first, the Ernst Lubitsch romantic comedy, The Shop Around the Corner, starred Stewart and Sullavan as co-workers unknowingly involved in a pen-pal romance who cannot stand each other in real life. The Mortal Storm, directed by Frank Borzage, was one of the first blatantly anti-Nazi films to be produced in Hollywood, and featured the pair as a husband and wife caught in turmoil upon Hitler's rise to power. He also starred opposite Katharine Hepburn and Cary Grant in George Cukor's classic The Philadelphia Story. His performance as an intrusive, fast-talking reporter earned him his only Academy Award in a competitive category (Best Actor, 1941). Stewart gave the Oscar statuette to his father, who displayed it in the window of his hardware store for many years.

He went on to appear in a series of screwball comedies with varying levels of success. Stewart followed the mediocre No Time for Comedy (1940) and Come Live with Me (1941) with the Judy Garland musical Ziegfeld Girl and the George Marshall romantic comedy Pot o' Gold. Foreseeing war on the horizon, Stewart enlisted in the United States Army Air Corps in March 1941. Stewart's enlistment coincided with the lapse in his MGM contract and marked a turning point in Stewart's career.

Wartime Activity

Colonel James Stewart.

Nearly a year before the December 1941 attack on Pearl Harbor, Stewart attempted to join the United States Army Air Corps, although his enlistment was initially denied due to a weight restriction. Only five pounds under the minimum limit, he was able to convince the recruiters to accept him. He successfully enlisted in the army in March 1941. Since the United States had yet to declare war on Germany and because of the army's unwillingness to put celebrities on the front, Stewart was held back from combat duty, although he did earn a commission as a Second Lieutenant and completed pilot training. He later became an instructor pilot for the B-17 Flying Fortress stationed in Albuquerque, New Mexico.

While petitioning his superiors for combat assignment, Stewart aligned himself with the First Motion Picture Unit and starred and produced a number of training and educational films. Between 1942 and the end of the war, he appeared in nearly a dozen productions, some of which were screened theatrically in civilian theaters.

Col. Stewart being awarded the Croix de Guerre with palm by Lt. Gen. Henri Valin, Chief of Staff of the French Air Force, for his role in the liberation of France. USAF photo.

In August 1943 he was finally assigned to the 445th Bombardment Group in Sioux City, Iowa, first as Operations Officer of the 703d Bomb Squadron, and then its commander. In December the 445th BG flew its B-24 Liberator bombers to Tibenham, England and immediately began combat operations. While flying missions over Germany, Stewart was promoted to major. In March 1944 he was transferred to the 453rd Bomb Group, a new B-24 outfit that had been experiencing difficulties, as Group Operations Officer. In 1944 he twice received the Distinguished Flying Cross for actions in combat, and was awarded the Croix de Guerre. He also received the Air Medal with three oak leaf clusters. In July 1944, after flying 20 combat missions, Stewart was made Chief of Staff of the 2d Combat Bomb Wing of the Eighth Air Force. Before the war ended he was promoted to colonel, one of only a few Americans to rise from private to colonel in four years.

Stewart continued to play an active role in the United States Air Force Reserves after the war, achieving the rank of Brigadier General on July 23, 1959. He rode along as an observer on a B-52 Stratofortress bombing run during the Vietnam War in 1966, though he did not fly any duty missions during that conflict. Stewart finally retired from the Air Force on May 31, 1968 after 27 years of service. Stewart did not often talk of his wartime service, perhaps due to his desire to be seen as a regular soldier doing his duty instead of as a celebrity. He did appear on the TV series The World at War and discussed his participation as a squadron commander in the October 17, 1943 bombing mission to Schweinfurt—the mission known in USAF history as Black Thursday due to the incredibly high casualties it sustained. Fittingly, he was identified only as "James Stewart, Squadron Commander" in the documentary. At the time of his B-52 mission, he refused the release of any publicity regarding his participation as he did not want it treated as a stunt for glory, but as his job as an officer in the reserves.

Postwar Success

Stewart, Karolyn Grimes, and Donna Reed in It's a Wonderful Life.

Upon Stewart's return to Hollywood in the fall of 1945, he decided not to renew his MGM contract. Instead, Stewart signed with an MCA talent agency. The move made Stewart one of the first independently contracted actors and gave him more freedom to choose the roles he wished to play. For the remainder of his career, Stewart was able to work without limits to director and studio availability.

For his first film in five years, Stewart appeared in his third and final Frank Capra production, It's a Wonderful Life. Stewart appeared as George Bailey, a small-town man and upstanding citizen, who becomes increasingly frustrated by his ordinary existence and financial troubles. Driven to suicide on Christmas Eve, he is led to reassess his life by an "angel-in-training," played by Henry Travers. Though the film was nominated for five Academy Awards, including Stewart's third Best Actor nomination, it received only moderate success at the box office, possibly due to its dark nature. However, in the decades since the film's release, it grew to define Stewart's film persona and is widely considered as a sentimental Christmas film classic and, according to the American Film Institute, one of the best movies ever made.

Stewart also returned to the stage for the Mary Chase-penned comedy Harvey, which opened to nearly universal praise in November 1944. Elwood P. Dowd, the protagonist and Stewart's character, is a wealthy eccentric who lives with his sister and niece and whose best friend is an invisible rabbit. His eccentricity, especially the friendship with the rabbit, is ruining his niece's hopes of finding a husband. While trying to have Dowd committed to a sanitarium, his sister is committed herself while the play follows Dowd on an ordinary day in his not-so-ordinary life. James Stewart took over the role from Frank Fay in 1947 and gained an increased Broadway following in the unconventional play. The play, which ran for nearly three years with Stewart as its star, was successfully adapted into a 1950 film, directed by Henry Koster, with Stewart playing Dowd and Josephine Hull as his sister, Veta. For his performance in the film, Stewart received his fourth Best Actor nomination.

After Harvey, the comedic adventure film Malaya, and the conventional biographical film The Stratton Story in 1949, Stewart entered what many critics cite as his "golden era" as an actor. During the 1950s, he took on more challenging roles and expanded into the western and suspense genres, thanks largely to collaborations with directors Alfred Hitchcock and Anthony Mann. Other notable performances by Stewart during this time include his role as an ex-soldier making peace with the Apache in the critically acclaimed 1950 Delmer Daves western Broken Arrow, a troubled clown in the 1952 Best Picture The Greatest Show on Earth, and Charles Lindbergh in Billy Wilder's 1957 film The Spirit of St. Louis.

Collaborations with Hitchcock and Mann

James Stewart's collaborations with director Anthony Mann expanded Stewart's popularity and expanded his career into the realm of the western. Stewart's first appearance in a film helmed by Mann came with the 1950 western classic, Winchester '73. The film, which became a massive box office hit upon its release, set the pattern for their future collaborations. Other Stewart-Mann westerns, such as Bend of the River (1952), The Naked Spur (1953), The Far Country (1954), and The Man from Laramie (1955) were perennial favorites among young audiences entranced by the American west. Frequently, the films featured Stewart as a troubled cowboy seeking redemption, while facing corrupt cattlemen, ranchers, and outlaws. Their collaborations laid the foundation for many of the westerns of the 1950s and remain popular today.

Stewart's starring role in Winchester '73 was also a turning point in Hollywood. The executives at Universal Studios, who wanted Stewart to appear in both that film and Harvey, balked at his $200,000 asking price. Stewart's agent, Lew Wasserman, brokered an alternate deal, in which Stewart would appear in both films for no pay, in exchange for a percentage of the profits and cast approval. It wasn't the first such deal at Universal; Abbott and Costello also had a profit participation contract, but they were no longer top-flight moneymakers by 1950. Stewart ended up earning about $600,000 for Winchester '73 alone. Hollywood's other stars quickly capitalized on this new way of doing business, which further undermined the decaying "studio system."

Stewart with co-star Grace Kelly in Rear Window (1954)

The second collaboration to define Stewart's career in the 1950s was with acclaimed mystery and suspense director Alfred Hitchcock. Stewart had previously appeared in Hitchcock's technologically innovative 1948 film Rope, and the two collaborated for the second of four times on the 1954 hit Rear Window. Photographer L.B. "Jeff" Jeffries, the central character of the film, portrayed by Stewart, projects his fantasies and fears onto the people he observes out his apartment window while on hiatus due to a broken leg. Jeffries gets into more than he can handle, however, when he believes he has witnessed a salesman murdering his wife.

After starring in Hitchcock's remake of the director's own production, The Man Who Knew Too Much, Stewart starred in what many consider Hitchcock's most personal film, Vertigo. The film starred Stewart as Scottie, a former police investigator suffering from acrophobia, who develops an obsession with a woman he is shadowing. Scottie's obsession inevitably leads to the destruction of everything he once had and believed in. Though the film is widely considered a classic today, it met with negative reviews and poor box office receipts upon its release, and marked the last collaboration between Stewart and Hitchcock. The director blamed the film's failure on Stewart looking too old to still attract audiences, and replaced him with Cary Grant for North by Northwest (1959). In reality, Grant was actually four years older than Stewart.

Career in the 1960s and 1970s

John Wayne and James Stewart in the 1962 western The Man Who Shot Liberty Valance

In 1960, James Stewart was awarded the New York Film Critics Circle Award for Best Actor and nominated for his fifth and final Academy Award for Best Actor for his role in the 1959 Otto Preminger film Anatomy of a Murder. Stewart's nomination was one of seven for the film, and saw his transition into the final decades of his career.

The early 1960s saw Stewart taking lead roles in three John Ford films. The first was 1962's twist-ending The Man Who Shot Liberty Valance. How the West Was Won and Cheyenne Autumn were western epics released in 1962 and 1964 respectively. While the Cinerama production How the West Was Won went on to win three Oscars and reaped massive box office figures, Cheyenne Autumn, in which a white-suited Stewart played Wyatt Earp in a long sequence in the middle of the movie, failed domestically and was quickly forgotten.

Having played his last romantic lead in 1958's Bell Book and Candle, Stewart transitioned into more family-related films in the 1960s. These included the successful Henry Koster outing Mr. Hobbs Takes a Vacation (1962), and the less memorable films Take Her, She's Mine (1963) and Dear Brigitte (1965), which featured French model Brigitte Bardot. The Civil War period film Shenandoah (1965) and the western family film The Rare Breed fared better at the box office; the Civil War movie was a smash hit in the South.

After a progression of lesser western films in the late 1960s and early 1970s, James Stewart transitioned from cinema to television. He first starred in the NBC comedy The Jimmy Stewart Show, which featured Stewart as a college professor. He followed it with the CBS mystery Hawkins, in which he played a small town lawyer investigating his cases. The series garnered Stewart a Golden Globe for Best Actor in a Dramatic TV Series, but failed to gain a wide audience and was cancelled after one season. During this time, Stewart periodically appeared on Johnny Carson's The Tonight Show, sharing poems he had written at different times in his life. His poems were later successfully compiled into a short collection titled Jimmy Stewart and His Poems (1989).

Stewart finished the decade with supporting roles in John Wayne's final film, The Shootist (1976), Airport '77, the 1978 remake of The Big Sleep with Robert Mitchum, and The Magic of Lassie (1978). In The Shootist, Stewart played a doctor giving Wayne's character, a gunfighter, a terminal cancer diagnosis. At one point, both Wayne and Stewart were flubbing their lines repeatedly and Stewart turned to director Don Siegel and said, "You'd better get two better actors."

Later in Life

After filming several television movies in the 1980s, including the popular Mr. Krueger's Christmas, James Stewart retired from acting to spend time with his family. Following his retirement he suffered from many health problems including heart disease, skin cancer, deafness, and senility. He returned only to voice Sheriff Wylie Burp in the successful 1991 animated film An American Tail: Fievel Goes West.

In 1989, Stewart joined Hollywood entrepreneur Peter F. Paul in founding the American Spirit Foundation to apply entertainment industry resources to developing innovative approaches to public education and to assist the emerging democracy movements in the former Iron Curtain countries and Russia. Paul arranged for Stewart, through the offices of President Boris Yeltsin, to send a special print of It's A Wonderful Life, translated by Moscow University, to Russia as the first American program ever to be broadcast on Russian television. On January 5, 1992, coinciding with the first day of the existence of the democratic Commonwealth of Independent States and Russia, and the first free Russian Orthodox Christmas Day, Russian TV Channel 2 broadcast It’s A Wonderful Life to 200 million Russians who celebrated an American holiday tradition with the American people for the first time in Russian history.

Stewart worked from 1987 to 1993 on projects that enhanced the public appreciation and understanding of the U.S. Constitution and Bill of Rights, in association with politicians and celebrities that included President Ronald Reagan, Supreme Court Chief Justice Warren Burger, California Governor George Deukmejian, Bob Hope, and Charlton Heston.

Tributes

Jimmy Stewart has a star on the Hollywood Walk of Fame at 1708 Vine Street. In 1972, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. He was awarded various lifetime achievement awards from the Academy Awards (1985), American Film Institute (1980), Lincoln Center (1990), Golden Globe Awards (1965), National Board of Review (1990), and the Screen Actors Guild (1969).[2]

A statue of Stewart was erected on the lawn of the Indiana County Courthouse in his hometown, Indiana, Pennsylvania, on May 20, 1983 to celebrate Stewart's 75th birthday. In 1995, a museum dedicated to his life and career, The Jimmy Stewart Museum, opened as well, with Stewart's stipulation that the museum be humble: Jimmy Stewart was always proud of his Indiana roots and his hometown held a very special place in his heart. Jimmy was a humble man who didn’t look for adulation. He agreed to a museum in his name if it were to be humble in size, located downtown Indiana and would economically benefit his hometown.[3]

In honor of his years of service with the U.S. Air Force, Gen. Jimmy Stewart's original WWII A-2 jacket has been displayed for many years at the National Museum of the United States Air Force in Dayton, Ohio. A patch for the 703rd Bomb Squadron is still sewn on the front of the jacket.

In November 1997, Los Angeles County supervisor, Mike Antonovich, led an unsuccessful attempt to have Los Angeles International Airport renamed in Stewart's honor.

Notes

  1. Bryan Wendell, What Jimmy Stewart said about the Scout Oath Bryan on Scouting, February 2, 2017. Retrieved September 21, 2022.
  2. James Stewart Hollywood Walk of Fame. Retrieved September 21, 2022.
  3. Museum History The Jimmy Stewart Museum. Retrieved September 21, 2022.

References
ISBN links support NWE through referral fees

  • Eliot, Marc. Jimmy Stewart: A Biography. NY: Harmony Books, 2006. ISBN 978-1400052219
  • Munn, Michael. Jimmy Stewart: The Truth Behind the Legend. Fort Lee, NJ: Barricade Books. 2006. ISBN 978-1569803103
  • Smith, Starr, and Cronkite, Walter. Jimmy Stewart: Bomber Pilot. Bath: Zenith. 2005. ISBN 076032199X
  • Stewart, James. Jimmy Steward and His Poems. NY: Crown Publishers/Random House. 1989. ISBN 0517573822

External Links

All links retrieved September 21, 2022.


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