Enid Blyton

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Enid Blyton
Born:
Died:
Occupation(s): Novelist
Literary genre: Adventure, Mystery, Fantasy
Website: http://www.enidblytonsociety.co.uk

Enid Mary Blyton (August 11 1897 – November 28 1968) was a popular and prolific British children's writer. She was one of the most successful children's storytellers of the twentieth century.

She is noted for numerous series of books based on recurring characters and designed for different age groups. Her books have enjoyed popular success in many parts of the world, and have sold over 400 million copies. By one measure, Blyton is the sixth most popular author worldwide: over 3400 translations of her books are available in 2007 according to UNESCO's Index Translationum;[1] she is behind Lenin and almost equal to Shakespeare. One of her most widely known characters is Noddy, intended for beginning readers. However, her main forte is the young readers' novels, where children ride out their own adventures with minimal adult help. In this genre, particularly popular series include the Famous Five (consisting of 21 novels, 1942 – 1963, based on four children and their dog), the Five Find-Outers and Dog, (15 novels, 1943-1961, where five children regularly outwit the local police) as well as the Secret Seven (15 novels, 1949 – 1963, a society of seven children who solve various mysteries).

Her work involves children's adventure stories, and fantasy, sometimes involving magic. Her books were and still are enormously popular in Britain, Malta, India, Pakistan, New Zealand, Singapore, and Australia, and as translations, in former Yugoslavia, Japan, and across most of the globe. Her work has been translated into nearly 90 languages.

Personal life

Blyton was born on 11 August 1897 at 354 Lordship Lane, East Dulwich, London, the eldest child of Thomas Carey Blyton (1870 – 1920), a salesman of cutlery, and his wife, Theresa Mary, née Harrison (1874 – 1950). There were two younger brothers, Hanly (b. 1899), and Carey (b. 1902), who were born after the family had moved to the nearby suburb of Beckenham. From 1907 to 1915, Blyton was educated at St. Christopher's School in Beckenham, where she excelled at her endeavours, leaving as head girl. She enjoyed physical activities along with the academic work, but not maths.

Blyton was a talented pianist, but gave up her musical studies when she trained as a teacher. She taught for five years at Bickley, Surbiton and Chessington, writing in her spare time. Her first book, Child Whispers, a collection of poems, was published in 1922.

On 28 August 1924 Blyton married Major Hugh Alexander Pollock DSO (1888 – 1971), editor of the book department in the publishing firm of George Newnes, which published two of her books that year. The couple moved to Buckinghamshire. Eventually they moved to a house in Beaconsfield, named Green Hedges by Blyton's readers following a competition in 'Sunny Stories'. They had two children: Gillian Mary Baverstock (15 July 1931 – 24 June 2007) and Imogen Mary Smallwood (born 27 October 1935).

In the mid-1930s Blyton had an experience of a spiritual crisis, but she decided against converting to Roman Catholicism from the Church of England because she had felt it was "too constricting." Although she rarely attended church services, she saw that her two daughters were baptised into the Anglican faith and went to the local Sunday School.

By 1939 her marriage to Pollock was in difficulties, and in 1941 she met Kenneth Fraser Darrell Waters (1892 – 1967), a London surgeon, with whom she began a friendship which quickly developed into something deeper. After each had divorced, they married at the City of Westminster register office on 20 October 1943, and she subsequently changed the surname of her two daughters to Darrell Waters. Pollock remarried and had little contact with his daughters thereafter. Blyton's second marriage was very happy and, as far as her public was concerned, she moved smoothly into her role as a devoted doctor's wife, living with him and her two daughters at Green Hedges.

Blyton's husband died in 1967. During the following months, she became increasingly ill. Afflicted by Alzheimer's disease, Blyton was moved into a nursing home three months before her death; she died at the Greenways Nursing Home, 11 Fellows Road, Hampstead, London, on 28 November 1968, aged 71 and was cremated at Golders Green.

Blyton's literary output was of an estimated 800 books over roughly 40 years. Chorion Limited of London now owns and handles the intellectual properties and character brands of Blyton's Noddy and the Famous Five.

Most popular works

  • The Adventure series
  • The Barney Mystery series
  • The Circus series
  • The Famous Five series
  • The Magic Faraway Tree series
  • The Malory Towers series
  • The Mary Mouse series
  • The Mistletoe Farm series
  • The Mystery series (also known as the Five Find-Outers)
  • The Naughtiest Girl series
  • The Noddy books
  • The Amelia Jane short stories
  • The Secret Seven series
  • The St. Clare's series
  • The Wishing-Chair series
  • The Willow Farm Series

Other works

Blyton wrote hundreds of other books for young and older children: novels, story collections and some non-fiction. She also filled a large number of magazine pages, particularly the long-running Sunny Stories which were immensely popular among younger children.

An estimate puts her total book publication at around 800 titles, not including decades of magazine writing. It is said that at one point in her career she regularly produced 10,000 words a day.

Such prolific output led many to believe that some of her work was ghost-written. Yet, no ghost writers have come forward. She used a pseudonym Mary Pollock for a few titles (middle name plus first married name). The last volumes in her most famous series were published in 1963. Many books still appeared after that, but were mainly story books made up from re-cycled work.

Blyton also wrote numerous books on nature and Biblical themes. Her story The Land of Far-Beyond is a Christian parable along the lines of John Bunyan's Pilgrim's Progress, with modern children as the central characters. She also produced retellings of Old Testament and New Testament stories.

Enid Blyton was a prolific author of short stories. These were first published, for the most part, in Sunny Stories, an Enid Blyton magazine, or other children's papers.

Not only biblical themes but also she used to explore the forests when she was a little girl and wrote of her dreams in a notebook kept by her bedside.

Subject matter

Blyton's books often referenced the fantasies of pre-pubescent children. Children are free to play and explore without adult interference, more clearly than in most authors before or since. Adult characters are usually either authority figures (such as policemen, teachers, or parents) or adversaries to be conquered by the children. Children are self-sufficient, spending days away from home. This theme is taken to its extreme in two books: Five Run Away Together and The Secret Island: a group of children run away from unpleasant guardians to live on an island together, making a home and fending for themselves until their parents return.

Blyton's books are generally split into three types. One involves ordinary children in extraordinary situations; having adventures, solving crimes, or otherwise finding themselves in unusual circumstances. Examples include the Famous Five and Secret Seven, and the Adventure series.

The second and more conventional type is the boarding school story; the plots of these have more emphasis on the day-to-day life at school. This is the world of the midnight feast, the practical joke, and the social interaction of the various types of character. Examples of this type are the Malory Towers stories, the St Clare's series, and the Naughtiest Girl books.

The third type is the fantastical. Children are typically transported into a magical world in which they meet fairies, goblins, elves, or other fantasy creatures. Examples of this type are the Wishing-Chair books and the Magic Faraway Tree. Alternatively in many of her short stories, toys are shown to come alive when humans are not around.

Controversies and revisions

Blyton's status as a bestselling author is in spite of disapproval of her works from various perspectives, which has led to altered reprints of the books and withdrawals or “bans” from libraries.

"Blyton bans": truth and myths

It was frequently reported (in the 1950s and also from the 1980s onwards) that various children's libraries removed some of Blyton's works from the shelves. The history of such "Blyton bans" is confused. Some librarians certainly at times felt that Blyton's restricted use of language, a conscious product of her teaching background, militated against appreciation of more literary qualities. There was some precedent, in the treatment of L. Frank Baum's Oz books (and the many sequels, by others) by librarians in the United States in the 1930s.

A careful account of anti-Blyton attacks is given in Chapter 4 of Robert Druce's This Day Our Daily Fictions. The British Journal of Education in 1955 carried a piece by Janice Dohn, an American children's librarian, considering Blyton's writing together with authors of formula fiction, and making negative comments about Blyton's devices and tone. A 1958 article in Encounter by Colin Welch, directed against the Noddy character, was reprinted in a New Zealand librarians' periodical. This gave rise to the first rumour of a New Zealand "library ban" on Blyton's books, a recurrent press canard. Policy on buying and stocking Blyton's books by British public libraries drew attention in newspaper reports from the early 1960s to the end of the 1970s, as local decisions were made by a London borough, Birmingham, Nottingham and other central libraries.

There is no evidence that her books' popularity ever suffered. She was defended by populist journalists, and others. Her response is said to be that she was not interested in the views of critics aged over 12.[2]

Dated attitudes and altered reprints

The books are very much of their time, particularly the 1950s titles. They present Britain's class system — that is to say, "rough" versus "decent".[3] Many of Blyton's children's books similarly popularized negative stereotypes regarding gender, race, and class.

Modern reprints of some books have had changes made, such as the replacement of golliwogs with teddy bears or goblins. This response from the publishers to contemporary attitudes on racial stereotypes has itself drawn criticism from those adults who view it as tampering with an important piece of the history of children's literature. The Druce book brings up the case of a story, The Little Black Doll, (the doll wanted to be pink) and which was turned on its head in a reprint. Also removed in deference to modern ethical attitudes are many casual references to slaves and to corporal punishment. Although the books are often stauchly defended by modern conservatives [citation needed], Blyton had come under criticism in this area during her working lifetime; a story of hers was rejected in 1960 with the publisher’s criticisms including that “There is a faint but unattractive touch of old-fashioned xenophobia in the author's attitude to the thieves; they are 'foreign'...and this seems to be regarded as sufficient to explain their criminality.”[4]

An element of sexism is noted in some of her books, such as in this Guardian article, which suggested the Famous Five depicts a power struggle between Julian, Dick and George(ina), with the female characters either acting like boys or being heavily put-upon. It has been suggested that a new edition of the book will "address" these issues through alterations.[5]. In the Secret Seven books, the girls are deliberately excluded from tasks such as investigating the villains’ hideouts—in Go Ahead, Secret Seven, it is directly stated "'Certainly not,' said Peter, sounding very grown-up all of a sudden. 'This is a man's job, exploring that coal-hole'".[6] In the Famous Five this is less often the case, but in Five On a Hike Together, Julian gives similar orders to George – “You may look like a boy and behave like a boy, but you're a girl all the same. And like it or not, girls have got to be taken care of”.[7] Both of these involve situations that would in reality be dangerous for any child, and where clear gender roles are set out with boys in charge and girls protected, possibly sending out a message for more realistic scenarios.

Legacy

  • Blyton's books have sold more than 400 million copies[1]
  • Her books still continue to sell more than 8 to 10 million copies worldwide
  • More than a million Famous Five books are sold worldwide each year
  • Her books have been translated into more than 90 different languages
  • The Magic Faraway Tree was voted no. 66 in the BBC's Big Read.

Trivia

  • In a survey of adults between the ages of 25 and 54, conducted by Cartoon Network in England in 2004, The Famous Five was named as the top children's book. The Lion, the Witch and the Wardrobe, by C. S. Lewis, came second, ahead of Robert Louis Stevenson's Treasure Island. Tolkien's The Hobbit and The Lord of the Rings tied with a second Blyton title—The Secret Seven in fourth place.
  • An oblique critique of a Blyton work is found in Jasper Fforde's novel The Well of Lost Plots (2003). The heroine, Thursday Next, should change the ending of Shadow the Sheepdog by entering the novel's world. Thursday is surprised at the one-dimensionality of the characters. They have limited vocabulary, intelligence and emotional scope, and are confined to designated paths. Even stranger is that the characters attack Thursday simply because they are hungry for feeling and emotion. She finally escapes after showing the characters how to feel guilt, enmity, hate, anger and so on, missing from Blyton's world according to Fforde.
  • Her nephew was the Doctor Who composer Carey Blyton.
  • The name of an important female character in her Malory Towers series (Darrell Rivers) was inspired by the name of her second husband, Kenneth Darrel Waters.
  • Letters from Bobs, one of Blyton's early works, sold more than 10,000 copies in just one week.

See also

  • Enid Blyton Society
  • Enid Blyton's illustrators
  • Gillian Baverstock
  • Imogen Pollock

References
ISBN links support NWE through referral fees

  1. Index Translationum Statistics. Index Translationum. UNESCO. Retrieved 2007-07-12. This index contains all the titles in all the translated languages. The top five are: Walt Disney books, Agatha Christie, Jules Verne, Lenin, Shakespeare, and the next five: Enid Blyton, Barbara Cartland, Danielle Steel, Hans Christian Andersen, and Stephen King.
  2. The Mystery of Enid Blyton
  3. Druce p. 222: The system of middle-class values (and of automatic value-judgements entailed by such a system) which Blyton presents is simple enough. p.225: In Blyton, an indifference to dirt, grease, foul smells and untidiness is a defining characteristic of the working class.
  4. http://www.smh.com.au/news/books/when-blyton-fell-out-of-the-good-books/2005/11/21/1132421603094.html
  5. Row faster, George! The PC meddlers are chasing us! | the Daily Mail
  6. Blyton, Enid; Go Ahead, Secret Seven; Knight Books;(1953)
  7. http://www.enidblyton.net/famous-five/five-on-a-hike-together.html

External links

Sources

File:Biography.jpeg
Enid Blyton Biography
  • Enid Blyton (1952) The Story of My Life
  • Barbara Stoney (1974) Enid Blyton, 1992 The Enid Blyton Biography, Hodder, London ISBN 0-340-58348-7 (paperback) ISBN 0-340-16514-6
  • Mason Willey (1993) Enid Blyton: A Bibliography of First Editions and Other Collectible Books ISBN 0-9521284-0-3
  • S. G. Ray (1982) The Blyton Phenomenon
  • Bob Mullan (1987) The Enid Blyton Story
  • George Greenfield (1998) Enid Blyton
  • Robert Druce (1992) This Day Our Daily Fictions: An Enquiry into the Multi-Million Bestseller Status of Enid Blyton and Ian Fleming




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