Encyclopedia, Difference between revisions of "William S. Paley" - New World

From New World Encyclopedia
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==Other interests==
 
==Other interests==
In the 1940s, William Paley and Dr. Leon Levy formed Jaclyn Stable, that owned and raced a string of [[thoroughbred]] [[race horse]]s.
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In the 1940s, William Paley and Dr. Leon Levy formed Jaclyn Stable, that owned and raced a string of thoroughbred race horses.
  
Paley purchased Major League Baseball's [[New York Yankees]] in 1964 from Dan Topping and Del Webb for $11.2 million. He owned the team for nine unsuccessful years, not making the playoffs once. Paley sold the team in 1973 to [[Cleveland]] shipbuilder [[George Steinbrenner]] and a group of investors for $10 million. In April, 2006 [[Forbes Magazine]] estimated that the Yankees were worth $1.26 billion.<ref>[http://www.forbes.com/lists/2006/33/334613.html New York Yankees] Forbes. Retrieved February 6, 2007.</ref>  
+
Paley purchased Major League Baseball's [[New York Yankees]] in 1964 from Dan Topping and Del Webb for $11.2 million. He owned the team for nine unsuccessful years, not making the playoffs once. Paley sold the team in 1973 to Cleveland shipbuilder [[George Steinbrenner]] and a group of investors for $10 million. In April, 2006 [[Forbes Magazine]] estimated that the Yankees were worth $1.26 billion.<ref>[http://www.forbes.com/lists/2006/33/334613.html New York Yankees] Forbes. Retrieved February 6, 2007.</ref>  
  
Paley had an avid interest in modern art and built up an outstanding collection. He became a trustee of the [[Rockefeller family]]'s [[Museum of Modern Art]] in the 1930s; in 1962 he was tapped by then chaiman [[David Rockefeller]] to be its president. In 1968 he joined a syndicate with Rockefeller and others to buy six [[Picasso]]s for the Museum from the notable [[Gertrude Stein]] collection. He subsequently became chairman, stepping down from the Museum in 1985.<ref>MoMA and the Stein collection - see David Rockefeller, ''Memoirs'', New York: Random House, 2002. (pp.450-58)</ref>
+
Paley had an avid interest in modern art and built up an outstanding collection. He became a trustee of the Rockefeller family's [[Museum of Modern Art]] in the 1930s; in 1962 he was tapped by then chaiman [[David Rockefeller]] to be its president. In 1968 he joined a syndicate with Rockefeller and others to buy six [[Picasso]]s for the Museum from the notable [[Gertrude Stein]] collection. He subsequently became chairman, stepping down from the Museum in 1985.<ref>MoMA and the Stein collection - see David Rockefeller, ''Memoirs'', New York: Random House, 2002. (pp.450-58)</ref>
  
 
==Legacy==
 
==Legacy==

Revision as of 23:50, 7 February 2007


File:Paley willia.jpeg
William S. Paley (1901-1990)
This article is about the broadcast executive. For the philosopher, see William Paley.

William S. Paley (September 28, 1901 in Chicago, Illinois – October 26, 1990 in New York, New York) was the chief executive who built CBS from a small radio network to the dominant radio and television network operation in America. Paley formulated the modern state of network television and radio by pioneering the advertising model still in use today. Paley's family were Ukrainian Jewish immigrants. Other than his interest in broadcasting, Paley dabbled in horse-racing, owned the New York Yankees and collected fine art.

Life

William Paley was born in 1901 in Chicago to Samuel Paley and Goldie Drell. Paley's father, Samuel, was a Ukrainian Jewish immigrant. When he was 12, William added the middle initial S. to his name, "wanting a little more panache in his name."[1] Samuel Paley ran a cigar company and, as the company became increasingly successful, the new millionaire moved his family to Philadelphia in the early 1920s.

William Paley studied at the University of Chicago then transferred to and graduated from the University of Pennsylvania's Wharton School of Finance and Commerce with a BS in 1922.

Paley married Dorothy Hart Hearst in 1932. She was the former wife of William Randolph Hearst, Jr., son of William Randolph Hearst. The couple had two children, Jeffrey and Hilary, before divorcing in 1947. Paley was a notorious ladies' man. His first marriage ended when a newspaper published the suicide note written to Paley by a girlfriend. He provided former lover Louise Brooks a stipend for the rest of her life.[2]

Paley married the divorced socialite and fashion icon Barbara "Babe" Cushing-Mortimer later in 1947. Paley and his second wife, Babe, despite their success and social standing, were barred from country clubs on Long Island because he was Jewish. Instead, the Paleys built a summer home on Squam Lake in New Hampshire and summered there for many years, routinely entertaining friends like Lucille Ball and Grace Kelly. Squam Lake was the location for the 1981 Mark Rydell film "On Golden Pond" starring Katharine Hepburn and Henry Fonda. The house was donated to Dartmouth College and was converted to use as a conference center. Paley had two children with Mortimer as well, Willam C. Paley and Kate. The two remained married until her death in 1978.

Paley died on October 26, 1990 of kidney failure in New York.[3]

CBS

Paley's career took a fateful turn in 1927 when his father and some business partners bought a struggling Philadelphia-based radio network of 16 stations called the Columbia Phonographic Broadcasting System. Samuel Paley's intention had been to use his acquisition as nothing more than a medium for advertising promoting the family's cigar business, which included the La Palina brand. Within a year, under William's leadership, cigar sales had more than doubled, and in 1928 the Paley family secured majority ownership of the network. Within a decade, Paley had expanded the network to 114 affiliate stations.

Paley quickly grasped the earnings potential of radio, and recognized that good programming was the key to selling advertising time and, in turn, bringing in profits to the network and to affiliate owners. Before Paley, most businessmen viewed radio stations as standalone outlets — in other words, the broadcast equivalent of the local newspaper. The individual stations originally bought programming from the network and were thus considered the network's clients.

Paley changed broadcasting's business model, not only by being a genius at developing successful and lucrative programming, but by viewing the advertisers (sponsors) as the most significant element of the broadcasting equation. Paley provided network programming to affiliate stations at nominal cost, thereby ensuring the widest possible distribution not only for the programming but the advertising. The advertisers then became the network's primary clients and, because of the wider distribution brought by the growing network, Paley was able to charge more for the ad time. Affiliates were required to carry programming offered by the network for part of the broadcast day, receiving a portion of the network's take from advertising revenue. At other times in the broadcast day, affiliates were free to offer local programming and sell advertising time locally.[1]

Paley's recognition of how to harness the potential reach of broadcasting was the key to his building CBS from a tiny chain of stations into what was eventually one of the world's dominant communication empires. During his prime, Paley was described as having an uncanny sense for popular taste, and exploited that taste to build the CBS network. As war clouds darkened Europe in the late 1930s, Paley recognized Americans' desire for news coverage of the coming war and built the CBS news division into a dominant force just as he had built the network's entertainment division previously. During World War II, Paley served in the psychological warfare branch in the Office of War Information under General Dwight Eisenhower and held the rank of colonel. It was while based in London during the war that Paley came to know and befriend Edward R. Murrow, CBS's head of European news.

CBS expanded into TV and early through Paley's strong, some would say ruthless, maneuvering rode the post-World War II boom in that medium to pass NBC, which had dominated radio.[4] Paley became the best-known executive in network television, personifying the control and vision which marked the industry through its heyday of the 1980s.

"Bill Paley erected two towers of power, one for entertainment and one for news," 60 Minutes creator Don Hewitt said in his autobiography Tell Me A Story. "And he decreed that there would be no bridge between them...In short, Paley was the guy who put Frank Sinatra and Edward R. Murrow on the radio and 60 Minutes on television.[5]

The relationship between Paley and his news staff was not always smooth. Paley's friendship with Ed Murrow — one of the leading lights in the CBS news division and by then a vice president — suffered during the 1950s over the hard-hitting tone of the Murrow-hosted See It Now series. The implication was that the network's sponsors were uneasy about some of the controversial topics of the series, leading to Paley worrying about lost revenue to the network as well as unwelcome scrutiny during the era of McCarthyism. In fact, See It Now lost its Alcoa sponsorship in 1955 and eventually its weekly Tuesday time slot, though it continued as a series of specials until 1958.

In 1972, Paley ordered the shortening of a second installment of a two-part CBS Evening News series on Watergate — after he was contacted by Charles Colson, an aide to President Richard M. Nixon. And later, Paley briefly ordered the banishment of instant analysis by his news people following Presidential addresses. Paley's reporters took umbrage with what they believed to be censorship of their reporting in the Watergate piece and had traditionally enjoyed the ability to sway public opinion with their instant analysis following Presidential addresses. Paley's decisions was likely based on improving the business and relationships with figures in power.

Paley retired as CEO of CBS in 1977, but remained chairman of the network, firing three potential successors before hiring Thomas Wyman in 1983. Paley fired and replaced Wyman as chairman in 1986.[6] He remained chairman till his death in 1990.[7]

Other interests

In the 1940s, William Paley and Dr. Leon Levy formed Jaclyn Stable, that owned and raced a string of thoroughbred race horses.

Paley purchased Major League Baseball's New York Yankees in 1964 from Dan Topping and Del Webb for $11.2 million. He owned the team for nine unsuccessful years, not making the playoffs once. Paley sold the team in 1973 to Cleveland shipbuilder George Steinbrenner and a group of investors for $10 million. In April, 2006 Forbes Magazine estimated that the Yankees were worth $1.26 billion.[8]

Paley had an avid interest in modern art and built up an outstanding collection. He became a trustee of the Rockefeller family's Museum of Modern Art in the 1930s; in 1962 he was tapped by then chaiman David Rockefeller to be its president. In 1968 he joined a syndicate with Rockefeller and others to buy six Picassos for the Museum from the notable Gertrude Stein collection. He subsequently became chairman, stepping down from the Museum in 1985.[9]

Legacy

Paley transformed the broadcasting industry into the model we know currently. He changed broadcasters from operating as individual units to acting as actual networks. This vision set the stage for the large broadcast conglomerates that hold power in television and radio today. Such a development played a large role in the popularization of such outlets as national networks such as CNN or the advent of cable television, which could now send the same programming to people across the country easily.

Other than this grand influence on broadcasting, Paley was at the helm of the CBS network for some of its most successful programing including 'I Love Lucy,' 'The Ed Sullivan Show', and 'All in the Family.'[10] Paley was respected not only for building CBS into an entertainment powerhouse, but for also encouraging the development of a news division that went on to dominate broadcast journalism for decades. Paley's support of the news led to the hey day of network news, which saw millions of Americans receiving their news from television rather than newspapers, which represented a large shift in mediums for the American public and helped begin the decline in readership of newspapers.

The Museum of Television & Radio hosts an annual panel series, with casts and crews from new series, that is named after Paley. The museum itself was founded in 1976 as the Museum of Broadcasting, partly with Paley's help. Its main building on West 52nd Street in Manhattan is named after the longtime CBS chief.


References
ISBN links support NWE through referral fees

  1. 1.0 1.1 Bill Paley: Molder of Modern Media Business Week. Retrieved January 28. 2007.
  2. Louise Brooks Lenin Imports. Retrieved January 28, 2007.
  3. William S. Paley NNDB. Retrieved January 28, 2007.
  4. Paley, William S. Museum of Broadcast Communications. Retrieved January 28, 2007.
  5. Hewitt, Don. Tell Me a Story: Fifty Years and 60 Minutes in Television. PublicAffairs. 2000. ISBN 158648141X
  6. William S. Paley Maclean's. Retrieved February 6, 2007.
  7. William S. Paley Pennsylvania State University. Retrieved February 6, 2007.
  8. New York Yankees Forbes. Retrieved February 6, 2007.
  9. MoMA and the Stein collection - see David Rockefeller, Memoirs, New York: Random House, 2002. (pp.450-58)
  10. William S. Paley Spartacus Educational. Retrieved January 28, 2007.

Further reading

  • Paley, William S. 1979. As it happened: A memoir. DoubleDay. ISBN 0385146396
  • Paper, Lewis J. 1989. Empire: William S. Paley and the Making of CBS. St. Martin's Press. ISBN 0312025726
  • Rubin, William. 1992. The William S. Paley Collection. Museum of Modern Art. ISBN 0870701932
  • Smith, Sally Bedell. 2002. In All His Glory: The Life and Times of William S. Paley and the Birth of Modern Broadcasting. Random House Trade Paperbacks. ISBN 0812967763

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