Totemism

From New World Encyclopedia

Totemism (derived from the root -oode in the Ojibwe language, which referred to something kinship-related) is a religious belief refers to the worship or veneration of totems. A totem is any animal, plant, or other objects, natural or supernatural, which has personal or social symbolic meaning to an individual and to whose phenomena and energy one feels closely associated with during one's life. For some tribes, totems can represent larger groups than the individual person, and clans and tribes can have a totem. This form of religious activity is most commonly found within tribal cultures and it is frequently associated with shamanistic religions. Often, totems are seen as representative of desirable individual qualities, or the natural power from which a given social group is descended from. Furthermore, totems help to explain the mythical origin of the clan and reinforce clan identity and solidarity.

File:Totem Pole Thunderbird Park Victoria.jpg
Southern style totem pole in Victoria, British Columbia

Totemism as a Religious Classification

Totemism played an active role in the development of 19th and early 20th century theories of religion, especially for thinkers such as Émile Durkheim, who concentrated their study on primitive societies (the term primitive societies was an acceptable description at the time). Drawing on the identification of social group with spiritual totem in Australian aboriginal tribes, Durkheim theorized that all human religious expression was intrinsically founded in the relationship to a group.

In his essay Le Totemisme aujourdhui (Totemism Today), Claude Lévi-Strauss shows that human cognition, which is based on analogical thought, is independent of social context. From this, he excludes mathematical thought, which operates primarily through logic. Totems are chosen arbitrarily for the sole purpose of making the physical world a comprehensive and coherent classificatory system. Lévi-Strauss argues that the use of physical analogies is not an indication of a more primitive mental capacity. It is rather, a more efficient way to cope with this particular mode of life in which abstractions are rare, and in which the physical environment is in direct friction with the society. He also holds that scientific explanation entails the discovery of an arrangement; moreover, since the science of the concrete is a classificatory system enabling individuals to classify the world in a rational fashion, it is neither more nor less a science than any other in the western world. It is important to recognise that in this text the egalitarian nature of Lévi-Strauss and his work is manifested in all its force, and more importantly Lévi-Strauss diverts the interest of anthropology towards the understanding of human cognition.

Strauss looked at the ideas of Firth and Fortes, Durkheim, Malinowski, and Evans-Pritchard to reach his conculsions. Firth and Fortes argued that Totemism was based on a physical or psychological similarties between the clan and the totemic animal. Malinowski proposed that it was based on empirical interest or that the totem was 'good to eat.' In other words there was rational interest in preserving the species. Finally Evans-Pritchard argued that the reason for totems was metaphoric. His work with the Nuer led him to believe that totems are a symbolic representation of the group. Strauss saw Evan-Pritchard's work as the correct explanation.

Examples of Totemism in Human Culture

North American

The totem poles of North America have many different designs (bears, birds, frogs, people, lizards, see pictogram). They have arms, wings and legs. The Chinese totim carvings also have many animal forms but are made with greater details; the smaller ones even have legs, arms and costumes.

Totem Poles are monumental sculptures carved from great trees, typically Western Redcedar, by a number of Native American cultures along the Pacific northwest coast of North America. The meanings of the designs on totem poles are as varied as the cultures which produce them. Totem poles may recount familiar legends, clan lineages, or notable events. Some poles are erected to celebrate cultural beliefs, but others are intended mostly as artistic presentations. Certain types of totem pole are part of mortuary structures incorporating grave boxes with carved supporting poles, or recessed backs in which grave boxes were placed. Poles are also carved to illustrate stories, to commemorate historic persons, to represent shamanic powers, and to provide objects of public ridicule. Totem poles were never objects of worship; the association with "idol worship" was an idea from local Christian missionaries.

Vertical order of images is widely believed to be a significant representation of importance. This idea is so pervasive that it has entered into common parlance with the phrase "low man on the totem pole". This phrase is indicative of the most common belief of ordering importance, that the higher figures on the pole are more important or prestigious. A counterargument frequently heard is that figures are arranged in a "reverse hierarchy" style, with the most important representations being on the bottom, and the least important being on top. Actually there have never been any restrictions on vertical order, many poles have significant figures on the top, others on the bottom, and some in the middle. Other poles have no vertical arrangement at all, consisting of a lone figure atop an undecorated column. The poles used for public ridicule are usually called "shame poles", and were erected to shame individuals or groups for unpaid debts. Shame poles are today rarely discussed, and their meanings have in many places been forgotten. However they formed an important subset of poles carved throughout the 19th century.

Each culture typically has complex rules and customs regarding the designs which are represented on poles. The designs themselves are generally considered the property of a particular clan or family group, and this ownership may not be transferred to the owner of a pole. As such, pictures, paintings, and other copies of the designs may be an infringement of posessory rights of a certain family or cultural group. Thus it is important that the ownership of the artistic designs represented on a pole are respected as private property to the same extent that the pole itself is property. Public display and sale of pictures and other representations of totem pole designs should be cleared with both the owners of the pole and the cultural group or tribal government associated with the designs on the pole.

Maori

Although the term is of Native American origin, totemistic beliefs are not limited to Native Americans. Similar totemism-like beliefs have been historically found throughout much of the world, including Western Europe, Eastern Europe, Africa, Australia and the Arctic polar region. Poles similar to totem poles are also found elsewhere in the world. Due to their similarities to totem poles, they are often described as being totem poles. Two most notable cultures with such example of having a totem pole-like objects are those by the Māori and the Ainu.

Nor-Papua

Iban

Birhor

Shona

In Zimbabwe totems (mitupo) have been in use among the Shona people from the initial stages of their culture. The use of totems identifies the different clans that historically made up the ancient civilizations of the dynasties that ruled the Shona people from Great Zimbabwe. Most notably these symbols were associated with animal names. The purpose of the totem was meant to guard against incestuous behaviour; for the social identity of the clan; and also to praise someone in recited poetry. In contemporary Shona society there are at least 25 identifiable totems (mitupo) with at least 60 principal names (zvidawo).Every Shona clan is identified by a particular totem (mutupo) and principal praise name (chidawo). The principal praise name in this case is used to disitinguish people who have the same totem but are from different clans; for example clans that share the same totem Shumba (lion) will show their different clansmanship by using a particular praise name like Murambwe, or Nyamuziwa. The foundations of the totems are inspired in rhymes that reference the history of the totem.

The Clan is the core of every Shona chiefdom. It is a group of agnatically related kinsmen and women who trace their descent from a common founding ancestor.

Recent Developments

In modern times, some individuals, not otherwise involved in the practice of a tribal religion, have chosen to adopt as a personal totem an animal which has some kind of special meaning to them. This practice is prevalent in, but not limited to, the New Age movement. Beliefs regarding totems can vary, from merely adopting one as a whim, to adopting an animal that a person sees representing favorable traits reflected in their own behavior or appearance. A few believe their totem acts as a literal spirit guide. Some Native Americans and other followers of tribal religions take a dim view of New Agers' and others' adoption of totem animals, arguing that a non-adherent cannot truly understand totemism apart from the cultural context, and that at worst, it represents a commercialization of their religious beliefs

Signifigance of Totemism

References
ISBN links support NWE through referral fees

  • Garfield, Viola E. and Forrest, Linn A. The Wolf and the Raven: Totem poles of Southeastern Alaska. Revised edition. Seattle, Washington: University of Washington Press, 1961. ISBN 0-295-73998-3.
  • Malin, Edward. Totem poles of the Pacific Northwest coast. Portland, Oregon: Timber Press, 1986. ISBN 0-88192-295-1.
  • Stewart, Hillary. Looking at totem poles. Seattle, Washington: University of Washington Press, 1993. ISBN 0-295-97259-9.
  • "Systems of Religious and Spiritual Belief." The New Encyclopedia Britannica: Volume 26 Macropaedia. Chicago: Encyclopedia Britannica Inc., 2002. 530-577.
  • Wagner, Roy. "Totemism." Encyclopedia of Religion, Mercia Eliade, ed. New York: MacMillan Publishing, 1987. 573-576.

See also

  • Charge (heraldry)

External links

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