Difference between revisions of "Hestia" - New World Encyclopedia

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{{Greek myth (Olympian)}}
 
{{Greek myth (Olympian)}}
In [[Greek mythology]], virginal '''Hestia''' ([[Greek language|ancient Greek]] '''{{Polytonic|Ἑστία}}''') is the [[goddess]] of the [[hearth]], of the right ordering of domesticity and the family, who received the first offering at every sacrifice in the household. In the public domain the hearth of the [[prytaneum]] or town hall functioned as her official sanctuary. With the establishment of a new colony, flame from Hestia's public hearth would be carried to the new settlement.
+
In [[Greek mythology]], virginal '''Hestia''' ([[Greek language|ancient Greek]] '''{{Polytonic|Ἑστία}}''') is the [[goddess]] of the [[hearth]], of the right ordering of domesticity and the family, who received the first offering at every sacrifice in the household. In the public domain, the hearth of the [[prytaneum]] or town hall functioned as her official sanctuary. With the establishment of a new colony, flame from Hestia's public hearth would be carried to the new settlement.
  
In [[Roman mythology]] her more civic approximate equivalent was [[Vesta (mythology)|Vesta]], who personified the public hearth, and whose cult round the ever-burning hearth bound Romans together in the form of an extended family. The similarity of names, apparently, is  misleading: "The relationship ''hestia-histie'' – ''Vesta'' cannot be explained in terms of [[Indo-European studies|Indo-European]] linguistics; borrowings from a third language must also be involved," [[Walter Burkert]] has written (1985, III.3.1 note 2). At a very deep level her name means "home and hearth": the household and its inhabitants. "An early form of the temple is the hearth house; the early temples at [[Dreros]] and [[Prinias]] on Crete are of this type as indeed is the temple of Apollo at [[Delphi]] which always had its inner ''hestia''" (Burkert p 61). It will be recalled that among classical Greeks the altar was always in the open air with no roof but the sky, and that the oracle at Delphi was the shrine of the Goddess before it was assumed by Apollo. The Mycenaean great hall, such as the hall of [[Odysseus]] at Ithaca was a [[megaron]], with a central hearthfire.
+
==Name and Characteristics==
 +
At a very deep level her name means "home and hearth": the household and its inhabitants. "An early form of the temple is the hearth house; the early temples at [[Dreros]] and [[Prinias]] on Crete are of this type as indeed is the temple of Apollo at [[Delphi]] which always had its inner ''hestia''" (Burkert p 61). It will be recalled that among classical Greeks the altar was always in the open air with no roof but the sky, and that the oracle at Delphi was the shrine of the Goddess before it was assumed by Apollo. The Mycenaean great hall, such as the hall of [[Odysseus]] at Ithaca was a [[megaron]], with a central hearthfire.
  
The hearth fire of a [[ancient Greece|Greek]] or a [[Ancient Rome|Roman]] household was not allowed to go out, unless it was ritually extinguished and ritually renewed, accompanied by impressive rituals of completion, purification and renewal. Compare  the rituals and connotations of an [[eternal flame]] and of [[sanctuary lamp]]s.
 
  
 
At the more developed level of the ''[[polis]]'' Hestia symbolizes the alliance between the colonies and their mother-cities.  
 
At the more developed level of the ''[[polis]]'' Hestia symbolizes the alliance between the colonies and their mother-cities.  
  
Hestia is one of the three Great Goddesses of the first Olympian generation: Hestia, [[Demeter]] and [[Hera]]. She was described as both the oldest and youngest of the three daughters of [[Rhea (mythology)|Rhea]] and [[Cronus]], the sisters to three brothers [[Zeus]], [[Poseidon]], and [[Hades]].  Originally listed as one of the [[Twelve Olympians]], Hestia gave up her seat in favour of new-comer [[Dionysus]] to tend to the sacred fire on [[Mt. Olympus]].{{Fact|date=February 2007}} Every family hearth was her altar.
+
Hestia is one of the three Great Goddesses of the first Olympian generation: Hestia, [[Demeter]] and [[Hera]]. She was described as both the oldest and youngest of the three daughters of [[Rhea (mythology)|Rhea]] and [[Cronus]], the sisters to three brothers [[Zeus]], [[Poseidon]], and [[Hades]].  Originally listed as one of the [[Twelve Olympians]], Hestia gave up her seat in favour of new-comer [[Dionysus]] to tend to the sacred fire on [[Mt. Olympus]].{{Fact|date=February 2007}}  
  
 +
In classical Greek art Hestia was depicted as a woman modestly cloaked in a head veil (see below).
 +
 +
==Mythic Representations==
 +
[[Image:Hestia-meyers.png|thumb|right|The [[Giustiniani Hestia]] in O. Seyffert, ''Dictionary of Classical Antiquities'', 1894]]
 
Out of all of the Olympian gods, almost none of them have as few surviving stories about their divine exploits as Hestia.  Sometimes this is assumed to be due to her passive, non-confrontational nature.{{Fact|date=February 2007}} This nature is illustrated by her giving up her seat in the Olympian 12 to prevent conflict.{{Fact|date=February 2007}}  But closer analysis shows strong hints that Hestia was a religious force of tremendous and ancient import.  She is considered to be the first-born of Rhea and Cronus (followed by Demeter, Hades, Poseidon, Hera and, lastly, Zeus); this is evidenced by the fact that in Greek (and later Roman) culture ritual offerings to all gods began with a small offering to Hestia; the phrase "Hestia comes first" from ancient Greek culture denotes this.  
 
Out of all of the Olympian gods, almost none of them have as few surviving stories about their divine exploits as Hestia.  Sometimes this is assumed to be due to her passive, non-confrontational nature.{{Fact|date=February 2007}} This nature is illustrated by her giving up her seat in the Olympian 12 to prevent conflict.{{Fact|date=February 2007}}  But closer analysis shows strong hints that Hestia was a religious force of tremendous and ancient import.  She is considered to be the first-born of Rhea and Cronus (followed by Demeter, Hades, Poseidon, Hera and, lastly, Zeus); this is evidenced by the fact that in Greek (and later Roman) culture ritual offerings to all gods began with a small offering to Hestia; the phrase "Hestia comes first" from ancient Greek culture denotes this.  
[[Image:Hestia-meyers.png|thumb|right|The [[Giustiniani Hestia]] in O. Seyffert, ''Dictionary of Classical Antiquities'', 1894]]
+
 
 
Immediately after their birth, Cronus swallowed Hestia and her siblings except for the last and youngest, Zeus, who later rescued them and led them in a war against Cronus and the other [[Titan (mythology)|Titans]]. Hestia, the eldest daughter "became their youngest child, since she was the first to be devoured by their father and the last to be yielded up again" (Kereny 1951 p 91)— the clearest possible example of [[mythic inversion]], a [[paradox]] that is noted in the [[Homeric hymn]] to Aphrodite (ca 700 B.C.E.):
 
Immediately after their birth, Cronus swallowed Hestia and her siblings except for the last and youngest, Zeus, who later rescued them and led them in a war against Cronus and the other [[Titan (mythology)|Titans]]. Hestia, the eldest daughter "became their youngest child, since she was the first to be devoured by their father and the last to be yielded up again" (Kereny 1951 p 91)— the clearest possible example of [[mythic inversion]], a [[paradox]] that is noted in the [[Homeric hymn]] to Aphrodite (ca 700 B.C.E.):
 
:"She was the first-born child of wily Cronos — and youngest too."
 
:"She was the first-born child of wily Cronos — and youngest too."
  
It is also recalled in the hymn that Poseidon, and Apollo of the younger generation, each aspired to court Hestia, but the goddess was unmoved by Aphrodite's works and swore on the head of Zeus to retain her [[virginity]]. The Homeric hymns, like all early Greek literature, are concerned to reinforce the supremacy of Zeus, and Hestia's oath taken upon the head of Zeus is an example of surety. A measure of the goddess's ancient primacy—"queenly maid...among all mortal men she is chief of the goddesses", in the words of the Homeric hymn— is that she was owed the first as well as the last sacrifice at every ceremonial assembly of Hellenes, a pious duty related by the mythographers as the ''gift'' of Zeus, as if it had been his to bestow: another mythic inversion if, as is likely, the ritual was too deep-seated and essential for the Olympian reordering to overturn.
+
It is also recalled in the hymn that Poseidon, and Apollo of the younger generation, each aspired to court Hestia, but the goddess was unmoved by Aphrodite's works and swore on the head of Zeus to retain her [[virginity]]. The Homeric hymns, like all early Greek literature, are concerned to reinforce the supremacy of Zeus, and Hestia's oath taken upon the head of Zeus is an example of surety. <find reference and quotation>
 
 
The "great hall" of Minoan-Mycenaean culture as well as the type of earliest enclosed site built for worship on the Greek mainland is the ''[[megaron]]'': the name of the Goddess who was venerated in the [[Helladic]] ''megara'' is not recorded, but at the center of each holy site laid bare by archaeologists was normally a ''hearth''.
 
  
 
In his account of the ''[[Fasti]]'' of the Roman year, Ovid twice recounted an anecdote of [[Priapus]]'s foiled attempt on a sleeping nymph: once he told it of the nymph [[Lotis]]<ref>Ovid, ''Fasti'',  1.391ff ([http://www.theoi.com/Georgikos/Priapos.html on-line text]).</ref> and then again, calling it a "very playful little tale", he retold it of Vesta, the Roman equivalent of Hestia.<ref>''Fasti'' 6.319ff ([http://www.theoi.com/Georgikos/Priapos.html on-line text]).</ref> In the anecdote, after a great feast, when the immortals were all either passed out drunk or asleep, Priapus — who had grotesquely large genatalia — spied Lotis/Vesta and was filled with lust for her. He quietly approached the nymph, but the braying of an ass awoke her just in time. She screamed at the sight and Priapus immediately ran away.  
 
In his account of the ''[[Fasti]]'' of the Roman year, Ovid twice recounted an anecdote of [[Priapus]]'s foiled attempt on a sleeping nymph: once he told it of the nymph [[Lotis]]<ref>Ovid, ''Fasti'',  1.391ff ([http://www.theoi.com/Georgikos/Priapos.html on-line text]).</ref> and then again, calling it a "very playful little tale", he retold it of Vesta, the Roman equivalent of Hestia.<ref>''Fasti'' 6.319ff ([http://www.theoi.com/Georgikos/Priapos.html on-line text]).</ref> In the anecdote, after a great feast, when the immortals were all either passed out drunk or asleep, Priapus — who had grotesquely large genatalia — spied Lotis/Vesta and was filled with lust for her. He quietly approached the nymph, but the braying of an ass awoke her just in time. She screamed at the sight and Priapus immediately ran away.  
  
[[Image:Hestia tapestry.jpg |thumb|130px|left|"Hestia full of Blessings" Egypt, [[6th century]] tapestry in the [[Dumbarton Oaks]] Collection]]
+
Hestia figures in few [[Mythology|myth]]s: she did not roam or have any adventures. The Homeric hymn ''To Hestia'' is consequently brief, simply an invocation of five lines, a prelude:<weak intro... read the hymn and reintroduce>
Hestia figures in few [[Mythology|myth]]s: she did not roam or have any adventures. The Homeric hymn ''To Hestia'' is consequently brief, simply an invocation of five lines, a prelude:
 
 
:''Hestia, you who tend the holy house of the lord Apollo, the Far-shooter at goodly [[Delphi|Pytho]], with soft oil dripping ever from your locks, come now into this house, come, having one mind with Zeus the all-wise: draw near, and withal bestow grace upon my song.''
 
:''Hestia, you who tend the holy house of the lord Apollo, the Far-shooter at goodly [[Delphi|Pytho]], with soft oil dripping ever from your locks, come now into this house, come, having one mind with Zeus the all-wise: draw near, and withal bestow grace upon my song.''
  
 
In the hymn, Hestia is located in ancient Delphi (rather than at the hearth of Zeus on Mount Olympus), which was considered the central hearth of all the Hellenes.
 
In the hymn, Hestia is located in ancient Delphi (rather than at the hearth of Zeus on Mount Olympus), which was considered the central hearth of all the Hellenes.
  
In classical Greek art Hestia was depicted as a woman modestly cloaked in a head veil.
+
==Cultic Observances==
 +
[[Image:Hestia tapestry.jpg |thumb|130px|left|"Hestia full of Blessings" Egypt, [[6th century]] tapestry in the [[Dumbarton Oaks]] Collection]]
 +
The hearth fire of a [[ancient Greece|Greek]] or a [[Ancient Rome|Roman]] household was not allowed to go out, unless it was ritually extinguished and ritually renewed, accompanied by impressive rituals of completion, purification and renewal. Compare  the rituals and connotations of an [[eternal flame]] and of [[sanctuary lamp]]s.
 +
 
 +
A measure of the goddess's ancient primacy&mdash;"queenly maid...among all mortal men she is chief of the goddesses", in the words of the Homeric hymn&mdash; is that she was owed the first as well as the last sacrifice at every ceremonial assembly of Hellenes, a pious duty related by the mythographers as the ''gift'' of Zeus, as if it had been his to bestow: another mythic inversion if, as is likely, the ritual was too deep-seated and essential for the Olympian reordering to overturn.
 +
 
 +
The "great hall" of Minoan-Mycenaean culture as well as the type of earliest enclosed site built for worship on the Greek mainland is the ''[[megaron]]'': the name of the Goddess who was venerated in the [[Helladic]] ''megara'' is not recorded, but at the center of each holy site laid bare by archaeologists was normally a ''hearth''.
 +
 
 +
==Roman Parallels==
 +
{{main|Vesta}}
 +
In [[Roman mythology]] her more civic approximate equivalent was [[Vesta (mythology)|Vesta]], who personified the public hearth, and whose cult round the ever-burning hearth bound Romans together in the form of an extended family. The similarity of names, apparently, is  misleading: "The relationship ''hestia-histie'' &ndash; ''Vesta'' cannot be explained in terms of [[Indo-European studies|Indo-European]] linguistics; borrowings from a third language must also be involved," [[Walter Burkert]] has written (1985, III.3.1 note 2).
  
==External links==
 
{{Commonscat|Hestia}}
 
*[http://homepage.mac.com/cparada/GML/Hestia.html Carlos Parada, "Hestia"]
 
*[http://www.theoi.com/Ouranios/Hestia.html Theoi, "Hestia"]
 
*[http://sunsite.berkeley.edu/OMACL/Hesiod/hymns.html Homeric hymns ''To Aphrodite'' and ''To Hestia'']
 
*[http://www.tonykline.co.uk/klineasfasti.htm Ovid, ''Fasti''] (Vesta)
 
 
==Notes==
 
==Notes==
 
<references/>
 
<references/>
  
 
==References==
 
==References==
*[[Walter Burkert|Burkert, Walter]], 1985. ''Greek Religion'' (Harvard University Press)
+
* Apollodorus. ''Gods & Heroes of the Greeks''. Translated and with an Introduction and Notes by Michael Simpson. Amherst, MA: University of Massachusetts Press, 1977. ISBN 0-87023-205-3.
*[[Karl Kerenyi|Kerenyi, Karl]], 1951. ''The Gods of the Greeks''  
+
* Burkert, Walter. ''Greek Religion: Archaic and Classical''. Translated by John Raffan. Oxford: Blackwell, 1985. ISBN 0631112413.
 +
* Dillon, Matthew. ''Pilgrims and Pilgrimage in Ancient Greece''. London; New York: Routledge, 1997. ISBN 0415127750.
 +
* Farnell, Lewis Richard. ''The Cults of the Greek States'' (in Five Volumes). Oxford: Clarendon Press, 1907.
 +
* Gantz, Timothy. ''Early Greek Myth: A Guide to Literary and Artistic Sources''. Baltimore: Johns Hopkins University Press, 1993. ISBN 080184410X.
 +
* Kerenyi, Karl. ''The Heroes of the Greeks''. Thames & Hudson (New Ed edition), 1997. ISBN 050027049X.
 +
* Mikalson, Jon D. ''Ancient Greek Religion''. Malden, MA: Blackwell, 2005. ISBN 0631232222.
 +
* Nilsson, Martin P. ''Greek Popular Religion''. New York: Columbia University Press, 1940. Also accessible online at [http://www.sacred-texts.com/cla/gpr/sacred-texts.com].
 +
* Parke, H. W. ''Festivals of the Athenians''. Ithaca, NY: Cornell University Press, 1977. ISBN 0-8014-1054-1.
 +
* Powell, Barry B. ''Classical Myth'' (Second Edition). Upper Saddle River, NJ: Prentice Hall, 1998. ISBN 0-13-716714-8.
 +
* Price, Simon. ''Religions of the Ancient Greeks''. Cambridge: Cambridge University Press, 1999. ISBN 0-521-38867-8.
 +
* Rose, H. J. ''A Handbook of Greek Mythology''. New York: E. P. Dutton & Co., 1959. ISBN 0-525-47041-7.
 +
*Ruck, Carl A.P. and Staples, Daniel. ''The World of Classical Myth''. Durham, NC: Carolina Academic Press, 1994. ISBN 0-89089-575-9.
 +
* Rutkowski, Bogdan. ''The Cult Places of the Aegean''. New Haven: Yale University Press, 1986. ISBN 0300029624.
 +
 
 +
==External links==
 +
{{Commonscat|Hestia}}
 +
*[http://homepage.mac.com/cparada/GML/Hestia.html Carlos Parada, "Hestia"] - Retrieved June 18, 2007
 +
*[http://www.theoi.com/Ouranios/Hestia.html Theoi, "Hestia"] - Retrieved June 18, 2007
 +
*[http://sunsite.berkeley.edu/OMACL/Hesiod/hymns.html Homeric hymns ''To Aphrodite'' and ''To Hestia''] - Retrieved June 18, 2007
 +
*[http://www.tonykline.co.uk/PITBR/Latin/Fastihome.htm Ovid, ''Fasti''] (Vesta) - Retrieved June 18, 2007
  
  

Revision as of 13:17, 18 June 2007


Template:Greek myth (Olympian) In Greek mythology, virginal Hestia (ancient Greek Ἑστία) is the goddess of the hearth, of the right ordering of domesticity and the family, who received the first offering at every sacrifice in the household. In the public domain, the hearth of the prytaneum or town hall functioned as her official sanctuary. With the establishment of a new colony, flame from Hestia's public hearth would be carried to the new settlement.

Name and Characteristics

At a very deep level her name means "home and hearth": the household and its inhabitants. "An early form of the temple is the hearth house; the early temples at Dreros and Prinias on Crete are of this type as indeed is the temple of Apollo at Delphi which always had its inner hestia" (Burkert p 61). It will be recalled that among classical Greeks the altar was always in the open air with no roof but the sky, and that the oracle at Delphi was the shrine of the Goddess before it was assumed by Apollo. The Mycenaean great hall, such as the hall of Odysseus at Ithaca was a megaron, with a central hearthfire.


At the more developed level of the polis Hestia symbolizes the alliance between the colonies and their mother-cities.

Hestia is one of the three Great Goddesses of the first Olympian generation: Hestia, Demeter and Hera. She was described as both the oldest and youngest of the three daughters of Rhea and Cronus, the sisters to three brothers Zeus, Poseidon, and Hades. Originally listed as one of the Twelve Olympians, Hestia gave up her seat in favour of new-comer Dionysus to tend to the sacred fire on Mt. Olympus.[citation needed]

In classical Greek art Hestia was depicted as a woman modestly cloaked in a head veil (see below).

Mythic Representations

The Giustiniani Hestia in O. Seyffert, Dictionary of Classical Antiquities, 1894

Out of all of the Olympian gods, almost none of them have as few surviving stories about their divine exploits as Hestia. Sometimes this is assumed to be due to her passive, non-confrontational nature.[citation needed] This nature is illustrated by her giving up her seat in the Olympian 12 to prevent conflict.[citation needed] But closer analysis shows strong hints that Hestia was a religious force of tremendous and ancient import. She is considered to be the first-born of Rhea and Cronus (followed by Demeter, Hades, Poseidon, Hera and, lastly, Zeus); this is evidenced by the fact that in Greek (and later Roman) culture ritual offerings to all gods began with a small offering to Hestia; the phrase "Hestia comes first" from ancient Greek culture denotes this.

Immediately after their birth, Cronus swallowed Hestia and her siblings except for the last and youngest, Zeus, who later rescued them and led them in a war against Cronus and the other Titans. Hestia, the eldest daughter "became their youngest child, since she was the first to be devoured by their father and the last to be yielded up again" (Kereny 1951 p 91)— the clearest possible example of mythic inversion, a paradox that is noted in the Homeric hymn to Aphrodite (ca 700 B.C.E.):

"She was the first-born child of wily Cronos — and youngest too."

It is also recalled in the hymn that Poseidon, and Apollo of the younger generation, each aspired to court Hestia, but the goddess was unmoved by Aphrodite's works and swore on the head of Zeus to retain her virginity. The Homeric hymns, like all early Greek literature, are concerned to reinforce the supremacy of Zeus, and Hestia's oath taken upon the head of Zeus is an example of surety. <find reference and quotation>

In his account of the Fasti of the Roman year, Ovid twice recounted an anecdote of Priapus's foiled attempt on a sleeping nymph: once he told it of the nymph Lotis[1] and then again, calling it a "very playful little tale", he retold it of Vesta, the Roman equivalent of Hestia.[2] In the anecdote, after a great feast, when the immortals were all either passed out drunk or asleep, Priapus — who had grotesquely large genatalia — spied Lotis/Vesta and was filled with lust for her. He quietly approached the nymph, but the braying of an ass awoke her just in time. She screamed at the sight and Priapus immediately ran away.

Hestia figures in few myths: she did not roam or have any adventures. The Homeric hymn To Hestia is consequently brief, simply an invocation of five lines, a prelude:<weak intro... read the hymn and reintroduce>

Hestia, you who tend the holy house of the lord Apollo, the Far-shooter at goodly Pytho, with soft oil dripping ever from your locks, come now into this house, come, having one mind with Zeus the all-wise: draw near, and withal bestow grace upon my song.

In the hymn, Hestia is located in ancient Delphi (rather than at the hearth of Zeus on Mount Olympus), which was considered the central hearth of all the Hellenes.

Cultic Observances

"Hestia full of Blessings" Egypt, 6th century tapestry in the Dumbarton Oaks Collection

The hearth fire of a Greek or a Roman household was not allowed to go out, unless it was ritually extinguished and ritually renewed, accompanied by impressive rituals of completion, purification and renewal. Compare the rituals and connotations of an eternal flame and of sanctuary lamps.

A measure of the goddess's ancient primacy—"queenly maid...among all mortal men she is chief of the goddesses", in the words of the Homeric hymn— is that she was owed the first as well as the last sacrifice at every ceremonial assembly of Hellenes, a pious duty related by the mythographers as the gift of Zeus, as if it had been his to bestow: another mythic inversion if, as is likely, the ritual was too deep-seated and essential for the Olympian reordering to overturn.

The "great hall" of Minoan-Mycenaean culture as well as the type of earliest enclosed site built for worship on the Greek mainland is the megaron: the name of the Goddess who was venerated in the Helladic megara is not recorded, but at the center of each holy site laid bare by archaeologists was normally a hearth.

Roman Parallels

In Roman mythology her more civic approximate equivalent was Vesta, who personified the public hearth, and whose cult round the ever-burning hearth bound Romans together in the form of an extended family. The similarity of names, apparently, is misleading: "The relationship hestia-histieVesta cannot be explained in terms of Indo-European linguistics; borrowings from a third language must also be involved," Walter Burkert has written (1985, III.3.1 note 2).

Notes

  1. Ovid, Fasti, 1.391ff (on-line text).
  2. Fasti 6.319ff (on-line text).

References
ISBN links support NWE through referral fees

  • Apollodorus. Gods & Heroes of the Greeks. Translated and with an Introduction and Notes by Michael Simpson. Amherst, MA: University of Massachusetts Press, 1977. ISBN 0-87023-205-3.
  • Burkert, Walter. Greek Religion: Archaic and Classical. Translated by John Raffan. Oxford: Blackwell, 1985. ISBN 0631112413.
  • Dillon, Matthew. Pilgrims and Pilgrimage in Ancient Greece. London; New York: Routledge, 1997. ISBN 0415127750.
  • Farnell, Lewis Richard. The Cults of the Greek States (in Five Volumes). Oxford: Clarendon Press, 1907.
  • Gantz, Timothy. Early Greek Myth: A Guide to Literary and Artistic Sources. Baltimore: Johns Hopkins University Press, 1993. ISBN 080184410X.
  • Kerenyi, Karl. The Heroes of the Greeks. Thames & Hudson (New Ed edition), 1997. ISBN 050027049X.
  • Mikalson, Jon D. Ancient Greek Religion. Malden, MA: Blackwell, 2005. ISBN 0631232222.
  • Nilsson, Martin P. Greek Popular Religion. New York: Columbia University Press, 1940. Also accessible online at [1].
  • Parke, H. W. Festivals of the Athenians. Ithaca, NY: Cornell University Press, 1977. ISBN 0-8014-1054-1.
  • Powell, Barry B. Classical Myth (Second Edition). Upper Saddle River, NJ: Prentice Hall, 1998. ISBN 0-13-716714-8.
  • Price, Simon. Religions of the Ancient Greeks. Cambridge: Cambridge University Press, 1999. ISBN 0-521-38867-8.
  • Rose, H. J. A Handbook of Greek Mythology. New York: E. P. Dutton & Co., 1959. ISBN 0-525-47041-7.
  • Ruck, Carl A.P. and Staples, Daniel. The World of Classical Myth. Durham, NC: Carolina Academic Press, 1994. ISBN 0-89089-575-9.
  • Rutkowski, Bogdan. The Cult Places of the Aegean. New Haven: Yale University Press, 1986. ISBN 0300029624.

External links

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