Dylan Thomas

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Dylan Thomas

Dylan Marlais Thomas, (October 27 1914 – November 9 1953) was an Anglo-Welsh poet who is widely considered one of the most influential English-language poets of the 20th-century. Although Thomas wrote during the heyday of Modernism, his poetry was radically different from anything produced by the Modernists. Writing deeply personal works fueled by his own troubled emotional life, Thomas produced verse in a highly idiosyncratic style, choosing words often for sound rather than sense and using innovative meters and rhyme schemes similar to those found in the poetry of Gerard Manley Hopkins, whom Thomas greatly admired. Along with Yeats, Thomas' sonorous and personal style of poetry tinged with his own knowledge of Welsh language and folklore helped to precipitate the Celtic Revival in British literature. Often considered to be one of the greatest poets of the 20th-century in terms of the sheer beauty of his language, Thomas' influence extends to the present among poets like Seamus Heaney who attempt to capture the music of ancient poetry in the vocabulary of the present-day.

Life

Dylan Thomas was born in the coastal city of Swansea, Wales. His father David, who was a writer and possessed a degree in English, brought his son up to speak English rather than Thomas's mother's native language, Welsh. His middle name, "Marlais", came from the bardic name of his uncle, the Unitarian minister Gwilym Marles.

Thomas attended the boys-only Swansea Grammar School, in the Mount Pleasant district of the city, where his father taught English Literature. It was in the school's magazine that the young Dylan saw his first poem published. He left school at age 16 to become a reporter for a year and a half.

Thomas' childhood was spent largely in Swansea, with regular summer trips to visit his mother's family on their Carmarthen farm. These rural sojourns, and their contrast with the town life of Swansea, would leave a profound impression on the young Thomas; like Wordsworth, much of Thomas' work would be influenced by his early experiences of the wonders and beauty of the natural world , most notably the critically acclaimed poem, Fern Hill.

Thomas wrote the bulk of his poems and many short stories when he still lived at the family home at 5 Cwmdonkin Drive; And death shall have no dominion is one of the best known works written during this time. By the time his first poetry volume, 18 Poems, was published in November 1934, he was already established as one of the most exciting young poets writing in the English language. His poetry was marked from the start by the characteristics that would make Thomas world famous: a talent for sonorous rhymes and musical repetitions, a creative (and at times baffling) use of words chosen for their sound more of then than their sense, and vivid, deeply symbolic imagery. And Death Shall Have No Dominion, one of the most famous poems of this period, is also one of Thomas' most influential, and a beautiful example of his characteristic voice:

And death shall have no dominion.

Dead men naked they shall be one

With the man in the wind and the west moon;

When their bones are picked clean and the clean bones gone,

They shall have stars at elbow and foot;

Though they go mad they shall be sane,

Though they sink through the sea they shall rise again;

Though lovers be lost love shall not;

And death shall have no dominion.

And death shall have no dominion.

Under the windings of the sea

They lying long shall not die windily;

Twisting on racks when sinews give way,

Strapped to a wheel, yet they shall not break;

Faith in their hands shall snap in two,

And the unicorn evils run them through;

Split all ends up they shan't crack;

And death shall have no dominion.

And death shall have no dominion.

No more may gulls cry at their ears

Or waves break loud on the seashores;

Where blew a flower may a flower no more

Lift its head to the blows of the rain;

Though they be mad and dead as nails,

Heads of the characters hammer through daisies;

Break in the sun till the sun breaks down,

And death shall have no dominion.

In 1937 Thomas married Caitlin MacNamara and would have three children with her, although the relationship was very often stormy and littered with affairs. January of 1939 saw the birth of their first child, a boy whom they named Llewelyn (died in 2000). He was followed in March of 1943 by a daughter, Aeronwy. A second son and third child, Colm Garan, was born in July 1949.

He collapsed on November 9, 1953 after drinking heavily while in New York on a promotional tour; Thomas later died at St. Vincent's Hospital, aged 39. The primary cause of his death is recorded as pneumonia. His last words, according to Jack Heliker, were: "After 39 years, this is all I've done". Following his death, his body was brought back to Wales for burial in the village churchyard at Laugharne, Wales, where he had enjoyed his happiest days.

Career and influence

Dylan Thomas is widely considered one of the greatest twentieth-century poets writing in English. He remains the leading figure in Anglo-Welsh literature. His vivid and often fantastic imagery was a rejection of the Modernist trends in twentieth-century verse: while his contemporaries gradually altered their writing to serious topical verse centered on social, political, and philosophical investigations, Thomas gave himself over to his passionately felt emotions, and his writing is often both intensely personal and fiercely lyrical. Thomas did, nonetheless, write at least four war poems, one of which is especially famous: "A Refusal to Mourn the Death, by Fire, of a Child in London":

Never until the mankind making

Bird beast and flower

Fathering and all humbling darkness

Tells with silence the last light breaking

And the still hour

Is come of the sea tumbling in harness

And I must enter again the round

Zion of the water bead

And the synagogue of the ear of corn

Shall I let pray the shadow of a sound

Or sow my salt seed

In the least valley of sackcloth to mourn

The majesty and burning of the child's death.

I shall not murder

The mankind of her going with a grave truth

Nor blaspheme down the stations of the breath

With any further

Elegy of innocence and youth.

Deep with the first dead lies London's daughter,

Robed in the long friends,

The grains beyond age, the dark veins of her mother,

Secret by the unmourning water

Of the riding Thames.

After the first death, there is no other.

Thomas, in many ways, was more in alignment with the Romantics than he was with the poets of his era, and he identified strongly with William Wordsworth and Samuel Coleridge in particular. Thomas also differed from many major twentieth-century poets in his championing of oral poetry, which constituted a radical break from the visual-oriented poetry that had dominated the field since the emergence of Ezra Pound's Imagism movement decades earlier. In this sense, Thomas was well-adapted to his time: his rise coincides with the improvement and profusion of recording technology and radio. Thomas possessed a marvelous voice for recitation, and he was often recorded decanting both his own poems and those of his contemporaries. The audio-literature company Caedmon now a division of HarperCollins was launched with Thomas's recording of his story "A Child's Christmas in Wales."

Aside from stories and verse, Thomas did a great deal of radio and film work, especially during World War II. His filmscripts were done for Strand Films. One of these, Green Mountain, Black Mountain, is notable for its integration of verse into documentary (similar in this to Auden and Grierson's Night Mail from the 1930s). Another, These Are the Men, is a singularly creative attack on Nazi leaders. He also experimented with creative filmscripts; his The Doctor and the Devils was filmed in 1985 with Timothy Dalton, Twiggy, and Stephen Rea. His radio broadcasts were generally literary talks; his prose volumes Under Milk Wood and A Child's Christmas in Wales both seem to have originated in radio talks. Thomas also worked on an unfinished novel, Adventures in the Skin Trade. The roughly 60 completed pages are a promising beginning of a comic bildungsroman.

Thomas's circle, sometimes known as the "Kardomah Boys" after the coffee shop where they often met, included the composer and old school friend, Daniel Jones, the poets Vernon Watkins and Charles Fisher and the artists Alfred Janes and Mervyn Levy.

Bibliography

Poetry

• Collected Poems 1934 – 1953 (London: Phoenix, 2003)
• Selected Poems (London: Phoenix, 2001)

Prose

• Collected Letters
• Collected Stories
• Portrait of the Artist as a Young Dog
• Under Milk Wood
• Quite Early One Morning (posthumous)

Discography

• Dylan Thomas: Volume I - A Child's Christmas in Wales and Five Poems (Caedmon TC 1002 - 1952)
• Under Milk Wood (Caedmon TC 2005 - 1953)
• Dylan Thomas: Volume II - Selections from the Writings of Dylan Thomas (Caedmon TC 1018 - 1954)
• Dylan Thomas: Volume III - Selections from the Writings of Dylan Thomas (Caedmon TC 1043)
• Dylan Thomas: Volume VI - Selections from the Writings of Dylan Thomas (Caedmon TC 1061)

External links

• The Life and Work of Dylan Thomas
• Dylan Thomas on Poets.org Biography, poems, audio clips, and related essays from the Academy of American Poets
• "The Mumbles", a village frequented by Thomas
• The city of Swansea's site on Thomas
• BBC Wales' Dylan Thomas site
• The Dylan Thomas Theatre Company Swansea
• The graves of Dylan and Caitlin from findagrave.com
• French Audio Book (mp3) from Under Milk Wood, translated in French by JB.Brunius
• "The pub and the hellraiser: The poet, the actor, their pub, a furore" The Independent online edition 30 November 2005
• BBC Wales biography of Caitlin
• Biography (obituary) of son Llewelyn, from Guardian Unlimited (2000)

Credits

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