Zeus

The Statue of Zeus at Olympia
Phidias created the 12-m (40-ft) tall statue of Zeus at Olympia about 435 b.c.e.. The statue was perhaps the most famous sculpture in Ancient Greece, imagined here in a 16th century engraving

In Greek mythology, Zeus (in Greek: nominative: Ζεύς Zeús, genitive: Διός Díos), also known as Jupiter in Roman mythology, is the highest ranking god among the Olympian gods. He held jurisidiciton over Mount Olympus, as well as the sky and thunder, and, as could be expected his attributes were closely linked to celestial imagery including thunder and the lightning bolt, and the eagle. The son of Cronus and Rhea, Zeus was the youngest of his siblings. He was married to Hera, though he is known for his numerous extramarital conquests which resulted in the births of numerous offspring. Zeus is argubaly the most identifiable characters in all the world's mythology; his image as the well-muscled, white-bearded patriarch has had immense influence upon colloquial understandings of God in the Western world.

Origins

Zeus, poetically referred to in Greek by the vocative Zeu pater ("O, father Zeus"), is a continuation of Dyeus, the Proto-Indo-European god of the daytime sky, also referred to ask "Sky Father". The god is referred to by this name in Sanskrit as Dyaus or Dyaus Pita. Similarly in Latin the term Jupiter which refers to Zeus is derived from Iuppiter which derived from the Proto-Indo-European dyeu or "to shine" (and in its many derivatives, "sky, heaven, god"). In Germanic mythology and Norse mythology, the sky god is referred to by Tīwaz from the Old High German language Ziu and the Old Norse Týr), together with Latin deus ("deity, god"), dīvus ("godly") and Dis (a variation of dīves, meaning "wealthy, blessed"), from the related noun deiwos. To the Greeks and Romans, the god of the sky was also the supreme god, whereas this function was filled out by Odin among the Germanic tribes. Accordingly, they did not identify Zeus/Jupiter with either Tyr or Odin, but with Thor, the Norse god of the storm. Altogether, the similarity between Zeus' Greek title and those in Sanskrit, Latin, Old High German and Old Norse provide strong linguistic evidence that the God has a connection to the Proto-Indo-European sky god. Zeus is the only deity in the Olympic pantheon whose name has such an apparent Indo-European etymology. In addition to his Indo-European inheritance, the classical Zeus also derives certain iconographic traits from the cultures of the ancient Near East, such as the scepter.

Zeus in myth

The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church

Birth & Childhood

Cronus sired several children by Rhea: Hestia, Demeter, Hera, Hades, and Poseidon. However, he swallowed them all as soon as they were born, fearing that one of them would usurp him and inherit his role as ruler of the gods. However, when Zeus was about to be born, Rhea sought Uranus and Gaia to devise a plan to save him, so that Cronus would get his retribution for his acts against Uranus and his own children. She covertly gave birth to Zeus in Crete, handing Cronus a rock wrapped in swaddling clothes in place of her newborn child. Cronus promptly swallowed the swaddled rock thinking that it was his son.

With Cronus subdued, Rhea hid Zeus in a cave on Mount Ida in Crete. There are various versions of the story following this juncture, including varations where Zeus was then raised by 1) Gaia; 2) by Melissa, who nursed him with goat's-milk; 3) a nymph named Adamanthea who hid him by dangling him on a rope from a tree so he was suspended between earth, sea and sky and thus, invisible to his father Cronus ruled over all three jurisdictions 4) a nymph named Cynosura who was later placed her among the stars by Zeus as a sign of his gratitude 5)a goat named Amalthea, while a company of Kouretes— soldiers, or smaller gods— danced, shouted and clashed their spears against their shields so that Cronus would not hear the baby's cry.

Zeus becomes king of the gods

After reaching manhood, Zeus overthrew Cronus. First, he disgorged the stone and set it down at Pytho under the glens of Parnassus to be a sign of order and justice to mortal men, the Omphalos. Next, he extracted his siblings in an order reverse of that in which they had been swallowed. In some versions, Metis gave Cronus an emetic to force him to regurgitate his brothers and sisters; in others, Zeus cut Cronus' stomach open. With his own brothers and sisters freed, Zeus released the brothers of Cronus, the Gigantes, the Hecatonchires and the Cyclopes), from their dungeon in Tartarus, a shadowy underworld region. As a token of their gratitude, the Cyclopes gave Zeus thunder and the thunderbolt, or lightning, which had previously been hidden by Gaia. Together, Zeus and his siblings along with the Gigantes, Hecatonchires, and Cyclopes ousted Cronus and the other Titans in a ten year battle better known as the Titanomachy. Gaia resented the way Zeus had treated the Titans, because they were her children. Afterward, Zeus battled fight Gaia's other children, the monsters Typhon and Echidna, who posed a threat to his newfound supremacy. He vanquished Typhon and trapped him under a mountain, but left Echidna and her children alive as challenges for future heroes. All defeated enemies were then cast into Tartarus themselves. After these battles, Zeus shared the world with his elder brothers Poseidon and Hades. Jurisdiction over particular realms was determined by drawing lots. Zeus drew the sky and air, Poseidon the waters, and Hades the world of the underworld. Since sky gods were were considered most high in the Greek and Roman traditions, Zeus therefore assumed dominion over the rest of the gods. In order to protect his power, he quickly followed in his fathers footsteps, swallowing his first wife Metis.

Consorts and Conquests

Hera was sister and consort of Zeus. The only issue of their union was Ares, though Hera produced other offspring of her own. The conquests of Zeus among nymphs and the mythic mortal progenitors of Hellenic dynasties are famous. Olympian mythography even credits him with unions with Demeter, Latona, Dione and Maia. Among the mortals, Zeus is said to have made love to Semele, Io, Europa and Leda. Zeus also undertook a pederastic relationship with Ganymede. Many myths render Hera as jealous of Zeus' philandering, consistently cultivating enmity toward his mistresses and their children which he had sired. For a time, a nymph named Echo was actually assigned the task of distracting Hera from Zeus' affairs by incessantly talking; upon discovering the ruse, Hera cursed Echo to repeat the words of others.

Offspring

Not only was Zeus a prolific lover, but he also incredibly fecund. Notable offspring include: the Three Fates (by Ananke), The Muses (by Mnemosyne), Persephone (by Demeter), Aphrodite (by Dione), Apollo and Artemis (by Leto), Athena (by Metis), Hermes (by Maia) and even Alexander the Great (by Olympias). Among the multitude of children Zeus spawned, Hercules was often described as his favorite. Indeed, Hercules was often called by various gods and people as "the favorite son of Zeus". Unlike in the TV show "Hercules: The Legendary Journeys"(where Hercules resents both the title and his father for much of the shows run), Zeus and Hercules were very close and in one story, where a tribe of earth-born Giants threatened Olympus and the Oracle at Delphi decreed that only the combined efforts of a lone god and mortal could stop the creature, Zeus chose Hercules to fight by his side. They proceeded to defeat the monsters.

Function and Personality

As king of the Gods, Zeus rules over all that exists from the snowy peaks of Mount Olympus. He is considered to be revealed to humanity by way of the daylight and rain. He is the protector of landed wealth, preserver of household goods, and protector of strangers and travelers against those who might seek to victimize them. Zeus' close affiliation with the Fates allows him to know all that is, was and will be. Even with this foreknowledge, Zeus dispenses success and misfortune to men as he sees fit. Zeus also assumes the role of guarantor of the social and moral order, adjudicating the behavior of humans as well as other deities. Thus, it was Zeus who often meted out punishment for their misdeeds. For instance, Zeus condemned Tantalus to eternal torture in Tartarus for trying to trick the gods into eating the flesh of his butchered son. Some of the punishments he delivered were rather puerile, such as when he killed Salmoneus with a thunderbolt for attempting to impersonate him, riding around in a bronze chariot while imitating thunder. Though Zeus could be petty and malicious, he also had a righteous element, perhaps best exemplified in his aid on behalf of Atreus and his murder of Capaneus for unbridled arrogance.

Worship of Zeus

Bust of Zeus in the British Museum

Zeus dominance was demonstrated not only by way of his dominion over the Greek Olympian pantheon, but also by his status as the most supreme cultural artifact of Greece. In some sense, he was the embodiment of Greek religious beliefs and the archetypal Greek deity. As such, he was honoured with one of the most popular Greek religious cults.

As well, Zeus's wide-ranging authority is made evident by the numerous titles applied to him by the ancient Greeks. For example, the title Olympios' emphasized Zeus' kingship over both the gods and the Panhellenic festival held at Olympia. A related title was Panhellenios, ('Zeus of all the Hellenes') to whom Aeacus' famous temple on Aegina was dedicated. Zeus also had alternative epithets based upon his particular functions. Under the epithet Xenios, Zeus was the patron of hospitality and guests, ready to avenge any wrong done to a stranger. As Horkios, he was the keeper of oaths. Liars who were exposed were made to dedicate a statue to Zeus, often at the sanctuary of Olympia. Finally, as Agoraios, Zeus watched over business at the marketplace (agora) and punished dishonest traders. These titles and epithets illustrate the broad spectrum of significance Zeus enjoyed in both mythical and religious understanding.

Cults

The major center at which all Greeks converged to pay honor to their chief god was Olympia. Here there was an altar to Zeus made of ash collected from the accumulated remains of many centuries' worth of sacrificed animals. The quadrennial festival there also featured the famous Games. Outside of Olympia and other major sanctuaries, there were certain modes of worshipping Zeus that were shared across the Greek world. Most of the above titles, for instance, could be found at any number of Greek temples from Asia Minor to Sicily. Certain modes of ritual were held in common as well: sacrificing a white animal over a raised altar, for instance.

In addition to the Panhellenic titles and conceptions listed above, local cults maintained their own idiosyncratic ideas about the king of gods and men. On the island of Crete, Zeus was worshipped at a number of caves at Knossos, Ida and Palaikastro. On Crete, Zeus was represented in art as a long-haired youth rather than a mature adult, and hymned as ho megas kouros "the great youth". The stories of Minos and Epimenides suggest that these caves were once used for incubatory divination by kings and priests. With the Kouretes, a band of ecstatic armed dancers, Zeus presided over the rigorous military-athletic training and secret rites of the Cretan culture. The Hellenistic writer Euhemerus apparently proposed a theory that Zeus had actually been a great king of Crete at one time, who had posthumously been venerated to the status of a deity. The works of Euhemerus have not survived, but Christian patristic writers took up this suggestion with enthusiasm.

Colossal seated Zeus from Gaza, Roman period Istanbul Archaeology Museum)

The title Lykaios is morphologically connected to lyke or "brightness", and yet it bears similarity to lykos or "wolf". This semantic ambiguity is reflected in the strange cult of Zeus Lykaios in the backwoods of Arcadia, where the god takes on both lucent and lupine features. On one hand, he presides over Mount Lykaion ("the bright mountain"), the tallest peak in Arcadia. On the other hand, he is also connected with Lycaon ("the wolf-man"), whose ancient cannibalism was commemorated with bizarre, recurring rites. According to Plato (Republic 565d-e), a particular clan would gather on the mountain to make a sacrifice every eight years to Zeus Lykaios, and a single morsel of human entrails would be intermingled with the animal's. Whoever ate the human flesh was said to turn into a wolf, and could only regain human form if he did not eat of human flesh again until the next eight-year cycle had ended.

Although etymology indicates that Zeus was originally a sky god, many Greek cities honored a local Zeus who lived underground. Athenians and Sicilians honored Zeus as Meilichios ("kindly" or "honeyed") while other cities had Zeus as Chthonios ("earthy"), Katachthonios ("under-the-earth) and Plousios ("wealth-bringing"). These deities were represented alternately as snakes or men in visual art. They also received offerings of black animals which were sacrificed into sunken pits, just as they were for other chthonic deities like Persephone, Demeter and numerous heroes. Olympian gods, by contrast, usually received white animals which were sacrificed upon raised altars. In some cases, cities were not entirely sure whether the daimon to whom they sacrificed was a hero or an underground Zeus. Thus, the shrine at Lebadaea in Boeotia might belong to the hero Trophonius or to Zeus as Trephonius ("the nurturing"), depending on the historical source. Similarly, the hero Amphiaraus was honored as Zeus Amphiaraus at Oropus outside of Thebes, and the Spartans even had a shrine to Zeus Agamemnon.

Oracles

Although most oracle sites were usually dedicated to Apollo, the heroes, or various goddesses like Themis, a limited number were dedicated to Zeus. The cult of Zeus at Dodona in Epirus, where there is evidence of religious activity from the 2nd millennium B.C.E. onward, centered around a sacred oak. When the Odyssey was composed (circa 750 B.C.E.), divination was done there by barefoot priests called Selloi, who laid upon the ground and observed the rustling of the leaves and branches (Odyssey 14.326-7) in order to form their predictions. By the time Herodotus wrote about Dodona, female priestesses called peleiades ("doves") had replaced the male priests. Zeus' consort at Dodona was not Hera, but the goddess Dione, whose name is a feminine form of "Zeus". Her status as a titaness suggests that she may have been a more powerful pre-Hellenic deity, and perhaps the original occupant of the oracle.

Another oracle which may have been dedicated to Zeus is the oracle of Ammon at the oasis of Siwa. Located in the Western Desert of Egypt, this oracle did not lie within the bounds of the Greek world before Alexander's day, though it did loom large in the Greek mind during the archaic era. Herodotus, for instance, mentions consultations with Zeus Ammon in his account of the Persian War. Zeus Ammon was especially favored at Sparta, where a temple dedicated to him existed by the time of the Peloponnesian War.

Significance

Zeus is of great importance not only as the ruler of the Greek pantheon, but more generally as one of (if not the) most identifiable and influential representations of God in the world. His depiction as the white-bearded, overwatching sky god has often been the archetypal image of God in the Western world, including the Christian tradition in some instances. Also, images of the old bearded God have been prevalent in popular culture references to the supreme divine. Further, the idea that God is a tempermental, monarchical figure no doubt derive in part from Zeus. This conception of God as what Brian Wren calls the KINGAFAP (the King, God, Almighty, Father. All Powerful Protector) is basically an extension upon depictions and descriptions of Zeus. Thus, Zeus' presence in the collective religious consciousness of much of humanity is unquestionably immense.

References

ISBN links support NWE through referral fees

• Burkert, Walter. Greek Religion. Harvard: Harvard University Press, 1985.
• Carlier, Jeannie. "Zeus." Encyclopedia of Religion, ed. Mercia Eliade. New York: MacMillan Publishing, 1987. 568.
• Cook, Arthur Bernard. Zeus: A Study in Ancient Religion. New York: Bibilo & Tannen, 1964.
  • Volume 1: Zeus, God of the Bright Sky, Biblo-Moser, June 1, 1964, ISBN 0-8196-0148-9 (reprint)
  • Volume 2: Zeus, God of the Dark Sky (Thunder and Lightning), Biblo-Moser, June 1, 1964, ISBN 0-8196-0156-X
  • Volume 3: Zeus, God of the Dark Sky (earthquakes, clouds, wind, dew, rain, meteorites)
• Farnell, Lewis Richard, Cults of the Greek States. Oxford: Clarendon 1896-1909.
• Farnell, Lewis Richard, Greek Hero Cults and Ideas of Immortality. Oxford: Clarendon, 1921.
• Wren, Brian. What Language Shall I Borrow? God-talk in Worship: A Male Response to Feminist Theology. New York: Crossroad, 1989.

External links

• Greek Mythology Link, Zeus stories of Zeus in myth
• Theoi Project, Zeus summary, stories, classical art
• Theoi Project, Cult Of Zeus cult and statues
• Pictures of the Altar of Zeus and its meaning in Scripture
• The myths of Zeus and Ganymede; and Zeus and Tantalus

Template:Greek myth (Olympian)2

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