Imhotep (sometimes spelled Immutef, Im-hotep, or Ii-em-Hotep, Egyptian ii-m-ḥtp *jā-im-ḥatāp meaning "the one who comes in peace"), an Egyptian polymath, served under the Third Dynasty king Djoser (reigned ca. 2630-2610 B.C.E.) as chancellor to the Pharaoh and high priest of the creator god Ptah at Heliopolis. His excellence in practical scholarship has led to the preservation of his reputation as a preeminent architect and physician—arguably the earliest practitioner of each discipline known by name in human history.
In the centuries following his life, he came to be identified as a son of Ptah and a god of medicine. This led to the gradual development of a religious cult, which reached its zenith during the Hellenistic period, when Imhotep was identified with the Greek god, Asclepius.
As an Egyptian culture hero/deity, Imhotep belonged to a religious, mythological and cosmological belief system that developed in the Nile river basin from earliest prehistory to around 525 B.C.E. Indeed, it was during this relatively late period in Egyptian cultural development, a time when they first felt their beliefs threatened by foreigners, that many of their myths, legends and religious beliefs were first recorded. The cults were generally fairly localized phenomena, with different deities having the place of honor in different communities. Yet, the Egyptian gods (unlike those in many other pantheons) were relatively ill-defined. As Frankfort notes, “If we compare two of [the Egyptian gods] … we find, not two personages, but two sets of functions and emblems. … The hymns and prayers addressed to these gods differ only in the epithets and attributes used. There is no hint that the hymns were addressed to individuals differing in character.” One reason for this was the undeniable fact that the Egyptian gods were seen as utterly immanent—they represented (and were continuous with) particular, discrete elements of the natural world.  Thus, those Egyptian gods who did develop characters and mythologies were generally quite portable, as they could retain their discrete forms without interfering with the various cults already in practice elsewhere. Furthermore, this flexibility was what permitted the development of multipartite cults (i.e. the cult of Amun-Re, which unified the domains of Amun and Re), as the spheres of influence of these various deities were often complimentary.
The worldview engendered by ancient Egyptian religion was uniquely defined by the geographical and calendrical realities of its believers' lives. The Egyptians viewed both history and cosmology as being well ordered, cyclical and dependable. As a result, all changes were interpreted as either inconsequential deviations from the cosmic plan or cyclical transformations required by it. Breasted argues that one source of this cyclical timeline was the dependable yearly fluctuations of the Nile. The major result of this perspective, in terms of the religious imagination, was to reduce the relevance of the present, as the entirety of history (when conceived of cyclically) was defined during the creation of the cosmos. The only other aporia in such an understanding is death, which seems to present a radical break with continuity. To maintain the integrity of this worldview, an intricate system of practices and beliefs (including the extensive mythic geographies of the afterlife, texts providing moral guidance (for this life and the next) and rituals designed to facilitate the transportation into the afterlife) was developed, whose primary purpose was to emphasize the unending continuation of existence. Given these two cultural foci, it is understandable that the tales recorded within this mythological corpus tended to be either creation accounts or depictions of the world of the dead, with a particular focus on the relationship between the gods and their human constituents.
As is often the case for individuals whose historical existence was sufficiently remote, little is definitively known about the life of Imhotep, an Egyptian culture hero from the Third Dynasty period. Fortunately, the surviving complex of scribal records, artistic depictions, and mythic accounts paints a relatively consistent picture of the man, allowing us to draw up the following biographical sketch.
Imhotep, often thought to have been a Memphite commoner, entered into the service of King Djoser (reigned ca. 2630-2610 B.C.E.) relatively early in life, gradually earning the position of royal chancellor. In this capacity, he began to enact the humanistic, administrative and scientific reforms for which he came to be revered. Most notably, he was renowned for his architectural prowess, and was credited with designing the Pyramid of Djoser—the first Step Pyramid in Egyptian history, built at Saqqara between 2630 and 2611 B.C.E. Shafer notes:
In the Djoser complex, the architect Imhotep apparently united basic elements found in the royal funerary architecture of Abydos with the traditions of Memphis. The royal Abydene tomb may be reflected in the south tomb; the Memphite tomb, in the north tomb under the stepped pyramid. ... Perhaps later builders believed Imhotep's large-scale architectural model was too much of a pastiche to warrant further development. In any event, the funerary complexes of the short-lived successors of King Djoser were greatly simplified and consisted of paneled enclosures that omitted all the interior buildings except the stepped pyramid and the southern tomb" (43-44).
He was also recognized for his contributions to Egyptian literature, to the extent that he was "mentioned in a Middle Kingdom text as one of the sages whose memory lives through their writings." In another example of this characterization, Breasted quotes an Old Kingdom-era funerary song that states: "I have heard the words of Imhotep." Likewise, Harold Scheub states that Imhotep was the first recorded author of an "Instruction" text (a common Egyptian literary genre providing epigrammatic advice for leading a good life) His association with written culture is also evidenced by iconographic depictions, which portray him with as a studious man with a scribal papyrus in his lap.
The range of this remarkable man's achievements is evidenced by a Third Dynasty stele, which comprises a list of royally-sanctioned titles, including "Chancellor of the King of Lower Egypt; First after the King of Upper Egypt; Administrator of the Great Palace; Hereditary nobleman; High Priest of Heliopolis; Builder; Chief Carpenter; Chief Sculptor and Maker of Vases in Chief."
Either during his lifetime (or in the centuries immediately following his death), Imhotep was also deemed to be the founder of Egyptian medicine. This suggestion was supported by his attributed authorship of a medical treatise remarkable for its abstention from magical thinking, the so-called Edwin Smith Papyrus, which provided detailed anatomical observations, and a catalog of ailments and cures. The surviving papyrus was probably written around 1700 B.C.E., though it could easily have been a copy of a text (or texts) that were a thousand years older. This attribution is speculative, but it is consistent with classical Egyptian characterization of Imhotep. As Wilkinson notes, "although his medical achievements are not contemporaneously documented, the fact that Imhotep became known as a virtual medical demigod within a century or so of his death seems to indicate that he may well have been a highly skilled physician."
In the centuries following the death of the great scholar and architect, Imhotep came to be venerated and, eventually, worshiped outright at shrines throughout the country. Just as the cult of the pharaohs was justified through the claim of divine provenance (usually credited to Horus or Ra), so too was the cult of Imhotep justified by claiming that Ptah, who the culture hero had served as a priest, was in fact his father. In mythological and historical texts, he is often paralleled with Amenhotep son of Hapu, another deified mortal who was renowned for his intellect and scholarship. However, Erman notes that "his cult still retained the forms of the worship of the dead" (unlike the purely religious deity cults of the official religion).
Though this type of euhemerization was "not unique in ancient Egypt, he was unrivaled in the high degree and widespread level of veneration he received." The details of his cult's development are summarized by Wilkinson:
Given his association with medicine and healing, it is understandable that Imhotep came to be seen as the divine patron of the physician's arts. As a result of this patronage, he came to be affiliated with the Greek God Asclepius during the Hellenistic period. For this reason Sir William Osler describes Imhotep as the real Father of Medicine, "the first figure of a physician to stand out clearly from the mists of antiquity." Just as in the cult of Asclepius, temples of Imhotep came to be pilgrimage sites, where the afflicted would make votive offerings in hopes of receiving a divine cure. The tenor of these cultic beliefs is well-represented by a surviving hymn (which can be dated to the reign of Tiberius, 14–37 C.E.):
An inscription from Upper Egypt, dating from the Ptolemaic period, mentions a famine of seven years during the time of Imhotep. According to the inscription, the reigning pharaoh, Djoser, had a dream in which the Nile god spoke to him. The king, realizing his predicament, asked for his loyal retainer's interpretation and acted upon his suggestions. Imhotep's success in his advisory role creates an obvious parallel between himself and the biblical hero Joseph, son of Jacob, a similarity that has long been commented upon. More recently, the Joseph parallels have led some alternative historians to actually identify Imhotep with Joseph, and to argue that the thousand years supposedly separating them are simply indicative of a faulty chronology.
Further, various Hermetic texts concerned with both metaphysical truths and magical charms are credited to the inspiration of Imhotep (though typically in the syncretic guise of the Hellenistic Asclepius). This phenomenon of inspiration is described in one historical text from the period, where "the author describes how he found himself faced with the task of translating into Greek an Egyptian religious text concerned with the nature and worship of the god Imhotep, and how he felt overwhelmed by the enormity of trying to translate sacred traditions into the 'popular' language of the Greeks. He kept putting off the job; as a result he fell ill, and almost died. Only when the god himself, Imhotep, appeared in a vision ... was the man cured. But his cure had a price: he would have to honour his commitment and finish the translation." Commenting on these Hermetic documents, Pinch suggests that "the philosophical text known as the Asclepius is a dialogue between Imhotep/Asclepius and Thoth/Hermes about the secrets of the universe. Three thousand years after his death, Imhotep was still celebrated as the embodiment of Egyptian wisdom."
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