Howard Harold Hanson (October 28, 1896 – February 26, 1981) was an American composer, conductor, educator, music theorist, and ardent champion of American classical music which helped to enrich the musical culture of the United States. Beginning with a love for his Scandinavian background, Hanson soon wove Swedish and later American folk melodies and rhythms into his compositions amongst the romanticism of polychords, polyrhythms, and polymeters which gave his music a wide spectrum of traditional and contemporary stylisms. The blend of many genres created a harmony and sense of cooperation within his works which seemed to duplicate his organizing skills as a conductor and communicative skills as an educator.
Hanson was born in Wahoo, Nebraska to Swedish parents, Hans and Hilma (Eckstrom) Hanson. In his infancy he studied music with his mother. Later, he studied at Luther College in Wahoo, receiving a diploma in 1911, then at the Institute of Musical Art in New York City, where he studied with the composer and music theorist Percy Goetschius in 1914. Afterwards he attended Northwestern University, where Hanson studied composition with church music expert Peter Lutkin and Arne Oldberg in Chicago. Throughout his education, Hanson studied piano, cello and trombone. Hanson received his BA degree in music from Northwestern University in 1916, where he began his teaching career as a teacher's assistant.
That same year, Hanson got his first full-time position as a music theory and composition teacher at the College of the Pacific in California, and only three years later, the college appointed him Dean of the Conservatory of Fine Arts in 1919. In 1920, Hanson composed The California Forest Play, his earliest work to receive national attention. Hanson also wrote a number of orchestral and chamber works during his years in California, including Concerto da Camera, Symphonic Legend, Symphonic Rhapsody, various solo piano works, such as Two Yuletide Pieces, and the Scandinavian Suite, which celebrated his Lutheran and Scandinavian heritage.
Hanson was the first recipient of the American Academy's Prix de Rome, awarded by the American Academy in Rome, in 1921, for both The California Forest Play and his symphonic poem Before the Dawn. Thanks to the award, Hanson lived in Italy for three years. During his time in Italy, Hanson wrote a Quartet in One Movement, Lux aeterna, The Lament for Beowulf (orchestration Bernhard Kaun), and his Symphony No. 1, "Nordic", the premiere of which he conducted with the Augusteo Orchestra on May 30, 1923. It has been incorrectly stated that Hanson studied composition and/or orchestration with Ottorino Respighi, who studied orchestration with Nikolay Rimsky-Korsakov. Hanson's unpublished autobiography refutes the statement, attributed to Ruth Watanabe, that he had studied with Respighi.
Upon returning from Rome, Hanson's conducting career took off, making his premiere conducting the New York Symphony Orchestra in his tone poem North and West. In Rochester, New York in 1924, he conducted his Symphony No. 1, and this brought him to the attention of George Eastman, inventor of the Kodak camera and roll film, who chose Hanson to be director of the Eastman School of Music. Hanson held that position for 40 years, turning the institution into one of the most prestigious music schools in America. He accomplished this by improving the curriculum, bringing in better teachers and refining the school's orchestras. Also, he balanced the school's faculty between American and European teachers, even when this meant passing up Béla Bartók. Hanson offered a position to Bartok teaching composition at Eastman, a position that Bartok declined as Bartok did not believe that one could teach composition. Bartok placed Hanson in a difficult position as he wished to teach piano at Eastman—Eastman had a full staff of piano instuctors at the time and Bartok's piano technique fell far short of the quality that Eastman students demanded.
In 1925, Hanson established the American Composers Orchestral Concerts. Later, he founded the Eastman-Rochester Symphony Orchestra, which consisted of first chair players from the Rochester Philharmonic Orchestra and selected students from the Eastman School, and then The Festivals of American Music followed. Hanson made many recordings with the Eastman-Rochester Symphony Orchestra, not only his own works, but also those of other American composers such as John Alden Carpenter, Charles Tomlinson Griffes, John Knowles Paine, Walter Piston, William Grant Still, and other lesser known composers. Hanson estimated that over 2,000 works by over 500 American composers were premiered during his tenure at Eastman.
To celebrate the fiftieth anniversary of the Boston Symphony Orchestra, Serge Koussevitzky commissioned Hanson's Symphony No. 2, the "Romantic", and premiered it on November 28, 1930. This work was to become Hanson's best known. It accompanied several exterior sequences and the end credits in the original release of the famous sci-fi movie Alien. Its primary melody is performed at the conclusion of all concerts at the Interlochen Center for the Arts. Known as the "Interlochen Theme," it is conducted by a student concertmaster after the conductor has left the stage. There is to be no applause after its performance.
Hanson's opera Merry Mount is credited as the first American opera, since it was written by an American composer and an American librettist on an American story, and it was premiered with a mostly American cast at the Metropolitan Opera in New York, in 1934. The Opera received 50 curtain calls at its Met premiere, a record that still stands.
The opening theme of his Third Symphony's second movement is one of the most haunting and memorable passages in American music. The Third was written 1936-1938 and first played by the NBC Symphony Orchestra.
Hanson met Margaret Elizabeth Nelson at her parents' summer home on Lake Chautauqua in the Chautauqua Institution in New York. Hanson dedicated the Serenade for Flute, Harp, and Strings, to her; the piece was his musical request to marry her as he could not find the spoken words to ask her to marry him. They married on July 24, 1946 at her parents' summer home in Chautauqua Institution.
In 1953, Hanson helped to establish the Edward B. Benjamin Prize "for calming and uplifting music" written by Eastman students. Each submitted score was read by Hanson and the Eastman Orchestra. Winners of the Benjamin Prize appeared on Hanson's recording Music for Quiet Listening.
Frederick Fennell, conductor of the Eastman Wind Ensemble, described Hanson's first band composition, the 1954 Chorale and Alleluia as "the most awaited piece of music to be written for the wind band in my twenty years as a conductor in this field." Chorale and Alleluia is still a required competition piece for high school bands in the New York State School Music Association's repertoire list and is one of Hanson's most frequently recorded works.
In 1960, Hanson published Harmonic Materials of Modern Music: Resources of the Tempered Scale, a book that would lay the foundation for musical set theory. Among the many notions considered was what Hanson called the isomeric relationship, now usually termed Z-relationship.
Hanson took the Eastman Philharmonia, a student ensemble, on a European tour from 1961 to 1962, which passed through Paris, Cairo, Moscow, and Vienna, among other cities. The Tour showcased the growth of serious American music in Europe and the Middle East.
Hanson was on the Board of Directors of the Music Educators National Conference from 1960 to 1964.
Even after his retirement from Eastman in 1964, Hanson continued his association with the school.
Hanson's Song of Democracy, on a Walt Whitman text, was also performed at the inaugural concert for incoming U.S. President Richard Nixon in 1969, an event Hanson proudly described as the first inaugural concert featuring only American music.
The Eastman Kodak company, in recognition of Hanson's achievements, donated $100,000 worth of stock to the school in 1976. Hanson stipulated that the gift be used to fund the Institute of American Music at Eastman.
Hanson continued conducting, composing and writing in his eighties, up to his death in Rochester, New York.
All links retrieved January 29, 2014.
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