Acts of John

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John raises Dusiana from the dead, by Fra Filippino Lippi.

The Acts of John is a second century collection of Christian-based narratives and traditions, relating the travels and miraculous deeds of John the Apostle, one of the three closest disciples of Jesus. Together with the Acts of Paul, it is considered one of the most significant of the Apostolic Acts in the New Testament apocrypha.

The Acts of John describes his journeys to Ephesus, filled with dramatic events, romantic episodes, miracles such as the collapse of the Temple of Artemis, and well-framed melodramatic speeches. It may have originated as a Christianized wonder tale, designed for a Hellenic audience. Literary critics consider it to fall in the Romance genre set in a Christian context. Two of its tales involve couples who become tragically parted by death by are united after John revives one or both of them channeling God's power. However, these "romances" are remarkable in that they downplay the sexual aspect of marriage. In one rendition the couple is committed to celibacy.

The work was rejected as heretical due to a section containing teachings of a Gnostic or docetic nature, in which Jesus is depicted as not having a normal human body and as not truly suffering when he was on the Cross. Several of the legends contained in the Acts of John, however, survived in Christian tradition and artwork.

Contents

Introduction

Because of its vivid and sometimes tantalizing descriptions of Christian miracles, the Acts of John was apparently in wide circulation until it was condemned by the Second Council of Nicaea in 787 C.E. Little is known regarding the actual author or authors of this work, but Saint Photius, the ninth century patriarch of Constantinople, identified him as Leucius Charinus. Earlier, Epiphanius (Haer. 51.427) said that Leucius was a disciple of John the Apostle, but other Church Fathers refer to the work as heretical because of its Docetist teaching, denying the humanity of Christ. Gregory of Tours, on the other hand, found the work valuable enough to make an abridged version of it, omitting its "tiresome" elaborations. Faustus of Mileve, a Manichaean bishop of the later fourth century, held that it was improperly excluded from the New Testament. Photios attributes not only the Acts of John to Lecius, but several other apocryphal Acts, which he refers to as the Circuits of the Apostles, including the Acts of Peter, Andrew, Thomas, and Paul.

A large fragment of the Acts of John survives in Greek manuscripts of widely varying dates. Two particular segments of the work posed a major problem for orthodox Christian readers because of their docetic imagery and overt Gnostic teachings (chapters 94-102 and 109). These resulted in the work's condemnation as heretical, but today many scholars believe these sections to be interpolations, in an otherwise orthodox, though clearly fanciful, work. Also found in the Acts of John is a hymn describing a circle dance performed by Jesus and the disciples, containing formulas which may have been thought to enable the Gnostic believer to evade demons who could impede one’s journey to heaven.

Artists conception of the Temple of Artemis at Ephesus.

Despite being considered as heretical in church tradition, the Acts of John has been found in many monastic libraries. A number of versions, especially those in Latin, seem to have been edited so as to remove any unorthodox content.

Several of the stories in this work emphasize the theme of sexual purity. One involves a "spiritual marriage" in which husband and wife live as brother and sister, a state apparently approved of, while another involves a young man who goes too far and castrates himself in remorse after repenting of the sins of adultery and murder.

The text begins with John traveling toward Ephesus. Its actual beginning has been lost. Some believe that it may have described John's temporary banishment to the isle of Patmos. One later version of the Acts of John explains that he was exiled to Patmos by Emperor Domitian after an episode similar to the one described below with the pagan priest Aristodemus. Another speaks of him experiencing a shipwreck when he left Patmos, landing at Miletus, and then proceeding to Ephesus.

A number of the episodes contained in the Acts of John were adopted into orthodox Christian. For example the story of the resurrection of Drusiana is depicted in the works of well known Christian artists, while the legend of the death assumption of John the Apostle became incorporated into the cult of Saint John at Ephesus. The miracle of the destruction of the Temple of Artemis at Ephesus, meanwhile, would be re-enacted in not-so-miraculous fashion by Saint John Chrysostom and his followers, who destroyed the ancient temple c. 401 C.E.

Summary

Lycomedes and Cleopatra

The surviving text opens with John, having received a vision, on his way to the city of Ephesus in Asia Minor (today's Turkey). As he approaches the city, the wealthy praetor (magistrate) of Ephesus, Lycomedes, falls at the apostle's feet and beseeches him to help his wife Cleopatra, who is incurably ill. John immediately goes with Lycomedes to his house, where they find Cleopatra clearly dying. Lycomedes expresses his grief in touching tones:

See, Lord, the withering of the beauty, see the youth, see the renowned flower of my poor wife, at which all Ephesus was wont to marvel… The sun in his course shall no more see me conversing with thee. I will go before thee, Cleopatra, and rid myself of life.

John pulls him away, reminding him that suicide is a sin, and predicts "thou shalt receive thy consort again." Lycomedes, however, falls on the floor in despair and dies. John himself now despairs for his own life, as the Ephesians are likely to hold him responsible for Lycomedes's death. He beseeches God to raise Lycomedes and Cleopatra from the dead.

The multitude of the people of Ephesus, meanwhile, hear that Lycomedes is dead and rush to his house. John prays to Christ: "O physician who healest freely; keep thou mine entering in hither safe from derision." He then turns to Cleopatra and says: "Arise in the name of Jesus Christ." Cleopatra immediate declares: "I arise, master! Save thou thine handmaid." The Ephesians are duly impressed by this miracle.

Cleopatra then goes with John into her bedchamber and discovers Lycomedes' dead body. She goes into deep mourning, but John instructs her how to resurrect her husband. Lycomedes immediately revives. Deeply grateful, the couple offers John and his companions hospitality, which they accept. Lycomedes commissions a noted painter to create John's portrait, stimulate a discourse which concludes with objecting that the painter, in portraying the physical body, has "drawn a dead likeness of the dead."

The home of Lycomedes and Cleopatra becomes a hospice of old widows, and when Andromeus, the leading citizen of the Ephesians, challenges John's miracles as the product of trickery, John miraculously heals several of the dying old women. He also delivers a sermon, urging Andromeus and the crowd to moral disciple and asceticism.

John at the Temple of Artemis

The goddess Artemus of Ephesus

John then leads his followers to the Temple of Artemis at Ephesus, one of the Seven Wonders of the World. As it was a festival day, all in attendance are dressed in white, while John alone wears black. Offended by John's impiety, those in attendance are ready to kill him. John courageously ascends a pedestal and confronts the bloodthirsty crowd, appealing to the miracles he has wrought as evidence of God's favor. "Ye all say that ye have a goddess, even Artemis," John declares. "Pray then unto her that I alone may die; but if ye are not able to do this, I only will call upon mine own god, and for your unbelief, I will cause every one of you to die."

The frightened people admit that John's power is the greater, and he then prays: "O God that art God above all that are called gods… show thou thy mercy in this place, for they have been made to err." Immediately the altar of Artemis is torn asunder and her sacred vessels falls over, together with the images of seven other deities. "Half of the temple" then collapses, and the priest of Artemis dies as a result. A large number of the Ephesians are immediately converted to the worship of the "One God" of John.

Although John had intended to continue on to Smyrna, he remains in Ephesus to teach the new converts and raise them in the Christian faith. In the process he raises from the dead the priest of Artemis, who becomes one of John's disciples.

John then brings a murderous and adulterous young man to repentance and sobriety, raising from the dead the young man's father, whom he has slain. When the young man castrates himself in remorse, John corrects him, teaching him that "it is not the instruments that are injurious, but the unseen springs by which every shameful emotion is stirred." The young man is duly repentant, and becomes John's disciple.

The miracle of the bedbugs

In a particularly amusing tale, John and his companions stay at an inn, where John's bed is infested with bedbugs. Unable to rest, John commands: "I say unto you, O bugs, behave yourselves, one and all, and leave your abode for this night and remain quiet in one place, and keep your distance from the servants of God." John's disciples are amused at this seemingly ridiculous outburst, but in the morning, they discover a huge number of bugs outside the door of John's room, where John has enjoyed a very restful night. At the apostle's command, the bugs then return to their abode to trouble the next guest.

Andronicus and Drusiana

Giotto's version of the resurrection of Drusiana

The story of the noble couple Andronicus and Drusiana is the best known of the stories of the Acts of John. A dramatic and lurid tale, it demonstrates the tendency of some early Christian literature to view sex, even within marriage, as a detestable act. Here, a certain man characterized as "a messenger of Satan," later named as Callimachus, falls in love with the beautiful Drusiana, the wife of Andronicus. The noble Christian couple has devoted themselves to celibacy, after the chaste Drusiana tells Andronicus that she would "rather to die than to do that foulness." Now, feeling terrible guilt at having inspired Callimachus to adulterous thoughts, Drusiana herself dies of remorse. This however, did not dampen the lust of Callimachus who desires her all the more, and he shockingly bribes Andronicus' steward to open Drusiana tomb in order to have sex with her dead body. He and the wicked steward proceed to strip the grave-clothes from Drusiana's corpse. She is nearly naked when a serpent suddenly appears, killing the steward and entwining himself around the fallen body of Drusiana's would-be lover.

The next day at dawn, John and Andronicus appear on the scene. John commands the venomous serpent to depart and then raises Callimachus, who confesses his evil intent and repents of his sin. Johns proceeds to raise Drusiana as well, who, though embarrassed to find herself clad in only her shift, rejoices to learn that Callimachus no longer lusts after her. After restoring herself to a more modest attire, she asks John to restore the steward as well. John empowers Drusiana to revive the steward, which she promptly does. The steward, however, is not grateful, protesting that he would have rather remained dead, and he immediately flees. After celebrating the Eucharist at Drusiana's sepulcher, the group discovers the unfortunate steward dying a second time from a snake bite. John pronounces his doom: "Thou hast thy child, O Devil."

Docetic teaching

John and Jesus: "He would take me upon his own breast; and sometimes his breast was felt of me to be smooth and tender, and sometimes hard like unto stones."

At this point, the text contains an interlude in which several issues are discussed regarding the nature of Jesus and his suffering. John explains that Jesus appeared during his earthly life in several guises: Sometimes as a child, sometimes as himself, and sometimes as an old man. John testifies that when he used to rest his head on Jesus' breast, it was sometimes soft and smooth, and other times hard like stone. Moreover, Jesus did not leave footprints when he would walk on the sandy shore near the Sea of Galilee. John reports seeing Jesus naked on occasion, and that "the earth was lit by his feet and his head touched the heaven." John also says that "Sometimes when I would lay hold on him, I met with a material and solid body, and at other times, again, when I felt him, the substance was immaterial and as if it existed not at all."

Before going to his death, Jesus performs a circle dance with his disciples and sings an apparently Gnostic hymn of spiritual protection:

…One Ogdoad singeth praise with us. Amen.
The number Twelve danceth on high. Amen.
The Whole on high hath part in our dancing. Amen.
Whoso danceth not, knoweth not what cometh to pass. Amen.
I would flee, and I would stay. Amen.
I would adorn, and I would be adorned. Amen.
I would be united, and I would unite. Amen.
A house I have not, and I have houses. Amen.
A place I have not, and I have places. Amen.
A temple I have not, and I have temples. Amen.
A lamp am I to thee that beholdest me. Amen.
A mirror am I to thee that perceivest me. Amen.
A door am I to thee that knockest at me. Amen.
A way am I to thee a wayfarer.

Jesus then describes the crucifixion to John in a manner suggestive of a transcendent event in which his suffering is something of an illusion: "Nothing of the things which they will say of me have I suffered," Jesus says. "Thou hearest that I suffered, yet did I not suffer; that I suffered not, yet did I suffer; that I was pierced, yet I was not smitten; hanged, and I was not hanged; that blood flowed from me, and it flowed not…"

John then relates that "When I went down, I laughed them all to scorn, inasmuch as he had told me the things which they have said concerning him; holding fast this one thing in myself, that the Lord contrived all things symbolically and by a dispensation toward men, for their conversion and salvation."

Final triumph

The text continues with John preaching several homilies on the need for holiness and seeking first the kingdom of God before any earthly treasure.

An episode is also related in which John raises from the dead a young man named Stacteus, converts 12,000 Ephesians to the Christian faith, and confronts the pagan arch-priest Aristodemus. "Tell me, Aristodemus, what can I do to take away the anger from thy soul?" asks John. Aristodemus asks John to drink poison. To assure himself that there is no trick, Aristodemus first gives the poison to two condemned criminals, who promptly die. John drinks the poison and suffers no harm, causing many to believe. Aristodemus however, refuses to have faith in John's God until John raises from the dead those who died of the poison before him. John ultimately does so, and Aristodemus finally admits John's greatness, bringing even the Roman proconsul to John to be baptized along with him.

Death

Giotto's Assumption of Saint John
The traditional tomb of John the Apostle in Ephesus

The various manuscripts of the Acts of John differ in many points, including their endings, some of which report his death as follows:

Having sealed himself in every part… and laid himself down in the trench where he had strewn his garments, and having said unto us: "Peace be with you, brethren," he gave up his spirit rejoicing.

Some sources add: "We who were there rejoiced, some of us, and some mourned… And forthwith manna issuing from the tomb was seen of all, which manna that place produceth even unto this day."

Another tradition relates:

"We brought a linen cloth and spread it upon him, and went into the city. And on the day following we went forth and found not his body, for it was translated by the power of our Lord Jesus Christ, unto whom be glory."

And finally: "On the morrow we dug in the place, and him we found not, but only his sandals, and the earth springing up like a well."

See also

References

  • Bremmer, Jan N. The Apocryphal Acts of John. Studies on the Apocryphal Acts of the Apostles, 1. Kampen, The Netherlands: Kok Pharos, 1995. ISBN 9789039001417.
  • Mead, G. R. S. Gnosticism from the Acts of John. Kila, Mont.: Kessinger Pub, 2006. ISBN 9780766196841.
  • Schneider, Paul G. The Mystery of the Acts of John: An Interpretation of the Hymn and the Dance in Light of the Acts' Theology. San Francisco: Mellen Research University Press, 1991. ISBN 9780773499508.

External links

All links retrieved August 21, 2012.

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