Paul Klee

Paul Klee
Born	December 18 1879(1879-12-18) Münchenbuchsee, Switzerland
Died	June 29 1940 (aged 60) Muralto, Switzerland
Nationality	German/Swiss
Field	painting
Training	Academy of Fine Arts, Munich
Movement	expressionism cubism surrealism
Famous works	many well-known works, including Fish Magic, Golden Fish, Zitronen, and Viaducts Break Ranks

File:'Cat and Bird' by Paul Klee. 1928 oil and ink on gessoed canvas mounted on wood, 1928, Museum of Modern Art (New York City).jpg

Cat and Bird by Paul Klee. 1928 oil and ink on gessoed canvas mounted on wood, 1928, Museum of Modern Art (New York City)

File:Klee, Angelus novus.gif

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Paul Klee (IPA: kleː) (December 18, 1879, to June 29, 1940) was a Swiss painter of German nationality.^[a] He was influenced by many different art styles in his work, including expressionism, cubism, and surrealism. He and his friend, the Russian painter Wassily Kandinsky, were also famous for teaching at the Bauhaus school of art and architecture.

Life and work

Klee was born in Münchenbuchsee (near Bern), Switzerland, into a musical family; his father, Hans Klee, was a German music teacher at the Hofwil Teacher Seminar near Bern. Klee started young at both art and music. At age seven, he started playing the violin, and at age eight, he was given a box of chalk from his grandmother and was encouraged to draw frequently with it.^{[citation needed]} Paul could have done either as an adult; in his early years, he had wanted to be a musician, but he later decided on the visual arts during his teen years. He studied art at the Academy of Fine Arts in Munich with Heinrich Knirr and Franz von Stuck. After traveling to Italy and then back to Bern, he settled in Munich, where he met Wassily Kandinsky, Franz Marc, and other avant-garde figures and became associated with Der Blaue Reiter. Here he met Bavarian pianist Lily Stumpf, whom he married; they had one son named Felix Paul.

In 1914, he visited Tunisia with August Macke and Louis Moilliet and was impressed by the quality of the light there, writing, "Colour has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever... Colour and I are one. I am a painter." Klee also visited Italy (1901), and Egypt (1928), both of which greatly influenced his art. Klee was one of Die Blaue Vier (The Blue Four), with Kandinsky, Feininger, and Von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1924. Klee influenced the work of other noted artists of the early 20th century including Belgian printmaker Rene Carcan.

Klee worked with many different types of media–oil paint, watercolor, ink, and more. He often combined them into one work. He has been variously associated with expressionism, cubism and surrealism, but his pictures are difficult to classify. They often have a fragile child-like quality to them and are usually on a small scale. They frequently allude to poetry, music and dreams and sometimes include words or musical notation. The later works are distinguished by spidery hieroglyph-like symbols which he famously described as "taking a line for a walk". His better-known works include Southern (Tunisian) Gardens (1919), Ad Parnassum (1932), and Embrace (1939).

Following World War I, in which he painted camouflage on airplanes for the imperial German army, Klee taught at the Bauhaus, and from 1931 at the Düsseldorf Academy, before being denounced by the Nazi Party for producing "degenerate art" in 1933. The degenerate art exhibit catalogues had even called Klee's work "the work of a sick mind."

Composer Gunther Schuller also immortalized seven works of Klee's in his Seven Studies on Themes of Paul Klee. The studies are based on a range of works, including Alter Klang [Antique Harmonies], Abstraktes Terzett [Abstract Trio], Little Blue Devil, Twittering Machine, Arab Village, Ein unheimlicher Moment [An Eerie Moment], and Pastorale.

Another of Klee's paintings, Angelus Novus, was the object of an interpretive text by German philosopher and literary critic Walter Benjamin: In it, Benjamin suggests that the angel depicted in the painting might be seen as representing progress in history. In 1933, Paul Klee returned to Switzerland; in 1935, he began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal case of the disease can be followed through the art he created in his last years.

He died in Muralto, Switzerland, in 1940 without having obtained Swiss citizenship. The Swiss authorities eventually accepted his request six days after his death. When Paul Klee died at age sixty, he left at least 8926 works of art. The words on his tombstone say, "I belong not only to this life. I live as well with the dead, as with those not born. Nearer to the heart of creation than others, but still too far." Today, a painting by Paul Klee can sell for as much as $7.5 million.

Paul Klee Zentrum in Bern, Switzerland

A museum dedicated to Paul Klee was built in Bern, Switzerland, by the Italian architect Renzo Piano. It opened in June 2005 and houses a collection of about 4000 works by Paul Klee. Another substantial collection of Klee's works is owned by chemist and playwright Carl Djerassi and displayed at the San Francisco Museum of Modern Art.

Analysis

Pamela Kort observed: "Klee's 1933 drawings present their beholder with an unparalleled opportunity to glimpse a central aspect of his aesthetics that has remained the possibilities of parody and wit. Herein lies their real significance, particularly for an audience unaware that Klee's art has political dimensions."[1]

Klee and color

Throughout his career, Paul Klee used color in a variety of unique and diverse means, in a relationship that has progressed and evolved in a variety of ways. For an artist that loved so much of the natural world, it seems rather odd that Klee originally despised color, believing that it was in itself, little more than a decoration to a work.^{[citation needed]}

Eventually, Klee would learn to manipulate color with great skill, coming to teach lessons on color mixing and color theory to students at the Bauhaus. This progression in itself is of great interest because his views on color would ultimately allow him to write about it from a unique viewpoint among his contemporaries.

Footnotes

• Paul Klee's father was a German citizen; his mother was Swiss. Swiss law determined citizenship along paternal lines, and thus Paul inherited his father's German citizenship. He even served in the German army during World War I. However, Klee grew up in Berne, Switzerland, and returned there often, even before his final emigration from Germany in 1933. He died before his application for Swiss citizenship was processed.

References

ISBN links support NWE through referral fees

• Paul Klee: 1933 published by Städtische Galerie im Lenbachhaus, Munich, Helmut Friedel. Contains essays in German by Pamela Kort, Osamu Okuda, and Otto Karl Werckmeister.

• Kort, Pamela (2004-10-30). Comic Grotesque: Wit And Mockery In German Art, 1870-1940 (in English). PRESTEL, 208. ISBN 9783791331959. 

External links

• Zentrum Paul Klee - The Paul Klee museum in Bern
• Current exhibitions and connection to galeries at Artfacts.Net
• Paul Klee – Swissinfo web special
• Paul Klee at the Museum of Modern Art (MoMA)

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