Leprechaun

A modern stereotypical depiction of a Leprechaun of the type popularized in the 20th Century.

The most famous, recognizable and misrepresented icon of Irish mythology is the leprechaun. Their mythical origins stretching back to before the arrival of the Celts, the leprechaun has come a long way from a species of faeries or sprites to an almost cartoonish caricature of Irish culture that can both celebrate and belittle Celtic culture.

Etymology

There are a number of possible etymologies of the name "leprechaun". One of the most widely accepted theories is that the name comes from the Irish Gaelic words leipreachán and 'luchorpán, both of which overlap in definition as "pygmy, a sprite" The Oxford English Dictionary states an alternate origin as being leath bhrógan, meaning shoe-maker — the leprechaun is known as the fairy shoemaker of Ireland and is often portrayed working on a single shoe.

A leprechaun counts his gold, in this engraving circa 1900.

Another derivation has the word "leprechaun" deriving from luch-chromain, meaning "little stooping Lugh", Lugh being the name of a leader of the Tuatha Dé Danann. The word leprechaun was first recorded used in the English language in 1604 in Middleton and Dekker's The Honest Whore as lubrican. The original meaning was of some kind of spirit and not specifically associated with the Irish mythological character.

Appearance

The leprechaun originally had a different appearance depending on where in Ireland he was found. Prior to the 20th century, it was generally agreed that the leprechaun wore red and not green. Samuel Lover, writing in the 1831 describes the leprechaun as,

... quite a beau in his dress, notwithstanding, for he wears a red square-cut coat, richly laced with gold, waistcoat and inexpressible of the same, cocked hat, shoes and buckles.

Yeats, in his 1888 book entitled Fairy and Folk Tales of the Irish Peasantry describes the leprechaun as follows:

He is something of a dandy, and dresses in a red coat with seven rows of buttons, seven buttons on each row, and wears a cocked-hat, upon whose pointed end he is wont in the north-eastern counties, according to McAnally, to spin like a top when the fit seizes him.

In a poem entitled The Lepracaun; or, Fairy Shoemaker, the 18th century Irish poet William Allingham describes the appearance of the leprechaun as:

A cluricaun with a jug of wine. The cluricaun is often confused with the leprechaun.

...A wrinkled, wizen'd, and bearded Elf,

Spectacles stuck on his pointed nose,

Silver buckles to his hose,

Leather apron - shoe in his lap...

Some suggest that Allingham is in fact responsible for the modern image of the leprechaun, a small man with a red beard, emerald green hat fronting a golden four leaf clover and suit with a large buckle on its belt. This is the widespread conception of the leprechaun, particularly in America, where such products as the Lucky Charms cereal use this depiction of the leprechaun as their mascot.

Origin

One of the purported origins of leprechaun myths comes from the many "faerie forts" or "faerie rings", earthworks and drumlins, found in Ireland that pre-date the Celt occupation, and is connected to the belief in the Tuatha Dé Danann and other quasi-historical races said to be the original inhabitants of the island. At some point in Ireland's history, the leprechaun become a distinguishable entity from other faeries, recognized as taking the form of old men who were sly and lived in solitude, although they were also sometimes believed to be mischievous. By trade they were cobblers or shoemakers for other types of faeries, but were never seen making more than one shoe. Early on they were connected to hidden wealth, having many treasure crocks buried that they guarded with their cunning and wit, however the leprechaun seemed to be vulnerable to direct attention by a human: if anyone kept an eye fixed upon one and interrogated him thoroughly, the leprechaun could not escape and would eventually be forced to divulge the location of its gold. However, if the human looked away, for just a moment, the leprechaun would escape.

A leprechaun is shown crafting shoes in this Engraving made in 1858. In previous years leprechauns had a less homogenized appearance.

Leprechauns rarely appear in what would be classed as a folk tale; in almost all cases the interest of these stories centres round a human hero. Stories about leprechauns are generally very brief and generally have local names and scenery attached to them. The tales are usually told conversationally as any other occurrence might be told, whereas there is a certain solemnity about the repetition of a folk-tale proper.

Examples of tales involving leprechauns

Many tales present the leprechaun as outwitting a human, as in the following examples:

A farmer or young lad captures a leprechaun and forces him to reveal the location of his buried treasure. The leprechaun assures him that the treasure is buried in an open field beneath a particular ragwort plant. The farmer ties a red ribbon to the plant, first extracting a promise from the leprechaun not to remove the ribbon. Releasing the leprechaun, he leaves to get a shovel. Upon his return he finds that every weed in the field has been tied with an identical red ribbon, thus making it impossible to find the treasure.^{[3] [4]}

In another story, a young girl finds a leprechaun and bids him show her the location of his buried money. She takes him up in her hand and sets out to find the treasure, but all of a sudden she hears a loud buzzing behind her. The leprechaun shouts at her that she is being chased by a swarm of bees, but when she looks around there are no bees and the leprechaun has vanished.^[5]

In other stories they are told of riding shepherds' dogs through the night, leaving the dogs exhausted and dirty in the morning.

Further reading

• Croker, T. C. (1862) Fairy Legends and Traditions of the South of Ireland
• Yeats, W. B. (1888) Fairy and Folk Tales of the Irish Peasantry — available online here
• McAnally, D. R. (1900) The Leprechaun
• Lover, S. (1831) Legends and Stories of Ireland — available online here
• Hyde, D. (1910) Beside The Fire — available online here
• Keightley, T. (1870) The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries — available online here
• Wilde, F. S. (1887) Ancient Legends, Mystic Charms, and Superstitions of Ireland — available online here

External links

• The Leprechaun Companion (an illustrated guide)

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