Jean Froissart
Jean Froissart (c.1337 - c.1405) was one of the most important of the chroniclers of Medieval France. For centuries, Froissart's Chronicles have been recognized as the chief expression of the chivalric revival of the fourteenth century Kingdom of England and France. His history is also one of the most important sources for the first half of the Hundred Years' War.
Jean Froissart's push to account for the events in fourteenth century French life through his pastorelles, narrative and didactic poems, and courtly poetry was his need to educate and involve the French population thereby making an important contribution to society.
Biography
Very little is known of Froissart's life and the little that is known comes mainly from Froissart's own Chronicle and his poems. Froissart originated from Valenciennes, County of Hainaut, and his writings suggest his father was a painter of heraldry or armorial bearings. Froissart began working as a merchant but soon gave that up to become a clerk. By about the age 24, he had gained significant distinction with an ecclesiastical tonsure and carried with him a letter of recommendation from the King of Bohemia when he became a court poet and an official historian to Philippa of Hainault, queen consort of Edward III of England. Froissart's historical account to Queen Philippa was a verse account of the battle of Poitiers. The Queen encouraged him to write down his historic chronicles, and the memoirs of his time in Philippa's service, between 1361 and 1369, were later put together with reports of other events he had witnessed, in his Chroniques de France, d'Angleterre, d'Angleterre, d'Ecosse, de Bretagne, de Gascogne, de Flandre et lieux circumvoisins ("Chronicles"). He took a serious approach to his work:
- Je suis de nouveau entré dans ma forge pour travailler et forger en la noble matière du temps passé
- ("Again I entered my smithy to work and forge something from the noble material of time past")
He traveled around England, Scotland, Wales, France, Flanders and Spain gathering material and first hand accounts for his Chronicle. He also went with Lionel of Antwerp (Lionel Duke of Clarence) to Milan to attend the duke's marriage to the daughter of Galeazzo II Visconti. At this wedding two other significant writers of the middle ages were present, Chaucer and Petrarch.
After the publication of this first book, and after the death of Philippa, he enjoyed the patronage of Joanna, Duchess of Brabant among various others. He received rewards—including the benefice of Estinnes, a village near Binche and later became canon of Chimay—which were sufficient to finance further travels, which provided additional material for his work. He returned to England in 1395 but seemed disappointed by the changes since he was last there and what he viewed as the end of chivalry. The date and circumstances of his death are unknown but Saint Monegunda of Chimay claims to be the final resting place for his remains, although this is unverified.
Poetic example
Jean Froissart had the ability to put various characters into his poems which added a richness to the text with the doubling of the narrative. In the following poetic example, Froissart has Venus speaking to the narrator who could be Cupid, or a young person in love. Froissart would also identify his poem by putting in his name within the words of the poem as his signature (see words in italics):
- Lors me respondit Venus en haste
- Et dist: "Amis, se je me haste
- De parler par ive et sans sens
- Tu m'i esmoes, car je te sens
- En peril de toi fourvoiier
- Dont pour toi un peu ravoiier
- Je me voel retraire al ahan
- Frois a este li ars maint an
- De mon chier fil, dont moult le carge;
- Mes bein voi que, se plus atarge
- Tu en ies en peril de perdre
- Car en folour te voels aherdre"
Legacy
Much more than his poetry, Froissart's fame is due to his Chronicles. The text of his Chronicles is preserved in more than 100 illuminated manuscripts, illustrated by a variety of miniaturists. One of the most lavishly illuminated copies was commissioned by Louis de Gruuthuse, a Flemish nobleman, in the 1470s. The four volumes of this copy (BNF, Fr 2643; BNF, Fr 2644; BNF, Fr 2645; BNF, Fr 2646) contain 112 miniatures painted by well-known Brugeois artists of the day, among them Loiset Lyédet, to whom the miniatures in the first two volumes are attributed.
Froissart is thought to have been one of the first to mention the use of the verge and foliot, or verge escapement in European clockworks, by 1368.[1]
The English composer Edward Elgar wrote an overture titled Froissart, inspired by the Chronicles.
Notes
- ↑ Michael Jones, "Froissart, Jean (1337? – c. 1404)" in Colin Matthew and Brian Harrison (eds.), Oxford Dictionary of National Biography (Oxford University Press, 2007, ISBN 978-0198614135).
ReferencesISBN links support NWE through referral fees
- Ainsworth, Peter, F., Jean Froissart and the fabric of history: truth, myth and fiction in the Chroniques, Oxford: Clarendon Press; NY: Oxford University Press, 1990. ISBN 0198158645
- Carey, John, Eyewitness to history, Cambridge, MA: Harvard University Press, 1987. ISBN 0674287509
- Froissart, Jean, Kristen Mossler, and Palmer R. Barton, Jean Froissart: an anthology of narratives and lyric poetry, NY: Routledge, 2001. ISBN 0815325037
- Matthew, Colin, and Brian Harrison (eds.). Oxford Dictionary of National Biography. Oxford University Press, 2007. ISBN 978-0198614135
External links
- The Online Froissart
- Jean Froissart/ 1337-1405 All Poetry
- Chronicles by Jean Froissart EBSCO Information Services
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