Czeslaw Milosz

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Czeslaw Milosz (June 30, 1911—August 14, 2004), Polish poet and novelist, won the Nobel Prize for Literature in 1980.

Milosz's works are notable for insights into religion, philosophy, nature, and politics. Milosz is respected for having had the openness to eternity that enlarges a poet's vision.

In his Nobel Prize acceptance speech, he declared that the books that linger should “deal with the most incomprehensible quality of God-created things.”

Biography

Early Years

Born to a Polish-speaking family in Lithuania, Milosz studied Polish literature and law in its capital city, Vilna, (today, Vilnius), a meeting point between East and West. In that ancient city, Lithunians, Poles, Byelorussians, and Tartars, Christians, Jews, and Muslims intermingled peacefully.

Yet Milosz, like other Central Europeans who had experienced at close range the impact of the first World War and of the rise of Communism in nearby Russia, felt a sense of foreboding, of impending catastrophe.

His first published poems, a 1933 volume entitled Poem of Frozen Time (Poemat o czasie zastyglym), deal with the imminence of yet another war and the worldwide cataclysm that it portended.

When the Nazis did invade Poland, Milosz moved to Warsaw to join the resistance. There he edited an underground anthology of Polish wartime poetry, Independent Song (Pien niepodlegla) (1942). The tragic fate of the Poles and Jews surrounding him were deeply burned into his mind. He personally witnessed the end of the walled Jewish ghetto in Warsaw.

In response to this horror, Milosz offered “The World” (Swiat) (1943). Reaching beyond suffering, Milosz helped his readers sense divine promise within ordinary things, a presence that suggests that evil in the world is not an expression of its innermost nature and will pass.

Post-war Career

After the war, Milosz, then a socialist, joined the Polish diplomatic corps. He served in New York and Washington DC before being sent to Paris where he asked for political asylum in 1951. Stalinism had increased its hold on Poland.

In France, Milosz published The Captive Mind (Zniewolony Umysl), perhaps his best-known work, a critique of the Polish Communist Party’s assault on the independence of the intelligentsia. Governments can use more than censorship to control people; they can even change the meaning of words, Milosz reminds us. Yet Milosz remains civil, even courteous to his enemies. There is empathy for those who have been co-opted. A profound effort to truthfully understand their characters is evident.

In the early 1960s, Milosz left Paris to become professor of Slavic languages and literature at the University of California at Berkeley. In 1970, he became a United States citizen. He is not often thought of as a commentator on American politics and culture, but in Visions from San Francisco Bay, he talks at length about America in the 1960s.

Milosz frequently experienced his life as one of exile; not only because of the years in which he was separated from his native land, but in the larger sense that the human condition as he knew it was one in which all humanity endures metaphysical or even religious exile. OUt of this spiritual awareness, which touched almost every dimension of his life, he wrote Unattainable Earth (Nieobjeta Ziemia). The longing awakened by his intimate, pure, and unselfconscious childhood bond with nature that almost spontaneously identified with the entire world, could not be fulfilled.

In The Land of Ulro, Milosz wrote about good and evil using his relationship with nature:

“When my guardian angel...is triumphant, the earth looks precious to me and I live in ecstasy...surrounded by divine protection...my dreams are of magically rich landscapes, and I forget about death, because whether it comes in a month or five years it will be done as it was decreed, not by the God of the philosophers but by the God of Abraham, Isaac, and Jacob. When the Devil triumphs, I am appalled...I look at trees in bloom as they blindly repeat...what has been willed by the law of natural selection...I am oppressed by the randomness and absurdity of my individual existence...and then the terror: my life is over, I won’t get another, only death now.”

Milosz was much influenced by William Blake ("Ulro" is Blake’s creation); Emanuel Swedenborg; and Milosz’ cousin, the poet and mystic Oscar Milosz.

Throughout his life, Milosz remained deeply involved in Polish letter. In his later years, he translated the writing of Polish authors largely unknown in the West such as Alexander Wat, a man whose time in Communist concentration camps produced a profoundly honest theological and literary voice. Wat’s autobiography, My Century, was edited from conversations between Milosz and Wat.

Milosz is one of a number of Central European writers and intellectuals who clung tenatiously to the moral role of memory. This, Milosz believed, was a distinctly Central European contribution to world literature and thought. In his History of Polish Literature, Milosz speaks at length about the place of memory in cultural and moral survival.

Milosz is respected for his own prophetic insights. He not only proclaimed the coming of the catastrophe that was World War II, even foretelling the crematoriums. He prophesied that democratic movements in Central Europe, such as that forged by the Polish labor union Solidarity (Solidarnosz), would outlast tyranny.

Death and Legacy

After the Soviet empire disintegrated, Milosz was once again able to live in Poland. He eventually settled in Kracow, where his ninetieth birthday was widely celebrated. There he died in 2002 at the age of 93. Milosz's first wife, Janian Dluska, the mother of his two sons, Anthony and John Peter, had died in 1986. His second wife, Carol Thigpen, an American-born historian and Dean at Emory University, had passed away in 2001.

Milosz' funeral in the ancient catherdral church of St. Mary was a state event. Thousands lined the streets to pay their respects. He was buried in the Church of St. Michael and St. Stanislaw on the Rock (kosciol Sw. Stanislawa, na Skalce) in Krakow, beside other famous Polish cultural figures.

Milosz received many honors during his lifetime. He is listed at Israel’s Yad Vashem memorial to the holocaust as one of the “Righteous Among the Nations.” His words were placed on a monument to fallen shipyard workers in Gdansk. He received the Prix Litteraire Europeen (1953), the Marian Kister Award (1967), a Guggenheim Fellowship (1977), the Neustadt International Prize (1978), and National Medal of Arts of the U.S. Endowment for the Arts (1989). He was appointed a member of the American Academy of Arts and Sciences (1981) and of the American Institute of Arts and Letters (1982). He was granted numerous honorary doctorates in Europe and America including one from Harvard (1989) where he gave the Charles Eliot Norton Lectures (1982).

Fellow Nobel Laureate, the Russian poet Joseph Brodsky wrote, "I have no hesitation whatsoever in stating that Czeslaw Milosz is one of the greatest poets of our time, perhaps the greatest."


Works

File:Herb Lubicz.jpg
Lubicz coat-of-arms.

Works in Polish

  • Poemat o czasie zastygłym. (Poem of Frozen Time.) Wilno: Kolo Polonistów Sluchaczy Uniwersytetu Stefana Batorego, 1933
  • Trzy zimy. (Three Winters.) Wilno: Zwiazek Zawodowy Literatów Polskich, 1936
  • Wiersze. (Verses.) Lwów, 1939
  • Ocalenie. (Rescue.) Warsaw: Czytelnik, 1945
  • Swiatlo dzienne. Paris: Instytut Literacki, 1953
  • Zniewolony umysł. (The Captive Mind.) Paris: Instytut Literacki, 1953
  • Zdobycie władzy. (The Seizure of Power.) Paris: Instytut Literacki, 1955
  • Dolina Issy. (The Issa Valley.)Paris: Instytut Literacki, 1955
  • Traktat poetycki. (A Poetical Treatise.)Paris: Instytut Literacki, 1957
  • Kontynenty. Paris: Instytut Literacki, 1958
  • Rodzinna Europa. (Native Realm.) Paris: Instytut Literacki, 1959
  • Człowiek wśród skorpionów : studium o Stanislawie Brzozowskim. Paris: Instytut Literacki, 1962
  • Król Popiel i inne wiersze. (King Popiel and Other Poems.) Paris: Instytut Literacki, 1962
  • Gucio zaczarowany. (Gucio Enchanted.)Paris: Instytut Literacki, 1965
  • Miasto bez imienia. (City Without a Name.) Paris: Instytut Literacki, 1969
  • Widzenia nad zatoką San Francisco. (Visions of San Francisco Bay.) Paris: Instytut Literacki, 1969
  • Prywatne obowiązki. (Private Obligations.) Paris: Instytut Literacki, 1972
  • Gdzie wschodzi słońce i kędy zapada i inne wiersze. (Where the Sun Rises and Where It Sets.) Paris: Instytut Literacki, 1974
  • Utwory poetyckie. Ann Arbor, MI: Slavic Publications, 1976
  • Ziemia Ulro. (The Land of Ulro.) Paris: Instytut Literacki, 1977
  • Ogród nauk. (The Garden of Learning.) Paris: Instytut Literacki, 1979
  • Dziela zbiorowe. 12 vol. Paris: Instytut Literacki, 1980-1985
  • Wiersze zebrane. 2 vol. Warsaw: Krag, 1980
  • Wybór wierszy. Warsaw: Państwowy Instytut Wydawniczy, 1980
  • Poezje. Warsaw: Czytelnik, 1981
  • Hymn o Perele. (The Poem of the Pearl.) Paris: Instytut Literacki, 1982
  • Piesń obywatela. Kraków: Wydawnictwo Swit, 1983
  • Dialog o Wilnie. Warsaw: Spoleczny Instytut Wydawniczy "Mlynek," 1984
  • Nieobjęta ziemia. (Unattainable Earth.) Paris: Instytut Literacki, 1984
  • Świadectwo poezji. Kraków: Oficyna Literacka, 1985
  • Poszukiwania : wybór publicystyki rozproszonej 1931-1983. Warsaw: Wydawnictwo CDN, 1985
  • Zaczynajac od moich ulic. Paris: Instytut Literacki, 1985
  • Kroniki. (Chronicles.)Paris: Instytut Literacki, 1987
  • Metafizyczna pauza. (The Metaphysical Pause.) Kraków: Znak, 1989
  • Poematy. Wroclaw: Wydawnictwo Dolnoslaskie, 1989
  • Swiat. (The World. ) San Francisco: Arion Press, 1989
  • Kolysanka. Warsaw: Varsovia, 1990
  • Rok mysliwego. Paris: Instytut Literacki, 1990
  • Dalsze okolice. Kraków: Znak, 1991
  • Szukanie ojczyzny. Kraków: Znak, 1992
  • Wiersze. 3 vol. Kraków: Znak, 1993
  • Na brzegu rzeki. (Facing the River.) Kraków: Znak, 1994
  • Polskie Kontrasty. (On Contrasts in Poland.) Kraków: Universitas, 1995
  • Jakiegoż to gościa mieliśmy : o Annie Świrszczyńskiej. Kraków: Znak, 1996
  • Legendy nowoczesności. Eseje okupacyjne. Listy-eseje Jerzego Andrzejewskiego i Czesława Miłosza. (Modern Legends.) Kraków: Wydawnictwo Literackie, 1996
  • Poezje wybrane. (Selected Poems.) Kraków: Wydawnictwo Literackie, 1996
  • Abecadło Miłosza. (Milosz's Alphabet.) Kraków: Wydawnictwo Literackie, 1997
  • Piesek przydrozny. (Road-Side Dog.) Kraków: Znak, 1997
  • Zycie na wyspach. (Life on Islands.) Kraków : Znak, 1997
  • Antologia osobista : wiersze, poematy, przeklady. Warszawa : Znak, 1998
  • Dar. (Gabe.) Kraków : Wydawn. Literackie, 1998
  • Inne abecadło. (A Further Alphabet.) Kraków: Wydawnictwo Literackie, 1998
  • Zaraz po wojnie : korespondencja z pisarzami 1945-1950. Kraków: Znak, 1998
  • Swiat : poema naiwne. Kraków : Wydawn. Literackie, 1999
  • Wyprawa w dwudziestolecie. (An Excursion through the Twenties and Thirties.) Kraków : Wyd. Literackie, 1999
  • To. ('It.) Kraków : Znak, 2000
  • Wypisy z ksiag uzytecznych. Kraków : Wydawn. Znak, 2000
  • Wiersze. Kraków : Znak, 2001
  • Orfeusz i Eurydyke. Krakow: Wydwn. Literackie, 2003
  • Przygody młodego umysłu : publicystyka i proza 1931-1939. Kraków : Znak, 2003
  • Spiżarnia literacka. Krakow : Wydwn. Literackie , 2004
  • Jasności promieniste i inne wiersze. Warszawa : Zeszyty, 2005


Works in English and Translations into English

  • The Captive Mind. Translated by Jane Zielonko. New York: Vintage, 1953. ISBN: 978-0141186764
  • The Usurpe. Translated by Celina Wieniewska. London: Faber, 1955
  • Native Realm: a Search for Self-Definition. Translated by Catherine S. Leach. Garden City, NY: Doubleday, 1968. ISBN: 978-0374528300
  • Selected Poems. Translated by Czesław Miłosz and Peter Dale Scott. Harmondsworth, UK: Penguin, 1968.
  • Bells in Winter. Translated by the author and Lillian Vallee. New York: Ecco Press, 1978. ISBN: 978-0880014564
  • Nobel Lecture. New York: Farrar, Straus & Giroux, 1980. ISBN: 978-0374516543
  • Emperor of the Earth : Modes of Eccentric Vision. Berkeley: Univ. of Calif. P., cop. 1981. ISBN: 978-0520045033
  • The Issa Valley. Translated by Louis Iribarne. New York: Farrar, Straus & Girous, 1981. ISBN: 978-0374516956
  • The Seizure of Power. Translated by Celina Wieniewska. New York: Farrar, Straus & Giroux, 1982. ISBN: 987-0374257880
  • Visions from San Francisco Bay. Translated by Richard Lourie. New York: Farrar, Strauss & Giroux, 1982. ISBN: 978-0374517632
  • The History of Polish Literature. University of California Press, 1983. ISBN: 978-0520044777
  • The Witness of Poetry. Cambridge, MA.: Harvard University Press, 1983. ISBN: 978-0674953833
  • The Separate Notebooks. Translated by Robert Hass and Robert Pinsky with the author and Renata Gorczynski. New York: Ecco Press, 1984. ISBN: 978-0880011167
  • The Land of Ulro. Translated by Louis Iribarne. New York: Farrar, Straus & Giroux, 1984. ISBN: 978-0374519377
  • The Rising of the Sun. San Francisco: Arion Press, 1985.
  • The View. New York: Whitney Museum of American Art, 1985.
  • Unattainable Earth. Translated by the author and Robert Hass. New York: Ecco Press, 1986. ISBN: 978-0880011020
  • Conversations with Czeslaw Milosz. Czeslaw Milosz speaks with Ewa Czarnecka, Alexander Fiut, Renata Gorczynski, and Richard Lourie. New York: Harcourt, Brace, Jovanovich, 1987. ISBN: 978-0151225910
  • Exiles. Photographs by Josef Koudelka ; Essays by Czeslaw Milosz. New York: Aperture Foundation, 1988. ISBN: 978-0500541456
  • Swiat. (The World.) Translated by the author. Introduction by Helen Vendler. Portrait of the poet in dry-point engraving by Jim Dine. San Francisco: Arion Press, 1989.
  • Provinces. Translated by the author and Robert Hass. Hopewell, NJ: Ecco Press, 1991. ISBN: 978-0880013178
  • Beginning With My Streets : Essays and Recollections. Translated by Madeline G. Levine. New York: Farrar, Straus & Giroux, 1992. ISBN: 978-0374110109
  • A Year of the Hunter. Translated by Madeline G. Levine. New York: Farrar, Straus & Giroux, 1994. ISBN: 978-0374524449
  • Facing the River : New Poems. Translated by the author and Robert Hass. Hopewell, NJ: Ecco Press, 1995. ISBN: 978-0880014540
  • Striving Towards Being : the Letters of Thomas Merton and Czeslaw Milosz. Edited by Robert Faggen. New York: Farrar, Straus & Giroux, 1997. ISBN: 978-0374271008
  • Road-Side Dog. Translated by the author and Robert Hass. New York: Farrar, Straus & Giroux, 1998. ISBN: 978-0374526238
  • Aleksander Hertz. Cracow: The Judaica Foundation Center for Jewish Culture, 2000.
  • A Treatise on Poetry. Translated by the author and Robert Hass. New York, Ecco Press, 2001. ISBN: 978-0060185244
  • To Begin Where I Am : Selected Essays. Edited and with an introduction by Bogdana Carpenter and Madeline G. Levine. New York: Farrar, Straus and Giroux, 2001. ISBN: 978-0374528591
  • New and Collected Poems 1931-2001. London: Penguin Press, 2001. ISBN: 978-0060514488
  • Milosz's ABCs. Translated by Madeline G. Levine. New York: Farrar, Straus and Giroux, 2001. ISBN: 978-0374527952
  • Second Space : New Poems. Translated by the author and Robert Hass. New York: Ecco, 2004. ISBN: 978-0060755249
  • Legends of Modernity : Essays and Letters from Occupied Poland, 1942-1943. Translated by Madeline G. Levine. New York: Farrar, Straus and Giroux, 2005. ISBN: 978-0374530464
  • Selected Poems, 1931-2004. Foreword by Seamus Heaney. New York: Ecco, 2006. ISBN: 978-0060188672


Literature on Milosz

  • Volynska-Bogert, Rimma, Czeslaw Miłosz: an International Bibliography 1930-1980. Ann Arbor, MI., 1983. ISBN: 978-0930042523
  • Davie, Donald, Czeslaw Miłosz and the Insufficiency of Lyric. Cambridge, UK: Cambridge University Press, 1986. ISBN: 978-0521322645
  • Between Anxiety and Hope: the Poetry and Writing of Czeslaw Miłosz. Edited by Edward Możejko. Edmonton: Alta, 1988. ISBN: 978-0888641274
  • Dompkowski, Judith A., Down a Spiral Staircase, Never-Ending : Motion as Design in the Writing of Czeslaw Miłosz. New York: Lang, 1990. ISBN: 978-0820409795
  • Fiut, Alexander, The Eternal Moment: The Poetry of Czeslaw Milosz. Translated by Alexander Fiut and Theodosia S. Robertson. Berkeley: University of California Press, 1990. ISBN: 978-0520066892
  • Nathan, Leonard and Quinn, Arthur, The Poet's Work: An Introduction to Czeslaw Milosz. Cambridge, MA: Harvard University Press, 1991. ISBN: 978-0674689701
  • Czeslav Miłosz: a Stockholm Conference: September 9-11, 1991. Editor: Nils Ake Nilsson. Stockholm: Kungl. Vitterhets-, historie- och antikvitetsakad, 1992.
  • Malinowska, Barbara, Dynamics of Being, Space, and Time in the Poetry of Czeslaw Milosz and John Ashbery. New York: Lang, 2000. ISBN: 978-0820434643


External links

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