Temple of Heaven


Temple of Heaven: an Imperial Sacrificial Altar in Beijing*
UNESCO World Heritage Site

Hall of Prayer for Good Harvests, the largest building in the Temple of Heaven
State Party Flag of the People's Republic of China.svg China
Type Cultural
Criteria i, ii, iii
Reference 881
Region** Asia-Pacific
Inscription history
Inscription 1998  (22nd Session)
* Name as inscribed on World Heritage List.
** Region as classified by UNESCO.

The Temple of Heaven, literally the Altar of Heaven (Traditional Chinese: 天壇; Simplified Chinese: 天坛; pinyin: Tiāntán; Manchu: Abkai mukdehun) is a complex of Taoist buildings situated in southeastern urban Beijing, in Xuanwu District. Emperor Yongle, who also commissioned the building of the Forbidden City in Beijing, constructed the temple complex between 1406 and 1420. Since that time the Emperors of the Ming and Qing dynasties visited the complex for annual ceremonies of prayer to Heaven for good harvest. Even as late as 1914, Yuan Shih-kai performed a ceremony seeking to become Emperor of China.

Contents

The Temple of Heaven, a Taoist temple, covers nearly three km² and hosts three main structures: The Hall of Prayer for Good Harvests (祈年殿), The Imperial Vault of Heaven (皇穹宇), The Circular Mound Altar (圜丘坛). The Emperor of China, regarded as the Son of Heaven by his subjects, twice a year lead sacrificial prayers especially for good harvests from the temples. The temple complex consisted of a square and a circle, symbolizing the connection between Earth and Heaven. The Emperor, as the Son of Heaven, served as the mediator between Heaven and Earth on the behalf of the Chinese empire, especially responsible for ensuring a bountiful harvest season. UNESCO designated Temple of Heaven: An Imperial Sacrificial Altar in Beijing a World Heritage Site in 1998.

History

Xuanwu District in Beijing

The temple complex was constructed from 1406 to 1420, during the reign of the Yongle Emperor, also responsible for the construction of the Forbidden City in Beijing. The complex was extended and renamed Temple of Heaven during the reign of the Jiajing Emperor in the sixteenth century.[1] The Jiajing Emperor also built three other prominent temples in Beijing: the Temple of Sun in the east (日坛), the Temple of Earth in the north (地坛), and the Temple of Moon in the west (月坛). The Temple of Heaven was renovated in the eighteenth century under the Qianlong Emperor. In 1914, Yuan Shih-kai, then President of the Republic of China, performed a Ming prayer ceremony at the temple, as part of an effort to have himself declared Emperor of China.

UNESCO, designating the Temple of Heaven a World Heritage Site in 1998 under the name Temple of Heaven: an Imperial Sacrificial Altar in Beijing, described it as:

A masterpiece of architecture and landscape design which simply and graphically illustrates a cosmogony of great importance for the evolution of one of the world’s great civilizations…" as the "symbolic layout and design of the Temple of Heaven had a profound influence on architecture and planning in the Far East over many centuries.[2]

According to the Xinhua News Agency, in early 2005, the Temple of Heaven underwent a 47 million yuan (5.9 million USD) restoration in preparation for the 2008 Beijing Summer Olympics, the restoration was completed on May 1st, 2006.[3] It is a very popular park for exercising, and particularly for practicing taiji bailong ball, which is a paddleball variation of Tai Chi. Developed by Chinese Olympic boxing coach Bai Rong, taiji bailong ball is known as Rythmball in North America. [4]

Buildings and layout


Panorama with the Hall of Prayer for Good Harvests in the center, viewed from the South
Panorama with the Hall of Prayer for Good Harvests in the center, viewed from the South

The Temple grounds covers 2.73 km² of parkland,[5] and comprises three main buildings, all constructed in accord with Daoist philosophy:

  • The Hall of Prayer for Good Harvests (祈年殿) is a magnificent triple-gabled circular building built on a marble foundation. It stands thirty two meters in diameter and thirty eight meters tall. The Emperor prayed for good harvests in the temple made completely with wood, no metal nails being used in the construction.[6]
  • The Imperial Vault of Heaven (皇穹宇) is a single-gabled circular building, built on a single level with a marble foundation. Located south of the Hall of Prayer for Good Harvests, which it resembles although smaller. Surrounded by a smooth circular wall called the Echo Wall, the wall can transmit sounds over large distances. The Vermilion Steps Bridge, a 360 meter raised walkway slowly ascends from the Vault to the Hall of Prayer, connecting the Imperial Vault with the Hall of Prayer.[7]
  • The Circular Mound Altar (圜丘坛) is the altar proper, located south of the Imperial Vault of Heaven. An empty circular platform built on three levels, the structure provided the place for the Emperor to pray for favorable weather. The Altar, built by Jiajing Emperor in 1530, was rebuilt in 1740.[8]

Ceremony

Panorama of the three main halls
Panorama of the three main halls

In ancient China, the Chinese people regarded the Emperor of China the Son of Heaven. They believed that he administered earthly matters on behalf of, and representing, heavenly authority. Showing respect to the source of his authority, in the form of sacrifices to heaven, was extremely important. The temple was built for those ceremonial prayers, mostly consisting of prayers for good harvests.

Twice a year the Emperor and all his retinue moved from the Forbidden city through Beijing to encamp within the complex, wearing special robes and abstaining from eating meat.[9] Only Chinese royalty and nobility were allowed to view that procession or the ceremony following. In the temple complex the Emperor personally prayed to Heaven for good harvests. the Emperor performed the highpoint of the ceremony at the winter solstice on the Earthly Mount. The ceremony had to be perfectly completed; it was widely held that the smallest of mistakes would constitute a bad omen for the whole nation in the coming year.

Symbolism

Inside the Hall of Prayer for Good Harvests

A square represented Earth and a circle Heaven; several features of the temple complex symbolize the connection of Heaven and Earth, of circle and square. Two cordons of walls surround the whole temple complex; the outer wall has a taller, semi-circular northern end, representing Heaven, and a shorter, rectangular southern end, representing the Earth. Both the Hall of Prayer for Good Harvests and the Circular Mound Altar are round, each standing on in square courtyard, again representing Heaven and Earth.

The number nine represents the Emperor, evident in the design of the Circular Mound Altar: A ring of nine plates surrounds a single round marmor plate, then a ring of eighteen plates, and so on for a total of nine surrounding rings, the outermost having nine×nine plates. The Hall of Prayer for Good Harvests has four inner, twelve middle and twelve outer pillars, representing the four seasons, twelve months and twelve traditional Chinese hours respectively. All the buildings within the Temple have special dark blue roof tiles, representing the Heaven. The Seven-Star Stone Group, east of the Hall of Prayer for Good Harvest, represents the seven peaks of Taishan Mountain, a place of Heaven worship in classical China.

Gallery

See also

Notes

  1. Damian Harper, Beijing. Lonely Planet City Guide (Melbourne: Lonely Planet, 2005), 46.
  2. UNESCO, World Heritage Site—Temple of Heaven: An Imperial Sacrificial Altar in Beijing. Retrieved November 24, 2008.
  3. Xinhua News Agency, Home page. Retrieved November 16, 2008.
  4. Rhythmball, Homepage. Retrieved November 16, 2008.
  5. Damian Harper, Beijing. Lonely Planet City Guide (Melbourne: Lonely Planet, 2005), 68.
  6. Joan Lebold Cohen and Jerome Alan Cohen, China Today and Her Ancient Treasures (New York: Abrams, 1980), 180.
  7. Nancy Shatzman Steinhardt, Chinese Architecture. The Culture and Civilization of China (New Haven: Yale University Press, 2002), 222.
  8. Frank Ching, Mark Jarzombek, and Vikramaditya Prakash, A Global History of Architecture (Hoboken, N.J.: J. Wiley & Sons, 2007), 428.
  9. James A. Millward, New Qing Imperial History: The Making of Inner Asian Empire at Qing Chengde (London: Routledge, 2004), 72.

References

  • Ching, Frank, Mark Jarzombek, and Vikramaditya Prakash. 2007. A Global History of Architecture. Hoboken, N.J.: J. Wilandey & Sons. ISBN 9780471268925.
  • Cohen, Joan Lebold, Jerome Alan Cohen. 1980. China Today and her Ancient Treasures. New York: Abrams. ISBN 9780810907546.
  • Harper, Damian. 2005. Beijing. Lonely Planet City Guide. Melbourne: Lonely Planet. ISBN 9781740597821.
  • Millward, James A. 2004. New Qing Imperial History: The Making of Inner Asian Empire at Qing Chengde. London: Routledge. ISBN 9780415320061.
  • Steinhardt, Nancy Shatzman. 2002. Chinese Architecture. The Culture and Civilization of China. New Haven: Yale University Press. ISBN 9780300095593.

External links

All links retrieved November 18, 2015.

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