Difference between revisions of "Gabriela Mistral" - New World Encyclopedia

From New World Encyclopedia
m
Line 29: Line 29:
 
}}
 
}}
  
'''Gabriela Mistral''' (April 7, 1889 &ndash; January 11, 1957) was the [[pseudonym]] of '''Lucila Godoy y Alcayaga''', a [[Chile]]an [[Poetry|poet]], educator and diplomat who was the first [[Latin America]]n to win the [[Nobel Prize in Literature]], in 1945. Though her personal life was often struck by tragedy, Mistral played an important role in changing Mexican and Chilean educational systems; and, was active on the cultural committees and societies.<ref>[http://nobelprize.org/nobel_prizes/literature/laureates/1945/mistral-bio.html ''Gabriela Mistral: The Nobel Prize in Literature 1945'']</ref> Mistral published over thirty collections of poetry in her lifetime.
+
'''Gabriela Mistral''' (April 7, 1889 &ndash; January 11, 1957) was the [[pseudonym]] of '''Lucila Godoy y Alcayaga''', a [[Chile]]an [[Poetry|poet]], educator and diplomat who was the first [[Latin America]]n to win the [[Nobel Prize in Literature]], in 1945. Though her personal life was often struck by tragedy, Mistral played an important role in changing Mexican and Chilean educational systems; and, was active on the cultural committees and societies.<ref>[http://nobelprize.org/nobel_prizes/literature/laureates/1945/mistral-bio.html ''Gabriela Mistral: The Nobel Prize in Literature 1945'']</ref>  
  
Some central themes in her poems are nature, betrayal, love (especially maternal love), sorrow and recovery, travel, and Latin American identity as formed from a mixture of Indian and European influences. Mistral's poetry is influenced by her Christian faith and a recurrent theme seen in some of her poems is that of a "rebirth" after death; and, hence, liberation from the world.<ref>[http://www.poetseers.org/nobel_prize_for_literature/gab/ ''Gabriela Mistral (1945)'']</ref> Some of Mistral's best known poems include: ''Piececitos de Niño'', ''Balada'', ''Todas Íbamos a ser Reinas'', ''La Oración de la Maestra'', ''El Ángel Guardián'', ''Decálogo del Artista'' and ''La Flor del Aire''
+
Mistral published over thirty collections of poetry in her lifetime. Some central themes in her poems are nature, betrayal, love (especially maternal love), sorrow and recovery, travel, and Latin American identity as formed from a mixture of Indian and European influences. Mistral's poetry is influenced by her Christian faith and a recurrent theme seen in some of her poems is that of a "rebirth" after death; and, hence, liberation from the world.<ref>[http://www.poetseers.org/nobel_prize_for_literature/gab/ ''Gabriela Mistral (1945)'']</ref> Some of Mistral's best known poems include: ''Piececitos de Niño'', ''Balada'', ''Todas Íbamos a ser Reinas'', ''La Oración de la Maestra'', ''El Ángel Guardián'', ''Decálogo del Artista'' and ''La Flor del Aire''
  
 
==Life==
 
==Life==
Line 47: Line 47:
 
Around 1913 the pseudonym Gabriela Mistral first appeared. It is believed that Mistral formed her pseudonymn from the two of her favorite poets, [[Gabriele D'Annunzio]] and [[Frédéric Mistral]]. Under this name she submitted three sonnets under the general title ''Sonetos de la muerte'' (Sonnets of Death), which told the story of love and death. She won first prize for these poems in the ''[[Juegos Florales]]'' contest, organized by the city of Santiago. After this, newspapers and magazines throughout South America began to invite her to write for them.<ref>Nobel Prize Library, 211-12</ref> After winning the ''Juegos Florales'' she rarely used her given name of Lucila Godoy for her publications.
 
Around 1913 the pseudonym Gabriela Mistral first appeared. It is believed that Mistral formed her pseudonymn from the two of her favorite poets, [[Gabriele D'Annunzio]] and [[Frédéric Mistral]]. Under this name she submitted three sonnets under the general title ''Sonetos de la muerte'' (Sonnets of Death), which told the story of love and death. She won first prize for these poems in the ''[[Juegos Florales]]'' contest, organized by the city of Santiago. After this, newspapers and magazines throughout South America began to invite her to write for them.<ref>Nobel Prize Library, 211-12</ref> After winning the ''Juegos Florales'' she rarely used her given name of Lucila Godoy for her publications.
  
Mistral published her first collection of poems, ''Desolación'' (Despair) in 1922. The main themes of this collection are that of Christian faith and death; and, the final sonnet expresses faith in a forgiving God.<ref>[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga'']</ref>
+
Mistral published her first collection of poems, ''Desolación'' (Despair) in 1922. The main themes of this collection are that of Christian faith, pain and death. In 1924 ''Ternura'' (Tenderness), a collection of poems dominated by the theme of childhood, appeared. This publication was followed by ''Tala'' in 1938, which also focuses on the theme of childhood, as well as that of maternity.
  
In 1924 ''Ternura'' (Tenderness), a collection of poems dominated by the theme of childhood, appeared. This publication was followed by ''Tala'' in 1938, which also focuses on the theme of childhood, as well as that of maternity. In the last ten years of her life, Mistral worked on ''Poema de Chile'' in which she returned to her youth in Chile.
+
In November 15, 1945, Mistral became the first Latin American woman to receive the [[Nobel Prize in Literature]].
  
 +
The death of Mistral's 17-year-old nephew, as well as her responses to tensions of the [[Cold War]] in Europe and the Americas, are the subject of the last volume of poetry published in her lifetime, ''Lagar'', which appeared in 1954.
 +
 +
A final volume of poetry, ''Poema de Chile'', was edited posthumously by her friend Doris Dana, and published in 1967. ''Poema de Chile'' describes the poet's return to Chile after death, in the company of an Indian boy from the [[Atacama]] desert, and an [[Andes|Andean]] deer, the [[huemul]].
  
 
Mistral may be most widely quoted in English for ''Su Nombre es Hoy'' (His Name is Today):
 
Mistral may be most widely quoted in English for ''Su Nombre es Hoy'' (His Name is Today):
 
:''“We are guilty of many errors and many faults, but our worst crime is abandoning the children, neglecting the fountain of life.  Many of the things we need can wait.  The child cannot.  Right now is the time his bones are being formed, his blood is being made, and his senses are being developed.  To him we cannot answer ‘Tomorrow,’ his name is today.”''
 
:''“We are guilty of many errors and many faults, but our worst crime is abandoning the children, neglecting the fountain of life.  Many of the things we need can wait.  The child cannot.  Right now is the time his bones are being formed, his blood is being made, and his senses are being developed.  To him we cannot answer ‘Tomorrow,’ his name is today.”''
 +
 +
[[Image:Gabiela Mistral con Santiago Martinez Delgado.jpg|thumb|right|Gabriela Mistral with Master [[Santiago Martínez Delgado]] at [[Columbia University]] in NY, probably 1939.]]
  
 
==As an educator==
 
==As an educator==
She left Chile in 1922, when she was invited to [[Mexico]] by that country's Minister of Education, [[José Vasconcellos]], to take part in a program of educational reform. He had her join in the nation's plan to reform libraries and schools, to start a national education system. Mistral left Mexico for Europe in 1924 before returning back to Chile.
+
In 1918, Mistral was appointed director of a secondary school for girls in rural Punta Arenas.<ref>[http://www.distinguishedwomen.com/biographies/mistral.html ''Gabriela Mistral (1889-1957)'']</ref> Mistral's advancement in Chile's national school system continued and, in 1921, when she was named director of the newest and most prestigious girls' school in Chile, the Santiago Normal School. This meteoric rise as an educator was due to Mistral's extensive publications, which were directed at a diverse audience from schoolteachers to students to other poets; which included some of Mistral's first texts, such as ''Diario Radical de Coquimbo'' and ''La Voz de Elqui,'' which were published in a local newspaper in 1905.<ref>[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga'']</ref>
  
Mistral's advancement in Chile's national school system continued and, in 1921, when she was named director of the newest and most prestigious girls' school in Chile, the Santiago Normal School. This meteoric rise as an educator was due to Mistral's extensive publications, which were directed at a diverse audience from schoolteachers to students to other poets; which included some of Mistral's first texts, such as ''Diario Radical de Coquimbo'' and ''La Voz de Elqui,'' which were published in a local newspaper in 1905.<ref>[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga'']</ref>
+
She left Chile in 1922, when she was invited to [[Mexico]] by that country's Minister of Education, [[José Vasconcellos]], to take part in a program of educational reform. He had her join in the nation's plan to reform libraries and schools, to start a national education system. She introduced mobile libraries to rural areas to make literature more accessible to the poor. In 1923, Mistral was awarded the title of "Teacher of the Nation" by the Chilean government.<ref>[http://www.distinguishedwomen.com/biographies/mistral.html ''Gabriela Mistral (1889-1957)'']</ref> She left Mexico for Europe in 1924 before returning back to Chile.
  
Mistral taught Spanish literature at Columbia University, Middlebury College, Barnard College, Vassar College and at the University of Puerto Rico.
+
Later in life, Mistral taught Spanish literature at Columbia University, Middlebury College, Barnard College, Vassar College and at the University of Puerto Rico.
  
 
==As a diplomat==
 
==As a diplomat==
Line 66: Line 71:
  
 
==Death and legacy==
 
==Death and legacy==
Poor health eventually slowed Mistral's traveling. During the last years of her life she made her home in New York. After a long illness, Mistral died on January 11, 1957 in New York. She ws buried in the cemetary in Montegrande village, in the Elqui Valley, where she had lived as a child.<ref>Nobel Prize Library, 212</ref>
+
Poor health eventually slowed Mistral's traveling. During the last years of her life she made her home in New York. After a long illness, Mistral died on January 11, 1957 in New York. She ws buried in the cemetary in Montegrande village, in the Elqui Valley, where she lived as a child.<ref>Nobel Prize Library, 212</ref>
  
 
Following her death, American poet Langston Hughes translated a selection of Mistral's verses into English.<ref>[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga'']</ref>
 
Following her death, American poet Langston Hughes translated a selection of Mistral's verses into English.<ref>[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga'']</ref>
Line 73: Line 78:
  
 
==Wikipedia==
 
==Wikipedia==
That year she published ''[[Desolación]]'' in New York, which won her international acclaim. A year later she published ''Lecturas para Mujeres'' (Readings for Women), a text in prose and verse that celebrates motherhood, childhood education, and [[nationalism]]. Following almost two years in Mexico she toured Europe and returned to Chile, where she formally retired from the nation's education system. In recognition of her services to education, she eventually received the academic title of Spanish Professor from the [[University of Chile]].
+
A year later she published ''Lecturas para Mujeres'' (Readings for Women), a text in prose and verse that celebrates motherhood, childhood education, and [[nationalism]].
 
 
Mistral's international stature led to lectures first in the [[United States]] and then in [[Europe]]. In 1924, while traveling to Europe for the first time, she published ''[[Ternura]]'' (Tenderness) in [[Madrid]], a collection of lullabies and rondas written primarily for children but often focused on the female body.
 
  
The following year Mistral returned to [[Latin America]] and toured [[Brazil]], [[Uruguay]] and [[Argentina]]. Back in Chile, she was given a pension and retired from teaching.
+
As consul in Madrid, she had occasional professional interactions with another Chilean consul and [[Nobel Prize]] winner, [[Pablo Neruda]], and she was among the earlier writers to recognize the importance and originality of his work, which she had known while he was a teenager, and she as school director in his home town of Temuco. As Neruda, Gabriela Mistral became a supporter of the [[Popular Front (Chile)|Popular Front]] which led to the election of the [[Radical Party (Chile)|Radical]] [[Pedro Aguirre Cerda]] in 1938. She published hundreds of articles in magazines and newspapers throughout the Spanish-speaking world. Among her confidantes were [[Eduardo Santos]], President of Colombia, all of the elected Presidents of Chile from 1922 to her death in 1957, and [[Eleanor Roosevelt]].
 
 
Like many Latin American artists and intellectuals, Mistral served as a consul from 1932 until her death, working in [[Naples]], [[Madrid]], [[Lisbon]], [[Nice, France|Nice]], [[Petrópolis]], [[Los Angeles, California|Los Angeles]], [[Santa Barbara, California|Santa Barbara]], [[Veracruz]], [[Mexico]], [[Rapallo]] and [[Naples, Italy]], and [[New York, New York|New York]]. As consul in Madrid, she had occasional professional interactions with another Chilean consul and [[Nobel Prize]] winner, [[Pablo Neruda]], and she was among the earlier writers to recognize the importance and originality of his work, which she had known while he was a teenager, and she as school director in his home town of Temuco. As Neruda, Gabriela Mistral became a supporter of the [[Popular Front (Chile)|Popular Front]] which led to the election of the [[Radical Party (Chile)|Radical]] [[Pedro Aguirre Cerda]] in 1938. She published hundreds of articles in magazines and newspapers throughout the Spanish-speaking world. Among her confidantes were [[Eduardo Santos]], President of Colombia, all of the elected Presidents of Chile from 1922 to her death in 1957, and [[Eleanor Roosevelt]].
 
  
 
''Tala'' appeared in 1938, published in [[Buenos Aires]] with the help of longtime friend and correspondent Victoria Ocampo. The proceeds for the sale were devoted to children orphaned by the [[Spanish Civil War]]. This volume includes many poems celebrating the customs and folklore of Latin America as well as Mediterranean Europe. Mistral uniquely fuses these locales and concerns, a reflection of her identification as "una india vasca," her [[Europe]]an [[Basque people|Basque]]-[[Indigenous peoples of the Americas|Indigenous Amerindian]] background.
 
''Tala'' appeared in 1938, published in [[Buenos Aires]] with the help of longtime friend and correspondent Victoria Ocampo. The proceeds for the sale were devoted to children orphaned by the [[Spanish Civil War]]. This volume includes many poems celebrating the customs and folklore of Latin America as well as Mediterranean Europe. Mistral uniquely fuses these locales and concerns, a reflection of her identification as "una india vasca," her [[Europe]]an [[Basque people|Basque]]-[[Indigenous peoples of the Americas|Indigenous Amerindian]] background.
  
In August 14, 1943 Mistral's 17-year-old nephew Juan Miguel killed himself. The grief of this death, as well as her responses to tensions of the [[Cold War]] in Europe and the Americas, are the subject of the last volume of poetry published in her lifetime, '''Lagar''', which appeared in 1954.  A final volume of poetry, ''Poema de Chile'', was edited posthumously by her friend Doris Dana, and published in 1967. ''Poema de Chile'' describes the poet's return to Chile after death, in the company of an Indian boy from the [[Atacama]] desert, and an [[Andes|Andean]] deer, the [[huemul]].
+
She received the award in person from [[Gustav V of Sweden|King Gustav of Sweden]] on December 10, 1945. In 1947 she received a doctor honoris causa from [[Mills College]], [[Oakland, California]]. In 1951 she was awarded the long overdue [[National Literature Prize]] in Chile.
 
 
In November 15, 1945, Mistral became the first Latin American woman to receive the [[Nobel Prize in Literature]]. She received the award in person from [[Gustav V of Sweden|King Gustav of Sweden]] on December 10, 1945. In 1947 she received a doctor honoris causa from [[Mills College]], [[Oakland, California]]. In 1951 she was awarded the long overdue [[National Literature Prize]] in Chile.  
 
[[Image:Gabiela Mistral con Santiago Martinez Delgado.jpg|thumb|right|Gabriela Mistral with Master [[Santiago Martínez Delgado]] at [[Columbia University]] in NY, probably 1939.]]
 
  
 
==Selected bibliography==
 
==Selected bibliography==
 
*''Desolación'' (1922)
 
*''Desolación'' (1922)
 +
*''Lagar'' (1954)
 +
*''Lecturas para Mujeres'' (1923)
 
*''Poema de Chile'' (1967, published posthumously)
 
*''Poema de Chile'' (1967, published posthumously)
 
*''Sonetos de la Muerte'' (1914)
 
*''Sonetos de la Muerte'' (1914)
Line 96: Line 96:
  
  
 
*''Lecturas para Mujeres'' (1923)
 
 
*''Nubes Blancas y Breve Descripción de Chile'' (1934)
 
*''Nubes Blancas y Breve Descripción de Chile'' (1934)
 
*''Antología'' (1941)
 
*''Antología'' (1941)
*''Lagar'' (1954)
 
 
*''Recados Contando a Chile'' (1957)
 
*''Recados Contando a Chile'' (1957)
  
Line 114: Line 111:
  
 
==External links==
 
==External links==
*[http://home.wlu.edu/~barnettj/Holding/99/cstovall/newmistral.htm ''Gabriela Mistral''] Retrieved November 11, 2007.
 
 
*[http://www.poetseers.org/nobel_prize_for_literature/gab/ ''Gabriela Mistral (1945)''] ''Poet Seers'' Retrieved November 11, 2007.
 
*[http://www.poetseers.org/nobel_prize_for_literature/gab/ ''Gabriela Mistral (1945)''] ''Poet Seers'' Retrieved November 11, 2007.
 
*[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga''] Retrieved November 11, 2007.
 
*[http://www.kirjasto.sci.fi/gmistral.htm ''Gabriela Mistral (1889-1957) - pseudonym of Lucila Godoy Alcayaga''] Retrieved November 11, 2007.

Revision as of 02:58, 12 November 2007


Lucila Godoy y Alcayaga Nobel Prize.png
Gabriela Mistral-01.jpg
Pseudonym(s): Gabriela Mistral
Born: April 7, 1889
Vicuña, Chile
Died: January 11, 1957
Hempstead, New York
Occupation(s): poet
Nationality: Chilean
Writing period: 1922-1957

Gabriela Mistral (April 7, 1889 – January 11, 1957) was the pseudonym of Lucila Godoy y Alcayaga, a Chilean poet, educator and diplomat who was the first Latin American to win the Nobel Prize in Literature, in 1945. Though her personal life was often struck by tragedy, Mistral played an important role in changing Mexican and Chilean educational systems; and, was active on the cultural committees and societies.[1]

Mistral published over thirty collections of poetry in her lifetime. Some central themes in her poems are nature, betrayal, love (especially maternal love), sorrow and recovery, travel, and Latin American identity as formed from a mixture of Indian and European influences. Mistral's poetry is influenced by her Christian faith and a recurrent theme seen in some of her poems is that of a "rebirth" after death; and, hence, liberation from the world.[2] Some of Mistral's best known poems include: Piececitos de Niño, Balada, Todas Íbamos a ser Reinas, La Oración de la Maestra, El Ángel Guardián, Decálogo del Artista and La Flor del Aire

Life

Mistral was born in Vicuña, a small town in northern Chile. Her parents were both of mixed Basque and Indian heritage.[3] Her father, Jerónimo Godoy, who was a teacher, abandoned the family when she was three years old. She lived with her mother and sister, Emelina, in a small house in the Elqui Valley. Mistral attended rural primary school and Vicuña state secondary school until she was twelve years old. At age fourteen, she began working as a teacher's aide and began to teach classes when she was fifteen.

In 1906, while working as a teacher at La Serena, Mistral met and fell in love with Romelio Ureta, a young railway worker, who killed himself in 1909. The profound effects of death were already in the poet's work; writing about his suicide led Mistral to consider death and life more broadly than previous generations of Latin American poets. The tragedy continued when two of her friends committed suicide in 1942; and, later, when her nephew Juan Miguel committed suicide — he was only seventeen years old. Mistral never married, but adopted a child who subsequently passed away.[4]

After Mistral was invited to help reform the schools in Mexico, she traveled widely and lived in Spain, Portugal, Brazil, Mexico, Central America, the United States, the Antilles and Puerto Rico. She only returned to Chile for two brief visits, in 1938 and 1954. Mistral lived in France and Italy between 1925 and 1934, where she worked for the League for Intellectual Co-operation of the League of Nations. During this period she wrote more than fifty newspaper and magazine articles a year.[5]

Mistral held honorary degrees from the University of Florence and the University of Guatemala.[6]

Her mother, Petronila Alcayaga, died in 1929. Gabriela dedicated the first section of the book Tala (Tree Fall) to her.

As a poet

Around 1913 the pseudonym Gabriela Mistral first appeared. It is believed that Mistral formed her pseudonymn from the two of her favorite poets, Gabriele D'Annunzio and Frédéric Mistral. Under this name she submitted three sonnets under the general title Sonetos de la muerte (Sonnets of Death), which told the story of love and death. She won first prize for these poems in the Juegos Florales contest, organized by the city of Santiago. After this, newspapers and magazines throughout South America began to invite her to write for them.[7] After winning the Juegos Florales she rarely used her given name of Lucila Godoy for her publications.

Mistral published her first collection of poems, Desolación (Despair) in 1922. The main themes of this collection are that of Christian faith, pain and death. In 1924 Ternura (Tenderness), a collection of poems dominated by the theme of childhood, appeared. This publication was followed by Tala in 1938, which also focuses on the theme of childhood, as well as that of maternity.

In November 15, 1945, Mistral became the first Latin American woman to receive the Nobel Prize in Literature.

The death of Mistral's 17-year-old nephew, as well as her responses to tensions of the Cold War in Europe and the Americas, are the subject of the last volume of poetry published in her lifetime, Lagar, which appeared in 1954.

A final volume of poetry, Poema de Chile, was edited posthumously by her friend Doris Dana, and published in 1967. Poema de Chile describes the poet's return to Chile after death, in the company of an Indian boy from the Atacama desert, and an Andean deer, the huemul.

Mistral may be most widely quoted in English for Su Nombre es Hoy (His Name is Today):

“We are guilty of many errors and many faults, but our worst crime is abandoning the children, neglecting the fountain of life. Many of the things we need can wait. The child cannot. Right now is the time his bones are being formed, his blood is being made, and his senses are being developed. To him we cannot answer ‘Tomorrow,’ his name is today.”
File:Gabiela Mistral con Santiago Martinez Delgado.jpg
Gabriela Mistral with Master Santiago Martínez Delgado at Columbia University in NY, probably 1939.

As an educator

In 1918, Mistral was appointed director of a secondary school for girls in rural Punta Arenas.[8] Mistral's advancement in Chile's national school system continued and, in 1921, when she was named director of the newest and most prestigious girls' school in Chile, the Santiago Normal School. This meteoric rise as an educator was due to Mistral's extensive publications, which were directed at a diverse audience from schoolteachers to students to other poets; which included some of Mistral's first texts, such as Diario Radical de Coquimbo and La Voz de Elqui, which were published in a local newspaper in 1905.[9]

She left Chile in 1922, when she was invited to Mexico by that country's Minister of Education, José Vasconcellos, to take part in a program of educational reform. He had her join in the nation's plan to reform libraries and schools, to start a national education system. She introduced mobile libraries to rural areas to make literature more accessible to the poor. In 1923, Mistral was awarded the title of "Teacher of the Nation" by the Chilean government.[10] She left Mexico for Europe in 1924 before returning back to Chile.

Later in life, Mistral taught Spanish literature at Columbia University, Middlebury College, Barnard College, Vassar College and at the University of Puerto Rico.

As a diplomat

She left for Europe in 1926 as an official emissary of the Chilean government. In 1933, Mistral entered the Chilean Foreign Service; and, became an ambassador-at-large for Latin American Culture. She represented Chile as honarary consul in Brazil, Spain, Portugal, Italy and the United States before and during World War II.[11]

Death and legacy

Poor health eventually slowed Mistral's traveling. During the last years of her life she made her home in New York. After a long illness, Mistral died on January 11, 1957 in New York. She ws buried in the cemetary in Montegrande village, in the Elqui Valley, where she lived as a child.[12]

Following her death, American poet Langston Hughes translated a selection of Mistral's verses into English.[13]

The "Gabriela Mistral Prize" was created in 1979.

Wikipedia

A year later she published Lecturas para Mujeres (Readings for Women), a text in prose and verse that celebrates motherhood, childhood education, and nationalism.

As consul in Madrid, she had occasional professional interactions with another Chilean consul and Nobel Prize winner, Pablo Neruda, and she was among the earlier writers to recognize the importance and originality of his work, which she had known while he was a teenager, and she as school director in his home town of Temuco. As Neruda, Gabriela Mistral became a supporter of the Popular Front which led to the election of the Radical Pedro Aguirre Cerda in 1938. She published hundreds of articles in magazines and newspapers throughout the Spanish-speaking world. Among her confidantes were Eduardo Santos, President of Colombia, all of the elected Presidents of Chile from 1922 to her death in 1957, and Eleanor Roosevelt.

Tala appeared in 1938, published in Buenos Aires with the help of longtime friend and correspondent Victoria Ocampo. The proceeds for the sale were devoted to children orphaned by the Spanish Civil War. This volume includes many poems celebrating the customs and folklore of Latin America as well as Mediterranean Europe. Mistral uniquely fuses these locales and concerns, a reflection of her identification as "una india vasca," her European Basque-Indigenous Amerindian background.

She received the award in person from King Gustav of Sweden on December 10, 1945. In 1947 she received a doctor honoris causa from Mills College, Oakland, California. In 1951 she was awarded the long overdue National Literature Prize in Chile.

Selected bibliography

  • Desolación (1922)
  • Lagar (1954)
  • Lecturas para Mujeres (1923)
  • Poema de Chile (1967, published posthumously)
  • Sonetos de la Muerte (1914)
  • Tala (1938)
  • Ternura (1924)


  • Nubes Blancas y Breve Descripción de Chile (1934)
  • Antología (1941)
  • Recados Contando a Chile (1957)

See also

  • Gerardo Martinez
  • Grito de Lares

Notes

References
ISBN links support NWE through referral fees

  • Noble Prize Library New York City: Helvetica Press, Inc., 1971 ASIN: B000GOY51K

External links